Stacks upon stacks of old hardcover books.

2025-2026 course offerings

Many courses in English, Theatre and Film are Special Topics or Honours Seminar courses where the course description changes from year to year. The course descriptions for 2025-2026 are available in Aurora. Please refer to Aurora for the current course descriptions when planning your course registrations. 

What we're up to

  • Dreaming into Systems: Lakota Semiotics and AI

    With Suzanne Kite

    Saturday, January 31, 2026
    1:30 p.m.
    Video Pool Media Arts Centre, 100 Arthur Street

    Centered on dreaming as a method of knowledge production, Suzanne Kite’s work develops symbolic systems drawn from Lakota cosmology and long-term dream research, translating them into visual, performative, and computational forms. Kite will discuss this process through a semiotic lens, focusing on how meaning moves from dream worlds into material, digital, and generative systems. Across sculpture, video, and performance, the presentation examines AI as a medium through which Indigenous symbolic knowledge is carried, transformed, and taught within contemporary art and research contexts.

    Suzanne Kite (Oglála Lakȟóta) is an artist, composer, and scholar whose work merges Lakȟóta knowledge systems with performance, sound, sculpture, and computational media. Her artworks and performances have recently been featured at the 2024 Whitney Biennial; Haus der Kulturen der Welt, Berlin; Center for Art, Research and Alliances (CARA), New York; and the 2024 Shanghai Biennial, among other venues. Kite is Director of the Wíhaŋble S’a Center for Indigenous AI, a National Endowment for the Humanities–designated Humanities Research Center at Bard College, where she is Distinguished Artist in Residence and Assistant Professor of American & Indigenous Studies. 

    The talk will be followed by a discussion panel featuring faculty and students from the Faculty of Architecture.  
     

  • Woman standing in a field of tall purple flowers.

    Sponsored by: UM Strategic Initiatives Support Fund, Faculty of Arts, Faculty of Architecture, Video Pool Media Arts Centre.
    Photo credit: Thatcher Keats

  • Text layed over a photo of a forest at night with the silhouettes of two people in the distance.

    Presented by the Department of English, Theatre, Film & Media's Theatre Program Students.

  • Butler's Marsh

    By Robert Chafe. Directed by Josie Long.

    Tuesday, February 3, 2026 12:00 p.m. & 7:00 p.m.
    Wednesday, February 4, 2026 7:00 p.m.
    John J. Conklin Theatre, Gail Asper Performing Arts Hall, Taché Arts Complex

    FREE

    In the depths of Butler’s Marsh, riddled with tales of malevolent creatures, Nora and Tim seek answers. Nora’s desire to uncover the questions left behind by her family’s history there tangles with questions about her convoluted relationship with Tim. As the night grows darker, the truth becomes most dangerous of all. 

    The play contains violence, strong language, mature themes and flashing lights. Viewer discretion is advised. Runtime is approximately 60 minutes with no intermission. 

  • A collection of student actors dressed in 1800's period clothing.
  • The Shaughraun

    By Dion Boucicault. Directed by Dr. Bill Kerr.

    November 26-29, 2025
     

    Thank you for attending The Shaughraun. Thanks to you, the show was 90% sold out overall with three of five shows hitting a 100% sell-out. We truly thank you for supporting student theatre. 

    Read the review on UMToday

    Presented by the Department of English, Theatre, Film & Media's Theatre Program. 

Programs of study

Student resources and opportunities

Undergraduate guide to studying literature

Questions to ask of a literary text

  1. Who is writing or speaking? Is the author writing in his or her own person, or playing a particular role, or presenting us with one or more characters who are writing or represented as speaking? Is the narrative perspective singular or plural? Does the point of view shift? If so, where does this happen, and why?
  2. What is the writer writing about? Why? What is the purpose of the author or the character(s) in writing or speaking?
  3. To whom is the writer writing, or the speaker speaking? Directly to you, or are you overhearing the author speaking to someone else? How is the audience defined or indicated by the text?
  4. What action is involved, explicitly or implicitly? Is there a sequence of events–a beginning, middle, and end? What causes the action to progress? How are the different stages or events related to one another? Is the order of events as they happened the same as the order of events as they are told? Does the beginning anticipate the ending? Does the ending alter, expand, or change the outlook of its beginning?
  5. When does the action take place? How long does it take? How is time reflected? How is the time of composition related to the time being represented?
  6. Where does the action take place? How well defined is the setting? If there is more than one setting, how are the different settings related?
  7. What kind of language is used? Is there anything distinctive about the diction or forms of sentences? Do the words come from a particular area, trade, or profession? Is the language formal, informal, or slang? What kind of figurative language is used (such as metaphor or symbol) and with what effect? Is the syntax simple or complex? balanced or rambling? How is the writing organized?
  8. In what literary form does the text appear–narrative, dramatic, or lyric (or some combination of these)? Can you readily identify the genre or category in which the piece falls, such as tragedy or comedy, epic or pastoral, sonnet or ballad, romance or satire? Do the conventions of that genre help you better understand the piece?
  9. Is the sound of the language an effective feature? While this question applies especially to poetry, prose also makes use of the rhythms of language and the balance of syntax. If the text appears as poetry, what meter, line length, rhyme, and stanzaic form are used? With what effect? Does the sound suggest a pace of rapid or slow? Are the rhyming sounds linked to the theme? or to the point of view? Do repeated words or lines say the same thing each time they are repeated in a new context?
  10. Can you characterize the tone of the writing? For example is it serious or flippant, sad or happy, confident or questioning, naive or ironic? How is that tone established?
  11. How can you relate these different questions to one another? For example, how does the tone of speaking tell you something about the character of the speaker? How does the kind of language suit the action? Which of the various features are more prominent? most effective? most relevant to the meaning of the piece?
  12. What impression are you left with? What elements in the text helped create that impression? 

    All these questions, you can see, derive from the six basic question words (interrogative pronouns):
    What is it? (Genre) What happens? (Action or narrative form) What does it mean? (Interpretation)
    Who is writing? (Author or Narrator) or speaking? (Character) To whom? (Audience)
    Where and when does it take place? (Setting, Atmosphere)
    Why does the author write? (Purpose) Why does the character do what he or she does? (Motivation)
    How is the work constructed? (Organization, Style)
     

Research

  • Research areas

    • Medieval literature
    • Early modern literature
    • Restoration and 18th century literature
    • Victorian literature
    • Romantic literature
    • Modernism and early 20th century literature
    • 20th century and contemporary literature
    • Postmodernism
  •  

    • Critical theory
    • Post-colonial and world literatures
    • Canadian literature
    • American literature
    • Bibliography and book history
    • Creative writing
    • Film
    • Theatre  
  • Affiliated research areas

    Our department has close affiliations with the following:

Contact us

Department of English, Theatre, Film & Media
620 Fletcher Argue Building
15 Chancellors Circle
University of Manitoba (Fort Garry campus)
Winnipeg, MB R3T 2N2 Canada

204-474-9678
204-474-7669