Stacks upon stacks of old hardcover books.

2025-2026 course offerings

Many courses in English, Theatre and Film are Special Topics or Honours Seminar courses where the course description changes from year to year. The course descriptions for 2025-2026 are available in Aurora. Please refer to Aurora for the current course descriptions when planning your course registrations. 

What we're up to

  • The Lizard People:
    How UFOs, Magic and Mind-Control Explain Visual Culture in the Age of AI

    With Trevor Paglen

    Thursday, January 15, 2026
    7:00 p.m.
    Plug in ICA, Unit 1-460 Portage Avenue
    Reception to follow

    In the era of algorithmic feeds, generative excess, and the attention economy, images have ceased to represent. Instead, they activate, provoking targeted perceptual, emotional, and behavioral responses in both humans and machines. This lecture traces a genealogy of this shift, linking Cold War mind-control experiments and military Psyops with stage magic, UFO mythologies, and contemporary neuro-AI research to expose the deep mechanisms shaping today's visual culture.

    Trevor Paglen is one of the most important artists working today on questions of Al, vision, surveillance, and power. He has contributed to the Academy Award-winning film Citizenfour, created a radioactive public sculpture for the exclusion zone in Fukushima, Japan, and exhibited at major institutions worldwide, including the Smithsonian American Art Museum, the Tate Modern, ana the Metropolitan Museum of Art. 

    Sponsored by: Strategic Initiatives Support Fund, Faculty of Arts, Faculty of Architecture, School of Art

  • Headshot of Trevor Paglen.
  • A collection of student actors dressed in 1800's period clothing.
  • The Shaughraun

    By Dion Boucicault. Directed by Dr. Bill Kerr.

    November 26-29, 2025
     

    Thank you for attending The Shaughraun. Thanks to you, the show was 90% sold out overall with three of five shows hitting a 100% sell-out. We truly thank you for supporting student theatre. 

    Read the review on UMToday

    Presented by the Department of English, Theatre, Film & Media's Theatre Program. 

Programs of study

Student resources and opportunities

Undergraduate guide to studying literature

Questions to ask of a literary text

  1. Who is writing or speaking? Is the author writing in his or her own person, or playing a particular role, or presenting us with one or more characters who are writing or represented as speaking? Is the narrative perspective singular or plural? Does the point of view shift? If so, where does this happen, and why?
  2. What is the writer writing about? Why? What is the purpose of the author or the character(s) in writing or speaking?
  3. To whom is the writer writing, or the speaker speaking? Directly to you, or are you overhearing the author speaking to someone else? How is the audience defined or indicated by the text?
  4. What action is involved, explicitly or implicitly? Is there a sequence of events–a beginning, middle, and end? What causes the action to progress? How are the different stages or events related to one another? Is the order of events as they happened the same as the order of events as they are told? Does the beginning anticipate the ending? Does the ending alter, expand, or change the outlook of its beginning?
  5. When does the action take place? How long does it take? How is time reflected? How is the time of composition related to the time being represented?
  6. Where does the action take place? How well defined is the setting? If there is more than one setting, how are the different settings related?
  7. What kind of language is used? Is there anything distinctive about the diction or forms of sentences? Do the words come from a particular area, trade, or profession? Is the language formal, informal, or slang? What kind of figurative language is used (such as metaphor or symbol) and with what effect? Is the syntax simple or complex? balanced or rambling? How is the writing organized?
  8. In what literary form does the text appear–narrative, dramatic, or lyric (or some combination of these)? Can you readily identify the genre or category in which the piece falls, such as tragedy or comedy, epic or pastoral, sonnet or ballad, romance or satire? Do the conventions of that genre help you better understand the piece?
  9. Is the sound of the language an effective feature? While this question applies especially to poetry, prose also makes use of the rhythms of language and the balance of syntax. If the text appears as poetry, what meter, line length, rhyme, and stanzaic form are used? With what effect? Does the sound suggest a pace of rapid or slow? Are the rhyming sounds linked to the theme? or to the point of view? Do repeated words or lines say the same thing each time they are repeated in a new context?
  10. Can you characterize the tone of the writing? For example is it serious or flippant, sad or happy, confident or questioning, naive or ironic? How is that tone established?
  11. How can you relate these different questions to one another? For example, how does the tone of speaking tell you something about the character of the speaker? How does the kind of language suit the action? Which of the various features are more prominent? most effective? most relevant to the meaning of the piece?
  12. What impression are you left with? What elements in the text helped create that impression? 

    All these questions, you can see, derive from the six basic question words (interrogative pronouns):
    What is it? (Genre) What happens? (Action or narrative form) What does it mean? (Interpretation)
    Who is writing? (Author or Narrator) or speaking? (Character) To whom? (Audience)
    Where and when does it take place? (Setting, Atmosphere)
    Why does the author write? (Purpose) Why does the character do what he or she does? (Motivation)
    How is the work constructed? (Organization, Style)
     

Research

  • Research areas

    • Medieval literature
    • Early modern literature
    • Restoration and 18th century literature
    • Victorian literature
    • Romantic literature
    • Modernism and early 20th century literature
    • 20th century and contemporary literature
    • Postmodernism
  •  

    • Critical theory
    • Post-colonial and world literatures
    • Canadian literature
    • American literature
    • Bibliography and book history
    • Creative writing
    • Film
    • Theatre  
  • Affiliated research areas

    Our department has close affiliations with the following:

Contact us

Department of English, Theatre, Film & Media
620 Fletcher Argue Building
15 Chancellors Circle
University of Manitoba (Fort Garry campus)
Winnipeg, MB R3T 2N2 Canada

204-474-9678
204-474-7669