• Hands working with clay on a black metal machine in a workshop.

    Invited Artist: Rosemary Skool

    By Jaimie Isaac and Suzanne Morrissette
    Winnipeg, Canada

    Our project, ROSEMARY SKOOL, will serve multiple programs including: free store, gallery, venue, and space for public workshops and artistic engagements.

    Inspired by the matriarchs who give ROSEMARY its namesake, ROSEMARY SKOOL looks to kindle moments of engagement that support our cultural values of fierce love, humility, and courage. Thinking about the homes of these matriarchs, ROSEMARY SKOOL strives towards the cultivation of spaces for gathering that are welcoming, generous, and accessible to all our relations to build knowledge together.

    ROSEMARY SKOOL operates without cost to the public or to artists, providing an opportunity which ensures fair pay to arts workers. Its operations are Indigenous-led, through ROSEMARY Gallery. It works in critical discussion with, existing institutional models of equity and diversity initiatives to press for meaningful engagement with underrepresented communities in the arts.

  • Colorful geometric tower on a snowy landscape with people in winter clothing.

    Winner: Prairie Castle

    By Nick Green and Greig Pirrie
    Scotland, United Kingdom

    Grain elevators have long been a symbol of the Prairie Provinces, towering over the plains and earning the affectionate title ‘Prairie Castles’. Our design combines the distinctive forms of these Manitoban icons with features borrowed from rugged ancient castles such as small offset windows and an imposing archway, referencing our home in Scotland.

    Prairie Castle is a memorial to the lost grain elevators of Canada, the many colours of which are combined into a bold pattern wrapped around the tower. Having travelled down the Assiniboine River from prairie to city, collecting fragments of forgotten elevators along the journey, the design brings together the rich and varied stories of the plains into one landmark.

    Visitors drawn to the tower to seek shelter will be greeted by an ever-shifting pattern of shadows and colours, as light falls through coloured windows onto the deep blue interior.

  • A person entering a large, dome-like structure made of branches in a snowy forest with a warm light glowing from inside.

    Winner: The Pom Pom

    By Haoran Deng (Hallen) and Bicen Song (Isla)
    Wan Chai, Hong Kong

    The beaver, a national symbol of Canada, embodies productivity, resourcefulness, and persistence. It teaches teamwork and the importance of individual contributions, symbolizing creativity, cooperation, and harmony. The Pom Pom, resembling a friendly beaver on ice, serves as a temporary public winter shelter, warming visitors and inspiring them with the beaver’s spirit.

    Inspired by the beaver's ball shape when wrapping for heat, the Pom Pom’s form is spherical with a hollow center. The shelter encourages reflection on nature and sustainability. Using natural materials, it highlights living in harmony with the environment, promoting a deeper connection with nature and fostering a sense of community and shared responsibility.

    Imagine a snowy landscape where the Pom Pom stands, its fluffy tree branches glistening with frost. The construction process involves community members, and craftspeople working together, much like a colony of beavers.

    As the sun sets and stars twinkle, the Pom Pom pavilion becomes a magical haven. Visitors are encouraged to engage in communal activities like storytelling, music performances, and workshops, fostering a sense of community and shared purpose.

    This design provides a functional shelter and reminds us of our responsibility to protect and preserve the natural world. Using materials that blend seamlessly with the environment and promoting sustainability, the Pom Pom pavilion embodies the beaver's spirit and invites visitors to reconnect with nature and one another.

    The pavilion starts with wood beams on a wood base. The external finish, made of locally sourced tree branches, repels snow, keeping the interior dry and cozy. These materials are chosen to ensure the structure is both durable and harmonious with its natural surroundings.

    Inside, the pavilion is insulated with natural materials like straw, creating a warm atmosphere.

  • Four stylized toy cars on sloped ramps, colored blue, red with a maple leaf, green, and maroon.

    Winner: Wrong Turn

    By Christopher Loofs, Jordan Loofs, and Kaci Marshall
    Oklahoma City, United States of America

    Wrong Turn brings a playful critique of climate change to life on the frozen river. A vintage car, saved from the wreckers, appears to have crashed through the ice, its body sinking into the frozen surface. Next to the sinking vehicle, a vintage gas pump raises questions—was this an accident, or the intended destination? The installation hopes to bring together the gas-guzzling automobile with a legible site of climate change in the frozen river surface as past winters have become shorter and warmer. The cantilevered design simulates the moment of impact while allowing access to the interior. Inside, two upright seats invite visitors to sit shielded from the wind, providing a space to take a break or retie their skates. LED lights in the installation aim to create a soft, glowing beacon at night, especially in fog, drawing people closer to explore.

    The Poem:
    Wrong Turn
    Norwood Bridge. Wrong Turn. Kerplunk. Looking for gas, now taking a dunk.
    Ice once was thicker, more solid, and colder. Now here I am, swerving off of the shoulder.
    Lo and behold, I did find a pump. Watching my Canso sink like a chump.

    Just wanted a top off, my gas tank to fill. A wrong turn straight to an oil spill.
    Why do we drive these carbon machines? These gassers and guzzlers, oh so unclean!
    Temperatures rising, a walk on thin ice. We spin. We sputter. We roll the dice.

  • University of Manitoba: Tiny Home

    By Faculty of Architecture, University of Manitoba
    Winnipeg, Canada

    For the Warming Huts v2025 we will join forces with the St. Boniface Street Links to research, design, and produce a Tiny Home prototype to serve as transitional housing to the encampment communities the organization supports, which will also be presented as a Warming Hut in 2025. There will be a twofold component to this process:

    ONE — We will research, study, and design a hypothetical Tiny Home community urban plan utilizing a site along the Seine River on Archibald Street, designated to the St. Boniface Street Links by the city. It is the design of a transitional village as a social infrastructure, to serve the rescuing efforts of St. Boniface Street Links outreach program. This urban component will take place during the design studio in the fall term, and will become a long-term research effort.

    TWO — As a culmination of the fall design studio process, we will design a Tiny Home prototype together with our students, Bockstael, and ServcoCanada to be built in January 2025, and presented as a Warming Hut in the Winter Art + Architecture festival. The process will foment the learning of approximately 30 students served by two Design Studios.

  • A small, handmade purple gift box with blue ribbon detailing is partially opened on a gray table. A hand is touching the box.

    School Edition: The Present

    By Staff: Kathryn Laframboise, Jonathan McPhail, and Kurt Hangle
    By Students: Abigail + Grade 10 student body
    Exchange MET School
    Winnipeg, Canada

    Cold and chilly, the snow falling and the wind whistling. In the distance, resting atop the snow, a present resides. Filled not with toys, or games, but memories and sensations. The welcoming crackle of a fire, the rich scent of hot chocolate and pine needles, the warmly tinted lights around the room.

    These are all things that come to mind when we think of the holiday season, things that this warming hut encapsulates.

    The interior is reminiscent of Christmas morning from when we were little, the childlike joy of opening gifts with family and reading story books together.

    To capture this feeling, a real tree will be placed inside and accompanied by walls adorned with beautiful lights and decorations that kindle the warm tenderness hidden underneath the snow.

    Present-shaped seats and a small book library will be inside as well, open to all who’d like to read some familiar tales.

    The exterior mimics that of a present, with ribbon and festive wrapping paper. To form this shelter,

    A wooden frame will be constructed as well as waterproof fabric to act as a ribbon, and an entrance into this holiday magic.

    In this hut the line between our fondest memories and now is blurred; we are children once again, in this hut we are warm. The warmth of a cup of coco. The warmth of excitement leading up to Christmas day. The warmth of an embrace, for with love you’ll forget about this cold and chilly night.