A magnified view of a fly’s head with large compound eyes, surrounded by soil particles and organic matter.

The School of Art Gallery is pleased to present a commissioned body of work by artist Jon Sasaki, created in response to its extensive collection of artworks and artifacts by Group of Seven artist and former School of Art Director, Lionel LeMoine FitzGerald.  

Sasaki’s work interrogates the Canadian landscape painting tradition, the hagiographic value of the artist’s tools, and the creative potential that lies within institutional art collections. Inspired by FitzGerald’s delicate and strangely anthropomorphic renderings of trees, Sasaki has created a series of videos using a tiny endoscopic camera to probe inside the trees around FitzGerald’s former Winnipeg residence, on campus and in local parks, and in driftwood found on the beach near the Fitzgerald family cottage on Bowen Island, British Columbia. The miniature landscapes Sasaki finds and documents are intimate, unsettling, and surprising. I Contain Multitudes explores the many capacities and applications of the gaze--which can be used toward scientific or aesthetic ends, can abstract or clarify, and can romanticize or pathologize.

 

Image: Jon Sasaki, I Contain Multitudes, 2024, endoscopic video, colour, sound. Image courtesy of the artist and Clint Roenisch Gallery.

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