Robert Bringhurst

For information about the work of Robert Bringhurst, please
contact Heather Hodgson: hodgsonh@uregina.ca
If you have corrections to make or information to add,
please send it to the same address.

CONTENTS

Biographical Summary
Preface

A Books & Other Separate Printed Works
B Contributions to Books & Other Separate Works
C Contributions to Periodicals: Poems
D Contributions to Periodicals: Prose
E Edited and Co-edited Works
F Films & Recordings

R Archival Collections
S Critical Studies, Reviews and other Secondary Sources
T Works in Translation

X Chronological Summary

Typographic Annotations

BIOGRAPHICAL SUMMARY

Robert Bringhurst was born October 16, 1946, in the ghetto of South Central Los Angeles. He was the only child of a migratory family, raised in the mountain and desert country of Alberta, Montana, Utah, Wyoming and British Columbia. He spent ten years as an itinerant undergraduate, studying physics, architecture and linguistics at the Massachusetts Institute of Technology, philosophy and oriental languages at the University of Utah, and comparative literature at Indiana University, which gave him a BA in 1973. He had published two books of poems before entering the writing program at the University of British Columbia, which awarded him an MFA in 1975.
From 1977 to 1980 he taught writing and English literature at UBC, and for some years after that made his living as a typographer. He has also been poet-in-residence and writer-in-residence at several universities in North America and Europe.
He has lived in Egypt, Israel, Lebanon, France, Peru, Panama and Japan, as well as the UK, the USA and Canada, and has published translations from Arabic, Greek, French, Italian, Spanish, Navajo and Haida. Since 1985, his linguistic work has concentrated increasingly on Native American languages, especially those of the British Columbia coast.
Bringhurst is first and foremost a poet, but he has published a substantial quantity of prose, invading the domains of art history, typography, linguistics, classical studies and literary criticism, without the least sign of respect for disciplinary boundaries. His book The Elements of Typographic Style (2nd ed., 1996) is now a standard text in its field. His Black Canoe (2nd ed., 1992) is one of the classics in the field of Native American art history, and The Raven Steals the Light, which he cowrote with Haida artist Bill Reid (reissued in 1996 with a new preface by Claude Lévi-Strauss) is among the most popular books in Canada in the field of Native Studies.

PREFACE

This bibliography was begun by Anne Hamilton Tayler in 1983 and has been continued by several hands since 1987. In its present form it lists over 300 publications, nearly 200 studies and reviews of Bringhurst's work by other hands, and 20 translations into other languages: a total of well over 500 items. It includes books, chapbooks, broadsides, contributions to periodicals, edited works, published sound recordings, films, and archival collections of manuscripts and other material by Robert Bringhurst. While we have done our best to list reviews and other publications about Bringhurst, and translations of his works, we are sure that in these areas the bibliography is incomplete.

The following classes of publications are excluded:

1 Early journalism. Bringhurst published a number of articles in student newspapers during the 1960s. He also published some thirty or more reviews of theatre and dance performances, mostly written on assignment for small dailies and weeklies in the USA, during the period 1971­73. During the late 1960 and early 1970s he also worked as a stringer for the weekly Time magazine, contributing "files" which were amalgamated with others by the editors to create the published stories. The bibliography ignores these writings.
2 Signed blurbs on book covers or in advertisements for books by other authors. The only items in this category which have been included, because of their length, are B.1, B.45 and B.64.
3 Early sodalistic writing. During 1984­86, when Bringhurst was actively involved with the League of Canadian Poets and Writers' Union of Canada, several pieces, not of obvious literary interest, were published under his name in the newsletters of these organizations. Copies are included in the archive listed here as R.4, in the National Library of Canada.
4 Books and other publications for which Bringhurst served as unnamed series, house or free-lance contract editor. (To the best of our knowledge, no list of these publications has ever been compiled. If one were made, it might contain 25 or 30 books, published by a variety of trade houses and small presses in Canada and the USA between 1973 and 1992.)
5 Books and other publications designed by Bringhurst but not written or compiled by him. (There are perhaps a hundred of these, chiefly from the period 1972­85. Some are identified by a printed design credit, and some contain colophons attributable to Bringhurst. Handlists identifying these publications are included, along with a nearly complete collection of sample copies, in the archive R.4.)
In short, the bibliography lists primarily works of literature and criticism: poetry, translation, art history, literary criticism, and other forms of literary prose. It includes recordings, films and archival collections as well as printed publications.
The first appearance of any individual poem or other item is marked with a bullet (€). First editions of separate publications are marked with a double bullet (€€). Following every listing of the first known appearance of an item, all known reprintings and revisions are listed. In the listing for each subsequent appearance, the apparent source is given. Where no parenthetical information follows the listing of an item, this is its only known appearance in print. Minor typographic variants are not catalogued as revisions.
Dimensions of separate publications are given in metric units, width followed by height. The ISBN (international standard book number) is given where known, but for separate publications only. Page counts for separate publications give the binder's measure (i.e., they include both printed pages and blanks). Page counts in all other cases include printed pages alone.

These are the symbols and abbreviations used:

€ first appearance of an individual poem or other work
[€] first appearance of a substantive revision
€€ first edition of a book or chapbook
[€€] first printing of a subsequent edition which the author has substantially revised
rpt reprinted without substantive change
rev revised and republished
# incomplete entry
... missing information

A BOOKS & OTHER SEPARATE PRINTED WORKS

A.1 €€The Shipwright's Log. Bloomington, Indiana: Kanchenjunga Press, 1972. 40 p. A few copies in cloth without dustjacket, 18.5 x 22.5 cm; the remainder in paper, 17.5 x 21.5 cm. "Of this first edition, ten copies have been set aside to be bound in boards and full cloth, signed and numbered one through ten. The remainder [250] have been bound in paper covers." [ISBN 0-913600-00-8.] (See also A.1a.)
Poems.
Reviews: S.1.

A.1a The Shipwright's Log. Second Printing, 1973. Paper, 100 copies. Same as A.1, except for the copyright page.

A.2 €€Cadastre. Bloomington, Indiana: Kanchenjunga Press, 1973. 80 p. Paper, 17.5 x 21.5 cm, approx. 300 copies. ISBN 0-913600-03-2.
Poems.
Reviews: S.2.

A.3 €€Deuteronomy. Vancouver: Sono Nis Press, 1974. Chapbook, 8 p. Paper, 14.5 x 23 cm. "This first edition is limited to 150 copies."
Poem.
Translation: in T.Pr.2.

A.4 €Pythagoras. Kanchenjunga Broadsheet No. 2. San Francisco & Vancouver: Kanchenjunga Press, 1974. Broadside, 22 x 56 cm, 500 copies.
Poem.
Translations: T.Pr.1; in T.Pr.2.

A.5 €€Eight Objects. Kanchenjunga Chapbook Nº. 4. San Francisco and Vancouver: Kanchenjunga Press, 1975. 20 p. Paper, 15.5 x 24.5 cm, 250 copies. According to the colophon, "This first edition is limited to 258 copies. Eight of these are signed copies hand bound in boards, boxed and lettered a through h." But the eight hardcover copies were never bound and the sheets apparently destroyed. ISBN 0-913600-39-3.
Poems.
Studies: S.159. Translations: T.Ch.1­3 (excerpts); T.Cz.3 (excerpt); T.Pr.1 (excerpt); in T.Pr.2.

A.6 €€Bergschrund. Vancouver: Sono Nis Press, 1975. 104 p. Cloth in dustjacket, 16 x 23.5 cm. [ISBN 0-919462-14-6.] (See also A.6a.)
Poems.
Reviews: S.3, S.4, S.5, S.6, S.7, S.8, S.12, S.15. Translation: T.Pr.1 (excerpts).

A.6a Bergschrund. Paper, 15 x 23 cm. Same as A.6 except for the binding.
A.7 €€Jacob Singing. Kanchenjunga Chapbook No. 8. San Francisco and Vancouver: Kanchenjunga Press, 1977. 12 p. Paper, 20.5 x 30.5 cm. "This first edition consists of fifty copies signed and numbered I through L Š and one hundred copies signed and numbered 1 through 100." ISBN 0-913600-52-0.
Poem.
Reviews: S.10, S.11, S.15. Translation: in T.Pr.2.

A.8 €Death by Water. Vancouver: University of British Columbia Library Press, 1977. Broadside, 61 x 40 cm, 20 copies on handmade paper; also issued as 51 x 38 cm, approx. 100 copies on newsprint.
Poem.
Translation: in T.Pr.2; T.It.3.

A.9 €€The Stonecutter's Horses. Vancouver: Standard Editions [Pulp Press and William Hoffer], 1979. Chapbook, 12 p. Paper, 19.5 x 28 cm. "This first edition Š has been printed in an edition of 350 copies, of which 10, lettered A to J, are signed by the authorŠ, 40, numbered 11 to 50, are signed by the author and 300 are numbered 51 to 350."
Poem.
Reviews & studies: S.15, S.128. Translation: in T.Pr.2.

A.10 €The Knife in the Measure: Variation on a theme by Li Shang-yin. Steelhead, British Columbia: Barbarian Press, 1980. Broadside, 25.5 x 39 cm, in a folder 33 x 51 cm. Issued both separately and as part of a boxed portfolio: Albion Broadsheets 1980­81 (Barbarian Press, 1981). Approx. 100 copies in total.
Translation from Chinese.
Reviews: S.20.

A.11 Song of the Summit. Toronto: Dreadnaught Press, 1982. Broadside, 19 x 12.5 cm. One of a set of 15 Dreadnaught broadsides issued for the 1982 National Book Festival.
Poem.

A.12 €€Tzuhalem's Mountain: A Sonata in Three Movements. Lantzville, British Columbia: Oolichan Books, 1982. 40 p. Cloth without dustjacket, 17.5 x 28.5 cm. "The edition is limited to 250 copies, the first 26 of which are lettered A­Z and the remaining 224 of which are numbered with Arabic numerals, all copies being signed by the author." ISBN 0-88982-044-9.
Poem.
Reviews: S.21. Translations: T.Cz.1­4 (excerpts); in T.Pr.2.

A.13 €The Salute by Tasting. Vancouver: Slug Press, 1982. Broadside, 43 x 23.5 cm. "Published in an edition of 100 copies, numbered and signed."
Poem.
Translation: in T.Pr.2.

A.14 €€The Beauty of the Weapons: Selected Poems 1972­1982. Toronto: McClelland and Stewart, 1982. 160 p. Paper, 14 x 21.5 cm. ISBN 0-7710-1660-3. (See also A.14a, A.26.)
Poems.
Reviews & studies: S.16, S.17, S.18, S.19, S.21, S.22, S.23, S.24, S.25, S.37, S.53, S.128, S.159. Translations: T.Ch.1­3 (excerpts); T.Cz.1­4 (excerpts); T.Du.1 (excerpt); T.It.1 (excerpts); T.It.2­3 (excerpts); T.Pr.2 (complete).

A.14a The Beauty of the Weapons. Toronto: McClelland and Stewart. Second printing, 1984. 160 p. Paper. Same as A.14, except for the copyright page.

A.15 €Some Notes on Verse and Versification. Vancouver: Privately printed, 1982. 20 p. Stapled sheets, 21.5 x 28 cm. Approx. 50 copies.
Essay, printed for private circulation to members of the Literary Storefront Poetry Seminar, Vancouver.

A.16 €The Book and Its Form: An Historical Anatomy of Literate Culture. Vancouver: Simon Fraser University, 1983. Folded sheet, [4] p., 17 x 28 cm.
Prospectus for and synopsis of a series of lectures.

A.17 [€]What Kinds of Verse are There? Banff, Alberta: Privately printed, 1983. 20 p. Unbound sheets, 21.5 x 28 cm. Approx. 25 copies.
Revised version of A.15, printed for private circulation to members of the Advanced Writing Program at The Banff Centre, November 1983.

A.18 €€Ocean/Paper/Stone: The catalogue of an exhibition of printed objects which chronicle more than a century of literary publishing in British Columbia. Vancouver: William Hoffer, 1984. 112 p. Paper, 14 x 21.5 cm. ISBN 0-919758-07-X. (See also A.34.)
Exhibition catalogue.
Reviews: S.44, S.48, S.65.

A.19 Death by Water. Mission, British Columbia: [student workshop at] Barbarian Press, 1984. Chapbook, [4] p. Paper, 13.5 x 21.5 cm, approx. 15 copies.
Poem.

A.20 The Book and Its Form: An Historical Anatomy of Literate Culture. Vancouver: Simon Fraser University, 1984. Folded sheet, [4] p., 17 x 28 cm.
Revision of A.16.
A.21 The Book and Its Form. Vancouver: Simon Fraser University, 1984. [65] leaves. In three-ring binder, 26 x 31 cm. Approx. 50 copies.
Reference materials distributed to participants in Bringhurst's lecture series of the same name (see A.20).

A.22 €€The Raven Steals the Light. Drawings by Bill Reid; stories by Bill Reid and Robert Bringhurst. Vancouver & Toronto: Douglas & McIntyre; Seattle: University of Washington Press, 1984. 96 p. Cloth in dustjacket, 24.5 x 27.5 cm. ISBN 0-88894-447-0 (Canada); 0-295-96158-9 (USA). (See also A.22a, A.22b, A.30, A.51, A.52.)
Reviews: S.45, S.46, S.47, S.50, S.51, S.57, S.69, S.94.
Adaptations: S.103.
Studies: S.155.
Translation: T.Fr.1.

A.22a The Raven Steals the Light. Limited edition of 150 copies. Cloth in slipcase, without dustjacket. Vancouver & Toronto: Douglas & McIntyre; Seattle: University of Washington Press, 1984. ISBN 0-88894-451-9 (Canada); 0-295-96194-5 (USA). Same as A.22, except for the binding, tipped-in frontispiece, colophon and copyright page.

A.22b The Raven Steals the Light. Drawings by Bill Reid; stories by Bill Reid and Robert Bringhurst. Vancouver & Toronto: Douglas & McIntyre; Seattle: University of Washington Press. First paperbound edition, 1988. 96 p. Paper, 23.5 x 26.5 cm. ISBN 0-88894-607-4 (Canada) & 0-295-96667-X (USA). Paperbound edition of A.22.

A.23 €Saraha. Lexington, Kentucky: The King Library Press, 1984. Folded broadside, 26 x 33.5 cm. "Published in an edition of 150 copies, numbered and signed."
Poem.
Translation: T.Cz.2.

A.24 An Augury. [Ithaca, New York]: Cornell University Council on Creative and Performing Arts. 1984. Broadside, 27 x 43 cm.
Poem, issued as promotion piece for a reading.

A.24a An Augury. Flyer, 21.5 x 28 cm. Same as A.24 but in a reduced size.

A.25 "Thirty Words for Deborah Peaker." Toronto: The Writers' Union of Canada, [1985]. Single sheet, 21.5 x 28 cm.
Poem, issued as promotion piece for a reading tour of Australia and New Zealand.

A.26 The Beauty of the Weapons. Port Townsend, Washington: Copper Canyon Press, 1985. First US edition. 160 p. Paper. Offset from the Canadian edition (A.14). Same as A.14, except for the title page, copyright page and cover. ISBN 0-914742-90-6.
Reviews: S.55, S.60, S.61.

A.27 €€Tending the Fire. Alcuin Chapbook No. 6. Vancouver: The Alcuin Society, 1985. [16] p. Paper, 14.5 x 24 cm. "The edition is limited to 126 copies, of which 26, lettered, are for the author's own use and 100, numbered and signed by the author, are for sale." ISBN 0-919026-14-1.
Poem.
Reviews: S.56, S.126.

A.28 €Rubus ursinus: A Prayer for the Blackberry Harvest. [Mission, B.C.: Barbarian Press, 1985.] Broadside, 26 x 33 cm. According to the colophon, there are 126 copies. In fact, the edition consisted of only 25 signed and numbered copies, numbered from 1/126 through 25/126, with perhaps a few unnumbered strays.
Poem.

A.29 €€Shovels, Shoes and the Slow Rotation of Letters: A Feuilleton for John Dreyfus. Vancouver: The Alcuin Society, 1986. 16 p. Paper. "The edition is limited to 600 copies." Approx. 450 were printed on grey paper, 14 x 21.5 cm, and 150 on beige, 14 x 22 cm.
Essay.
Reviews: S.59.

A.30 The Raven Steals the Light/O-karasu ga hikari o nusumu. Stories by Robert Bringhurst and Bill Reid; drawings by Bill Reid. Edited with notes by Kenji Tamura, Seiki Tago and Yukio Tsuda. Osaka: Osaka Kyoiku Tosho, [1986]. vi + 90 p. Paper, in dustjacket, 15 x 21 cm. ISBN 4-271-11221-6.
Englsh text of A.22 with introduction and notes in Japanese.

A.31 €€The Blue Roofs of Japan: A Score for Interpenetrating Voices. Mission, B.C.: Barbarian Press, 1986. [28] p. Paper, sidelaced, 19.5 x 28.5 cm. "100 copies, hand-numbered in Roman numerals & signedŠ." ISBN 0-920971-05-9.
Poem.
Reviews: S.73.

A.31a The Blue Roofs of Japan. Vancouver: William Hoffer, 1986. [28] p. Paper, sidelaced, 19.5 x 28.5 cm. "150 copies, hand-numbered in Arabic numerals & signedŠ." Same as A.31 except for cover, copyright page, title page, paper, and details of artwork and design. ISBN 0-919758-17-7.

A.32 €€Pieces of Map, Pieces of Music. Toronto: McClelland and Stewart, 1986. With calligraphy by Yim Tse. 128 p. Paper, 14 x 21.5 cm. ISBN 0-7710-1661-1. (See also A.35.)
Poems.
Reviews: S.62, S.64, S.66, S.67, S.71, S.74, S.83, S.84, S.95.
Translations: T.Cz.2 (excerpts), T.It.3 (excerpts).

A.33 €€Conversations with a Toad. Vancouver, B.C. and Shawinigan, Québec: Éditions Lucie Lambert, 1987. [25] p. Accordion-fold codex in cloth-covered boards, 26.5 x 34.5 cm. According to the colophon, the edition consists of 55 numbered copies, including the eleven deluxe copies (A.33a), numbered 1­11. Evidently, fewer than forty copies were bound, including the eleven deluxe. Thus the regular edition consists of no more than 29 bound copies with the remainder in sheets. All copies are signed by author and artist. The papers were advertised as hankusa for the deluxe edition (A.33a) and kizuki hosho for the remainder (A.33), but in some copies the papers (not easily distinguished) were evidently mixed. (See also A.33a.)
Poem with woodcut illustrations.
Reviews: S.70, S.76, S.84, S.91, S.127.
Translations: T.Fr.3 (excerpts).

A.33a €€Conversations with a Toad. Deluxe edition of eleven copies, printed on hankusa, with silver medallion inset into front cover, and including one of the artist's eleven original drawings. Otherwise the same as A.33.

A.34 €Pebble/Pond/Errata Slip: A Codicil to Ocean/Paper/Stone. Vancouver: privately printed. 1987. 8 p. Paper. 14 x 21.5 cm. "Printed Š in a few copies to commemorate the annual meeting of the Bibliographical Society of Canada, Vancouver, June 1987, and in a few more for distribution to members of The Alcuin Society." Issued as a separate item and as an insert to issue 69 of the Alcuin Society's journal, Amphora (see D.44).
Comments and corrections to A.18.

A.35 Pieces of Map, Pieces of Music. Port Townsend, Washington: Copper Canyon Press. 1987. First US edition. 128 p. Paper. Same as A.32 except for the title page, copyright page, acknowledgements, cover, and occasional minor typographic changes. ISBN 0-55659-003-2.
Reviews: S.72, S.78, S.79, S.80, S.86, S.90, S.96, S.97.

A.36 €€Part of the Land, Part of the Water: A History of the Yukon Indians. Catharine McClellan, with Lucie Birckel, Robert Bringhurst, James A. Fall, Carol McCarthy and Janice R. Sheppard. Vancouver & Toronto: Douglas & McIntyre, 1987. vi + 330 p. Trade edition bound in cloth with dustjacket, school edition in printed paper over boards, 22 x 28.5 cm. ISBN 0-88894-553-1.
Textbook for Yukon schools.
Reviews: S.81.

A.37 1989 Desk Calendar. Vancouver: Benwell-Atkins Ltd., 1988. Unpaged. Spiral-bound paper, 21 x 21 cm. Authorship of the included text matter is indicated only on the copyright page.
Typographic illustrations and commentary threaded through a calendar issued by a Vancouver printing firm.

A.38 €A Maxim. Chilliwack, B.C.: Barbarian Press & Fraser Valley Regional Library, 1990. Broadside, 25.5 x 27 cm. Perhaps 60 copies.

A.39 €€The Black Canoe: Bill Reid and the Spirit of Haida Gwaii. Text by Robert Bringhurst; photos by Ulli Steltzer. Vancouver/Toronto: Douglas & McIntyre, 1991. 176 p. Cloth in dustjacket, 23.5 x 27.5 cm. ISBN 0-88894-679-1. (See also A.39a, A.40, A.41, A.41a, F.3.)
Prose.
Reviews: S.109, S.110, S.111, S.112, S.113, S.114, S.115, S.116, S.117, S.118, S.119, S.120, S.120a, S.122.

A.39a The Black Canoe: Bill Reid and the Spirit of Haida Gwaii. Text by Robert Bringhurst; photos by Ulli Steltzer. Vancouver/Toronto: Douglas & McIntyre; Seattle: University of Washington Press, 1991. 176 p. Cloth in dustjacket, 23.5 x 27.5 cm. ISBN 0-88894-679-1 (Canada); 0-295-97144-4 (USA). Same as A.39 except for the title page, copyright page and jacket.
Revised as A.41, A.41a.

A.40 €The Spirit of Haida Gwaii. Washington, DC: Canadian Embassy [1992]. Four-panel folding brochure, 10 x 23 cm.
Prose.
Translation: T.Fr.2.

A.41 [€€]The Black Canoe: Bill Reid and the Spirit of Haida Gwaii. Text by Robert Bringhurst; photos by Ulli Steltzer. Second, augmented edition. Vancouver/Toronto: Douglas & McIntyre, 1992. 176 p. Cloth in dustjacket, 23.5 x 27.5 cm. ISBN 1-55054-037-8. (See also A.41a.)
Reviews: S.133, S.141.

A.41a The Black Canoe: Bill Reid and the Spirit of Haida Gwaii. Text by Robert Bringhurst; photos by Ulli Steltzer. First paperbound edition. Vancouver/Toronto: Douglas & McIntyre, 1995. 176 p. Paper, 23 x 27 cm. ISBN 1-55054-403-9.

A.42 €€The Elements of Typographic Style. Point Roberts, Washington & Vancouver, B.C.: Hartley & Marks, 1992. 256 p. Cloth in dustjacket. 14 x 23.5 cm. ISBN 0-88179-110-5. (See also A.42a.)
Prose. Revised as A.42b, A.42c, A.42d, A.55; A.55a, A.57, A.57a. Excerpts reprinted in A.44, A.46, A.50.
Reviews: S.123, S.130, S.131, S.132, S.134, S.135, S.136, S.137, S.138, S.140, S.143, S.149, S.151, S.165, S.166, S.172.

A.42a The Elements of Typographic Style. Paper, 13 x 23 cm. ISBN 0-88179-033-8.
Same as A.42 except for the binding and dustjacket.

A.42b [€]The Elements of Typographic Style. Point Roberts, Washington & Vancouver, B.C.: Hartley & Marks, 1992 [1994]. 256 p. Paper. 14 x 23.5 cm. ISBN 0-88179-033-8.
Amended second printing of A.42.

A.42c The Elements of Typographic Style. Point Roberts, Washington & Vancouver, B.C.: Hartley & Marks, 1992 [1994]. 256 p. Paper. 14 x 23.5 cm. ISBN 0-88179-033-8.
Amended third printing of A.42.

A.42d The Elements of Typographic Style. Point Roberts, Washington & Vancouver, B.C.: Hartley & Marks, 1992 [1994]. 256 p. Cloth in dustjacket. 14 x 23.5 cm. ISBN 0-88179-110-5.
Hardcover version of A.42c.

A.43 €€The Ballad of Alastair Poltroon. [Oakland, California]: Whut the Press, 1993. 4 pp, loose in paper wrapper. 13.5 x 21.5 cm.
Rhyming lampoon, published anonymously in response to S.132, a review of The Elements of Typographic Style (A.42).

A.44 A Well Made Book [sic]. Minneapolis: Coffee House Press, 1993. Broadside, 28 x 19 cm.
Excerpt from §1.1.2 of The Elements of Typographic Style (A.42).

A.45 Trial design proof for a projected edition of 'New World Suite Nº 3'. Mission, British Columbia: Barbarian Press, 1993. Broadside, 31.5 x 41 cm. (See also A.60.)
€One-page excerpt from the second movement of New World Suite Nº 3. One copy was printed for exhibit at the Clark Library, Los Angeles, in the fall of 1993. A small number of additional copies are known to exist.

A.46 Typographic Style. New York: Oliphant Press, [1994]. Broadside, 25.5 x 33 cm.
Excerpt from §7.3.6 of The Elements of Typographic Style (A.42).

A.47 €€The Calling: Selected Poems 1970­1995. Toronto: McClelland & Stewart, 1995. 256 p. Paper. 14 x 22 cm. ISBN 0-7710-1651-4.
Poems.
Reviews: S.161, S.162, S.163, S.164, S.167, S.168, S.170, S.171, S.174, S.186, S.188.
#A.48 €€Lyell Island Variations. Calligraphy by Diane Amarotico; gouache, watercolor and torn paper illustrations by John Goodyear; oasis goatskin binding and box by Carol Joyce. 1995. ... p. 19 x 31 cm. Manuscript book produced in an edition of four copies.
Poem.

A.49 €€Elements. Text by Robert Bringhurst; drawings by Ulf Nilsen; designed and printed by Russell Maret. New York: Kuboaa Press. 1995. [17 + 21] p. 24.5 x 24.5 cm.
Poem, with four portfolios of illustrations.

A.49a Prospectus for Elements (A.49). Riverside, Connecticut: Kuboaa Press. 1995. [8] p. 13.5 x 22 cm.
Includes an excerpt from A.49.

A.50 A Book is a flexible mirror.Š [Vancouver: Hartley & Marks, 1996.] Broadside, 28 x 48 cm.
Excerpt from chapter 8 of The Elements of Typographic Style (A.42).

A.51 The Raven Steals the Light. Boston: Shambhala Publications, 1996. xiv + 156 p. 11 x 13 cm. ISBN 1-57062-173-X.
Pocket edition of A.22. Includes English translation of the preface by Claude Lévi-Strauss, published in French in T.Fr.1.

A.52 The Raven Steals the Light. Vancouver/Toronto: Douglas & McIntyre; Seattle: University of Washington Press. 1996. 112 p. 15 x 21.5 cm. ISBN 0-55054-481-0 (Canada) & 0-295-97524-5 (USA).
A larger version of A.51.

A.53 Tiantong Rujing. [Vancouver: University of British Columbia. 1996.] Broadside, 21.5 x 28 cm.
Poem, issued as promotion piece for a reading.

A.53a Tiantong Rujing. Flyer, 11 x 14 cm. Same as A.53 but in a reduced size.

A.54 Tending the Fire. n.p. [Regina, Saskatchewan], 1996. 8 p. Paper, 14 x 21.5 cm. "100 copies Š reformatted and printed by Heather Hodgson with the permission of Robert Bringhurst."
New edition of A.32.

A.54a Tending the Fire. Regina, Saskatchewan, 1997. 8 p. Paper, 14 x 21.5 cm. Issued in a printed envelope bearing a short text by the Cree elder Êkosi (Christine Wilna Hodgson) and a folded sheet entitled "Robert Bringhurst: Biographical Sketches," by Heather Hodgson. "100 copies Š printed by Heather Hodgson for delegates attending the 36th Canadian Regional ConferenceŠ." (A variant edition of A.54.)
A.55 [€€] The Elements of Typographic Style. 2nd edition. Point Roberts, Washington & Vancouver, B.C.: Hartley & Marks, 1996. 352 p. Paper, 13 x 23 cm. ISBN 0-88179-132-6.
Revised from A.42 & A.42c. (See also A.55a, A.57.)
Reviews: S.180, S.181, S.182, S.183, S.184.
Studies: S.185.

A.55a The Elements of Typographic Style. 2nd edition. Point Roberts, Washington & Vancouver, B.C.: Hartley & Marks, 1996. 352 p. Cloth in dustjacket. 14 x 23.5 cm. ISBN 0-88179-133-4.
Clothbound edition of A.55.

A.56 €€Boats is Saintlier than Captains: Thirteen Ways of Looking at Morality and Design. [New York]: Edition Rhino, 1997. [24] p. 19 x 33 cm. "Šdesigned by Russell Maret, & printed Š in an edition of 100." (See also A.56a.)
Essay.

A.56a Prospectus for Boats is Saintlier than Captains: Thirteen Ways of Looking at Morality and Design. New York: Edition Rhino, 1997. 4 p. 19 x 33 cm.
Excerpt from a.56, with the publisher's advertising copy.

A.57 The Elements of Typographic Style. 2nd edition, corrected 2nd printing. Point Roberts, Washington & Vancouver, B.C.: Hartley & Marks, 1997. 352 p. Paper, 13 x 23 cm. ISBN 0-88179-132-6.
Extensively amended second printing of A.55, with a different cover.

A.57a The Elements of Typographic Style. 2nd edition, corrected 2nd printing. Point Roberts, Washington & Vancouver, B.C.: Hartley & Marks, 1997. 352 p. Cloth in dustjacket, 14 x 23.5 cm. ISBN 0-88179-133-4.
Hardcover edition of A.57.

#A.58 €€A Short History of the Printed Word, by Warren Chappell, revised and updated by Robert Bringhurst. Point Roberts, Washington: Hartley & Marks. 1998.

#A.59 €€A Story as Sharp as a Knife: An Introduction to Classical Haida Literature. Vancouver/Toronto: Douglas & McIntyre, 1998. ... p. 152 x 230 cm. ISBN 0-55054-492-6.

#A.60 €€New World Suite Nº 3. Mission, British Columbia: Barbarian Press. Forthcoming, probably 1998. ... p. ... cm. (See also A.45.)
Poem. Includes audio recording of New World Suite nº 3 and other poems, in the form of a compact disc (F.4).

#A.61 €€The Book of Silences. Los Angeles: Ninja Press. Forthcoming, probably 1998.
Poems.


B CONTRIBUTIONS TO BOOKS & OTHER SEPARATE WORKS

B.1 In Nothing Speaks for the Blue Moraines: New and Selected Poems by J. Michael Yates. Delta, British Columbia: Sono Nis Press, 1973: front flap of dustjacket.
Lengthy front flap copy signed by Bringhurst. (See also D.9.)

B.2 In Pomegranate: A Selected Anthology of Vancouver Poetry, edited by Nellie McClung. Vancouver: Intermedia Press, 1975: p 10.
"Essay on Adam" (from A.6).

B.3 In Propagation, compiled by Scott Laurence Booth. Rochester, New York & Aldan, Pennsylvania: S.L. Booth, [1975]: p [29]. 75 copies, numbered and signed by the printer/compiler. A book of "graphic directions," in which poems are vehicles for typographic experiments; "incorporated into [the] degree requirements" of the compiler at the Rochester Institute of Technology.
"Essay on Adam" (from C.11).

B.4 In The Poets of Canada, edited by John Robert Colombo. Edmonton: Hurtig Publishers, 1978: pp 273­274.
"Essay on Adam" (from A.6).

B.5 In Aurora: New Canadian Writing 1978, edited by Morris Wolfe. Toronto & New York: Doubleday, 1978: pp 121­122.
€"Six Epitaphs" (reprinted in A.14).

B.6 In The Pushcart Prize, IV: Best of the Small Presses, edited by Bill Henderson. 1979­80 edition. New York: Pushcart Book Press, 1979: pp 495­499.
"The Stonecutter's Horses" (from C.32).

B.6a In The Pushcart Prize, IV. New York: Avon Books, 1979: pp 495­499. Paperbound edition of B.6.
same as B.6.

B.7 In Quingumbo: Nova Poesia Norte-Americana, organização de Kerry Shawn Keys. São Paulo: Editora e Livraria Escrita, 1980: pp 277­299. Bilingual anthology (English and Portuguese).
"Anecdote of the Squid," "Essay on Adam," "Poem about Crystal," "A Quadratic Equation," "Genesis Frozen," "Scholium," "An Augury," "Song of the Summit," "The Beauty of the Weapons," "Some Ciphers," "Pythagoras" (All from A.6, except "The Beauty of the Weapons," from A.1). With Portuguese translations by several hands. See also T.Pr.1.

B.8 In The Maple Laugh Forever: An Anthology of Canadian Comic Poetry, edited by Douglas Barbour and Stephen Scobie. Edmonton: Hurtig Publishers, 1981: p 164.
€"McGillicutty's Fundamentalism."

B.9 In News and Weather: Seven Canadian Poets, edited by August Kleinzahler. Ilderton, Ontario: Brick Books, 1982: pp 10­16.
"Death by Water" (from A.8); "Ararat" (from A.6); "Song of the Summit" (from A.6); [€]"Jacob Singing" (revised from A.7).

B.10 In The New Oxford Book of Canadian Verse in English, edited by Margaret Atwood. Toronto/London/New York: Oxford University Press, 1982: pp 438­442.
"Deuteronomy" (from A.6); "These Poems, She Said" (from C.38); "Notes to the Reader" (from A.6).

B.11 In Tasks of Passion: Dennis Lee at Mid-Career, edited Karen Mulhallen, Donna Bennett and Russell Brown. Toronto: Descant Editions, 1982: pp 57­81. Same as D.21, except for the title page and binding.
Essay, "At Home in the Difficult World."

B.12 In Lords of Winter and of Love: A Book of Canadian Love Poems in English and French, edited by Barry Callaghan. Toronto: Exile Editions, 1983: p 87.
"These Poems, She Said" (from A.14).

B.13 In An Anthology of Canadian Literature in English, vol 2, edited by Donna Bennett and Russell Brown. Toronto: Oxford University Press, 1983: pp 623­626. (See also B.36.)
"Deuteronomy," "Essay on Adam," "These Poems, She Said" (all from A.14).

B.14 In Here is a Poem: An Anthology of Canadian Poetry, edited by Florence McNeil. Toronto: The League of Canadian Poets, 1983: pp 93, 144.
"Some Ciphers" (from A.6); €"Principles of Composition, Part II."

B.15 In Sun and Steel: New European/American Work, edited by Alfred Kren. New York: Serra di Felice, 1984: p [47]. Catalogue of an exhibition of painting and sculpture, held in New York City, 17 May­16 June, 1984.
"Stone-Lathe and Wing" (from A.14), accompanying the work of sculptor Amy Purcell.

B.16 In Canadian Writers in 1984, edited by W.H. New. Vancouver: University of British Columbia Press, 1984: pp 48­49. Same as C.42, except for the title page and binding.
"Two Variations" (not to be confused with "Two Variations" in A.14).

B.17 In The Penguin Book of Canadian Verse, edited by Ralph Gustafson. 4th rev. ed. Harmondsworth, Middlesex: Penguin Books, 1984: pp 340­342.
"Xenophanes" (from A.14); "Essay on Adam" (from A.6); "Poem about Crystal" (from A.6).

B.18 In The New Canadian Poets, 1970­1985, edited by Dennis Lee. Toronto: McClelland and Stewart, 1985: pp 26­39.
"These Poems, She Said"; "Deuteronomy"; "Demokritos"; "Leda and the Swan"; "The Stonecutter's Horses" (all from A.14); "Saraha" (from A.23).

B.19 In Selected Poems, 1933­1980, by George Faludy. Toronto: McClelland and Stewart, 1985: pp 55­56.
"Noon to Sunset" (translation from Hungarian, in collaboration with the author).

B.20 In Vancouver: Soul of a City, edited by Gary Geddes. Vancouver/Toronto: Douglas & McIntyre, 1986: pp 223­224.
"Anecdote of the Squid" (from A.14).

B.21 In Vancouver Poetry, edited by Allan Safarik. Winlaw, B.C.: Polestar Press, 1986: p 165.
"Death by Water" (from A.14).

B.22 In From Hand to Hand: A Gathering of Book Arts in British Columbia, edited by Anne H. Tayler & Megan J. Nelson. Vancouver: The Alcuin Society, 1986: pp 117­134.
Essay, €"Typography & Type Design," with catalogue descriptions and illustrations. Same as D.37.

B.23 In A Gathering of Smoke: Gopiah's South Indian Prose-Poem Journals, by Kerry Shawn Keys. Calcutta: The Writers Workshop, 1986: pp 5­6.
Untitled commentary.

B.24 In Skelton at 60, edited by Barbara Turner. Erin, Ontario: The Porcupine's Quill, 1986: pp 84­91.
Essay, €"Of Gladness as a Moral Force in Time."

B.25 In Canadian Short Fiction, edited by W.H. New. Scarborough, Ontario: Prentice-Hall, 1986: pp 19­21.
"The Raven and the First Men" (from A.22).

B.26 In Poesia canadese del Novecento, Testi inglesi e traduzione a cura di Caterina Ricciardi. Napoli: Liguori Editore, 1987: pp 346­349. Bilingual anthology (English and Italian).
"Notes to the Reader" (from A.6) and "These Poems, She Said" (from A.14), with Italian translations. See also T.It.1.

B.27 In Fifteen Canadian Poets Times Two, edited by Gary Geddes. Toronto: Oxford University Press, 1988: pp 490­505.
"The Beauty of the Weapons," "The Sun and Moon," "Poem about Crystal," "Anecdote of the Squid," "Xenophanes," "The Stonecutter's Horses," "The Song of Ptahhotep" (all from A.14), "For the Bones of Josef Mengele, Disinterred June 1985" (from A.32). See also S.89.

B.28 In Everyone Leans, Each on Each Other: Words for John Newlove on the Occasion of His Fiftieth Birthday, [edited by John Metcalf. Ottawa:] The Bastard Press, 1988: unpaged.
€A poem, "Breakfast."

B.29 In Best Canadian Essays 1989, edited by Douglas Fetherling. Saskatoon: Fifth House, 1989: pp 185­194.
[€]"Off the Road: Journeys in the Past, Present and Future of Canadian Literature" (revised from D.52).

B.30 In The Macmillan Anthology 2, edited by John Metcalf & Leon Rooke. Toronto: Macmillan, 1989: pp 212­214.
"Reflections on the Stone Age" (revised excerpt from D.52).

B.31 In Canadian Travellers in Italy, edited by Barry Callaghan. Toronto: Exile Editions, 1989: pp 15­20.
"The Stone Cutter's [sic] Horses" (from A.14).

B.32 In Native Writers and Canadian Writing, edited by W.H. New. Vancouver: UBC Press, 1990: pp 32­47. Same as D.58, except for the title page and binding.
Essay, "That Also is You: Some Classics of Native Canadian Literature."

B.33 In Words We Call Home: Celebrating Creative Writing at UBC, edited by Linda Svendsen. Vancouver: University of British Columbia Press, 1990: pp 26­29.
"Jacob Singing" (from A.14), with a short prologue discussing the genesis of the poem.

#B.34 In Mythic Voices, edited by Celia Lottridge. Scarborough, Ontario: Nelson Canada, 1990: pp ....
"The Raven Steals the Light" and "The Raven with a Broken Beak" (from A.22).

B.35 In Soho Square III, edited by Alberto Manguel. London: Bloomsbury, 1990: pp 224­228
[€]"All the Desanctified Places" (revised from C.60).

B.36 In An Anthology of Canadian Literature in English, revised & abridged edition, edited by Russell Brown, Donna Bennett & Nathalie Cooke. Toronto: Oxford University Press, 1990: pp 695­699.
"Deuteronomy," "Essay on Adam," "These Poems, She Said" (all from B.13, of which this is an updated edition).

B.37 In Towards 2000, edited by Ron Clark & Martha Gould. Saskatoon: Fifth House, 1991: pp 52­55, 73.
[€]"All the Desanctified Places" (revised from C.60) and €"Winter Solstice: Clearwater River" (revised as "Winter Solstice, Cariboo Mountains" in A.47, A.60).

B.38 In The Form of the Book, by Jan Tschichold, translated from the German by Hajo Hadeler, edited with an introduction by Robert Bringhurst. Vancouver: Hartley & Marks, 1991: pp ix­xviii & passim.
€Introduction; several signed footnotes pertaining to Tschichold's text; €four lines of Heine's Lorelei in English translation. (Same as E.7.) Reprinted in E.7a, E.7b.

B.39 In In a Word: A Dictionary of Words that Don't Exist But Ought to, edited by Jack Hitt. New York: Dell, 1992: pp 89­90.
€Entry for "illiterature."

B.40 In The Burning Words, by Gaoyuan Wei. Cambridge, England: privately printed, 1992: pp 29­30.
"Of the Snaring of Birds" (from A.14), with Wei's Chinese translation (T.Ch.3) on pp 10­11.

B.41 In Spit Delaney's Island, by Jack Hodgins. Toronto: McClelland & Stewart (The New Canadian Library), 1992: pp 237­242.
€Afterword.

B.42 In Inside the Poem, edited by W.H. New. Toronto: Oxford University Press, 1992: pp 14­15, 88­93.
"Sunday Morning" (from A.32); €"White Pelican, Blue Jay": Part I of "Robert Bringhurst's 'Sunday Morning': A Dialogue," by Robert Bringhurst & Laurie Ricou. The other half of this "dialogue" is S.125.

B.43 In Lyric Philosophy, by Jan Zwicky. Toronto: University of Toronto Press, 1992: pp 33, 175, 459.
"Poem about Crystal"; "The Beauty of the Weapons"; "Body, Speech and Mind" [Tzuhalem's Mountain IV] (all from A.14). See also S.159.

B.44 In Literature in English: Writers and Styles from Anglo-Saxon Times to the Present, edited by W.H. New & W.E. Messenger. Scarborough, Ontario: Prentice-Hall Canada, 1993: pp 1401­3, 1529­30.
"The Raven Steals the Light" (from A.22), "Some Ciphers" and "Essay on Adam" (from A.14) and "Wáng Bì" (from A.32).

B.45 In Riffs, by Dennis Lee. London, Ontario: Brick Books, 1993: back cover.
€Lengthy jacket blurb.

B.46 In Gágiwdul.àt: Brought Forth to Reconfirm: The Legacy of a Taku River Tlingit Clan, by Elizabeth Nyman and Jeff Leer. Fairbanks & Whitehorse: Alaska Native Language Center & Yukon Native Language Centre, 1993: pp viii­xv.
€Foreword.

B.47 In Witness to Wilderness: The Clayoquot Sound Anthology, edited by Howard Breen-Needham, Sandy Frances Duncan, Deborah Ferens, Phylllis Reeve, Susan Yates. Vancouver: Arsensal Pulp Press, 1994: pp 266­268.
€"Gloria, Credo, Sanctus & Oreamnos Deorum." Part 1 is from "Thirty Words" in A.32. (Full text revised in A.47.)

B.48 In Take this Waltz: A Celebration of Leonard Cohen, edited by Michael Fournier and Ken Norris. Ste Anne de Belleville, Québec: The Muses' Company / La Compagnie des Muses, 1994: pp 20­21.
€"Bankei Yotaku in Los Angeles." (Here dedicated to Leonard Cohen. Reprinted as "Bankei," minus the dedication, in A.47.)

B.49 In Robert Fones: Historiated Letters. North Vancouver, BC: Presentation House Gallery, 1994: pp 36­43.
€"Literal Meaning," an essay on the sculpture of Robert Fones.

B.50 In Howe Sounds: Fact, Fiction and Fantasy from the Writers of Bowen Island, edited by Richard Littlemore. Bowen Island, BC: Bowen Island Arts Council, 1994: pp 3­11.
"Fast Drumming Ground," from D.62.

B.51 In Wisdom of the Mythtellers, by Sean Kane. Peterborough, Ontario: Broadview Press, 1994: pp 28­31, 54­60.
Editions and English translations of two Haida texts: Skaai's €Stluujagadang ("Sapsucker") and €Xhuuya Qagaangas ("Raven Travelling"), opening scene. The latter is reprinted with additional material in C.65/D.77. See also S.156.

B.52 In Contemporary Authors, new revision series, vol. 44, edited by Susan M. Trosky. Detroit: Gale Research, 1994: p 47.
€Untitled statement beginning "I walk in the mountains, come back to my des and am whole, and can speak in a whole voice, though often it seems to be somebody else's. But equally often now I walk in the ruins of historyŠ."

B.53 In Diogenes Defictions, by Thomas McEvilley. Berkeley: Peter Koch, 1994: pp 5­8.
€Introduction.
The book was printed to accompany a set of eleven lead plates, imprinted with sayings (in McEvilley's English paraphrase) attributed to Diogenes of Sinope, encased in a ceramic box. The companion piece is a 72-page book containing Bringhurst's introduction, an essay by McEvilley, photographic reproductions of the lead plates, and notes by the printer, Peter Koch.
(There is a further edition of the sayings printed on card insteead of lead, with a brief commentary by McEvilley, contained in a cardboard box. This edition includes no contribution by Bringhurst.)

B.54 In Peter Koch, Printer: Surrealist Cowboys, Maverick Poets, and Presocratic Philosophers. New York & San Francisco: New York Public Library & San Francisco Public Library, 1995: pp 7­13.
€Essay, "Stepping Again Into the Same Stream, Catching Different Fish: The Printing of Peter Koch."
Reviews: S.158.

B.55 In The Dreamer Awakes, by Alice Kane, edited by Sean Kane. Peterborough, Ontario: Broadview Press, 1995: pp 11­18.
€Introduction. Excerpts from the introduction are reproduced (with a slight emendation) on dustjacket as well.

B.55a In The Dreamer Awakes, by Alice Kane, edited by Sean Kane. Peterborough, Ontario: Broadview Press, 1995: pp 11­18. Special Edition for Friends of the Osborne & Lillian H. Smith Collections, Toronto Public Library.
Same as B.55.

B.55b In The Dreamer Awakes, by Alice Kane, edited by Sean Kane. Peterborough, Ontario: Broadview Press, 1995: pp 11­18. (Softcover edition.)
Same as B.55.

B.56 In Poetry and Knowing: Speculative Essays and Interviews, edited by Tim Lilburn. Kingston, Ontario: Quarry Press, 1995: pp 52­64.
[€]"Everywhere Being is Dancing, Knowing is Known" (revised from D.73). Also includes S.159.

B.57 In Coming to Light: Contemporary Translations of the Native Literatures of North America, edited by Brian Swann. New York: Random House, 1995: pp 225­249.
€"John Sky's The One They Gave Away." Narrative poem translated from the Haida of John Sky of the Qquuna Qiighawaai, with introduction and notes (reprinted in B.57.a).

B.57a In Coming to Light: Contemporary Translations of the Native Literatures of North America, edited by Brian Swann. New York: Vintage, 1996: pp 225­249.
"John Sky's The One They Gave Away." Rpt from B.57, of which this is the subsequent softcover edition.

B.58 In Windhorse Reader, 2nd edition, edited by John Castlebury. Yarmouth, Nova Scotia: Samurai Press, 1995: pp 38­39.
"Xuedou Zhongxian" (from C.63).

#B.59 In The Norton Introduction to Literature, 6th edition, edited by J. Paul Hunter & Jerome Beaty. New York: Norton, 1995: p. ....
"For the Bones of Josef Mengele, Disinterred June 1985" (from A.32).

B.60 In The Norton Introduction to Poetry, 6th edition, edited by J. Paul Hunter. New York: Norton, 1995: p 425.
"For the Bones of Josef Mengele, Disinterred June 1985" (from A.32).

B.61 In The 1995 AAUP Book, Jacket and Journal Show. New York: Association of American University Presses, 1995: pp [vi­ix]; 2­105.
This is the catalogue of an annual exhibition for which Bringhurst served as one of the jurors. €Essay and €52 brief comments on individual books and journals.

B.62 In Gone Fishing, by Brian Gauvin. Victoria, BC: Sono Nis Press, 1995: p 30.
Excerpt from "Ararat" (from A.6.)

B.63 In Climate and the Affections: Poems 1970­1995, by Crispin Elsted. Victoria, BC: Sono Nis Press, 1996: back cover.
€Jacket blurb of approximately 300 words.

B.64 In Vultures' Country / Krajina supu, by Kerry Shawn Keys. [Olomouc, Czech Republic]: Votobia, 1996: pp 113, 131­132, 133, 150­151.
"Kerry Shawn Keys" (from A.2), with Czech translation by Petr Mikes; and what appears to be an unauthorized excerpt from a letter of recommendation, quoted by Hana Waisserová in her essay "Natural Fire: An Introduction to the Life and Poetry of Kerry Shawn Keys."

B.65 In The Gift of Tongues: Twenty-Five Years of Poetry from Copper Canyon Press, edited by Sam Hamill. Port Townsend: Copper Canyon, 1996: pp 27­30.
"The Song of Ptahhotep" (from A.26) and "Parsvanatha" (from A.35). The editor's supplementary comments appear on pp 319 & 323.
B.66 In Parole sull'acqua: Poesie dal Canada anglofono e francofono, a cura di Liana Nissim e Caterina Ricciardi. Roma: Edizioni Empirìa, 1996: pp 200­204. Bilingual anthology (English and Italian).
"Death by Water" (from A.14) and "Saraha's Exercise for Beginners" (from A.32), with Italian translations. See also T.It.3.

#B.67 In Magic Realism and Contemporary Literature in English, edited by Elsa Linguanti and Carmen Concilio. ...: Rodopi, forthcoming, probably 1998: pp ....
[€]"The Persistence of Poetry and the Destruction of the World" (Bringhurst's translation & revision of D.87) and "Coterminous Worlds: Robert Bringhurst: A Selection" (excerpts chosen by the editors, from A.32 & A.47).

C CONTRIBUTIONS TO PERIODICALS: POEMS

C.1 [Two poems]. Pegasus (Salt Lake City, Utah) 1963: 31.
Contents: €"Dead City" and €"Toward Boston," both signed Bob Bringhurst.

C.2 [Three poems and one translation]. Stoney Lonesome (Bloomington, Indiana) 3 (1972): 13­15.
Contents: €"Fragments Attributed to el-Samau'al" (translation from Arabic, partially included in R.1); €"Poem, 1971"; "Self-Portrait for a Sansei Girl" (from A.1, where it appears as "Self-Portrait: The Sansei Poem"); €"Poem Authored Jointly with the Posthumous De Gaulle."

C.3 [One poem and two translations]. Quarry (Bloomington, Indiana) 2 (Fall 1972): 33­38.
Contents: "The Beauty of the Weapons" (from A.1); Badr Shakir el-Sayyab, "Two Poems" (€"You Went Away" and €"City of Mirage," both translation from Arabic; the latter included in R.1 and reprinted in A.6, C.15).

C.4 €"Le debat du cuer et du corps de Francoys Villon." Concerning Poetry (Bellingham, Washington) 6:2 (Fall 1973): 12­14.
Translation from French, reprinted in A.2, C.6.

C.5 "The Beauty of the Weapons." Indiana University Arbutus (Bloomington, Indiana) (1973): 56.
From A.1.

C.6 [Three translations]. Contemporary Literature in Translation (Mission, British Columbia) 16 (Fall 1973): 11­14, 19­20, 21.
Contents: "The Ode of Imr el-Qais" (translation from Arabic, from A.2); François Villon, "Le Debat du cuer et du corps" (translation from French, from A.2); François Villon, €"Je suis Francoys, dont il me poise" (translation from French). See also D.1.

C.7 €"A Heterophrenic (American) Maid." Vanguard (Vancouver) 2.10 (December/January 1973/74): 12.
Authorship of poem is not indicated; text appears in a greatly reduced, barely legible photograph of the manuscript page, along with one by another poet; items are reported to be "by poets who have recently read selections of their work in the [Vancouver Art] Gallery's Special Events programme."

C.8 [Two poems]. The Lamp in the Spine (St Paul, Minnesota) 7/8 (Fall/Winter 1973): 62­63.
Contents: €"The Light Around the Bittie" (reprinted in A.2 as Section II of "Three Ways of Looking for the Northwest Passage in the Shipyards of Bristol and Rouen"); €"A Form of Parody." These are parodies of Robert Bly and Robert Creeley.

C.9 "Study for an Ecumenical Window." Stoney Lonesome 4 (1974): 16­17.
From A.2.

C.10 [Two poems and one translation]. Quarry 4 (Spring 1974): 33­34.
Contents: "Poem about Crystal" (from A.2); "The Poet, Having at Last Encountered the Muse" (from A.2); "Antistrophe from Leopardi" (translation from Italian, from A.2).

C.11 [Two poems and one translation]. West Coast Poetry Review (Reno, Nevada) 3.3 (Spring 1974): 50­52.
Contents: €"Essay on Adam" (included in R.1; reprinted in A.6, A.14, B.2, B.3, B.4. B.7, B.13, B.17, B.36, B.44, C.14, C.54; revised in A.47, C.66); €"[A] Quadratic Equation" (included in R.1; reprinted in A.6, A.14, A.47, B.7); €"Four Fragments" (translation from the Greek of Aeschylus, included in R.1).

C.12 €"Empedokles: Six Fragments." Prism International (Vancouver) 13.3 (Spring 1974): 20­21.
Translation from Greek, revised and enlarged as "Empedokles: Seven Fragments" in A.5, A.6, A.14, A.47, R.1. (See also D.8.)

C.13 [Two poems]. Kayak (Santa Cruz, California) 35 (June 1974): 63­65.
Contents: €"The Identity Moving" (reprinted in A.6); €"Babylon" (included in R.1; reprinted in A.6).

C.14 [Three poems]. University of British Columbia Alumni Chronicle 28.2 (Summer 1974): 19.
Contents: €"Love Song" (reprinted in C.19); "Essay on Adam" (from C.11); €"The Stone and the Wing" (revised as "Stone-Lathe and Wing" in A.6, A.14, B.15 & C.16).

C.15 [Four translations]. Contemporary Literature in Translation 19 (Summer/Fall 1974): 4, 18, 24.
Contents: Badr Shakir el-Sayyab, "City of Mirage" (from C.3); Badr Shakir el-Sayyab, €"The Cry of the Mallard"; Mahmoud Darweesh, €"Waiting for Them"; Tumadir el-Khansa, €"Elegy" (all translated from Arabic and included in R.1). Cover photograph ­ "Strafed Train in the Sinai, 1967" ­ is also by Bringhurst. See also D.5, E.1.

C.16 [Five poems]. Stuffed Crocodile (London, Ontario) 2.3 (September 1974): 46­50.
Contents: [€]"Stone-Lathe and Wing" (revised from C.14, where it appears as "The Stone and the Wing"); €"The Meadow" (reprinted in A.6); €"Phoenix" (included in R.1; reprinted in A.6, C.23); €"Some Ciphers" (included in R.1; reprinted in A.6, B.7, B.14, and revised in A.14, B.44; further revised in A.47); €"Genesis Frozen" (included in R.1; reprinted in A.6, B.7).

C.17 [Two poems]. 3¢ Pulp (Vancouver) 11.13 (September 1974): [1].
Contents: €"The Fish Who Lived to Tell about It" (reprinted in A.6, A.14); €"Sleep Does Not Have Chinese Eyes" (included in R.1; reprinted in A.6).

C.18 €"For Robert Grosseteste." The Ontario Review: A North American Journal of the Arts (Windsor, Ontario) 1 (Fall 1974): 76­77.
Included in R.1; reprinted in A.6.

C.19 [Two poems]. The Fiddlehead (Fredericton, New Brunswick) 103 (Fall 1974): 24­25.
Contents: "Love Song" (from C.14); €"Arrows."

C.20 €"A Lesson in Botany." The Berkeley Samisdat Review (San Jose, California) 2.4 (Winter 1974): 34.
Reprinted in A.6, A.14, A.47.

C.21 €"An Augury." Pegasus (Vancouver) 6.3 (Christmas 1974): 35.
Included in R.1; reprinted in A.6, A.14, A.24, A.24a, A.47, B.7, C.25.

C.22 "Eight Poems and Translations." Arion: A Journal of Humanities and the Classics (Boston) ns 1.4 (1973/1974): 561­575.
Contents: [€]Excerpt from "The Third Generation: A Treatise on the Gods" (revised from A.2); "Strophe from Sophocles" (translation from Greek, from A.2); "Herakleitos" (from A.2); €"The Petelia Tablet" (translation from Greek, included in R.1; reprinted in A.14, A.47), "Four Glyphs" (from A.2); [€]"Isthmian" (revised from A.1); €"A Short History" (included in R.1; reprinted in A.5, A.6, A.14, A.47); "Antistrophe from Leopardi" (translation from Italian, from A.2).

C.23 "Phoenix." Littack (Epping, Essex) 3.2 (March 1975): 151.
From C.16.

C.24 [Two poems]. The University of Windsor Review 10.2 (Spring/Summer 1975): 39­43.
Contents: "Empedokles' Recipes" (included in R.1; reprinted in A.5, A.6, A.14, A.47); "Deuteronomy" (from A.3).

C.25 [Two poems]. Prism International 14.2 (Summer 1975): 14­15.
Contents: "Pherekydes" (included in R.1; reprinted in A.5, A.6, A.14, A.47); "An Augury" (from C.21).

C.26 €"Hachadura." Poetry (Chicago) 126.6 (September 1975): 311­317.
Included in R.1; reprinted in A.6; revised in A.14, A.47.

C.27 [Four poems]. Mundus Artium: A Journal of International Literature and the Arts (Pittsburgh, Pennsylvania) 8.2 ([Winter] 1975): 130­133.
Contents: "Portrait in Blood" (from A.1); "Jebel Saneen, Lebanon" (from A.1); "Song of the Summit" (from A.2); "The Greenland Stone" (from A.2).

C.28 "Ararat." The North Carolina Review (Raleigh, N.C.) Winter 1976: 58.
From A.6.

C.29 [Five translations]. Black & White: A Review of the Arts (Little Rock, Arkansas) 1 (Winter 1976): 19­23.
Contents: "Abul'ala [ibn] Ahmed el-Ma'arri: €Five Poems from The Necessity of the Unnecessary" (translation from Arabic, included in R.1). Individual poems are numbered and not titled.

C.30 €"The Better Man." Kayak 45 (May 1977): 50­51.
Revised in A.14, A.47.

C.31 "Jacob Singing." Queen's Quarterly: A Canadian Review (Kingston, Ontario) 84.3 (Autumn 1977): 441­444.
From A.7.

C.32 [Four poems]. The Malahat Review: An International Quarterly of Life and Letters (Victoria, British Columbia) 45 (January 1978): 126­134.
Contents: €"The Heart is Oil" (reprinted in A.14, A.47); "Death by Water" (from A.8); €"Spell for White Sandals" (reprinted in A.14); €"The Stonecutter's Horses" (reprinted in A.9, B.6, B.6a, and revised in A.14, B.18, B.27, B.31; further revised in A.47).

C.33 €"The Long and the Short of It." New Orleans Review 6.2 (January 1979): 155.
Revised from R.1, where it appears as "Piece after Supervielle"; reprinted in A.32, A.47, A.48, C.53.

C.34 €"Demokritos." Pearl (Odense, Denmark) 7 (Summer 1979):10­11.
Reprinted in A.14, A.47, B.18, C.63.

C.35 "The Salute by Tasting." Hand Book (Columbus, Ohio) 3 (1979): 3.
From A.13.

C.36 [Two poems]. American Poetry Review (Philadelphia) 9.6 (Nov./Dec. 1980): 34.
Contents: "Strophe from Sophocles" (from A.2); "The Greenland Stone" (from A.2). Both poems, delivered to APR editors by William Arrowsmith, are erroneously attributed to William Bringhurst.

C.37 [Two poems]. Prism International 20.3 (Spring 1982): 26­27.
Contents: €"Cave of the Nymphs" (reprinted in A.14); €"These Poems, She Said" (reprinted in A.14, A.47, B.10, B.12, B.13, B.18, B.26, B.36, C.38, C.47).

C.38 "These Poems, She Said." Saturday Night (Toronto) 97.7 (July 1982): 64.
From C.37.

C.39 €"Poem without Voices." Canadian Literature (Vancouver) 93 (Summer 1982): 176.
Reprinted in A.14, A.47, C.68.

C.40 €"The Song of Ptahhotep." The Malahat Review 63 (October 1982): 69­71.
Reprinted in A.14, B.27, B.65, C.63.

C.41 "Leda and the Swan." The Canadian Literary Review (Scarborough, Ontario) 1 (Fall/Winter 1982): 16­17.
From A.14.

C.42 €"Two Variations: I. The Reader; II. Larix lyallii." Canadian Literature 100 (Spring 1984): 48­49.
Reprinted as part of "The Lyell Island Variations" in A.32, A.47, A.48. (Not to be confused with "Two Variations: I. Absence of the Heart; II. Thin Man Washing" in A.14.) Same as B.16, except for the title page and binding.

C.43 €"Jakushitsu." Whetstone (Lethbridge, Alberta) Fall 1984: 31.
Reprinted in A.32, A.47.

C.44 €"Riddle." Canadian Literature 105 (Summer 1985): 15.
Reprinted in A.32, A.47, A.48, C.53; partially reprinted in C.46.

C.45 "Saraha." University of Arizona Poetry Center Fall 1985 Calendar of Readings (Tucson, Arizona).
From A.23. Accompanied by biographical note and announcement of reading.

C.46 "Riddle." Ring of Bone Zendo Newsletter (North San Juan, California; 15 October 1985): 1.
Partially reprinted from C.44. Includes only the first four lines of the poem.
C.47 "These Poems, She Said." De Tweede Ronde (Amsterdam) 6.4 (Winter 1985): 84.
From A.14. With Dutch translation by Peter Verstegen. See also T.Du.1.

C.48 €"Hán Shan." Prism International 24.2 (January 1986): 43.
Reprinted in A.32, A.47.

C.49 €"The Blue Roofs of Japan." Lines Review (Edinburgh) 95 (January 1986): 65­69.
Revised in A.31, A.31a, A.32; further revised in A.47. Includes "Program Notes" dated Vancouver Harbour, July 1985 (revised in A.31, A.31a). See also F.1.

C.50 [Eleven poems]. CutBank (Missoula, Montana) 26 (Spring/Summer 1986): 36­58.
Contents: 1) "Six Poems from The Book of Silences": €"Uddalaka Aruni: A Song for the Weavers" (revised in A.32); €"Wáng Bì" (reprinted in A.32, B.44); €"Jízàng" (reprinted in A.32); €"Línjì Yìxuán" (reprinted in A.32, revised in A.47); €"Danxiá Zichún" (reprinted in A.32, A.47); €"Nánquán Puyuàn" (reprinted in A.32; see also F.2); 2) €"Sutra of the Heart" (reprinted in A.32, A.47, C.51); "Rubus Ursinus: A Prayer for the Blackberry Harvest" (from A.28); "Thirty Words" (from A.25, where it appears as "Thirty Words for Deborah Peaker"); €"For the Bones of Josef Mengele, Disinterred June 1985" (reprinted in A.32, A.47, B.27, B.59, B.60); "Tending the Fire" (reprinted, with new prefatory note, from A.27).

C.51 "Sutra of the Heart." Canadian Forum (Toronto) LXVI.760 (June/July 1986): 34­35.
From C.50.

C.52 "Sunday Morning." The Paris Review (New York) 100 (Summer/Fall 1986): 54­55.
From A.32.

C.53 "Three Poems from The Lyell Island Variations." Landfall (Christchurch, New Zealand) 159 (September 1986): 325­327.
Contents: "V: The Starlight is Getting Steadily Dimmer"; "VI: The Long and the Short of It"; "VII: Riddle" (all from A.32).

C.54 [Five poems]. Crab Creek Review (Seattle) 4.1 (Fall/Winter 1986): 6­8 (see also p 2).
Contents: "Poem About Crystal"; "A Quadratic Equation"; "Of the Snaring of Birds"; "The Beauty of the Weapons"; "Study for an Ecumenical Window," all from A.26.

C.55 "Hóng Zìchéng." Rambling Jack (Auckland, New Zealand) 3 (November 1986): 14­16.
From A.32.

C.56 "Conversations with a Toad: Excerpts from a Work in Progress." Border Crossings (Winnipeg) 6.2 (March 1987): 32.
Contents: €"Conversations with a Toad," sections III, V and VI. (Sections III and VI revised, and Section V reprinted, in A.33.)

C.57 [Four poems]. Rubicon (Montreal) 8 (Spring l987): 103­107.
Contents: "Hóng Zìchéng"; "Bodhidharma"; "Sengzhào"; "from The Lyell Island Variations: V. The Starlight is Getting Steadily Dimmer," all from A.32, but with two stanzas missing from the first poem.

C.58 [Two poems]. Verse (Oxford) 4.1 (March 1987): 14­15.
Contents: "Parsvanatha" and "Sengzhào," both from A.32. See also editorial comments by Mark Abley on pp 8­9.

C.59 [€]"Conversations with a Toad." Descant (Toronto) 59 (Winter 1987 [published 1988]): 7­14.
Revised from A.33; see also C.56. D.47 appears in the same issue.

C.60 €"All the Desanctified Places." Margin 10 (1989): 89­92
Revised in A.47, A.60, B.37, C.69. Appears in the same issue with D.57.

C.61 "Conversations with a Toad." Ellipse (Sherbrooke, Québec) 48 (1992): 113­121.
Sections III, IX and X, from A.33, with French translations by Jacques Brault. S.127 and T.Fr.3 appear in the same issue.

C.62 [Four poems]. Windhorse Review (Yarmouth, Nova Scotia) 11/12 (Summer 1993): [6­7].
Contents: €"Lotus Flower Mountain"; €"Rújìng" (reprinted as "Tiantong Rujing" in A.47, A.53, A.53a); €"Yúnmén Wényan" (revised in A.47); €"Fayan Wényì." [There are misspellings in the titles of the latter two poems.]

C.63 [Four Poems]. Canadian Literature 140 (Spring 1994): 79­85.
Contents: €"Dongshan Liangjie"; €"Xuedou Zhongxian" (reprinted in B.58); €"Yongjia Xuanjue"; €"Dogen" (excerpt revised in C.71). All revised in A.47.

C.64 [Three Poems]. In Forma di Parole (Bologna) terza serie 2.1 (1994): 176­186.
Contents: "Song of the Summit"; "Demokritos"; "The Song of Ptahhotep" (all from A.14). See also T.It.2. In the same issue with S.157.

C.65 "Raven Travelling: Page One: A Lost Haida Text by Skaai of the Qquuna Qiighawaai, Transcribed at Skidegate in October 1900 by John Swanton, Edited & Translated by Robert Bringhurst." Canadian Literature 144 (1995): 98­111.
Haida text and translation, with prose introduction. Same as D.77. The text and translation per se are from B.51.

C.66 "Essay on Adam." Toronto Star, 15 April 1995: h6.
From A.47. Accompanies S.161.

C.67 "Poem About Crystal." The Globe & Mail (Toronto), 29 April 1995: C9.
From A.47.

C.68 "Poem without Voices." Toronto Star, 3 June 1995: j2.
From A.47.

C.69 "From New World Suite nº 3." Poetry Canada (Kingston, Ontario) 15.2 (1995): 14­15.
From A.47, with a new €Preface.

C.70 "Parsvanatha." Verse 12.2: The Best Verse: Ten Years of Poetry (1995): 26.
From C.58.

C.71 "From Dogen." The Amicus Journal (New York) 19.1 (Spring 1997): 44.
"Dogen," part 3, from A.47.

C.72 "From Conversations with a Toad." Amicus 19.3 (Fall 1997): 42.
"Conversations with a Toad," part III, from A.47.

C.73 [Two Poems]. Canadian Literature 154 (Autumn 1997): 8, 110.
Contents: €"Zhàozhou Congshen" and €"The Living Must Never Outnumber the Dead." In the same issue with S.186.

C.74 [Two Poems]. Canadian Literature 155 (Winter 1997): 15, 179.
Contents: €"Lianhua Xiang" and €"Keizan." In the same issue with D.89.


D CONTRIBUTIONS TO PERIODICALS: PROSE

D.1 €"Some Notes on Imr el-Qais." Contemporary Literature in Translation 16 (Fall 1973): 15­18.
Essay on the sixth-century Arab poet. See also "The Ode of Imr el-Qais" in A.2, C.6.

D.2 €"The Koran, the Wake and Atherton." A Wake Newslitter (Colchester, Essex) ns 10.6 (December 1973): 92­93.
A discussion of some Arabic sources used in Finnegans Wake, with reference to Chapter 12, "The Koran," from James S. Atherton, The Books at the Wake: A Study of Literary Allusions in James Joyce's 'Finnegans Wake' (London: Faber & Faber, 1959).

D.3 €Review of Borges on Writing, ed. N.T. di Giovanni, Daniel Halpern and Frank McShane. The Canadian Fiction Magazine (Prince George, B.C.) 13 (Spring 1974): 112­115.

D.4 €Review of Drunk on Wood by Charles Lillard. The Vancouver Sun, 26 September 1974: 5.

D.5 €"A History of Semitic Literature in One Quarto Page." Contemporary Literature in Translation 19 (Summer/Fall 1974): 3.
See also C.15, E.1.

D.6 €Review of The Grassman by Len Fulton. The Canadian Fiction Magazine 15 (Autumn 1974): 103­105.

D.7 €"The Small-Press Connection." The Malahat Review 33 (January 1975): 121­126.
Review of International Directory of Little Magazines and Small Presses, 10th edition, ed. Len Fulton.

D.8 €"Postscript to a Translation of Empedocles." The Ohio Review 16.3 (Spring 1975): 68­73.
See also "Empedokles: Seven Fragments" in A.5, A.6, A.14, A.47, and "Empedokles: Six Fragments" in C.12.

D.9 €"Clints and Grikes." Canadian Literature 65 (Summer 1975): 112­114.
Review of Nothing Speaks for the Blue Moraines: New and Selected Poetry by J. Michael Yates. (See also B.1.)

D.10 €"How Like a Winter Hath their Absence Been." The Vancouver Sun, 25 September 1975: 5.
Abridgement of an unpublished paper on the possibilities of private patronage for literature in the capitalist system, originally prepared as a submission to the Council for Business and the Arts in Canada.

D.11 €"In Praise of Gorgias." The Ohio Review 17.1 (Fall 1975): 43­51.
Essay.

D.12 €"Aeschylus and Mrs Lembke." Contemporary Literature in Translation 23 (Spring 1976): 4­8.
An essay on poetry and translation, with special reference to Janet Lembke's version of Aeschylus' Hiketides (Suppliants). See also E.2.

D.13 €"Pay-TV." The Vancouver Sun, 28 October 1976: 6.
Discussion of funding for the arts, including television programming.

D.14 €"Copyright and the Literary Artist." The American Poetry Review 5.5 (September/October 1976): 45­46.
Discussion of the historical intent and significance of copyright law in North America.

D.15 €"The Wicked Subsidy." The Vancouver Sun, 15 February 1977: 6.
Discussion of government funding of literary publishing in Canada.

D.16 €Review of Modern Arabic Short Stories, ed. Denys Johnson-Davies. World Literature Today 51.2 (Spring 1977): 327.

D.17 €"Instruction Instructing Itself." Prism International 16.1 (Spring 1977): 15­17.
Review of Canadian Poetry: The Modern Era, ed. John Newlove.

D.18 €Review of Avis aux navigateurs by Jamil Almansour Haddad. World Literature Today 52.3 (Summer 1978): 513­514.

D.19 €Review of Les Mou'allaqat ou Un peu de l'âme des Arabes avant l'Islam, ed. et trad. Jean-Jacques Schmidt. World Literature Today 53.2 (Spring 1979): 344.

D.20 €"The Kanchenjunga Press: A Valedictory Peroration." CVII [Contemporary Verse Two]: A Quarterly of Canadian Poetry Criticism (Winnipeg) 4.3 (Fall 1979): 18­19.
See also R.1.

D.21 €"At Home in the Difficult World." Descant 39 (Winter 1982): 57­81. Dennis Lee Special Issue.
Essay, same as B.11.

D.22 €"King Shahryar's Realm." The Vancouver Literary News 2.83 (February 1983): 15­19.
An article on the 1982 Toronto Festival of Storytelling. Includes a full-page reproduction of a brush-and-ink drawing by Bringhurst (p 16), signed Pàng Zi ("Oyster" ­ one of Bringhurst's Chinese names). See also D.23.

D.23 €"The Oldest Profession." Books in Canada (Toronto) 12.2 (February 1983): 4­6.
Discussion of the Toronto Festival of Storytelling, with an introduction to the 1983 Festival. See also D.22.

D.24 €"Unraping the World." Books in Canada 12.8 (October 1983): 31­32.
Review of Birding, or desire by Don McKay (revised in D.35).

D.25 [Two reviews]. Fine Print: A Review for the Arts of the Book (San Francisco) 10.2 (April 1984): 63­64, 67.
Contents: Reviews of €Bieler Press: The Morning of the Massacre by Michael Cadnum, and of €Greenhouse Review Press: Limits of Resurrection by Brad Crenshaw.

D.26 €"Notes on the Winners and Other Books." Amphora (Vancouver) 57 (September 1984): 21­24.
Comments on design, typography and printing, arising from a design competition judged by Bringhurst and others.

D.27 [Two reviews]. Fine Print 11.1 (January 1985): 57­59, 61­62.
Contents: Reviews of €Bieler Press: Moon by David Romtvedt, and of €Perishable Press: Del quien lo tomó by Joel Oppenheimer and Making a Sacher Torte by Diane Wakoski.

D.28 [Two reviews]. Fine Print 11.2 (April 1985): 105­107, 110­111.
Contents: Reviews of €Copper Canyon Press: Priest & A Dead Priestess Speaks by H.D. and Still Another Day by Pablo Neruda (translated by William O'Daly), and of €Sea Pen Press: Normal Street by Deborah Greger and A Tree Sequence by Leslie Norris.

D.29 "The Raven and the Big Fisherman," with Bill Reid. Whetstone (Lethbridge, Alberta) Spring 1985: 71­76.
From A.22.

D.30 €Review of Labyrinth Editions: Five Poems by W.H. Auden. Fine Print 11.3 (July 1985): 164­165.

D.31 €"Breathing through the Feet: An Autobiographical Meditation." Canadian Literature 105 (Summer 1985): 7­15.
Essay, revised in A.32, B.67, D.40.
D.32 €Review of Cut Stones and Crossroads: A Journey in the Two Worlds of Peru by Ronald Wright. The Reader (Vancouver) 4.2 (July 1985): 1­3.

D.33 €Review of Nadja Press: Bronze by James Merrill and Eleven Poems by Frederick Morgan. Fine Print 11.4 (October 1985): 227­228.

D.34 [Two reviews]. Fine Print 12.1 (January 1986): 32­33, 40­41.
Contents: Reviews of €Meadow Press: Blank Country by Deborah Greger and A Sky Empty of Orion by Laura Jensen, and of €Sombre Reptiles Press: Aleppo by Beau Beausoleil.

D.35 [€]"Unraping the World: The Poetry of Don McKay." Lines Review (Edinburgh) 95 (January 1986): 87­90.
Essay, revised from D.24.

D.36 [Two reviews]. Fine Print 12:2 (April 1986): 68­69; 79; 119.
Contents: Reviews of €Heyeck Press: Brief Lives by William Dickey, and of €Arion Press: Poems by Wallace Stevens.

D.37 "Typography & Type Design." Amphora 63 (March 1986): 117­134.
Essay, same as B.22.

D.38 €Review of The Windhover Press: Forked Branches by Ezra Pound. Fine Print 12.3 (July 1986): 163­165.
(Beginning with this issue, Bringhurst's Fine Print reviews are signed only with the initials "R.B." This is in accord with the magazine's custom in identifying reviews by its contributing editors. See S.58.) See also "Letters to the Editor," Fine Print 12.4: 236.

D.39 €Review of Edition Tiessen: Über die Wiederherstellung der ursprünglichen Anlage zum Guten in ihre Kraft by Immanuel Kant, Römische Elegien by Wolfgang von Goethe, Die Troërinnen by Euripides (translated by Ernst Buschor), etc. Fine Print 12.4 (October 1986): 200­203, 219.
See also the anonymous note on Tiessen's Serving Author and Reader, Fine Print 14.3: 105­106.

D.40 "Breathing through the Feet." Margin (London) 1 (Winter 1986): 4­11.
Essay, from A.32.

D.41 €Review of Red Ozier Press: Careless Love and Its Apostrophes by William Bronk, The Bicycle Rider by Guy Davenport, Small Ceremonies by Connie Martin, and Five Journals by Charles Wright. Fine Print 13.2 (April 1987): 93­98.

D.42 €"Making Draft Horses Out of the Gods: An Interview with Robert Bringhurst." Prairie Fire (Winnipeg) 8.1 (Spring 1987): 4­15.
Interview conducted by Kristjana Gunnars.

D.43 €Review of Bieler Press: Albert's Horoscope Almanac by Albert Goldbarth, and After the Long Train by James Masao Mitsui. Fine Print 13.3 (July 1987): 159.
See also "Letters to the Editor," Fine Print 14.1: 5, 44­45.

D.44 "Pebble/Pond/Errata Slip: A Codicil to Ocean/Paper/Stone." Amphora 69 (September 1987): insert, paginated 1­8 internally and 11­18 in reference to the magazine.
Same as A.34.

D.45 €Review of Twentieth Century Type Designers by Sebastian Carter, Letters of Credit by Walter Tracy, and Type Design Developments 1970 to 1985 by L.W. Wallis. Fine Print 13.4 (October 1987): 204­206, 211­212.

D.46 €Review of Landlocked Press: The Weather Within by Theodore Enslin, Walking with My Sons by Joe Bruchac, and A Trek of Waking by Will Inman. Fine Print 14.1 (January 1988): 15­17.

D.47 Emmanuel Levinas. €"From Being to the Other: Paul Celan." Descant 59 (Winter 1987 [published 1988]): 99­105.
Essay, translated from French by Bringhurst, with his brief introduction. In same issue with C.59.

D.48 €"Myths Create a World of Meaning." The Globe & Mail (Toronto), 7 May 1988: C1, C7.
Essay based on Bringhurst's participation in a panel discussion of "History and Mythology in the Modern World," at the 1988 Olympic Writers' Festival in Calgary.

D.49 €Review of Peter and the Wolf Editions: Point Lobos by Robinson Jeffers. Fine Print 14.3 (July 1988): 112­115, 127.

#D.49a Review of Peter and the Wolf Editions: Point Lobos by Robinson Jeffers. Robinson Jeffers Newsletter (Los Angeles) ... (October 1989): ....
Unauthorized reprint of D.49.

D.50 €"A Measure of Freedom." The Globe & Mail. 29 October 1988: C1.
Essay on art, money and subsidy, in response to John Metcalf's pamphlet Freedom from Culture (Vancouver: The Fraser Institute, 1988).

D.51 €Review of Yolla Bolly Press: The Inland Whale by Theodora Kroeber. Fine Print 14.4 (October 1988): 186­188.

D.52 €"Off the Road: Journeys in the Past, Present and Future of Canadian Literature." Margin 7 (1988): 82­93.
Text of a lecture delivered at the University of Vienna in April 1988. Revised in B.29, B.30.

D.53 €"Nootka Rag: Funeral Music for George Clutesi, 1905­1988." Canadian Literature 118 (Autumn 1988): 190­193.
Memorial essay comparing the writing and painting of George Clutesi to the music of Scott Joplin.

D.54 €Review of Songs Before Zero Press: The Heights of Macchu Picchu by Pablo Neruda, translated by David Young. Fine Print 15.1 (January 1989): 37.

D.55 €"Social Responsibility of the Artist." Regional and Committee Reports to the Annual General Meeting, published with The Writers' Union of Canada Newsletter (Toronto) 132 (May 1989): insert pp 23­24.

#D.56 €Letter to the Editor. The Globe & Mail. August ..., 1989. ....
Letter concerning the editorial policies of the CBC and The Globe & Mail.

D.57 €"Into the Absolute of Nature." Margin 10 (1989): 62­69.
Essay on the self-portraits of Joan Miró. In same issue with C.60.

D.58 €"That Also is You: Some Classics of Native Canadian Literature." Canadian Literature 124­5 (Spring 1990): 32­47.
Essay, same as B.32.

D.59 "The Black Canoe." Canadian Forum LXX/803 (October 1991): 19­21.
Excerpts from Chapter IV of The Black Canoe, A.39. [Replete with typographical errors.]

D.60 €"One Small Island: A Case Study in the Contest between History and Literature." Bells: Barcelona English Language and Literature Studies (Barcelona) 3, n.d. [1992]: 11­19.
Essay, revised as "Fast Drumming Ground," D.62, B.50. [The name Squamish has been "corrected" throughout to Spanish by the editors.]

D.61 "Bill Reid and the Spirit of Haida Gwaii." Shaman's Drum: A Journal of Experiential Shamanism (Willits, California) 27 (Spring 1992): 30­39.
Unauthorized excerpt from Chapter VI of The Black Canoe, from A.39a. [Published here, without permission of author or photographer, by the University of Washington Press.]

D.62 [€]"Fast Drumming Ground." Howe Sound Review (Bowen Island, British Columbia) 1.2 (Winter 1992): 16­21.
Essay, revised from "One Small Island," D.60.
D.63 €Letter to the Editor. Montreal Gazette. March 16, 1992: b2.
Response to S.120a, the Gazette's reprint of a review from the New York Times.

D.64 "Raven's New Playthings." Elmwood Quarterly (Berkeley, California) 8.3 (Fall Equinox 1992): 11.
Unauthorized excerpt from "The Raven and the First Men," from The Raven Steals the Light, A.22.

D.65 €Review of Haa Tuwunáagu Yís / For Healing Our Spirit: Tlingit Oratory, ed. Nora Marks Dauenhauer & Richard Dauenhauer. Language in Society (New York: Cambridge University Press) 22.1 (March 1993): 151­4.

D.66 €Untitled statement. Verse (St Andrews, Scotland) 10.1 (Spring 1993): 105­106.
Text of a letter dated 23 June 1989, published as one of eight responses to enquiries by David Hart. Other respondents include Robert Creeley, Denise Levertov, Ron Silliman, Phyllis Webb, Judith Wright. These statements, and the text of Hart's original inquiry, are assembled under the general title "rsvp" on pp 102­112.

D.67 €Review of Robert Davidson: Eagle of the Dawn, ed. Ian M. Thom. The Reader 12.2 (Summer 1993): 25­28.

D.68 €"Patricia Murphy." C Magazine (Toronto) 39 (Fall 1993): 64­65.
Review of an exhibition of watercolors.

D.69 €"Everywhere Being is Dancing, Knowing is Known." Chicago Review (Chicago) 39.3­4 (1993): 138­147.
Essay, reprinted in D.73, revised in B.56.

D.70 €"Herakleitos in California." Amphora 93 (Autumn 1993): 26­29
Review of Peter Koch: Herakleitos: Greek fragments with English translation by Guy Davenport.

D.71 €Review of Mantinia and Sophia by Matthew Carter. Print (New York) 48.2 (March/April 1994): 121­122.
Review of two typeface designs.

D.72 €Review of George Grant: A Biography by William Christian. The Reader 14.1 (Summer 1994): 3­5.

D.73 "Everywhere Being is Dancing, Knowing is Known." Poetry Canada (Kingston, Ontario) 14.3 (1994): 8­11.
Essay, from D.69.

D.74 €"On the Classification of Letterforms." Serif: The Magazine of Type & Typography (Claremont, California) 1 (Fall 1994): 30­39.
Essay on the principles of type classification, with repeated reference to botanical and zoological taxonomies. Includes "Appendix: Rough Map of the Kingdom of Letterforms." But the sidebar, "A Note on Type Classification Systems," was written by the editor of the journal, Donald Hosek, and not by Bringhurst. A quotation from The Elements of Typographic Style (A.42) is printed as filler on page 63 of the same issue. This is the first essay in a series, which continues with D.78, D.79, D.82 and D.88.
For typographical corrections, see the corrigenda in Serif 2 (Winter 1995): 6.

D.75 €"A Story as Sharp as a Knife, Part 3: The Polyhistorical Mind." Journal of Canadian Studies (Peterborough, Ontario) 29.2 (Summer 1994): 165­175.
Text of the third of Bringhurst's three Ashley Lectures, delivered at Trent University, Peterborough, Ontario, in the spring of 1994. Prefaced by S.152. See also S.144.

D.76 €Review of On the Translation of Native American Literatures, edited by Brian Swann. American Ethnologist (Arlington, Virginia) 21.4 (1994): 1038­1039.

D.77 €"Raven Travelling: Page One: A Lost Haida Text by Skaai of the Qquuna Qiighawaai, Transcribed at Skidegate in October 1900 by John Swanton, Edited & Translated by Robert Bringhurst." Canadian Literature 144 (1995): 98­111.
Introduction, Haida text and translation. Same as C.65. This is the first appearance of the prose introduction, but the text and translation per se are from B.51.

D.78 €"Holding Ideas in the Hand: The Physics and Metaphysics of Renaissance Letterforms." Serif 2 (Winter 1995): 15­24.
Second essay in the series which begins with D.74. Again there is a sidebar written by the editor of the journal, Donald Hosek. (On p 6 of the same issue is a list of typographic corrections to D.74.)

D.79 €"Painting with Ink and Steel: The Roman and Italic Types of the Baroque Age." Serif 3 (Fall 1995): 21­30.
Third essay in the series which begins with D.74.

D.80 €"Belay to Words." Antigonish Review (Antigonish, Nova Scotia) 102­103 (Summer-Autumn 1995): 307­310.
Short essay on the poet John Thompson. (See also S.169.)

D.81 "Tales from Haida Gwai." Shambhala Sun (Boulder, Colorado) 4.3 (January 1996): 48­57.
Prologue and two stories from A.22, in anticipation of A.51. The prologue includes some bizarre typographical errors and omissions but is correctly credited to Bringhurst. The stories ­ "Raven and the First Men" and "Raven Steals the Light," both written by Reid ­ are credited to Bringhurst by mistake, and the titles of both are altered by removing the initial definite article. See also D.83.

D.82 €"The Invisible Hand, Part 1: Neoclassical Letterforms." Serif 4 (Spring 1996): 19­29.
Fourth essay in the series which begins with D.74. The unsigned "Annex" on p 29 is by the journal's editor, Don Hosek, not by Bringhurst. Continued by D.88.

D.83 €Letter to the Editor. Shambhala Sun 4.4 (March 1996): 5.
Incomplete text of a letter pertaining to D.81.

D.84 €"El turismo es una lepra cultural." Diario de Avisos (Santa Cruz de Tenerife), 10 de mayo 1996: 25.
Interview conducted by María Jesús Llarena Ascanio (in Spanish).

D.85 €"The Typographic Nude." Critique (Palo Alto, California) 4 (1997): 86­91.
Essay on typography, in the same issue with S.182.

D.86 "Boats is Saintlier than Captains: Thirteen Ways of Looking at Morality and Design." Zed (Richmond, Virginia) 3 (1997): 19­28.
Essay (revised in A.56, which was however the first to appear).

D.87 €"La Persistencia de la poesía y la destrucción del mundo." Presencia Literaria (La Paz, Bolivia), 4 May 1997: 3­4.
Essay written in Spanish, originally delivered as a lecture "en el Segundo Seminario de Poesía y Poética de la Universidad de La Laguna, San Cristóbal de la Laguna, Tenerife, Islas Canarias, ocurrido el 8 de mayo de 1996." A quotation from Sophocles, present in the original text both in Greek and in English translation, has been abridged to a single line. In the same issue with T.Sp.1. See also B.67.

D.88 €"The Invisible Hand, Part 2: Romantic Letterforms." Serif 5 (Fall 1997): 19­29.
Fifth essay in the series which begins with D.74. Continuation of D.82. In the same issue with D.88a.

D.88a €"New and Improved Didot Family." Serif 5 (Fall 1997): 6.
Letter to the editor correcting an error in D.82. In the same issue with D.88.

D.89 €"Singing with the Frogs." Canadian Literature 155 (Winter 1997): 114­134.
Essay. In the same issue with C.74.

#D.90 €"Dismembered Culture." Review of Haida Art, by George F. MacDonald. Canadian Literature 156 (Spring 1998): ....

#D.91 €"The Origin of Mind." Canadian Literature 157 (Summer 1998): ....
Essay incorporating a text in Nootka with English translation.

#D.92 €Review of Jan Tschichold: A Life in Typography, by Ruari McLean. Bulletin of the Printing Historical Society (London) forthcoming (1998): ....

#D.93 €"Europe's Other Hand." Type: A Journal of the Association Typographique Internationale (New York) forthcoming (1998): ....
Review of Greek Letters: From Tablets to Pixels, edited by Michael S. Macrakis, and The Sixteenth Century Greek Book in Italy, by Evro Layton.


E EDITED & CO-EDITED WORKS

E.1 Contemporary Literature in Translation (Mission, British Columbia) 19 (Summer/Fall 1974).
Arabic literature issue, guest-edited by Bringhurst. Includes C.15, D.5.

E.2 Contemporary Literature in Translation 23 (Spring 1976).
Issue in honor of William Arrowsmith, guest-edited by Bringhurst. Includes D.12.

E.3 Barry Downs. Sacred Places: British Columbia's Early Churches. Vancouver: Douglas & McIntyre, 1980. 176 p. Cloth in dustjacket, 25 x 27.5 cm. ISBN 0-88894-285-0.
Illustrated study of aboriginal and colonial religious architecture in British Columbia. The acknowledgements report that Bringhurst "refined the work and put it all together."

E.4 John Dowd. Sea Kayaking: A Manual for Long-Distance Touring. Vancouver: Douglas & McIntyre; Seattle: University of Washington Press, 1981. 240 p. Paper, 14 x 21.5 cm. ISBN 0-88894-305-9.
Bringhurst is identifed as editor in the acknowledgements. Sections on sea-ice, icebergs and tides written by Bringhurst, though not signed by him.

E.5 €€Visions: Contemporary Art in Canada. Essays by Alvin Balkind, Gary Michael Dault, Terrence Heath, John Bentley Mays, Diana Nemiroff and Charlotte Townsend-Gault. Edited by Robert Bringhurst, Geoffrey James, Russell Keziere and Doris Shadbolt. Vancouver and Toronto: Douglas & McIntyre, 1983. 240 p. Cloth in dustjacket, 25 x 28.5 cm. ISBN 0-88894-392-X.
"Acknowledgments" signed by Bringhurst; "Editors' Foreword" signed by Bringhurst and his co-editors.
Related archive: R.2.
Reviews: S.28, S.29, S.30, S.31, S.35, S.36, S.38, S.39, S.40, S.41, S.42, S.43.

E.6 Norm Sibum. Ten Poems. Vancouver: William Hoffer, 1985. 32 p. Cloth, 15 x 24 cm.
The colophon records that "The manuscript was edited for the press by Robert BringhurstŠ. [There are] 100 signed and numbered copies."

E.7 €€Jan Tschichold. The Form of the Book: Essays on the Morality of Good Design. Translated from the German by Hajo Hadeler. Edited, with an introduction, by Robert Bringhurst. Vancouver: Hartley & Marks. 1991. xviii + 182 p. 15.5 x 24 cm. ISBN 0-88179-034-6.
Same as B.38. Introduction and several textual notes signed by Bringhurst. Four lines of Heine translated by him. See also E.7a, E.7b.

E.7a Jan Tschichold. The Form of the Book: Essays on the Morality of Good Design. Translated from the German by Hajo Hadeler. Edited, with an introduction, by Robert Bringhurst. London: Lund Humphries. 1991. ISBN 0-85331-623-6.
Same as E.7 except for title page, copyright page and jacket.
Reviews: S.125.

E.7b Jan Tschichold. The Form of the Book: Essays on the Morality of Good Design. Translated from the German by Hajo Hadeler. Edited, with an introduction, by Robert Bringhurst. Vancouver: Hartley & Marks. [1995]. xviii + 182 p. 15.5 x 24 cm. ISBN 0-88179-116-4.
This is the paperback reprint of E.7/B.38. Only the copyright page and binding differ.
Reviews: S.176.

F FILMS & RECORDINGS

F.1 The Blue Roofs of Japan. Vancouver, B.C.: privately published, 1986. Cassette tape.
Contents: "The Blue Roofs of Japan": acoustic version of A.31. Pirated from the 1985 CBC Radio studio tape. Voices by Robert Bringhurst and Donna White, produced for the CBC by Don Mowatt.

F.2 In Rage for Order: Poems with Music. Galiano Island, B.C.: René Mahlow, 1989. Cassette tape.
Contribution: "Nánquán Puyuàn," from A.32. Voices by Heather McRae & René Mahlow. Produced by René Mahlow using texts by various authors.

F.3 The Spirit of Haida Gwaii. Documentary film, produced & directed by Alan Clapp. First broadcast: CBC national television, September 1992.
One-hour documentary on the creation of Bill Reid's sculpture The Spirit of Haida Gwaii. (See also A.39.)

#F.4 New World Suite nº 3 and Other Poems. Compact disc, included with Barbarian Press edition of New World Suite nº 3 (A.60).

R ARCHIVAL COLLECTIONS

R.1 "Carmina propria et opuscula translata." Unpublished M.F.A. thesis, University of British Columbia, 1975.
Location: Special Collections, University of British Columbia Library, Vancouver.

R.2 Kanchenjunga Press Archive.
Location: Special Collections, University of British Columbia Library, Vancouver. Acquired in 1979.
Copies of the publications, correspondence with authors, editorial correspondence, and other files of the Kanchenjunga Press, which was active from 1972 to 1978. The press was founded by Bringhurst in collaboration with Miki Sheffield, and Bringhurst served as senior editor throughout the life of the firm. The operation was based in Bloomington, Indiana, during 1972­73, and in Vancouver (with branch operations in Red Bluff, California, and in San Francisco) during 1973­78. (See also D.20.)

R.3 The Robert Bringhurst Papers.
Location: Special Collections, University of British Columbia Library, Vancouver. Acquired in 1983.
Despite its name, this archive is devoted entirely to manuscripts and working papers for Visions: Contemporary Art in Canada (E.5). It includes six manuscript drafts and extensive editorial correspondence, along with design sketches, layout grids and working notes for the typography and illustration.

R.4 Robert Bringhurst Archive.
Location: National Library of Canada, Ottawa. Acquired in 1987; additional material acquired in 1990.
Manuscripts and correspondence, teaching notes, translations, photographs, academic and military records, reviews, and other files from the 1960s through the end of 1989. Includes copies of nearly all books and other publications designed by Bringhurst during this period.

S CRITICAL STUDIES, REVIEWS & OTHER SECONDARY SOURCES

S.1 Anonymous. Review of The Shipwright's Log (A.1). Choice (Chicago) 10.1 (January 1974): 1714.

S.2 Anonymous. Review of Cadastre (A.2). Choice 10.1 (January 1974): 1714.

S.3 Norman Stock. Review of Bergschrund (A.6). Library Journal (New York) 101 (15 March 1976): 819.

S.4 Robert A. Lecker. Review of Bergschrund (A.6). Quill & Quire (Toronto) 42.5 (April 1976): 46.

S.5 Raymond J. Smith. "Poetry Chronicle." The Ontario Review (Windsor, Ontario) 4 (Spring/Summer 1976): 104­110.
Review of several books, including Bergschrund (A.6).

S.6 Anonymous. Review of Bergschrund (A.6). Choice 13.7 (September 1976): 815.

S.7 John Biguenet. "Stones are to Silence as Darkness is to Light." West Coast Review (Burnaby, British Columbia) 11.2 (October 1976): 39.
Review of Bergschrund (A.6). "The disciplined imagination behind his images is as precise as the disciplined light of a laser. That imagination is informed by many traditions (Semitic, Greek, Precolumbian) which it not only absorbs but reiteratesŠ. Bergschrund is not a book; it is a library."

S.8 William Meads. "The Holes in the Stone." Kayak (Santa Cruz, California) 44 (February 1977): 60­65.
Review of Bergschrund (A.6). "The extraordinary thing about Robert Bringhurst is that he really knows how to see. And he takes his seeing seriously: seeing is his way of thinking, of knowing, of being. His images, even the most daring ones, are never merely inventedŠ. And he has absolute control of his rhythms, particularly in the matter of defining the lineŠ. Like Brecht, he writes a 'perfectly natural' idiom which no one speaksŠ. There are no gimmicks: everything is in a natural speech rhythm. Yet its taste on the tongue seems somehow distilled."

S.9 Kerry Shawn Keys. "Bringhurst Aorist." Loose Leaves Fall: Selected Poems. Camp Hill, Pennsylvania: Pine Press, 1977: 72.
A poem. (See also "Kerry Shawn Keys" in A.2.)

#S.10 John Biguenet. Review of Jacob Singing (A.7). The New Orleans Review ... (... 1978): ....

S.11 Marilyn Bowering. "Long Poems from the Little Presses." Quill & Quire 44.9 (July 1978): 4.
Review of several books, including Jacob Singing (A.7).

S.12 Douglas Barbour. "Canadian Poetry Chronicle: vi." Dalhousie Review (Halifax) 58.3 (Autumn 1978): 555­578.
Review of many books, including (p 569) Bergschrund (A.6).

S.13 Gail McKay. The Pat Lowther Poem. Toronto: Coach House Press, 1978: unpaged.
Section XLIV of the poem is a portrait of Bringhurst, who replaced Pat Lowther as Visiting Lecturer in the University of British Columbia's Dept. of Creative Writing after Lowther was murdered in 1975.

S.14 [Colin Browne]. "I Believe in Vengeance." CVII [Contemporary Verse Two] (Winnipeg) 5.2 (Winter 1980/81): 10­17.
Interview with Vancouver bookseller William Hoffer, in which Bringhurst and others also appear. (The title is a quotation from Hoffer. See also S.82, S.93, S.106.) In the same issue with S.15.

S.15 Jane Munro. "Bringhurst's Range: Essential Information." CVII [Contemporary Verse Two] 5.2 (Winter 1980/81): 38­41.
Review of Bergschrund (A.6), Jacob Singing (A.7), and The Stonecutter's Horses (A.9), with a partial account of an interview. In the same issue with S.14.

#S.15a Elsa Linguanti. "Allo-Faníe: I poeti canadesi della West Coast." Letterature d'America (...: Bulzoni) 2.7 (Primavera 1981): 123­153. [... Is this date an error? Was it in fact 1991?]
Essay on the poetry of the Canadian West Coast from 1961 to 1981, focussing especially on the work of Earl Birney, George Bowering, and Bringhurst. See also S.157.

S.16 Robin Skelton. "Poetry Selected, Collected, and Resurrected." Quill & Quire 49.3 (February 1983): 33.
Review of several books, including The Beauty of the Weapons (A.14). "Bringhurst is an acutely intelligent writer, his mind at once austere and sensual. He reanimates fragments of Greek, Chinese, Egyptian and Aztec thought so that they illuminate our present, and he does so in a style of utmost clarity and simplicityŠ. The Beauty of the Weapons is a book to place beside Eliot's Prufrock and Stevens's Harmonium."

S.17 Alan Twigg. "From Indian Legends to Feminist Mythology." The Province (Vancouver), 20 March 1983: Magazine, 6.
Review of several books including The Beauty of the Weapons (A.14). According to Twigg, Bringhurst is "the Colonel Kurtz of Canadian poetry."

#S.18 David Helwig. "Irving Layton: Orator Howling in an Empty Stadium." The Star (Toronto), ... 1983: ....
Review of two books: The Beauty of the Weapons (A.14) and Layton's A Wild Peculiar Joy.

S.19 Wayne Holder. Review of The Beauty of the Weapons (A.14). The Vancouver Literary News 4.83 (April 1983): 26­31.

S.20 Charles Seluzicki. Review of Albion Broadsheets 1980­81. Fine Print (San Francisco) 9.2 (April 1983): 51­52.
Includes review and partial reproduction of The Knife in the Measure (A.10).

S.21 Charles Lillard. Review of Tzuhalem's Mountain (A.12) and The Beauty of the Weapons (A.14). The Reader (Vancouver), June 1983: 1­4.

S.22 Sam Hamill. Review of The Beauty of the Weapons (A.14). Western American Literature (Logan, Utah) 18.2 (Summer 1983): 187­189.
"Bringhurst possesses an enormous appetite for the history of ideas. That alone would make him valuable. But his extraordinary ear and exceptional attention to craft bring to his poems a sense of living speech, of musically alive speech, that is rareŠ. He combines translation with imaginative writing as well as anyone since Rexroth and DuncanŠ. There is a depth of humanity in these poems, one that will grow, one from which we all may learn. The Beauty of the Weapons is a wonderful introduction to one of the finest younger poets in North America."

S.23 Steven Smith. Review of The Beauty of the Weapons (A.14). Books in Canada (Toronto) 12.7 (August/September 1983): 25­27.

S.24 Sr Anne Leonard. Review of The Beauty of the Weapons (A.14). CM (Ottawa) 11.5 (September 1983): 213.

S.25 W.J. Keith. Review of The Beauty of the Weapons (A.14). Canadian Book Review Annual 1982. Toronto: Simon & Pierre, 1983: 164.

S.26 Sandra Djwa & Ronald B. Hatch. Review of The Beauty of the Weapons (A.14). University of Toronto Quarterly 52.4 (Summer 1983): 347­348.
In the Poetry section, "Letters in Canada 1982."

S.27 Chaviva Hosek. "Poetry in English 1950 to 1982." The Oxford Companion to Canadian Literature, edited by William Toye. Toronto: Oxford University Press, 1983: 667­668.
There is no entry on Bringhurst in this initial edition of the Companion, but Hosek discusses his work briefly in relation to that of Christopher Dewdney and others. See also S.187.

#S.28 Russell Bingham. "In-depth Look at Canadian Art." Edmonton (Alberta) Journal, 11 December 1983: ....
Review of Visions (E.5).

S.29 Harold Town. "Critics, History and Art." The Globe and Mail (Toronto), 24 December 1983: Entertainment, 15.
Review of Visions (E.5).

S.30 Adele Freedman. Review of Visions (E.5). Quill & Quire 49 (December 1983): 24.

S.31 Susan Crean. Review of Visions (E.5). Books in Canada 13.1 (January 1984): 23­24.

S.32 Robert Fulford. "By Persons Unknown." Saturday Night (Toronto), March 1984: 9­11.
Discussion of several poets including Bringhurst. In "The Beauty of the Weapons Š one senses a writer whose austerity hides a minefield of complex passionsŠ. Bringhurst has something in him of the physicist, philosopher, biologist, and poetŠ. He reads and thinks widely, and his work is the poetry of a passionate cultural historianŠ. In some poets this burden of reference might be oppressive; in Bringhurst it's carried with both ease and conviction. Bringhurst seems at home wherever he travels."

S.33 Pete McMartin. "Fruits of the excavation.Š" The Vancouver Sun, 16 March 1984: 5.
Account of an interview.

S.34 Robin Skelton. "Recent Canadian Poetry." Poetry (Chicago) 144.5 (August 1984): 297­307.
A wide-ranging discussion. Pp 303­304 are devoted to Bringhurst ­ who, according to Skelton, "may be the poet we have all been waiting for: one who can reclaim for poetry the dignity, wit, brilliance, and wisdom it has recently appeared to have mislaid. He is without doubt a major poet, not only in the context of Canadian letters, but in that of all writing of our time."

S.35 Robert J. Belton. Review of Visions (E.5). University of Toronto Quarterly 53.4 (Summer 1984): 507­511.

In the Humanities section, "Letters in Canada 1983."

S.36 Anonymous. Review of Visions (E.5). Publishers Weekly (New York) 226.7 (17 August 1984): 51.

S.37 Reginald Berry. "Natural & Unnatural." Canadian Literature (Vancouver) 102 (Autumn 1984): 136­138.
Review of several books including The Beauty of the Weapons (A.14). Describes Bringhurst as "one of the wisest voices in Canadian poetry" and "an eloquent guide to the dark places of intellect and flesh."

S.38 Stephen Allan Patrick. Review of Visions (E.5). Library Journal 109 (1 September 1984): 1664.

S.39 J.E. Simpson. Review of Visions (E.5). CM 12.5 (September 1984): 189.

S.40 Peter Millard. Review of Visions (E.5). Arts Manitoba (Winnipeg) 4.1 (Winter 1984): 27.

S.41 Joel H. Kaplan. "Multiple Vision." Canadian Literature 103 (Winter 1984): 80­81.
Review of Visions (E.5).

S.42 Anonymous. Review of Visions (E.5). Print Collector's Newsletter (New York) 15.5 (November/December 1984): 185.

S.43 G. Eager. Review of Visions (E.5). Choice 22.10 (December 1984): 549.

S.44 Maureen Bradbury. Review of Ocean/Paper/Stone (A.18). Papers of the Bibliographical Society of Canada / Cahiers de la Société bibliographique du Canada (Toronto) 23 (1984): 113­114.

S.45 Dona Sturmanis. "A Wood Carver & Word Carver Collaborate." Antiques & Art / Collector's Choice (Vancouver) 11.3 (December 1984/January 1985): 4, 20.
Review of The Raven Steals the Light (A.22).

S.46 Anne Petrie. "A Salty and Sexy Raven." The Vancouver Sun, 26 January 1985: C15.
Review of The Raven Steals the Light (A.22).

S.47 Ross Carter. "Round-Up of Recent Books on Studies of Northwest Indians." PNLA [Pacific Northwest Library Association] Quarterly (Bellingham, Washington) 49.2 (Winter 1985): 14­15.
Review of several books including The Raven Steals the Light (A.22).

S.48 George Woodcock. Review of Ocean/Paper/Stone (A.18). Canadian Literature 103 (Spring 1985): 174.

S.49 "Canadians Compare through Poet's Eye." The Press (Christchurch, New Zealand), 21 March 1985: 8.
Article on a poetry reading given in Christchurch by Bringhurst and Marilyn Bowering.

S.50 Shari Meakin. "West Coast Myths Brought to Life." B.C. Outdoors (Vancouver) 41.3 (April 1985): 74.
Review of The Raven Steals the Light (A.22).

S.51 L.R. Ricou. Untitled review, beginning "The work of Claude Lévi-StraussŠ." Canadian Literature 105 (Summer 1985): 201­202.
Review of several books, including The Raven Steals the Light (A.22).
"These are, simply, the best versions of Indian tales I have read: they are colloquial yet poetic, precise yet spilling outside their boundaries, accumulating and then blending into one another. The writers, like Raven, are intelligent yet irreverentŠ. In such collisions, we recognize that 'the purpose of myths Š is not merely to relate experiences, but to lead to significant changes in the structure of things.' Bringhurst and Reid share this passion in a truly extraordinary, liberating collection."

S.52 Yoshikawa, Tsuneko. "Kanada no shijin: shishi nado no koto: Audrey Thomas-shi Robert Bringhurst-shi no rainichini furete." Nihon Gendai Shijin Kaiho (Tokyo) ns 27 (August 15, showa 60 [1985]): 6.
Article about Thomas and Bringhurst, in Japanese.

S.53 Douglas Barbour. Canadian Poetry Chronicle (1984). Kingston, Ontario: Quarry Press, 1985.
Includes (pp 16­17) a discussion of The Beauty of the Weapons (A.14).

S.54 Stephen Spender. Journals 1939­1983, ed. John Goldsmith. London: Faber & Faber, 1985.
The entry for 4 April 1982 (pp 442­443) recounts a meeting with Bringhurst in Vancouver and describes Spender's first encounter with Bergschrund (a10.): "poems of dazzling purity Š the work of a mind dwelling on great geographical and historical heights, completely unlike anything else, showing the utter commonplaceness of the confessional writing fashionable now."

S.55 Anonymous. Review of The Beauty of the Weapons (A.26). Publishers Weekly 228.21 (22 November 1985): 8, 50.

S.56 Glennis Zilm. Review of Tending the Fire (A.27). Amphora (Vancouver) 62 (December 1985): 24­25.
Reprinted as S.126.

S.57 Tom King. Review of The Raven Steals the Light (A.22). Canadian Book Review Annual 1985. Toronto: Simon & Pierre, 1986: 287.

S.58 Anonymous. "Editorial News." Fine Print 12.2 (April 1986): 66­67.
Announces Bringhurst's appointment as contributing editor of the magazine.

S.59 Anonymous. "Shoulder Note." Fine Print 12.2 (April 1986): 66­67.
Includes review of Shovels, Shoes and the Slow Rotation of Letters (A.29).

S.60 Ray Gonzalez. Review of The Beauty of the Weapons (A.26). The Bloomsbury Review (Denver) 6.5 (April/May 1986): 28.

S.61 Jorie Graham. "Making Connections." New York Times Book Review, 28 September 1986: 32­33.
Review of four books including The Beauty of the Weapons (A.26).

S.62 Ronald Hatch. "Poems of a Modern Saint ­ or is It a Preacher?" The Vancouver Sun, 25 October 1986: C12.
Review of Pieces of Map, Pieces of Music (A.32).

S.63 Kathi Neal. "'Lost generation' poet devotes energies to preserving culture of native peoples." Winnipeg Free Press, 26 November 1986: 43.
Brief and confused account of an interview conducted while Bringhurst was writer-in-residence at the University of Winnipeg.

S.64 Patricia Keeney Smith. "Poetry lighting up our dark corners to show the invisible." The Star (Toronto), 29 November 1986: m4.
Review of Pieces of Map, Pieces of Music (A.32).

S.65 Laurie Ricou. Review of Ocean/Paper/Stone (A.18). B.C. Studies (Vancouver) 71 (Autumn 1986): 57­59.

S.66 Phil Hall. Review of Pieces of Map, Pieces of Music (A.32). Books in Canada 15.9 (December 1986): 26­27.

S.67 Fraser Sutherland. "Poetry, Science, Mind and Religion." The Globe and Mail, 30 January l987: e19.
Review of several books including Pieces of Map, Pieces of Music (A.32).

S.68 W. Kevin E. McNeilly. "Knowing not Owning: Robert Bringhurst and the Plurality of Being." M.A. Thesis. University of Western Ontario. 1987.

S.69 Anthony Mattina. Review of two books including The Raven Steals the Light (A.22). Western Folklore (Claremont, California) 46.2 (April 1987): 144­146.

S.70 Mia Stainsby. "Humble toad the inspiration for a princely work of art." The Vancouver Sun, 6 June 1987: G3.
Review of Conversations with a Toad (A.33 & A.33a).
S.71 Ron Clark. Review of Pieces of Map, Pieces of Music (A.32). Wascana Review (Regina) 22.1 (Spring 1987): 92­95.

S.72 F[rances] W[oods]. Review of Pieces of Map, Pieces of Music (A.35). Booklist (Chicago) 83.2 (July 1987): 1644.

S.73 W[illiam] B[right]. Review of The Blue Roofs of Japan (A.31). Fine Print 13.3 (July 1987): 127­128.

S.74 G.V. Downes. "Breathing in Tune and Time." Event (New Westminster, B.C.) 16.2 (Summer 1987): 115­118.
Review of Pieces of Map, Pieces of Music (A.32).

S.75 Z[denek] V[olny]. "Z novych prekladu: Robert Bringhurst." Tvorba (Prague) 37 (16 September 1987): ix.
In Czech, with Volny's translations of "Poem about Crystal" and two excerpts from Tzuhalem's Mountain (see T.Cz.1).

S.76 Glennis Zilm. Review of Conversations with a Toad (A.33). Amphora 69 (September 1987): 24­26.
An unsigned apology in reference to the editing of this review appears in Amphora 70 (December 1987), p 32, and a fuller text in a subsequent issue (see S.91).

S.77 Ronald B. Hatch. Review of Pieces of Map, Pieces of Music (A.32). University of Toronto Quarterly 57.1 (Summer 1987): 40­41.
In the Poetry section, "Letters in Canada 1986."

S.78 Richard Silberg. Review of Pieces of Map, Pieces of Music (A.35). Poetry Flash (Berkeley, Calif.) 175 (October 1987): 20.

S.79 Robert Solomon. Review of Pieces of Map, Pieces of Music (A.35). Small Press (New York) 5.2 (December 1987): 48.

S.80 M. Waters. Review of Pieces of Map, Pieces of Music (A.35). Choice 25.5 (January 1988): 764.

S.81 Dan Davidson. "Book Gives Native View of History" and "Yukon Book Reflects Indian Anthropology." The Whitehorse Star (Whitehorse, Yukon), 3 February 1988: 28.
Review of Part of the Land, Part of the Water (A.36) and local gossip concerning the book.

S.82 [William Hoffer]. In List No. 69: Canadian Literature. Vancouver: William Hoffer, n.d. [1988].
One of many Hoffer catalogues which depart from bibliographical description into anecdote, criticism and invective. Entry 25 (p 3), which begins as a bibliographical description of The Stonecutter's Horses (A.9), goes on to address the strained relationship between poet and bookseller. (See also S.14, S.93, S.106.)

S.83 Maggie Helwig. Review of Pieces of Map, Pieces of Music (A.32). What (Toronto) 13 (November/December 1987, "Publication date: March 10, 1988"): 8­9.

S.84 Larry Scanlan. "Notebook: Interview with Robert Bringhurst." The Whig-Standard Magazine (Kingston, Ontario), 26 March 1988: 25.
A discussion devoted chiefly to Pieces of Map, Pieces of Music (A.32) and Conversations with a Toad (A.33).

S.85 Zdenek Volny. "Útrzky mapy, útrzky hudby." Svetová literatura (Prague) 33 (Nº 2, 1988): 50­51.
A discussion of Bringhurst's poetry and politics, in Czech, with translations of nineteen poems (see T.Cz.2).

S.86 Steven Pugmire. Review of Pieces of Map, Pieces of Music (A.35). Western American Literature 23.1 (May 1988): 88­89.
Reviewed with Sam Hamill's The Nootka Rose.

S.87 Nancy Campbell. "Storytelling the Oldest Tradition." The Whitehorse Star, 22 June 1988: 36.
Interview occasioned by Bringhurst's participation in the First Northern Storytelling Festival, Whitehorse, June 1988.

S.88 Anonymous. "Poet Says Native Tradition is Largely Ignored." The Yukon News (Whitehorse, Yukon), 22 June 1988: 5.

S.89 Gary Geddes. "Robert Bringhurst." Fifteen Canadian Poets Times Two. Toronto: Oxford University Press, 1988: 527­528.
Critical summary accompanying anthology selections. See also B.27.

S.90 Roman Gadzo. Review of Pieces of Map, Pieces of Music (A.35). The Fessenden Review (San Diego, Calif.) 11.4 (1988): 33­34.

S.91 Glennis Zilm. Review of Conversations with a Toad (A.33). Amphora 73 (September 1988): unpaged "special insert" between pp 10 & 11.
Enlarged and corrected from S.76, as explained by the editor's note on p 10 of this issue.

S.92 Jan Conn. "Beneath the Silk Print of Bamboo." This Magazine (Toronto) 22.4 (August/September 1988): 41.
This poem (which carries a dedication to Bringhurst) recounts a visit to the beachfront garret in Vancouver where Bringhurst lived from 1977 to 1986.

S.93 [William Hoffer]. In List No. 71: Canadian Literature. Vancouver: William Hoffer, n.d. [1988].
Entry 67 (pp 7­9) begins as a bibliographical description of Ocean/Paper/Stone (A.18) and its codicil, Pebble/Pond/Errata Slip (A.34). Then, with reference to "A Measure of Freedom" (D.50), it continues the diatribe begun in S.82. See also S.106.

S.94 Kelly Savage. "Magical myths entertain, educate." Southbridge News (Southbridge, Mass.), 29 October 1988: 13.
Review of two books including The Raven Steals the Light (A.22b).

S.95 Gary Geddes. Review of Pieces of Map, Pieces of Music (A.35). Journal of Canadian Poetry (Nepean, Ontario) n.s. 3 (1988): 15­18.

S.96 Glenn Sheldon. Review of Pieces of Map, Pieces of Music (A.35). Small Press Review (El Cerrito, California) 20:12 (December 1988): 12.

S.97 Jon Davis. "For What We Fashion." American Book Review (Boulder, Colorado) 2.1 (March/April 1989): 22.
Review of two books including Pieces of Map, Pieces of Music (A.35).

S.98 Anonymous. "The Owl and the Bluejay." Margin 8 (1989): 44.
A parody of sorts, published under Bringhurst's name though not written by him. It is part of a series entitled "Alpha and Digby Birds" (pp 30­53), which includes other examples of the same genre ­ passages fictitiously attributed to D.H. Lawrence, Thomas Hardy, Gerard Manley Hopkins and others ­ along with several items whose attributions appear to be genuine.

S.99 Roo Borson. "The Gift, for Robert Bringhurst." In Intent, or the Weight of the World. Toronto: McClelland & Stewart. 1989: 28.
A poem.

S.100 John Whatley. "Readings of Nothing: Robert Bringhurst's Hachadura." Canadian Literature 122­23 (Autumn/Winter 1989): 108­122.

S.101 A[listair] P[eebles]. "Listening to a Different Voice." The Orcadian (Stromness, Orkney, Scotland), 19 April 1990.
Account of a poetry and storytelling performance by Bringhurst in Stromness.

S.102 Laurie Ricou. "Poetry." In The Literary History of Canada: Canadian Literature in English, 2nd ed., vol IV. Toronto: University of Toronto Press. 1990: 3­45.
The section of Ricou's essay devoted to the metaphysical lyric is largely devoted to Bringhurst and begins by quoting in full the short lyric "Poem about Crystal," from A.14. See also further references in the index to the volume.

S.103 Mordecai Richler. Solomon Gurski Was Here. 1990.
Richler's novel recasts Haida trickster mythology in Jewish terms, acknowledging The Raven Steals the Light (A.22) as its source. See also S.155.

#S.104 Joy Asham Fedorick. "Fencepost Sitting and How I Fell Off to One Side." Artscraft (...) ... (Fall 1990): 9­14.
A Cree woman, writing on the issue of whites, natives, and the revival of aboriginal literature, discusses Bringhurst's involvement with the Cree and Ojibwa.

S.105 Russell Brown et al. "Robert Bringhurst." An Anthology of Canadian Literature in English. Toronto: Oxford University Press, 1990: 695.
Critical and biographical summary accompanying anthology selections. See also B.36.

S.106 [William Hoffer]. In List No. 77: Canadian Literature. Vancouver: William Hoffer, 1991.
Entries 85 and 86 (pp 16­17) begin as bibliographical descriptions of The Blue Roofs of Japan (A.31a) and Shovels, Shoes and the Slow Rotation of Letters (A.29), and continue with gossip and complaint. See also S.82, S.93.

S.107 Peter Sanger. "Poor Man's Art: On the Poetry of Robert Bringhurst." Antigonish Review (Antigonish, Nova Scotia) 85­86 (Spring/Summer 1991): 151­169.

S.108 Fraser Sutherland. "Robert Bringhurst." In Contemporary Poets, ed. Tracy Chevalier. Chicago & London: St James Press. 1991: 99­100.

#S.109 Nancy Beale. "Everyone's in the Same Boat." The Ottawa Citizen, 3 November 1991: ....
Article on Bill Reid's The Spirit of Haida Gwaii and Bringhurst's The Black Canoe (A.39).

S.110 Chris Dafoe. "An Odyssey of Mythic Proportions." The Globe and Mail, 16 November 1991: C3.
Article on Reid's The Spirit of Haida Gwaii and Bringhurst's The Black Canoe (A.39).

S.111 Benjamin Forgey. "Canada's Sculptured Spirit." The Washington Post, 19 November 1991: C1­2.
Article on Reid's The Spirit of Haida Gwaii and Bringhurst's The Black Canoe (A.39a).

S.112 Renée Blackstone. "A New-Day Noah's Ark." The Province (Vancouver), 24 November 1991: C14.
Review of The Black Canoe (A.39).

S.113 Charles Lillard. "Mixed Bag About First Nations." The Times-Colonist (Victoria, BC), 24 November 1991: M5.
Review of several books, including The Black Canoe (A.39).

S.114 Norbert Ruebsaat. Review of The Black Canoe (A.39). The Reader (Vancouver), December 1991: 41­44.

S.115 Elizabeth Anthony. "The Sacred and the Profound." Books in Canada 20.9 (December 1991): 31­33.
Review of several books, including The Black Canoe (A.39).

S.116 Ann Rosenberg. "Native Myth to Urban Monument." The Vancouver Sun, 7 December 1991: Saturday Review section.
Review of several books, including The Black Canoe (A.39).

S.117 Elizabeth Beauchamp. Review of The Black Canoe (A.39). Edmonton Journal, December 22, 1991.

S.118 John Lekich. "Poetic Vision: Bill Reid's Spirit of Haida Gwaii." The Vancouver Step (Vancouver) 2.6 (December/January 1991­92): 14­19.
Feature article based on The Black Canoe (A.39) and an interview with Bringhurst.

S.119 Kay Kritzwiser. "A Visible Heritage." Quill & Quire 58.1 (January 1992): 24.
Review of several books, including The Black Canoe (A.39).

S.120 Karal Ann Marling. "A Noah's Ark of the North." The New York Times Book Review, February 9, 1992: 13.
Review of The Black Canoe (A.39a).

S.120a Karal Ann Marling. "Unique Vision Lies Behind Launch of the Black Canoe." Montreal Gazette, February 29, 1992: K5.
Reprint of S.120. (See also D.63.)

S.121 Calvin Luther Martin. In the Spirit of the Earth: Rethinking Time and History. Baltimore: Johns Hopkins University Press. 1992.
Bringhurst is quoted repeatedly in Chapters 4­5, and his work discussed in Chapter 6, "Between the Lines: Bibliographical Essay and Epilogue."

S.122 Anonymous. "Reid's Chroniclers Edge Out Competition." The Vancouver Sun, 2 May 1992: Saturday Review section, SR9.
Chiefly an account of an anonymous interview with Bringhurst on the subject of The Black Canoe (A.39).

S.123 Richard Bingham. Review of The Elements of Typographic Style (A.42). Quill & Quire 58.9 (September 1992): 68­69.

S.124 Ruari McLean. "Master Bookmaker." Times Literary Supplement 4665 (28 August 1992): 25.
Review of Jan Tschichold, The Form of the Book: Essays on the Morality of Good Design (E.7a).

S.125 Laurie Ricou. "Saxifraga punctata, Raven": Part II of "Robert Bringhurst's 'Sunday Morning': A Dialogue," by Robert Bringhurst & Laurie Ricou. In Inside the Poem, edited by W.H. New. Toronto: Oxford University Press, 1992: 93­100.
The other half of B.42. Ricou appears as a fictional character in the portion of the dialogue written by Bringhurst, while Bringhurst appears as a fictional character in the portion written by Ricou.

S.126 Glennis Zilm. Review of Tending the Fire (A.27). In Praise of the Book: Being a facsimile of important articles Š from Amphora 1965­1990. Vancouver: Alcuin Society, 1992: 46­47.
Reprint of S.56.

S.127 Jean-Pierre Duquette, "Écrire l'image." Ellipse 48 (1992): 15­21.
Essay on the livres d'artiste of Lucie Lambert, including Conversations with a Toad (A.33). Repeated in English translation by Hugh Hazelton, pp 22­28. In the same issue with C.61 and T.Fr.3.

S.128 Francesco M. Casotti, "The Stonecutter's Horses." La Cultura Italiana e le Letterature Straniere Moderne, ed. Vita Fortunati. Bologna: Università di Bologna / Ravenna: Longo Editore, 1992: 305­312.
Essay (in English) on the poem (A.9, revised in A.14) and its sources.

S.129 Anne Tayler. "Largo" and "The Garden." In Writing North: An Anthology of Contemporary Yukon Writers, ed. Erling Friis-Baastad & Patricia Robertson. Whitehorse: Beluga Books, 1992: 158­160.
The first of these short prose pieces is a portrait of the author in relation to Bringhurst, the second a portrait of Bringhurst in relation to the author. The garden in question is one Bringhurst built ­ quite successfully by other accounts ­ in the late 1980s and early 1990s in front of his cabin on Bowen Island.

S.130 Mark Woodhouse. Review of The Elements of Typographic Style (A.42). Library Journal 117:21 (December 1992): 130­132.

#S.131 Harry C. Edwards. "The Last Word on Type?" Aldus Magazine (...): ... (March/April 1993): 14.
Review of The Elements of Typographic Style (A.42).

S.132 Alastair Johnston. Review of The Elements of Typographic Style (A.42a). Ampersand (Oakland, California) 12.1 (1993): 13.
(See also D.36 and A.43.)

S.133 Steffani Frideres. Review of The Black Canoe (A.41). Canadian Ethnic Studies (Calgary) 25.1 (1993): 132­133.

S.134 [Gerald Lange]. Review of The Elements of Typographic Style (A.42). Abracadabra (Journal of the Alliance for Contemporary Book Arts, Los Angeles) 7 (Spring 1993): 17.
Shortened version of S.136. An announcement of Bringhurst's forthcoming lecture at UCLA appears on p 23 of the same issue.

#S.135 Anonymous. Review of The Elements of Typographic Style (A.42). Ballast Quarterly Review (...) 8.3 (Spring 1993): ....

S.136 Gerald Lange. Review of The Elements of Typographic Style (A.42). The Typographer (Washington, DC) 19.4 (May/June 1993): 13­14.
Lengthened version of S.134.

#S.137 Anonymous. Review of The Elements of Typographic Style (A.42). Step-by-Step Graphics (Peoria, Illinois) ... (July/August 1993): 131.

S.138 Anonymous. Review of The Elements of Typographic Style (A.42). The Editorial Eye (Alexandria, Virginia) 16.8 (August 1993): 9.

S.139 Sharon Brown. Some Become Flowers: Living with Dying at Home. Madeira Park, British Columbia: Harbour Publishing. 1993.
A work of nonfiction centering the death of the author's mother. Several Canadian writers (including the author's partner Andreas Schroeder and friends George Payerle and Crispin Elsted) play important roles. Bringhurst makes a cameo appearance on pp 160­161, polishing wine glasses on New Year's morning, 1985.

S.140 Philip B. Meggs. Review of The Elements of Typographic Style (A.42). Print (New York) 47.4 (July/August 1993): 274­275.
S.141 Matthew Dennis. Review of The Black Canoe (A.41). Journal of the West (Manhatten, Kansas) 32.4 (October 1993): 116.

S.142 Janet Smith. "Bringhurst takes on poetry bashers at writers' fest." Kitsilano News (Vancouver), 20 October 1993: 32.

S.142a Janet Smith. "Poet Bringhurst finds nourishment on Bowen." Undercurrent (Bowen Island, British Columbia), 22 October 1993: 6.
Retitled reprint of S.142.

S.143 Richard Eckersley. Review of The Elements of Typographic Style (A.42). Bookways (San Antonio) 9 (October 1993): 61­62.

S.144 [Sean Kane]. "Ashley Fellow Begins Residence." Arthur (Trent University, Peterborough, Ontario) 28.15 (January 1994): 3.
Article announcing Bringhurst's arrival at Trent University as Ashley Fellow and predicting the subject matter of his lectures.

S.145 Reginald Berry. "Bringhurst, Robert," in Ian Hamilton, ed. The Oxford Companion to Twentieth-Century Poetry in English. Oxford: Oxford University Press. 1994: 67­68.

S.146 Vítor Quelhas with Rui Rocha. "A minha música são as palavras." Expresso Cartaz (Lisbon), 16 April 1994: 3, 20­21.
Commentary and interview, in Portuguese, occasioned by the publication of T.Pr.2. In the same issue with S.147.

S.147 Rui Rocha. "Olhar de águia." Expresso Cartaz, 16 April 1994: 21.
Review of T.Pr.2, in Portuguese. In the same issue with S.146.

S.148 Mário Santos, "As árvores não crescem numa foto." Público (Lisbon), 16 April 1994: 28.
Commentary and interview, in Portuguese, occasioned by the publication of T.Pr.2.

S.149 Sidney E. Berger. Review of The Elements of Typographic Style (A.42a). Papers of the Bibliographical Society of Canada 32.1 (Spring 1994): 60­61.

#S.150 José Guardado Moreira. "A Voz do Viajante." Ler (Lisbon), ... 1994: ....
Review of T.Pr.2, in Portuguese.

S.151 Christopher Burke. Review of The Elements of Typographic Style (A.42). Bulletin of the Printing Historical Society (London) 37 (Summer 1994): 14­15.

S.152 [Michael A. Peterman]. "Point-Counterpoint." Journal of Canadian Studies 29.2 (1994): 165.
Preface to D.75, signed "M.A.P." The text quoted in this preface is Bringhurst's own preface to the lecture, specially written for the magazine but never published apart from this excerpt.

S.153 Philip Marchand. "Obscure B.C. Poet is a rising star at Berkeley." Toronto Star, 6 August 1994: K4.
Obscure Toronto newspaper discovers that a Canadian poet unfamiliar to its book critic is familiar to librarians at the University of California. Based in part on a telephone interview conducted in July 1994. See also S.161.

S.154 James Harrison. "Bringhurst, Robert," in Eugene Benson & L.W. Conolly, ed., Encyclopedia of Post-Colonial Literatures in English. London: Routledge. 1994: vol 1, p 152.

S.155 Elisa Morera de la Vall. The Trickster: A Recurring Figure in Commonwealth Literature. Dissertation. Universitat Central de Barcelona. 1994.
Dissertation in two parts. Part One deals with African trickster tales in the novels of Chinua Achebe. Part Two deals with Mordechai Richler's use of The Raven Steals the Light (A.22) in his novel Solomon Gurski Was Here (S.103).

S.156 Sean Kane. Wisdom of the Mythtellers. Peterborough, Ontario: Broadview Press. 1994.
A study of the workings of myth and its persistence in the 20th century, with particular attention to the work of Bringhurst and Alice Kane. The principle sources include A.39, B.55, C.65/D.76. See also B.51.

S.157 Elsa Linguanti. "Robert Bringhurst," in In Forma di Parole (Bologna) terza serie 2.1 (1994): 238­239.
In Italian. In the same issue with C.63, T.It.2. See also S.15a.

S.158 Anonymous. "Peter Rotleg Kroch: Repeated Dunking, by Robert Boringhurst," in "Figments of Hepatitis. Done out of the 'Greek' by Guy Hideabed / Putrid Kroch." n.p., n.d. [San Francisco. 1995].
A parody of B.54 in the form of a 4-page leaflet, marked "Supplemental insert to the catalog." The probable author is Alastair Johnston (compare A.43 and S.132).

S.159 Jan Zwicky, "Bringhurst's Presocratics: Lyric and Ecology," in Tim Lilburn, ed., Poetry and Knowing: Speculative Essays and Interviews. Kingston, Ontario: Quarry Press, 1995: pp 65­117.
Essay on the sequence "The Old in Their Knowing," from A.14, with reference to A.2, A.5 and C.22. In the same volume with B.56. See also B.43.

S.160 Arlette Kouwenhoven. "De laaste totempalen van de Haïda Indianen." Scarabee (Schoonhoven, Netherlands) 15 (April 1995): 4­8.
Article in Dutch, on Haida art and culture. Bringhurst, who is described as "antropoloog en kenner van de Noordamerikaanse inheemse volkeren," is quoted at length throughout the article (based on interviews conducted at Bowen Island in 1994).

S.161 Philip Marchand. "Simplicity motivates poet's work of a lifetime." Toronto Star, 15 April 1995: h6.
Report of an interview (conducted in Toronto in early April 1995) combined with review of The Calling (A.47). With C.66. See also S.153.

S.162 Michael Redhill. Review of The Calling (A.47). Quill & Quire 61.5 (May 1995): 36.

S.163 Scott Ellis. "Where the Music Goes." Books in Canada 24.5 (Summer 1995): 30­31.
Review of The Calling (A.47) together with Peter Dale Scott's Murmur of the Stars: Selected Shorter Poems.

S.164 Chris Dafoe. "Robert Bringhurst: in ink and paper." The Globe and Mail, 24 June 1995: C1­2.
Based on an interview conducted in Vancouver in April 1995, with reference to A.47.

S.165 [Agostino Contò et al.] Jurors' review of The Elements of Typographic Style (A.42), in Selezione delle opere in concorso / A Selection of the Entries, 1993­94. Verona: Premio Internazionale Felice Feliciano. 1995: p 29.
This is the exhibition catalogue for the 4th annual Premio Internazionale Felice Feliciano. The book (considered in the studi e ricerche category) is praised by the jurors but did not receive an award. Text in Italian with a free English translation by Monica Della Preda.

S.166 Paul Hayden Duensing. "The Typographer's Bible?" The Compleat Typographer (Athens, Georgia) 24 (April 1995): 13­14.
Review of The Elements of Typographic Style (A.42).

S.167 George Elliott Clarke. "Two Poets Coming of Age." Halifax Mail Star (Halifax, Nova Scotia), 11 August 1995: B2.
Review of two books: The Calling (A.47) and Victor Coleman's Lapsed W.A.S.P. (See also S.174.)

#S.168 Dennis Rimmer. "Writer says poetry is not a lucrative field." Bellingham Herald (Bellingham, Washington), ...: ....
Review of The Calling (A.47) combined with account of a telephone interview.

S.169 Peter Sanger. Note to Thompson's "Ghazal XXXIV." In John Thompson, Collected Poems and Translations, edited by Peter Sanger. Fredericton, New Brunswick: Goose Lane, 1995: 267.
Sanger summarizes a letter from Bringhurst concerning this poem. (See also D.80.)

S.170 Crispin Elsted. Review of The Calling (A.47). The Reader 15.3 (Winter 1995): 23­27.

S.171 Zoë Landale. Review of The Calling (A.47). University of British Columbia Alumni Chronicle (Vancouver) 49.3 (Winter 1995): 25.

S.172 Paul S. Koda. Review of The Elements of Typographic Style (A.42). Papers of the Bibliographical Society of America (New York) 89.4 (December 1995): 487­488.

S.173 Johanna Hiemstra. "The Storyteller and Indigenous Canadian Oral Narratives: A Study of the Relationship of Contemporary Storytellers to the Remembered Indigenous Oral Narratives." M.A. thesis, Trent University, Peterborough, Ontario, 1995.
A study of three mythtellers: Esther Jacko, Louis Bird and Bringhurst.

#S.174 George Elliott Clarke. "Top books of '95." Halifax Mail Star, 5 January 1996: ....
Review of several books, including The Calling (A.47), which Clarke calls "the best all-round book of poems" for 1995. (See also S.167.)

S.175 Bill Russell. "Following Truth: Sam Hamill and Robert Bringhurst Visit Latin." Latin Line (Charlotte Latin School, Charlotte, NC) 19.5 (March 1996): 12­13.
Student writer's account of Bringhurst's and Hamill's (separate) visits to a North Carolina prep school. With caricatures of both.

S.176 Gerald Lange. Review of The Form of the Book (E.7b). Serif 4 (Spring 1996): 61­62).

#S.177 "The Best Books of 1995." Quill & Quire 62.2?... (February 1996?...): ....
Review of twelve books, including The Calling (A.47).

S.178 Bernd Dietz. "El poeta canadiense Robert Bringhurst, en Córdoba." Diario Córdoba, 24 de abril 1996: 38.

S.179 Elsa Linguanti. "'A tune beyond us, yet ourselves': Memory and Robert Bringhurst's Poetry," in Memoria e sogno: quale Canada domani?, a cura di Giulio Marra, Anne de Vaucher & Alessandro Gebbia. Venezia: Supernova, 1996: 161­170.
Text in English. Includes a three-page bibliography of Bringhurst's work.

#S.180 Margarete Gross. Review of The Elements of Typographic Style, 2nd edition (A.55). Library Journal ... (January 1997): ....
Differs markedly from its predecessor, S.130.

#S.181 Roger C. Parker. Review of The Elements of Typographic Style, 2nd edition (A.55). Mac Monitor (Savannah, Georgia) ... (...): ....

S.182 Lisa Gluskin. Review of The Elements of Typographic Style, 2nd edition (A.55). Critique 4 (Spring 1997): 7.
In the same issue with D.85.

S.183 Lewis Blackwell. Review of The Elements of Typographic Style, 2nd edition (A.55). U&lc (New York) 24.1 (Summer 1997): 35.

S.184 Angelynn Grant. Review of The Elements of Typographic Style, 2nd edition (A.55). Illustration Annual (Palo Alto, California) 1997: 212­214.

S.185 Jonathan Hoefler. "On Classifying Type." Emigre (Sacramento, California) 41 (Spring 1997): 55­70.
Includes a detailed assessment of the typeface classification system outlined in The Elements of Typographic Style (A.55).

S.186 Iain Higgins. "Many Mansions." Canadian Literature 154 (Autumn 1997): 197­203.
Review of many books, including The Calling (A.47). In the same issue with C.73. See also S.188.

S.187 Geoff Hancock. "Bringhurst, Robert," in The Oxford Companion to Canadian Literature, 2nd ed., edited by Eugene Benson & William Toye. Toronto: Oxford University Press: 143­144.
This is the first edition of the Companion to include an entry on Bringhurst. Other discussions of his work also appear in the same volume ­ e.g., Chaviva Hosek's article "Poetry in English 1950 to 1982" (revised from S.27) and Cynthia Messenger's "Poetry in English 1983 to 1996."

#S.188 Iain Higgins. Review of The Calling (A.47). Journal of Canadian Poetry 12 (1997): ....
Much enlarged from S.186 and focussing exclusively on The Calling.


T WORKS IN TRANSLATION

Note: For the Pinyin tone marks and correct Czech and Polish diacritics, see the Typographic Annotations at the end of this bibliography.

Chinese

T.Ch.1 [Three poems], translated by Wèi Gaoyuán. Cóng Liú (Ithaca, NY) 15 (1984): 18­23.
"Niao de luò long" ("Of the Snaring of Birds"), "Wú sheng shi" ("Poem without Voices"), "Mù zhì ming liù pian" ("Six Epitaphs"), with introduction and notes in Chinese. Source: A.14.

T.Ch.2 "Suí xiang" ("Of the Snaring of Birds"), translated by Wèi Gaoyuán. Zhongguó Qingnián Bào (Beijing), 27 July 1986.
Revised from "Niao de luò long" in T.Ch.1. Source: A.14.

T.Ch.3 "Niao de luò long suí xiang" ("Of the Snaring of Birds"), translated by Wèi Gaoyuán. In Gaoyuan Wei, The Burning Words (Cambridge, England: 1992), pp 10­11.
Revised from "Suí xiang," T.Ch.2. (Same as B.40.) Source: A.14.

T.Ch.4 "Gào dúzhe" ("Notes to the Reader"), translated by Zhang Guanyáo. Shìjiè Wénxué [World Literature] (Beijing) 5 (1994): 148­149.
Source: A.6. [There appear to be some difficulties in the translation. For example, the title of part 2 ­ "Get Laid" in the original ­ is rendered fàngxià, "to set down or lay aside."]

Czech

T.Cz.1 [Three poems], translated by Zdenek Volny. Tvorba (Prague) 37 (16 September 1987): p ix.
"Básen o krist'álu" ("Poem about Crystal"), "Podobenství o harfách" and "Podobenství o trech skalách" ("Parable of the Harps" and "Parable of the Three Stones," from Tzuhalem's Mountain), all reprinted in T.Cz.2. With introduction in Czech (see S.75). Source: A.14.

#T.Cz.2 [Nineteen poems], translated by Zdenek Volny. Svetová literatura (Prague) 33 (1988): ....
"Wáng Bì," "Bodhidharma," "Saraha," "Sarahovo cvicení pro zacátecníky" ("Saraha's Exercise for Beginners"), "Baizhàng Huaíhai," "Nánquán Puyuàn," "Danxiá Zichún," "Jakusicu" ("Jakushitsu"), "Hakuin," "Larix Lyallii," "Svetlo hvezd zemdlévá stále víc" ("The Starlight is Getting Steadily Dimmer"), "Sútra o srdci" ("Sutra of the Heart"), "Básen o krist'álu" ("Poem about Crystal," reprinted from T.Cz.1), "Podobenství o trech skalách" ("Parable of the Three Stones," reprinted from T.Cz.1), "Podobenství o harfách" ("Parable of the Harps," reprinted from T.Cz.1), "Podobenství o tisech" ("Parable of the Yew Trees"), "Podobenství o mysliteli" ("Parable of the Thinker"), "Podobenství o hlasech" ("Parable of the Voices"), "Podobenství o slunci" ("Parable of the Sun"), the latter six all being sections of Tzuhalem's Mountain. With introduction in Czech (see S.85). Sources: A.14, A.32.

T.Cz.3 [Two Poems], translated by Zdenek Volny. Tvorba (Prague) 33 (15 August 1990): 11.
"Xenofanes" ("Xenophanes") and "Podobenství o nezahladitelném" ("Parable of the Indestructible," from Tzuhalem's Mountain). With biographical note in Czech. Part of a series featuring works by Canadian poets, beginning with Tvorba 32 (8 August 1990) and concluding with Tvorba 37 (12 September 1990). Source: A.14.

T.Cz.4 [Two Poems], translated by Zdenek Volny, List pro literaturu (Brno, Czechoslovakia) 6 (1990): 18­19.
"Tyhle básne, rekla" ("These Poems, She Said") and "Podobenství o dvou ptácích" (Parable of the Two Birds," from Tzuhalem's Mountain). With biographical note in Czech.

Dutch

T.Du.1 "Die Gedichten, Zei Ze" ("These Poems, She Said"), translated by Peter Verstegen. De Tweede Ronde (Amsterdam) 6.4 (Winter 1985): 84.
With English text. See also C.47. Source: A.14.

French

T.Fr.1 Le dit du Corbeau: Recueil de mythes haida. Par Bill Reid et Robert Bringhurst. Traduit de l'anglais par Christiane Thiollier. Préface de Claude Lévi-Strauss. Paris: Atelier Alpha Bleue, 1989. 130 p. Paper, 14.5 x 19.5 cm. ISBN 2-86469-057-8.
French edition of A.22.

T.Fr.2 The Spirit of Haida Gwaii: Sculpture de Bill Reid. Washington, DC: Ambassade du Canada. [1992]. Four-panel brochure.
Text in English and French. Same as A.40.

T.Fr.3 "Extraits de Conversations with a Toad," traduction de Jacques Brault. Ellipse 48: 113­121.
French translation of sections III, IX and X, with English text (same as C.61). Source: A.33. S.127 appears in the same issue.

Italian

T.It.1 In Poesia canadese del Novecento, Testi inglesi e traduzione a cura di Caterina Ricciardi. Napoli: Liguori Editore, 1987: pp 346­349.
"Note al lettore" ("Notes to the Reader") and "Queste poesie, lei disse" ("These Poems, She Said"), translated by Caterina Ricciardi, with English texts. Source: A.14. See also B.26.

T.It.2 In In Forma di parole (Bologna) terza serie, 2.1 (1994): 176­187.

"Canto della sommità" ("Song of the Summit"), "Democrito" ("Demokritos"), "Il Canto di Ptahhotep" ("The Song of Ptahhotep"), all translated by Elsa Linguanti, with English texts. Sources: A.6, A.14. See also C.63. In the same issue with S.157.

T.It.3 In Parole sull'acqua: Poesie dal Canada anglofono e francofono, a cura di Liana Nissim e Caterina Ricciardi. Roma: Edizioni Empirìa, 1996: pp 200­205.

"Morte per acqua" ("Death by Water") & "Esercizio di Saraha per principianti" ("Saraha's Exercise for Beginners"), translated by Cristina Giorcelli, with English texts. Sources: A.14, A.32. There is also an epigraph excerpted and translated from "Sunday Morning" (in A.32) and a "nota biobibliografica" on pp 271­272. See also B.66.

Polish

T.Pl.1 In Kwartalnik Artystyczny (Krakow) 1.13 (1997): 9.
"Wiersz o krysztale" ("Poem about Crystal"), translated by Bogdan Czaykowski. Source: A.14.

#T.Pl.2 In Okanaganskie sady by Bogdan Czaykowski. Wroclaw: Wydawnictwo Dolnoslaskie, 1998: ...
..., translated by Bogdan Czaykowski. Source: A.14.

Portuguese

T.Pr.1 In Quingumbo: Nova Poesia Norte-Americana, organização de Kerry Shawn Keys. São Paulo: Editora e Livraria Escrita, 1980: pp 277­299.
"Anedota da Lula" ("Anecdote of the Squid"), translated by Ary Gonzalez Galvao; "Ensaio sobre Adão" ("Essay on Adam"), "Poema sobre o cristal" (Poem about Crystal"), "Equação Biquadrada" ("A Quadratic Equation"), "Gênesis Congelado" ("Genesis Frozen"), "Scholium", "Predição" ("An Augury"), translated by João Cabral de Melo Neto; "Canção do Pináculo" ("Song of the Summit"), translated by Silviano Santiago; "A Beleza das Armas" ("The Beauty of the Weapons"), translated by Luiza Lobo; "Algumas Cifras" ("Some Ciphers"), translated by Kern Krap[o]hl; "Pitágoras" ("Pythagoras"), translated by Luiz Alberto Monjardim. With English texts. Source: A.6. See also B.7.

T.Pr.2 A Beleza das Armas. Translated by Júlio Henriques. Lisboa: Edições Antígona, 1994.
Portuguese edition of A.14, followed by an 8-page article "Sobre o Autor," which consists primarily of excerpts translated from "Breathing Through the Feet," from A.32. Includes full English text of A.14.
Reviews: S.146, S.147, S.148, S.150.

Spanish

T.Sp.1 "Treinta palabras" ("Thirty Words"), translated by Jesús Munárriz. Presencia Literaria (La Paz, Bolivia), 4 May 1997: 4.
In the same issue with D.87. Source: A.35.


X CHRONOLOGICAL SUMMARY

Codes:

A = Books and other separate printed works
B = Contributions to books and other separate works
C = Contributions to periodicals: poems
D = Contributions to periodicals: prose
E = Edited and co-edited works
F = Films & recordings
R = Archival collections
S = Works about Bringhurst
T = Works in translation

1963 C.1

1972 A.1
C.2, C.3

1973 A.1a, A.2
B.1
C.4, C.5, C.6, C.7, C.8
D.1, D.2

1974 A.3, A.4
C.9, C.10, C.11, C.12, C.13, C.14, C.15, C.16, C.17, C.18, C.19, C.20, C.21, C.22
D.3, D.4, D.5, D.6
E.1
S.1, S.2

1975 A.5, A.6, A.6a
B.2, B.3
C.23, C.24, C.25, C.26, C.27
D.7, D.8, D.9, D.10, D.11

1976 C.28, C.29
D.12, D.13, D.14
E.2
S.3, S.4, S.5, S.6, S.7

1977 A.7, A.8
C.30, C.31
D.15, D.16, D.17
S.8, S.9

1978 B.4, B.5
C.32
D.18
S.10, S.11, S.12, S.13

1979 A.9
B.6, B.6a
C.33, C.34, C.35
D.19, D.20
R.1

1980 A.10
B.7
C.36
E.3
T.Pr.1

1981 B.8
E.4
S.14, S.15, S.15a

1982 A.11, A.12, A.13, A.14, A.15
B.9, B.10, B.11
C.37, C.38, C.39, C.40, C.41
D.21

1983 A.16, A.17
B.12, B.13, B.14
D.22, D.23, D.24
E.5
R.2
S.16, S.17, S.18, S.19, S.20, S.21, S.22, S.23, S.24, S.25, S.26, S.27, S.28, S.29, S.30

1984 A.14a, A.18, A.19, A.20, A.21, A.22, A.22a, A.23, A.24, A.24a
B.15, B.16, B.17
C.42, C.43
D.25, D.26
S.31, S.32, S.33, S.34, S.35, S.36, S.37, S.38, S.39, S.40, S.41, S.42, S.43, S.44, S.45
T.Ch.1

1985 A.25, A.26, A.27, A.28
B.18, B.19
C.44, C.45, C.46, C.47
D.27, D.28, D.29, D.30, D.31, D.32, D.33
E.6
S.46, S.47, S.48, S.49, S.50, S.51, S.52, S.53, S.54, S.55, S.56
T.Du.1

1986 A.29, A.30, A.31, A.31a, A.32
B.20, B.21, B.22, B.23, B.24, B.25
C.48, C.49, C.50, C.51, C.52, C.53, C.54, C.55
D.34, D.35, D.36, D.37, D.38, D.39, D.40
F.1
S.57, S.58, S.59, S.60, S.61, S.62, S.63, S.64, S.65, S.66
T.Ch.2

1987 A.33, A.33a, A.34, A.35, A.36
B.26
C.56, C.57, C.58
D.41, D.42, D.43, D.44, D.45
R.3
S.67, S.68, S.69, S.70, S.71, S.72, S.73, S.74, S.75, S.76, S.77, S.78, S.79
T.Cz.1, T.It.1

1988 A.22b, A.37
B.27, B.28
C.59
D.46, D.47, D.48, D.49, D.50, D.51, D.52, D.53
S.80, S.81, S.82, S.83, S.84, S.85, S.86, S.87, S.88, S.89, S.90, S.91, S.92, S.93, S.94, S.95, S.96
T.Cz.2

1989 B.29, B.30, B.31
C.60
D.49a, D.54, D.55, D.56, D.57
F.2
S.97, S.98, S.99, S.100
T.Fr.1

1990 A.38
B.32, B.33, B.34, B.35, B.36
D.58
S.101, S.102, S.103, S.104, S.105
T.Cz.3, T.Cz.4

1991 A.39, A.39a
B.37, B.38
D.59
E.7, E.7a
S.106, S.107, S.108, S.109, S.110, S.111, S.112, S.113, S.114, S.115, S.116, S.117, S.118

1992 A.40, A.41, A.42, A.42a
B.39, B.40, B.41, B.42, B.43
C.61
D.60, D.61, D.62, D.63, D.64
F.3
S.119, S.120, S.121, S.122, S.123, S.124, S.125, S.126, S.127, S.128, S.129, S.130
T.Ch.3, T.Fr.2, T.Fr.3

1993 A.43, A.44, A.45
B.44, B.45, B.46
C.62
D.65, D.66, D.67, D.68, D.69, D.70
S.131, S.132, S.133, S.134, S.135, S.136, S.137, S.138, S.139, S.140, S.141, S.142, S.142a, S.143

1994 A.42b, A.42c, A.42d
B.47, B.48, B.49, B.50, B.51, B.52, B.53
C.63, C.64
D.71, D.72, D.73, D.74, D.75, d.76
S.144, S.145, S.146, S.147, S.148, S.149, S.150, S.151, S.152, S.153, S.154, S.155, S.156, S.157
T.Ch.4, T.It.2, T.Pr.2

1995 A.41a, A.46, A.47, A.48, A.49, A.49a
B.54, B.55, B.55a, B.55b, B.56, B.57, B.58, B.59, B.60, B.61
C.65, C.66, C.67, C.68, C.69, C.70
D.77, D.78, D.79, D.80
E.7b
S.158, S.159, S.160, S.161, S.162, S.163, S.164, S.165, S.166, S.167, S.168, S.169, S.170, S.171, S.172, S.173

1996 A.50, A.51, A.52, A.53, A.53a, A.54, A.55, A.55a
B.59a, B.62, B.63, B.64, B.65, B.66
D.81, D.82, D.83, D.84
S.174, S.175, S.176, S.177, S.178, S.179
T.It.3

1997 A.54a, A.56, A.56a, A.57, A.57a
B.67
C.71, C.72, C.73, C.74
D.85, D.86, D.87, D.88, D.89
S.180, S.181, S.182, S.183, S.184, S.185, S.186, S.187, S.188
T.Pl.1

1998 A.58, A.59, A.60, A.61
D.90, D.91
T.Pl.2

TYPOGRAPHIC ANNOTATIONS

The alphabet or character set displayed by most current software for the PC and Macintosh is limited to Western European characters. Additional characters required for romanized Chinese, Japanese, Sanskrit, for many Native American languages, and for the languages of Eastern Europe can be displayed and printed only if you have non-ethnocentric software (e.g., WordPerfect or one of the new systems based on the Unicode standard).
In its full form, this bibliography requires some of those additional characters. For delivery over the Web it has been pared down to Western European characters only. If you have the requisite software, you can replace the simplified characters with their correct counterparts. For example, in B.46, the letter l in Gágiwdul.àt should be a barred l, and in B.65, there should be an acute on the s in Parsvanatha. A full list of character substitutions follows.

A.30 macron on the O in O-karasu.

B.46 barred l in Gágiwdul.àt.
B.48 macron on the o in Yotaku.
B.64 krouzek on the second u in supu;
caron (inverted circumflex) on the s in Mikes.
B.65 acute on the s in Parsvanatha.

C.50 caron on the i in Zichún;
caron on the first u in Puyuàn.
C.58 acute on the s in Parsvanatha.
C.62 caron on the a in Wényan;
caron on both a's in Fayan.

D.22 caron on the i in Pàng Zi.

F.2 caron on the first u in Puyuàn.

S.27 caron on the s in Hosek.
S.75 caron on the second e in Zdenek;
acute on the y in Volny (twice);
acute on the y in novych;
carons on the r and krouzek on the u in prekladu.
S.85 caron on the second e in Zdenek;
acute on the y in Volny;
caron on the z in útrzky (twice);
caron on the e in Svetová.
S.90 caron on the z in Gadzo.
S.187 caron on the s in Hosek.

T.Ch.1 caron on the a in Niao;
macron on the e in de;
caron on the o in long;
macrons on the e in sheng and the i in shi;
macrons on the i in ming and the a in pian.
T.Ch.2 caron on the a in xiang;
macron on the a in Gaoyuán;
macrons on the first o and first i in Zhongguó Qingnián;
two carons and one macron, as above, in Niao de luò long.
T.Ch.3 two carons and one macron, as above, in Niao de luò long;
caron on the a in xiang (twice).
T.Ch.4 caron on the e in dúzhe;
macrons on the first and second a in Zhang Guanyáo.
T.Cz.1 caron on the second e in Zdenek;
acute on the y in Volny;
caron on the n in Básen;
carons on r and s in krist'álu;
caron on the r in trech.
T.Cz.2 caron on the second e in Zdenek;
acute on the y in Volny;
caron on the e in Svetová;
caron on the second c in cvicení;
carons on both c's in zacátecníky;
carons on the i in Baizhàng and the last i in Huaíhai;
caron on the first u in Puyuàn;
caron on the i in Zichún;
caron on the s in Jakusicu;
carons on both e's in Svetlo hvezd;
carons on n, r and last s in Básen o krist'álu;
caron on the r in trech.
T.Cz.3 caron on the second e in Zdenek;
acute on the y in Volny.
T.Cz.4 caron on the second e in Zdenek;
acute on the y in Volny;
caron on the e in básne and the r in rekla.
T.Pl.2 acute on the n in Okanaganskie;
barred l in Wroclaw;
acute on the s and ogonek on the a in Dolnoslaskie.