Atmosphere 2014—ACTION

PDFS:DWELLING ACTS    ENVIRONMENTAL ACTS    SOCIO-POLITICAL ACTS    BUILDING ACTS   REPRESENTATIONAL ACTS    RESEARCH IN ACTION

Push, Pull, Bend, Bind: Enacting Architecture Through Behaviour and Consequence
LANCELOT COAR, University of Manitoba

 

With the recent advancements in digital and automated tools for the fabrication of materials and structures, the orthogonal prescription of 20th century design and construction industry has become dramatically transformed. Through these advances a biologically inspired formal vocabulary has emerged suggesting a more synthesized approach of form finding and construction processes. Yet despite this, industrial-era tools and orthogonal construction techniques are still being used to build designs that employ the complex geometries of digital designs when they are assembled at a ‘building-scale’. This incongruity between tools, methods, and construction techniques results in redundant technologies, unorthodox challenges in construction, complex workflows, and inefficient material and energy usage.

 

Arguably the appeal to produce “organic” forms in design is not purely aesthetic, as these forms offer the opportunity to achieve greater efficiencies in energy and materials when explored in concert with the full realities of constructing a building at full-scale (not only virtually).

 

This paper will describe the research of the author aimed at establishing a reciprocal approach to design and construction where the design and construction process are explored simultaneously at both model and building scales.  This approach is based on the idea that design with materials can be collaborative, a conversation between actions and reactions (both physical and conceptual), between the designer, building materials, and the techniques of constructing.  These actions are in fact provocations that reveal unexpected dimensions of understanding including a fuller range of other senses (touch, smell, sound, etc.) not commonly explored in industrial design and construction process.  In this research, drawing, modeling, and building become mutually congruent and contribute to the speculation of how architecture might arise out of behaviour and consequence rather than aesthetics or technology alone.


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Informality in Bogotá: Housing, Rapid Urbanization, and Public Space
JORGE COLÓN, University of New Mexico
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Poetic Action for Autism: An Intersubjective Approach
ALLISON DVORAK, MSH Architects
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Black Contemporary: Act of Construction
PETER P. GOCHÉ, Iowa State University
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Experiencing the Three-Legged Stool: Social, Economic and Environmental Education
Through the Mariposa Redevelopment

MARIANNE BELLINO HOLBERT, University of Colorado-Boulder

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Clouds of Action: Rethinking Urban Contexts as Differential and Participatory Fields 
HANNAH HOPEWELL, Auckland University of Technology

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Inhabiting Difference: Integrating Rule Based Design and Cultural Ritual
JASON S. JOHNSON, University of Calgary
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Exposing Experiences: Research Based Placemaking
JENNY KEMPSON, Framework Cultural Placemaking (Seattle)
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Turbulence and the Creation of Home
GRAHAM LIVESEY, University of Calgary

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Heaven on Earth: Transient Dwelling and Adaptation in Downtown Houston
GREGORY MARINIC, University of Houston
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Digital Surrogacy in Ephemeral Sites
URSULA EMERY MCCLURE, Louisiana State University
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Returning Anew: Sequential Experience in the Jewett Art Center
KEVIN MOORE, Auburn University
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Patterning Temporary Atmospheres: Installations for the Experience of Sound and Light
CLAY ODOM, University of Texas
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Photography as a Phenomenological Tool in Architectural Representation
ERIKA PETRIC, Technical University of Graz
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Apocalyptic Architecture: Designing Within Resilient Detroit
ZIAD QURESHI, Iowa State University
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Free Zoning: Designing a Framework for Typological Evolution and Continual Building Acts
GEORG RAFAILIDIS, State University of New York at Buffalo
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Blind Spot: The User Usurps the Dwelling Act and the Designer’s Attention
NATALIJA SUBOTINCIC, University of Manitoba
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Toward Anonymity in Architecture: An Augmentation of the Historical Project of Autonomy
JOSHUA M. TARON, University of Calgary
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Call Before You Cut! The Importance of Tree Protection
ANNA THURMAYR, University of Manitoba

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The Lightest Material

AARON J. WEINERT, Wentworth Institute of Technology

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The Architectural Lessons of Anselm Kiefer’s La Ribaute: The Material of History and the Space of Dramatic Representation
STEPHEN A. WISCHER, North Dakota State University

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Reclaiming Space

PAOLA ZELLNER, Virginia Tech

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The 2014 Atmosphere Committee consists of: Lisa Landrum, Chair (Architecture), Rae Bridgman (City Planning), Alyssa Schwann (Environmental Design), Lynn Chalmers (Interior Design), Marcella Eaton (Landscape Architecture); with web design and graphics support from Thalia Andreoglou (Masters of Architecture student), and administrative support from Brandy O’Reilly (Faculty of Architecture, Partners Program).

 

Questions? Please contact Lisa.Landrum@umanitoba.ca

 

Atmosphere is generously supported by the Faculty of Architecture Endowment Fund and the following professional associations: the Manitoba Association of Architects (MAA); the Manitoba Association of Landscape Architects (MALA); and the Professional Interior Designers Institute of Manitoba (PIDIM).                  

Aspects of Atmosphere 2014 ACTION are being presented in collaboration with StoreFront Manitoba and aceartinc.