    
"Part, the First" Text by Robert Enright "Part, the Second" Text by Meeka Walsh An index to BorderCrossings with "Notes on an Index" by Cliff Eyland Images BorderCrossings website Back to first BCSC page  
Above: A BorderCrossings cover that features a work by William Eakin. Notes on an Index by Cliff Eyland 1. The BorderCrossings Study Centre is composed of every issue of BorderCrossings magazine housed in specially built cabinets designed by BorderCrossings's editor Meeka Walsh and architects Neil Minuk, Eduardo Aquino and Karen Shanski. The shelves fold up -- or rather transform themselves -- into a crate for transport with space enough for an ingeniously-made reading table and box chairs. The concept grew out of conversations that Meeka and I had about how a magazine could be presented in a gallery, and about historical precedents for such a presentation. 2. BorderCrossings is organizing a tour of this Study Centre. Hosting institutions will create their own exhibitions to accompany this object, which I'd characterize as both a small library and a giant exhibition catalogue. Most institutions will likely want to unite works of art from their collections and other local collections with BorderCrossings's articles. If so, the possibilities would range from the art of the late-1970s to work made this year. Space has been allotted for future issues of the magazine, so I expect that the BorderCrossings Study Centre could be on the road for some time to come. 3. The inaugural exhibition of the Study Centre at Gallery One One One included work, most of it from the gallery's permanent collection, by artists Aganetha Dyck, Wanda Koop, David McMillan, Eleanor Bond, William Eakin and Marcel Dzama, all of whom have appeared on the cover of the magazine, sometimes twice. (Indeed, Eleanor Bond has appeared three times.) Gallery One One One's second exhibition -- Part Two -- included work, again mostly from the gallery's permanent collection, by KC Adams, Sheila Butler, Caroline Dukes, Ivan Eyre, Suzanne Gauthier, Noam Gonick, Krisjanis Kaktins-Gorsline, Guy Maddin, Don Reichert, Diana Thorneycroft, Esther Warkov and Richard Williams. 4. I have named these notes after Rosalind Krauss's October magazine article Notes on the Index: Seventies Art in America,1 which appeared coincidentally when Arts Manitoba, BorderCrossings's predecessor, was founded in the late-1970s. For Krauss, the word "index" refers to the 1960s and 1970s rise of photography and photo-text art. (In semiotics a photograph is called an "indexical" sign because it carries traces of its referent as light the way a tire track holds the image of the tire that makes it.) My use of the word "index" has to do not only with the index of the contents of BorderCrossings magazine, which appears below this text online and also as a paper copy on the BorderCrossings Study Centre table, but also to the index.html convention that organizes the Internet as the default designation of a website's home page. 5. Krauss's notes begin with a disparaging reference to the 1970s catchphrase "pluralism," a word often used to characterize the emerging complexity of the art world at the time, a complexity that, as we know, has grown geometrically since. Is not an art magazine -- is not BorderCrossings by its very nature -- "pluralistic"? The term pluralism, like the term "postmodernism," presses its logic without much fuss back into the past and forward into the future. Jackson Pollock in the famous 1949 issue of Life magazine can serve as an example of a backdated pluralism. In 1949 it would have been taken for granted by the avant-garde that Pollock was the only serious artist featured in that issue of the magazine, but now we are just as interested in the New England landscape painter and the African photographer who are also profiled. That's because we have developed an ethnographic attitude to art that tends to contextualize whatever we look at, new or old, high or low, in non-universalistic terms. One of the aims of the BorderCrossings Study Centre is to redouble the magazine's pluralism by encouraging iterations by new artists of the art featured in its pages; to deepen a viewer/reader's sense of art history, which these days can be shockingly shallow; and to encourage the rediscovery of some fascinating but neglected art. 6. BorderCrossings has an illustrious past, but what of its future, and the future of other art magazines? And what of this troubling index.html phenomenon? Vanguard folded, some of us remember, when Russell Keziere stepped down as editor; ArtsAtlantic survived Joseph Sherman's departure by only a few years; Artichoke died with its founder Paula Gustafson; Parachute ceased publication when Chantal Pontbriand decided to cease publishing; and Impulse expired because, well, we don't know, but Eldon Garnet's personal investment must have had as much to do with its existence as these other ventures have to do with their dedicated editors. The art magazine is a delicate flower. C Magazine, Fuse and Blackflash have all survived departing editors, and the newish magazine Galleries West seems to be doing well, but it is new. Could Canadian Art magazine weather the departure of Rick Rhodes? And could BorderCrossings continue to prosper after the departure of editor Meeka Walsh and contributor Robert Enright? I'm hopeful, but I wonder. 7. Many contemporary art magazines, including BorderCrossings, are becoming Internet/print hybrids, publications that have an index but also an index.html home page. Will they soon become Internet-only ventures like Akimbo.ca and Artnet.com? Sarah Thornton's recent book Ten Days in the Art World (Thornton is an ethnographer, by the way) describes the current acrimonious contest between the print and Internet sectors of Artforum magazine. No doubt the future will provide us with more bickering about online versus print publications. The luxury art book and art magazine will survive in many forms, but after only about ten to fifteen years of a fully functioning graphically interfaced Internet it is astonishing that we are at an historical moment of uncertainty about all print publications, art magazines included. 8. BorderCrossings has a clever strategy: its current name does not suggest, as its old name Arts Manitoba did, its geographical location. To continue with the old name would have committed the magazine to another 1970s catchphrase "regionalism." Instead, and happily, the magazine practices a strategic internationalism, sometimes featuring an international superstar such as Eric Fischl on a cover while continuing due diligence toward Canadian artists inside. 9. As I page through back issues of BorderCrossings magazine, I tend to connect a 1977 review or a 1993 interview to a notice that I have just received at home about an opening next Friday, or an obituary that I may have read last week online, or to the current rise of an artist whose work interests me. I have just heard, for example, that the noted New York artist Nancy Spero has died. A quick look at the index shows that BorderCrossings's editor Meeka Walsh has been interested in Spero's work for a long time. 10. If Julian Schnabel had died last week, however, I'd be out of luck, because he is featured only once in BorderCrossings, in a piece by Robert Enright. Schnabel, we assume, must never have been so important to Enright, Walsh or BorderCrossings's many other writers, and if the interest is not there, the art won't be addressed. Although editor Meeka Walsh may write about whatever she likes and assign what she wants covered, the magazine's voluminous index is a complex product of time and circumstance, contingency, amicability, access and the inclinations of dozens of writers, as must be true of any magazine with such a long history. The index of BorderCrossings magazine is an index of Canadian taste in visual art grounded in decades of aesthetic negotiation. 11. While the Winnipeg content of BorderCrossings is complete,2 and the Canadian content is comprehensive, BorderCrossings's international coverage is based on and in New York, and it has a special texture that we may attribute more personally to Walsh and Enright (art writers Robert McGee and James Trainor and a few others have also corresponded from New York, of course). I'd like to characterize Enright and Walsh as writers who, in art, lean toward sensuality and sexuality spiced very often with a sense of provocation just this side of transgression, as evinced in their work on such New York figures as Robert Frank, Eric Fischl, Lisa Yuskavage and Helmut Newton, but this or that slice of over twenty-five years of writing could yield other conclusions, and I may well be projecting my own preoccupations on them. 12. Walsh's introductions are literary play that aligns itself by turns with a particular BorderCrossings's issue's content, or not. In fact, over the years, since BorderCrossings has moved more fully into visual arts coverage, the overt "literariness" of BorderCrossings has increasingly consisted firstly of her editorial insistence on comprehensible, literate art writing, and secondly on her own editorial introductions, which often take a poetic turn. (The essays and reviews themselves also have literary status, of course.) 13. Robert Enright's interviews are simply the best in the business. 14. You'll notice a fair number of poets and literary writers among the regular contributors to BC, but you'll also notice that their major contributions inhabit BorderCrossings's early issues. They include Arthur Adamson, Randall Anderson, David Arnason, Dennis Cooley, Lorna Crozier, Pat(rick) Friesen, Myrna Kostash, Robert Kroetsch, Patrick Lane, and Wayne Tefs. 15. You'll also recognize nationally-known art writers whose work appears in other Canadian magazines and journals, such as James D. Campbell, Gary Michael Dault, Terence Dick, David Garneau, Alison Gillmor, Terence Heath, Amy Karlinsky, Myrna Kostash, Robert Kroetsch, Martha Langford, Robin Laurence, and Robert McGee. 16. You'll see the names of artists who write, including: Sheila Butler, David Garneau, Sky Glabush, Lee Henderson, Christopher A. Olson, Myron Turner and myself (given: David Garneau and Gary Michael Dault listed above, are also, of course, artists.) 17. I was particularly keen, as I got a little more systematic in my examination of the magazines by way of the index, to track down the first mention of artists who have since become storied, because, like other magazines, BorderCrossings is a maker of art world reputations. Many of the following artists were either first introduced to the wider world of art by this magazine, or else given that invaluable extra push at the beginnings of their careers. They include: Paul Butler, Karel Funk, Tim Gardner, Guy Maddin, Sarah Anne Johnson, Diana Thorneycroft, Aganetha Dyck, Wanda Koop, David McMillan, Eleanor Bond, William Eakin, Marcel Dzama, The Royal Art Lodge, Laura Letinsky, and Two-Six. I could name many others. A Note on the BCSC  'Before there was conceptual art I did the magazine pages,' [Graham] said, referring to his legendary art gestures, like his 1965 reproduction of a supermarket register tape in the pages of a fashion magazine, which he called Figurative. 'In fact I always disliked conceptual art, because my work is about anarchistic humor.' The work he's arguably best known for has probably been the most misunderstood. Homes for America (1966-67), [see above] a series of photographs of cookie-cutter suburban houses, began as a slide show that emphasized the similarities between the repetitive, Fordist system of post-war suburban housing developments and the serial approach of Minimalists like Steve Reich and Donald Judd. Refashioned as an artwork intended for publication in a magazine, the series was meant as a parody of 'think pieces you might find in Esquire Magazine with good photos' as well as a rejection of the limits of the art gallery's 'white cube' format in favor of the ubiquity and disposable nature of monthly periodicals.A reproduction of a painting or a performance reproduced in a magazine is a photograph embedded in writing and graphic design. Too often we tend to look through magazines rather than at them. The text and images of Dan Graham's Homes for America are arranged graphically in a way that would hardly pass muster as "good graphic design" then or now, but he was making a point about minimalism. Ironically, Graham's eccentric formal layout strengthens Homes for America's case as a work of art. If we hone to our own conceit that the Border Crossings Study Centre is also a labyrinthine photo-text work, an instance of "meta-art" explicitly conceived with such precedents as Rodchenko's 1925 Worker's Club and Dan Graham's Homes for America in mind, then the contributions of photographers as makers of documentation and as artists is of special importance. Contributors such as Winnipeg photographer William Eakin, then, rank very highly after Enright, Walsh and BC's cadre of writers and artists, whatever the number of personal entries in the index. Ernest Mayer, who has only one entry in the index, is and was a photographer at the Winnipeg Art Gallery, and, like Eakin, his documentation of other artist's art has been sprinkled throughout BC's pages for twenty years, often without attribution, as is the custom of photographers work for civic galleries. Photographer Sheila Spence, who also worked at the Winnipeg Art Gallery for years, has also had many of her photographs of other artist's art appear in the magazine in additon to her own work. Mike Carroll and Joe Grande of Grandesign are the current graphic designers of BorderCrossings, and they have had numerous predecessors. Although the history of the graphic design of BorderCrossings can't be addressed here, the constitution of Border Crossings magazine as a work of graphic design must also be acknowledged. Footnotes: 1. Krauss, Rosalind. "Notes on the Index: Seventies Art in America," in October The First Decade, 1976-1986, ed. Annette Michelson, Rosalind Krauss, Douglas Crimp, and Joan Copjec, Cambridge: MIT Press, 1987, 2-15. 2. Can any Winnipeg artist of stature claim to have been ignored by BorderCrossings? I can find only one important omission in Janice Gurney, whose Winnipeg Art Gallery Sum over Histories exhibition of 1992-94 was overlooked. Her artist husband Andy Patton makes it onto our index list, but not her. I also note that Winnipeg artist Ivan Eyre has never been featured on the cover of the magazine, even though his work has been frequently featured. The absence is notable if one weighs the artist's local stature as a Winnipegger who has had a solo exhibition at the National Gallery of Canada. The relatively few entries for Winnipeg curator Wayne Baerwaldt is easier to explain since the artists that he championed as a curator in the 1990s and 2000s are very well represented. I also notice, and this is a matter of curiosity more than anything else, that Letters to the Editor entries appear only in Volume 10#2, 65, Volume 10#3, 54, and Volume 10#4, 89. _________________________________ BELOW IS AN INDEX TO ARTS MANITOBA AND BORDERCROSSINGS MAGAZINE Volume 1: January/February 1977 - Winter 1978 Volume 2: Fall 1982 - September 1983 Volume
3: November 1983 - Fall 1984 Volume
4: Winter 1984 - Fall 1985 Volume
5: December 1985 - September 1986 Volume
6: December 1986 - October 1987 Volume
7: January 1988 - October 1988 Volume
8: January 1989 - November 1989 Volume
9: January 1990 - October 1990 Volume
10: January 1991 - November 1991 Volume
11: January 1992 - December 1992 Volume
12: Winter 1993 - October 1993 Volume
13: January 1994 - November 1994 Volume
14: January 1995 - November 1995 Volume
15: February 1996 - November 1996 Volume
16: February 1997 - November 1997 Volume
17: February 1998 - October 1998 Volume
18: January 1999 - November 1999 Volume
19: January 2000 - November 2000 Volume
20: February 2001 - November 2001 Volume
21: February 2002 - November 2002 Volume
22: February 2003 - November 2003 Volume
23: February 2004 - November 2004 Volume
24: February 2005 - November 2005 Volume
25: March 2006 - December 2006 Volume
26: March 2007 - November 2007 Volume
27: February 2008 - November 2008 Volume
28: February 2009 - November 2009 Volume
29: February 2010 - November 2010 A Constructed World
About "Eden of
Garden: Reversing the Expulsion," by Jen Budney, Volume 19#4 (#76), 57-60. reviews "Magdalena
Abakanowicz," (visual arts review of "The Long Wait" by Terrence Heath), Volume
22#4 (#88), 117-118. Abdul,
Lida about "Lida
Abdul," visual art review by Christopher Olson, Volume 27#2 (#106), 90-92. Abley,
Mark "A
Day in Cardston," Volume 4#4, 25-27. reviews "Risky
History," (book review: Rites of Spring: the Great War and the Birth of
the Modern Age by Modris Eksteins), Volume 8#4, 41-42. poetry "The
Mound of the Dead" & "Streets at Home", Volume 8#3, 50. Aboriginal Art and Issues
"Sex
Manual," David Garneau, (visual art review: Exposed: Aesthetics of
Aboriginal Erotic Art), Volume 18#4 (#72), 78-80. "Trick and
Treat," Catherine Mattes, (book review: The Trickster Shift: Humour and
Irony in Contemporary Art by Allan J. Ryan), Volume 18#4 (#72), 90-91. Achtemichuk,
Robert about "Robert
Achtemichuk at the Thomas Gallery," Arthur Adamson, Volume 1#3&4,
54-57. "Robert
Achtemichuk: Works on Paper," Robert Enright, Volume 2#4, 45. Adam,
Ian reviews "Heaven's
Door (book by Gregory Grace)," Volume 1#3&4, 123-124. about "The
Cyborgian Comfort Zone," (borderview by Robert Enright), Volume 27#1 (#105),
21-22. "KC
Adams," (visual art review by Cliff Eyland), Volume 24#2 (#94), 101-102. Adams, Kim
about "A Model
Artist, Observations on Art and Play from Kim Adams," Robert Enright,
Volume 18#1 (#69), 16-25. artist
pages "Beaver
Nuts, Casino Series," Volume 20#3 (#79), 51-53. Adamson,
Arthur about "Bewitched
by Chance," Marlene Milne (visual review), Volume 1#2, 18-19. articles "Allen
Hessler: Exemplars of Ordered Energy," Volume 4#3, 48-50. "The
Art of Kelly Clark: Polarities and the Communicative Vision," Volume 2#4,
4-11. "Eva
Stubbs: The Decorum of the Primordial," Volume 4#2, 58-61. "The
Grand Western Canadian Screen Shop: Review and Reminiscence," Volume 3#2,
14-18. "Ivan
Eyre: The Loneliness of a Long Distance Painter," Volume 2#1, 26-33. "Lady
Day by Richard Williams: Traditional Iconoclast," Volume 5#3, 51-55. "The
Menacing Technology of Gardening: Rosemary Kowalsky's Flowers and Tools,"
Volume 5#2, 6-9. "Mind/Body
Processes of Jack Butler," Volume 3#1, 8-10. "Taboo
Images: An Inquiry into the Iconography of Feminist Art," (re: Sharon
Corne), Volume 3#2, 31-32. "The
Wise and Graceful Vision of Jahan Maka," Volume 3#4, 62-64. reviews "Arnold
Saper: Recent Drawings," Volume 2#3, 45-48. "David
Umholtz: Recent Work," Volume 2#4, 43. "The
Emperor's Clothes: the Manitoba Juried Exhibition," Volume 1#1, 6-8 "The
Hierarchic and Animistic Vision of Sheila Butler," Volume 1#1, 45-47. "Kim
Ouellette," Volume 5#1, 32. "The
Logic of the Absurd: Esther Warkov's Drawings," Volume 5#4, 49-50. "New
Art from Manitoba at the Winnipeg Art Gallery," Volume 3#1, 34-36. "Nineteenth
Century French Painting in Juxtaposition," Volume 1#3&4, 90-92. "Revelations
and Process," (re: Five: Jill Brooks, Lee Cassidy, Eva Fritsch,
Mary Sprague, Lorraine Zeyha), Volume 1#2, 20-21. "Robert
Achtemichuk at the Thomas Gallery," Volume 1#3&4, 54-57. "Sensuous
Meditations: Recent Work by Bill Pura," Volume 3#3, 20. "Two
Fantasists: Ann Smith and Jane Zednik," Volume 2#2, 52-53. "The
Woodcuts of Munakata and Matsubara," (re: Munakata Shiko, Naoko
Matsubara),Volume 1#2, 10-13. poetry "In
the House by the Prairie," Volume 4#4, 45. "Song
for Frances," Volume 1#3&4, 113. "Three
Poems," Volume 7#1, 42. "The
Underwater Owl," Volume 1#3&4, 121. Adamson,
Michael about "Button
Whole," (re: Michael Adamson), Volume 20#2 (#78), 10-11. Ader,
Bas Jan about "Here
is Always Somewhere Else: The Disappearance of Bas Jan Ader," (film review by Christopher
Olson), Volume 28#2 (#110), 95-97. Adler,
Kathleen about "Body
Persistence," by Alison Gillmor (re: The Culture of Pain by David
B. Morris & The Body Imaged: The Human Form and Visual Culture Since the
Renaissance by Kathleen Adler and Marcia Pointon eds.), Volume 12#4, 67-68. Agassiz
Theatre about "End
of the Line for Agassiz?," Myron Love, Volume 3#3, 22-23. Ainslie,
Patricia about "Images
of the Land: Canadian Block Prints, 1919-1945, A Review," Robert J. Lamb,
Volume 4#2, 41-42. Albee,
Edward about "Canadian
Sparkle, American Dreary," David Arnason, (theatre review: All Over
by Edward Albee),Volume 1#1, 18-19 about "Joseph
Albers," (architecture review by Cliff Eyland), Volume 24#1 (#93), 92-94. Alberta
Biennial about "2007
Alberta Biennial of Contemporary Art: Living Utopia and Disaster," Anthea
Black, (including images of work by Terrance Houle and Jarusha Brown, Geoffrey
Hunter, Mark Mullin, David Janzen, Sarah Adams-Bacon), Volume 26#4 (#104),
99-100. Albuquerque,
Cheryl portfolios "Eyes
of the Beholders: Refugee Women in Somalia," (text by Larry Krotz), Volume
14#2, 10-17. visuals "Strip,"
Alison Gillmor, (photographs by Cheryl Albuquerque), Volume 13#4, 52-55. Alexander,
David borderviews "Portrait
of the Artist as a Mountain Climber," Introduction by Robert Enright,
(book review: A Hiker's Guide to Art of the Canadian Rockies by Lisa
Christensen), Volume 15#4, 4-5. about "The Pride
of Influence," Interview with Robert Enright, Volume 16#3, 54-65. "Qu'Appelle:Tales
of Two Valleys," (visual art review by Terry Fenton), Volume 21#4 (#84), 78-82. Alexis,
Andre about "Time,
Be Not Proud," Ray Cronin, (multimedia review: "Mnemosyne," featuring Thaddeus
Holownia, Andre Alexis, Veronika Krausas and Motion), Volume 19#3 (#75), 89-91. Allison,
Glenn reviews "Clishmaclaver
in the Convent: Cloisters at St. Norbert," (re: Cloisters, coord. Bev Pike
& Katrina Rozman), Volume 12#4, 63-66. Alloucherie,
Jocelyne about "Auradynamics:
The Task of the Spectator in the New Era of the Aura," visual art review by
Martha Langford, (re: "Confluences" at CMCP and "Manufactured Landscapes" at
the National Gallery of Canada), Volume 22#2 (#86), 56-65. Althoff,
Kai about "Kai
Althoff," (visual art review by Lee Henderson), Volume 28#2 (#110), 97-99. about "David
Altmejd," Kate Regan (visual art review), Volume 26#2 (#102), 94-96. interview "Learning
from Objects: An Interview with David Altmejd," (with Robert Enright), Volume
23#4 (#92), 66-75 Alward,
Sean reviews "Matthew
Brown," (visual art review), Volume 27#2 (#106), 109-110. Alward,
Sharon about "Mea
culpa, Mea Culpa," Alethea Lahofer, (visual art review: Loves You So
Much It Hurts), Volume 9#1, 31-32. Alÿs,
Francis about "Francis
Alÿs," by Susan Emerling (visual art review: Francis Alÿs: Politics of
Rehearsal), Volume 27#1 (#105), 86-87. "Geometrics
of Conjecture," by Robin Laurence (visual art review: Francis Alÿs: Le
temps du sommeil), Volume 17#4 (#68), 80-82. Amabile,
George about "The
Poetry of Knowledge and Flesh: An Interview with George Amabile," (with
Robert Enright and Dennis Cooley) Volume 2#3, 29-32. "To
Keep and Re-read," S.G.Buri,(book review: Open Country), Volume
1#2,77-78 reviews "Changehouse,"
(re: Changehouse by Michael Tregebov), Volume 1#1, 56-57. "Gringo
(book by Dennis Greunding)," Volume 3#2, 26. "Music
of the Festival of Life and Learning," (Ken Bloom, The Cast Iron Potty
Band, Jim Donahue, Duck Donald, Cathy Fink, Alice Garrard, Gerry and Ziz,
Houndog, Walter Lysack, Dave McLean, Grant McLean, Mitch Podolak, Mike Seeger,
Graham Shaw), Volume 1#2, 57-61. poetry "Dancing
in the Mirror," Volume 5#1, 35. "How
to Kill Time on the Prairies," Volume 4#1, 38. "Three
Poems," Volume 8#4, 40. "Unfinished
Barn," Volume 1#1, 55. "The
Winter of Things," Volume 1#3&4, 111. Amar,
Michael about "The
X-Feels," Gary Michael Dault, (visual art review: "Stations") Volume 16#3,
79-81. Amprimoz,
Alexandre fiction "Two
Fables," Volume 2#2, 68-69. Amundson,
Dale about "The
Three-dimensional Line: a relief sculpture by Dale Amundson," Ann Cameron,
(review), Volume 1#2, 14-17. "The
Importance of Being Low-Tech," Timothy Ray (visual art review: Romancing
the Ruins by Dale Amundson) Volume 10#2, 42-44. Anderson,
David about "Ceramists
3," Mary Sprague, (review), Volume 1#1, 41. review "Ellen
Moffat," (visual art review), Volume 24#2 (#94), 96-97. Anderson,
Neal Davis articles "Un-Merging
Realities, The Dilemma of Dubravka Ugresic," Volume 12#4, 33-37. reviews "Trusting
the Teller and Not the Tale," (re: Her Kind: Stories of Women from
Greek Mythology by Jane Cahill), Volume 15#3, 53-56. articles "Born Again, A Prosthetic You," (re: Second Life), Volume 26#1 (#101), 66-71. essays "Constructing
Sight: Building the Self on Facebook," Volume 28#2 (#110), 73-75. "51st
Venice Biennale," (visual art review), Volume 24#3 (#95), 92-93. "Adrian
Norvid," (visual art review), Volume 24#2 (#94), 103-104. "Bill
Burns," (visual art review), Volume 23#3 (#91), 116-117. "Bruce
Nauman," (visual art review), Volume 26#4 (#104), 102-104. "Carolee
Schneemann," (visual art review), Volume 23#1 (#89), 85-86. "Carol
Wainio," (visual art review), Volume 26#2 (#102), 98-99. "Che
Guevara: Revolutionary and Icon," (visual art review), Volume 25#4 (#100),
97-99. "David
Spriggs," (visual art review re:"The Paradox of Power"), Volume 26#3 (#103),
129-130. "Debraye:
Voitures a controverse," (visual art review), Volume 24#4 (#96), 107-109. "Francois
Morelli," (visual art review), Volume 26#1 (#101), 77-79 "Giorgio
Morandi," (visual art review), Volume 24#1 (#93), 83-84. "Jasper
Johns," (visual art review), Volume 27#2 (#106), 89-90. "Laura St.
Pierre," (visual art review), Volume 23#4 (#92), 101-103. memoir "Joyous
Inquiry: A Memoir and Appreciation of Sol LeWitt," Volume 26#3 (#103), 118-120. Andison,
Lois "Wildlife:
A Field Guide to the Post Natural," (visual arts review by David Garneau of
works by Lois Andison, Nina Katchadourian, Jake Moore, Warren Quigley and
Louise Weaver) Volume 20#4 (#80), 70-72. Andrews,
Stephen about "Stephen
Andrews," Terence Dick, (review of POV), Volume 25#1 (#97), 111-113. Andriessen,
Louis about "Notes
Towards Anarchy, An Interview with Louis Andriessen," Robert Enright,
Volume 15#1, 32-38. Angel,
Jeannette about "The
Way of All Flesh," Mark Duncan, (review: Polaroid Rot), Volume 13#4,
76-77. Anghik,
Abraham about "Fortunate
Heirs: A Review of Out of Tradition," Sheila Butler, Volume 8#2,
17-18. Anguhadluq,
Luke about "Typically
Untypical: A Review of the Work of Luke Anguhudluq," George Swinton,
Volume 8#1, 27-28. Angus,
Terry reviews "Dust
in Men's Eyes," (re: Blowing Dust off the Lens by Jim Wallace) Volume
1#2, 76. Animation "Animation
Central: The History of Animation in Winnipeg," Gene Walz, Volume 4#4,
18-20, 24. April,
Raymonde "Making
the Impossible Self: A Symposium on Current Art Practice," (with others)
Volume 7#3, 33-35. about "Auradynamics:
The Task of the Spectator in the New Era of the Aura," visual art review by
Martha Langford, (re: "Confluences" at CMCP and "Manufactured Landscapes" at
the National Gallery of Canada, Volume 22#2 (#86), 56-65. "Secret
Sharer: An Interview with Raymonde April," (interview with Robert Enright),
Volume 27 #4 (#108), 58-71. about "Dieter
Appelt," (visual art review by James Campbell), Volume 24#2 (#94), 88-89. Aquino, Eduardo
about
"Tablers
of Content," Robert Enright (borderview: Eduardo Aquino and Karen Shanski), Volume
25#4 (#100), 14-15.
articles "A
Question of Scale: Renegotiating Territories of Desire," (re: the Bienal de São
Paulo, featuring artwork by Rubens Mano, Gabriel Sierra, Dora Longo Bahia,
Carsten Höller and Carla Zaccagnini), Volume 28#1 (#109), 42-49. Arbus, Diane
reviews "The
Sister Grim," by Ray Cronin, visual art, Volume 20#2 (#78), 128-129. Archambeau,
Robert about "The
Claymaster Cycle," (Borderview), Robert Enright, Volume 22#2 (#86), 13-14. "Potter's
Potter," Betty Ann Jordan, (ceramic review), Volume 16#3, 73-74. "Potting
Utopia: Robert Archambeau's Divine Pots," Meeka Walsh, Volume 6#1, 29-33. Archigram About "Look Back
In Languor," (Robert Enright interview with Dennis Crompton), Volume 21#2
(#82), 11-12. Architecture "Barns
of Western Canada: An Illustrated Century, and Prairie Giants, A
Review," Robert Enright Volume 6#4, 40-41. "Big
Disney is Watching You," Cheryl Simon and Fred McSherry, (re: "The Architecture
of Reassurance: Designing the Disney Theme Parks"), Volume 16#4, 61-64. "Clifford
Wiens," Alison Gillmor (visual art review re: "Telling Details: The
Architecture of Clifford Wiens"), Volume 26#2 (#102), 105-107. "Diplomacies
of the Built World: Berlin's New Embassies," article by Sascha Hastings, Volume
25#2 (#98), 76-82. "Folk
Housing: The Vernacular Architecture of the Ukrainian People in Manitoba,"
Volume 5#4, 12-20. "Fresh
Heirs Apparent," Stephen Pope, (re: "Pentimenti: Process in Contemporary
Architecture," at the Ottawa Art Gallery), Volume 16#2, 14-17. "Natural
Co-Habitations: Mennonite House-Barn Architecture in the Prairies," Gwen
Dowsett, Volume 6#4, 24-31. "The
Practical Utopian: The Architecture of Clifford Wiens," interview by Robert
Enright, Volume 25#4 (#100), 54-65. "Skidmore,
Owings and Merril: Bigtime Architecture Comes to Winnipeg," David Lasker,
Volume 3#1, 56-61. "Telling
the Dancer from the Dancing Building," Robert Enright, Volume 7#2, 50-55. "That
Weird Building in Flin Flon," Forrest Wilson, Volume 6#1, 6-11. Arden,
Roy about "Mourning
Becomes Eclectic," Christopher Brayshaw, (photography review: "Roy Arden"),
Volume 17#2 (#66), 72-73. "Out of
the Blue: Three Works on Vancouver," (re: Brian Jungen, Roy Arden, Stan
Douglas), Peter Culley, Volume 20#2 (#78), 64-70. "Roy
Arden," Christopher Olson, (visual arts review: "Roy Arden"), Volume 27#1
(#105), 87-89. Armstrong,
Jeannette fiction "Blue
Against White," Volume 11#4, 86-87. Armstrong,
John about "Ovoidance,"
Bruce Reimer, (visual art review: Sanguine), Volume 18#4 (#72), 89-90. crossover "Disorderly
Conduit," (visual art review: Fast by "Painterly Disorders") Volume
16#2, 56-57. "Strange
Attracter," (photography review: Angela Grauerholz), Volume 16#4, 77-79. Armstrong-Six, David
"Models
of Impurity," visual art review: Rodney La Tourelle, Volume 20#1 (#77), 75-76. Arnadottir,
Anna Bara about "Elfing
and Trolling in Manitoba: The Sculpture of Anna Bara Arnadottir,"
Kristjana Gunnars, Volume 5#4, 85-86. Arnason,
David about "50
Stories and a Piece of Advice: A Review," Kathie Kolybaba, Volume 2#2, 57. "King
Jerry: A Review," (a book review by Jake MacDonald), Volume 21#1 (#81), 86-88. "The
Marriage of Real and Surreal," Annie Beer, (book review: The Happiest
Man in the World and Other Stories), Volume 9#1, 29-31. "Pagan
Pomo: The Accountant Tallies," (review of The Pagan Wall),Linda
Hutcheon, Volume 12#1, 57-58. "Skrag:
A Review," Smaro Kamboureli, Volume 6#4, 44-45. "Subversion
X2," Robert Enright, (borderview: The New Icelanders, The Dragon
and the Dry Goods Princess), Volume 14#2, 5. articles/interviews "The
Myth of Beginnings: The Icelander in Manitoba," Volume 7#4, 9-11. "The
New Puritans," Volume 3#2, 10-12. "Outcasting:
A Conversation with Margaret Laurence about the World of Manawaka," (with
Dennis Cooley) Volume 5#4, 32-35. "Pressing
Perambulations," (re: publishing in Manitoba), Volume 3#1, 6-7. "Story-forming:
David Arnason's Addictive Fictional World, An Interview," (with Robert
Enright) Volume 4#2, 8-10. "War
Journals: A Meditation," Volume 10#2, 9-14; 56-59. "Writing
Canadian: An Interview with Tom Hendry," (with Wayne Tefs) Volume
1#3&4, 11-15. reviews "A
World Turned Upside Down," (re:Stolen Continents: The "New
World" Through Indian Eyes Since 1942, Ronald Wright), Volume 11#4,
75-76. "Canadian
Sparkle, American Dreary," (theatre review: All Over by Edward
Albee & Canadian Gothic and American Modern by Joanna Glass),
Volume 1#1, 18-19. "The
Energy of Migrants," (re: Culture and Imperialism by Edward W.
Said), Volume 13#1, 46-47. "Kinds
of Glory," (re: The Crucible, MTC), Volume 1#2, 34-35. "Kurelek:
A Biography (by Patricia Morley)," Volume 6#4, 39. "Lichens
of North America: by Irwin M. Brodo, Sylvia Duran Sharnoff and Stephen
Sharnoff," (book review), Volume
21#2 (#82), 87-88. "Labyrinths
of Voice: Conversations with Robert Kroetsch (book by Shirley Neuman and Robert
Wilson)," Volume 2#3, 62-63. "Norval
Morrisseau and the Emergence of the Image Makers (book by Elizabeth McLuhan and
Tom Hill)," Volume 3#4, 36-37. "A
Plague on Both Their House," (book review: Gary Genesko Contest: Essays
on Sports, Culture, and Politics), Volume 18#3 (#71), 72-74. "The
Bedside Book of Birds: An Avian Miscellany by Graeme Gibson," (book
review), volume 25#1 (#97), 106-107. column "At
Babi Yar," Volume 11#1, 6. fiction "Armageddon,"
Volume 16#2, 37. "Driving
Through Montana," Volume 4#4, 68-70. "Frankfurt
Express," Volume 8#2, 50-52. "Morning
Letter," Volume 1#3&4, 93-96. "Night
Train to Barcelona," Volume 6#4, 84-86. "The
Unmarried Sister," Volume 2#1, 72. "Once
in a Small Bar in Odessa," Volume 11#1, 18-20 poetry "The
Cottage Poems: A Selection," Volume 5#4, 90. "Harve,"
Volume 3#3, 20. Arnason,
Maureen fiction "The
Dancers," Volume 8#1, 52-55. Arneson,
Robert about "Robert
Arneson: A Review," Terrence Heath, Volume 7#2, 32-33. Arnold,
Abraham reviews "Another
Country (by Henry Kreisel; edited by Shirley Newman)," Volume 5#4, 52-53. "Losing
Another Eden," (book review: The Last Best West by Jean Bruce),
Volume 1#2, 74. "Memory
Board (by Jane Rule)," Volume 7#3, 27-28. "Mirror
of a People: Canadian Jewish Experience in Poetry and Prose (edited by Sheldon
Oberman and Elaine Newton)," Volume 4#4, 48. "Night
Light," (book review: Night Light edited by Constance Rooke),
Volume 7#1, 35-36. "On
Stage with Maara Haas," Volume 6#1, 27. "When
Western Canada Was A Developing Country," (book review: The Worst of
Times, The Best of Times: Growing up in Winnipeg's North End by Harry
Gutkin with Mildred Gutkin), Volume 8#3, 28-29. "William
Kurelek: A Vision of Canada," Volume 3#1, 32-33. Aronovitch,
Beverly "Artists
in the Schools," Volume 1#2, 3-4. about "Artangel,"
(Article by Andrea Carson), Volume 24#1 (#93), 26-33. Art and
Education "An
Artist-in-the Schools in Rural Manitoba: First Impressions," Judith
Harway, Volume 2#4, 59-62. "Artists
in the Schools," Beverly Aronovitch, Volume 1#2, 3-4. "Pandora
Poetry Contest: The Winning Entries," Volume 1#3&4, 34-39. "Simple
Acts of Art-Making," Eleanor Hannan, Volume 3#2, 36-37. "10
cent art: An Idea Realized," Dena Decter, Volume 1#1, 3-4. Art and
Political Issues
(including funding, censorship, war, relations with government agencies, the
structure of art institutions, urban issues, etc.) "Agitprop
Theatre in Winnipeg," Irene Karasick, Volume 1#3&4, 19-21. "Applebert
West: Half-baked or Paradise?" (re: Report of the Federal Cultural Policy
Review Committee),Christopher Dafoe, Volume 2#3, 12-15. "The
Artist as Politician," Sarah Yates, Volume 1#1, 4-5. "Artspace:
Building Blocks Towards Urban Renewal?" Wayne Baerwaldt and Barton Reid,
Volume 4#4, 21-23. "Avoiding
the Snake in the Garden: The Canada/Manitoba Agreement on Communications and
Cultural Enterprises," Robert Enright, Volume 3#3, 7. "Boarding
Up the Future," Stephen Phelps, Volume 8#3, 20-21. "The
Bureaucratic Two-Step," Robert Enright, Volume 7#3, 5. Phelps,
Volume 4#1, 21-24. "Computing
the Damage: Tax Reform and the Arts," Stephen Phelps, Volume 6#4, 80-83. "Cultural
Gaming: Or How the First Best Bet Wasn't Won," Stephen Phelps, Volume 3#3,
50-54. "A
Cultural Fairy Tale," Robert Enright, Volume 4#1, 5. "Decline
and Fall of the Winnipeg Arts Club," Stephen Phelps, Volume 6#2, 47-53. "Fiducious
Says He Who Tax Reading, Will Sit on Reader's Attacks," Robert Enright,
Volume 6#2, 4. "Flyspit
for Gold: A Portrait of the artists as a Failing Alchemist," Stephen
Phelps, Volume 4#2, 14-17. "Growing
Pains in Winnipeg," Stephen Phelps, Volume 7# , 15-17. "Hysterical
Free Trade: The Last Laugh," Robert Enright, Volume 5#2, 5. "The
Invention of a Cultural Industry: ERDA and Filmmaking in Manitoba," Robert
Newman, Volume 4#1, 41-42. "Irregulating
Canadian Broadcasting: The Gospel According to St. Bureau," Stephen Phelps,
Volume 6#3, 16-19. "Mayor,
Mayor on the Wall", Robert McGee (visual art review: Sensation: Young
British Artists from the Saatchi Collection), 18#4 (#72), 70-72. "Ministering
to the Artist, " Robert Enright, Volume 5#3, 5. "Mother-May-I:
Fear and Growing on the Cultural Trail," Robert Enright, Volume 6#2, 7-8. "Nellie
McClung Theatre: A Political Act," Keith Lousie Fulton, Volume 4#2, 53-54. "The
New Puritans," David Arnason, Volume 3#2, 10-12. "News
from the Cultural Front Lines," Stephen Phelps, Volume 5#1, 51-54. "Of
Rebellions and the Mags I Sing," editorial by Robert Enright, Volume 4#3,
7. "The
Osborne Village Cultural Centre: Gadfly or Albatross?" Sue Matheson,
Volume 3#3, 34-35. "Paradise
and Parking Lots," Ron Keenberg, Volume 6#4, 16-19. "Publish
and Perish: The Dark Side of the Publishing Moon," Stephen Phelps, Volume
5#2, 55-62. "Puritanism,
Prudery and Penthouse," Gill Canning and Diane McGifford, Volume 3#3, 9. "Ruminations
on Cultural Development," Robert Enright, Volume 3#1, 5. "Ruminations
on an Archaeology of Loss," Robert Enright, Volume 7#1, 4. "Satanic
Prose," Editorial by Robert Enright, Volume 8#2, 5. "Smutbusters:
Manitoba and Pornography," Stephen Phelps, Volume 8#2, 58-62. "The
Speedy Progress of Cancult to Scarecult: The Politics of Bill C24," Volume
4#1, 58-59. "Stranger
in a Strange Land: A Canadian's Tour through the Amazing World of Minneapolitan
Arts Funding," Stephen Phelps, Volume 4#4, 91-95. "The
Taxman Cometh," Stephen Phelps, Volume 3#2, 46-54. "War
Zones," James-Jason Lee, (visual art review: exhibition and events organized by
Presentation House), Volume 18#4 (#72), 74-78. "Who's
Afraid of the Big Bad Arts Council?" Stephen Phelps, Volume 4#3,55-62. Arthur,
Gordon about "The
Demolition Show," The Demolition Crew, Volume 5#1, 41-43. Artspace
"Artspace:
Building Blocks Towards Urban Renewal?" Wayne Baerwaldt and Barton Reid,
Volume 4#4, 21-23. Ashevak,
Karoo about "Brushing
Greatness: sculpture by Karoo Ashevak," Peter Millard, Volume 1#2, 22-25. Ashoona,
Shuvinai portfolio "Land of
the Midnight Sons and Daughters: Contemporary Inuit Drawings: Shuvinai Ashoona,
Kavavaow Mannomee, Nick Sikkuark," intro by Amy Karlinsky, Volume 27#1 (#105),
66-83. Aspell,
Peter Winterhalter about "Peter
Winterhalter Aspell," (visual art review by Daniel Baird), Volume 24#4 (#96),
96-97. Aspler,
Tony reviews "Sundance
at Dusk (book by Al Purdy)," Volume 1#3&4, 118. about "The
Revolutionary Two-Step: An interview with Barbara Astman," (Robert Enright), Volume
23#2 (#90), 44-50. Atwood,
Margaret about "Maestro
Margaret," Robert Enright, (re:Morning in the Burned House), Volume
14#2, 58-60. "The
New Oxford Book of Canadian Verse in English," Marilyn Powell, Volume 2#3,
65. "Sickness
Unto Health," Wayne Tefs, (review: The Robber Bride), Volume 13#2,
56-58. "Stiff
Upper Slips: Margaret Atwood's The Blind Assassin," Wayne Tefs, Volume 20#1 (#77),
77-79. Articles
"Al
Purdy:The Awkward Sublime," Volume 19#4 (#76), 46-51. Au,
Aliana about "Unstill
Life," Robert Enright, (borderview), Volume 14#1, 7. "Where
East Meets West: A Profile of Aliana Au," Glenn Merritt, Volume 5#4,
72-75. Audubon,
John about "Auduboning
with Nature," Patrick Lane (visual art review: Audubon's Wilderness
PaletterThe Birds of Canada), Volume 18#1 (#69), 58-59. about "26/Two-Sicks/Too-Six...",
(article by Cliff Eyland re 26: Fred Thomas, Ian August, DJ Brace, Cyrus Smith,
Melanie Rocan, Shaun Morin, David Wityk), Volume 23#4 (#91), 16-27. "Cover
Material," (borderview by Robert Enright), Volume 28#2 (#110), 14-15. Authier,
Melanie about "Melanie
Authier," Cliff Eyland (visual art review re: "Karma Kanyon"), Volume 26#3
(#103), 140-141. Avaalaaqiaq,
Irene about "Irene
Avaalaaqiaq: Myth and Reality: by Judy Nasby," (book review by Amy
Karlinsky), Volume 22#1 (#85), 67-69. Avedon,
Richard about "The
Portraits of Richard Avedon," (visual art review by Tony Luppino), Volume 22#1
(#85), 48-53. Averns,
Dick about "Vacant
Terrain," Christopher Brayshaw (visual art review: Dick Averns's Luxury
Avenue and Khai Foo's Still), Volume 18#1 (#69), 62-63. Awad,
Michael "Next
Memory City," (collage of responses from Michael Awad, Eve Egoyan and David
Rokeby re: "Next Memory City"), Volume 21#4 (#84), 36-40. about "Emotional
Gestures," (Borderview by Robert Enright), Volume 23#4 (#91), 9-10. Babstock, Ken
poetry
"Second
Life," Volume 26#3 (#103), 135.
"Which
Helmet," Volume 26#3 (#103), 144. "West
Range," Volume 26#3 (#103), 152. Baden, Mowry
about "Mowry
Baden, Turning and Turning in the Freckled Gyres," visual art review, by
Christian Giroux, Volume 20#3 (#79), 69-70. "Turning
and Turning on His Dizzying Gyres," borderview by Robert Enright, Volume 26#1
(#101), 16-17. "Victoria's Secret," article by Christian Giroux, (re: Victoria SculptorsMowry Baden, Daniel Laskarin, Robert Wise, Roland Brener, Grant Watson, Ken Lum, Wendy Welch), Volume 22#3 (#87), 60-67. Baechler,
Donald about "The
Incidental Tourist: Travels with Donald Baechler," interview with Robert
Enright, Volume 13#4, 26-38. Baer,
Anton poetry "The
Atomic Pulse," Volume 8#1, 33. Baerwaldt,
Wayne "Artspace:
Building Blocks Towards Urban Renewal," (with Barton Reid) Volume 4#4,
21-23. "Fevered
Commotion: Gay Activism in the Age of Homophobia," Volume 11#3, 4-9. "Winnipeg:
You've Come Undone or, You've Got to Get Down to Get Up," Volume 27#3 (#107),
86-90. about "Call
Girls/Car Boys: A Review," Alison Gillmor, Volume 5#2, 32-33. "Utopian
Dreamer," borderview by Robert Enright (re: 5th Biennale de
Montreal), Volume 26#2 (#102), 16-17. "Wayne's
World," Robert Enright, Volume 19#4 (#76), 9-10. reviews "Return
to Sender," (re:Eternal Network: A Mail Art Anthology, Chuck Welch
ed.), Volume 14#4, 79-80. "Searching
Anonymity," (visual art review: Word Paintings by Vincent Trasov)
Volume 11#1, 56. Baichwal,
Jennifer about "Arcs
Poetica: The Life and Death of Lightning: Act of God, directed by Jennifer Baichwal,"
(column by Robert Enright), Volume 28#2 (#110), 20-21. Baier,
Nicolas about "Nicolas
Baier," (visual art review by Christine Redfern), Volume 25#3 (#99), 121-122. "The I's
of the Beholder," (borderview by Robert Enright), Volume 27 #4 (#108), 22-23. Bailey,
Bueje About "Black
Body: Race, Resistance, Response," (visual arts review by Sarah Hollenberg of
exhibition featuring: Lucie Chan, Crystal Clements, Rebecca Fisk, Buseje
Bailey, Michael Chambers and Gomo George), Volume 20#4 (#80), 76-77. Bailey,
Clayton review "Janet
Werner," (visual arts review), Volume 27#3 (#107), 174-175. Bailey,
Donald M. reviews "Los
Brothers Hernandez," (re: Gilbert & Jaime Hernandez), Volume 12#1, 57. Bailey,
Norma about "Bordertown
Vogue," K. George Godwin, (film review: Bordertown Cafe produced
and directed by Norma Bailey), Volume 10#3, 36-37. "Ikwe:
A Review," Ralph Friesen, Volume 6#4, 48-49. "It's
Hard to Get It Here: A Review," Robert Enright, Volume 4#3, 29-30. article "Raadical
Politics: Walid Raad," Volume 24#2 (#94), 34-41. "Richard
Tuttle," Volume 24#1 (#93), 18-25. "Subjective
Abstractionists: The Painting of Karin Davie and Louise Belcourt," Volume 24#3
(#95), 38-49. essay "The
Bird-Like Mind of Beastly Man," (re: Grizzly Man), Volume 25#1 (#97), 88-91. reviews "Peter
Winterhalter Aspell," (visual art review), Volume 24#4 (#96), 96-97. "Arnaud
Maggs," (visual art review), Volume 24#4 (#96), 91-93. Baker,
Alan about "Landscape
in Blue," Al Rushton, Volume 7#1, 48-51. Baker
Lake about "Baker
Lake 1983-1984: A Photoessay," Jack Butler and Bill Eakin, Volume 3#4,
20-25. "Sewing
Fine Seams: The Needlecraft of Baker Lake Women," Alison Gillmor, Volume
3#4, 29-32. "The
Snows of Yesteryear," George Swinton, (visual art review: The Baker Lake
Print Retrospective) Volume 9#1, 34-35. Baker,
Marilyn C. about "Printmaking in the 1950s: An Intimate View of Student Prints at the School of Art 1950-1959," (visual art review), Volume 24#1 (#93), 79-81. "The
Winnipeg School of Art: The Early Years, A Review," Robert J. Lamb, Volume
3#3, 17. reviews "Messages
from Max," (re: Maxwell Bates: Biography of an Artist by Kathleen
M. Snow), Volume 13#4, 78-79. "Downstairs
at the Upstairs," (re: the
Upstairs Gallery), Volume 1#1, 9. Balfour,
Barbara McGill review "Patrick
Mahon," (visual art review), Volume 21#4 (#84), 72-74. Ball,
T.M. reviews "Imagining
Science," (re: Unnatural History: True Manitoba Mysteries by
Chris Rutkowski), Volume 12#4, 62-63. Ballard,
Stephanie about "Footing
It to the Lord, The Choreography of Margie Gillis, Karen Jamieson and Stephanie
Ballard," (Robert Tinker, photgraphs, Patrick Friesen, text), Volume 14#2,
42-45. Banting,
Pamela reviews "Chinookery,"
(re: Leaning on the Wind: Under the Spell of the Great Chinook by
Sid Marty), Volume 15#1, 46-48. "Here
and There (poetry by Daphne Marlatt)," Volume 2#1, 69. "Home,
Home in the West," (book review: Coming West: A Natural History of Home
by Kevin Van Tighem), Volume 17#2 (#66), 61-67. "Inscaping
the Landscape," (book review: Landscapes of the
Interior:Re-Explorations of Nature and the Human Spirit by Don Gayton),
Volume 16#1, 53-56. "Pressure
Point," (re: Icefields by Thomas Wharton), Volume 14#4, 76-78. "The
Family of Mann," (book review: Beneath That Starry Place by Terry Jordan),
Volume 17#4 (#68), 63-66. Barbour,
David about "On
the Street: Three Manitoba Photographers," David McMillan (review: Three
Manitoban Photographers Exhibition), Volume 1#2, 44-46. Barker,
Cordell About "Strange
Pervader," (review by Robert Enright), Volume 21#2 (#82), 10-11. Barnard,
Randall about "New
Currents in Sound," Laurel Howard, (music review: Jeté by Manitoba
Composer's Association, produced by Randall Barnard), Volume 9#3, 27. Barr,
Bruce about "War
Games: the Photographs of Bruce Barr," portfolio by Robert Enright, Volume
5#3, 37-45. Barrow, Daniel
about "Crying
Time Again," (Borderview by Robert Enright), Volum 27#2 (#106), 24-25. "Fantasia,"
Barbara Isherwood, (review of group show: Shary Boyle, Daniel Barrow, Emily Vey
Duke and Cooper Battersby), Volume 25#3 (#99), 111-113. "Talented
Synthesizer," by Robert Enright, Volume 20#3 (#79), 14. Barrow,
Robert portfolios "Animalscapes:
The Photographs of Robert Barrow," introduction by Meeka Walsh, Volume
6#4, 67-76. Bartole,
Genevieve poetry "Trees,"
Volume 1#3&4, 7. Basbaum,
Ricardo about "Ricardo
Basbaum, the NBP object and Four Verbs," article by Renato Rodrigues da Silva, Volume 28#1 (#109), 56-63. Bassi,
Leo about "Bassi
Non Profundo," Reg Skene (review of The Ape Man), Volume 12#4, 56-58. Bates,
Maxwell about "Max
and my Mother: A Memoir," P.K. Page, Volume 7#4, 74-76. "Maxwell
Bates," (visual art review by Sky Glabush), Volume 23#3 (#91), 111-113. "Messages
from Max," Marilyn C. Baker, (review: Maxwell Bates: Biography of an
Artist by Kathleen M. Snow), Volume 13#4, 78-79. articles/interviews "The
Self-Contained Castle: Maxwell Bates and P.K. Page in Conversation,"
Volume 7#4, 77-79. about "Girl Talk,"
(Article by Robin Laurence re: Julie Morstad, Tamara Bond, Temple Bates),
Volume 24#3 (#95), 80-86. Bates,
Wanita portfolio "Travellers'
First Communion," (photographic portfolio re: Irish Travellers), Volume 17#1,
33-39. Battersby,
Cooper about "Fantasia,"
Barbara Isherwood, (review of group show: Shary Boyle, Daniel Barrow, Emily Vey
Duke and Cooper Battersby), Volume 25#3 (#99), 111-113. Baxter,
Iain about "Natural
Double Takes," David Garneau, (visual art review: Iain Baxter: Landscape Works),
18#3 (#71), 52-5 Bayne,
Mike about "Detailesque,"
(borderview by Robert Enright), Volume 28#2 (#110), 18. art
pages "Days
Road, Feburary 2008," (exhibtion at Katherine Mulherin Contemporary Art
Projects), Volume 28#2 (#110), 77-79. Beale,
Nigel review "JMW
Turner," (visual art review), Volume 27 #4 (#108), 115-117. Beam,
Carl reviews "Thrilling
Us Softly," Alison Gillmor, (re: Paintings from The Columbus Boat), Volume
12#3, 48. review "David
Umholtz," (visual art review), Volume 24#3 (#95), 104-106. Bean, Robert Enright about "Image
and Inscription: An Anthology of Contemporary Canadian Photography, edited
by Robert Bean," (book review by Leah Sandals), Volume 25#3 (#99), 130-132. Beardy,
Jackson about "The
Life and Art of Jackson Beardy," Kenneth Hughes, Volume 1#1, 51-53. "Jackson
Beardy: A Reminiscence," Sarah Yates, Volume 4#3, 8-12. Beatty,
Greg reviews "The
Archaeology of Beauty: Recent Paintings by Sky Glabush," visual art, Volume
19#4 (#76), 84-86. "Cocktails
for the Millennium," (visual art: Space Camp 2000), Volume 20#1 (#77),
67-69. "Cuteographies,"
(visual art review: Fluffy curated by Anthony Kiendl), Volume 19#1
(#73), 77-79. "Hope
Nest," (visual art review: Reconstructing Identity: Latvian Women
Artists), Volume 16#1, 52-53. "Jarrymandering,"
(theatre review: The Curtain Razor's Theatre Company Ubu Roi), Volume
18#1 (#69), 72-73. "Remembrance
of Beauty's Past," (visual art review: McKay: A Critical Retrospective),
Volume 16#2, 64-65. "Round
Legs, Square Wholes," (dance review: "New Round and Square
Dances" performed by New Dance Horizons), 18#3 (#71), 74-75. "Small
Dichotomies," (visual art: Little Worlds curated by Anthony
Kiendl), Volume 17#4 (#68), 60-61. "Spektator,
Rough Harmonies," dance review: New Dance Horizons, Volume 20#3 (#79), 74-75. "Still-Dreaming
After All These Fears," (visual art review: Joey Morgan: The Man Who Waits
and Sleeps While I Dream), Volume 17#1, 67-69. "Tracing
a Ghostly Dance," (visual art review: The Trace of the Ghost Dance
curated by Cindy Richmond), Volume 10#3, 30-31. "The
Uncanny: Experiments in Cyborg Culture," (visual arts review including images
from Lewis Hine and Tony Oursler), Volume 21#2 (#82), 81-83. "The
Weyburn Project," (visual arts review), Volume 21#4 (#84), 82-84. "Would
the Real Art Please Stand Up," (re: Ann Harbuz: Inside Community, Outside
Convention), Volume 15#2, 52-53. Beck,
Andrew about "Fresh
Blood: A Review," Alison Gillmor, Volume 6#4, 46-47. "Landscape
in Blue," Al Rushton, Volume 7#1, 48-51. Becker,
John "Hope
Opera," Volume 12#3, 21-23. Beckettfest
"Weighting
for Godot," (re: Beckettfest, Samuel Beckett), Volume 20#1 (#77), 10-11. about "The
Painter of Things That Never Go Away," (interview by Robert Enright: Eric
Fischl on Max Beckmann), Volume 22#3 (#87), 68-77. Beebe,
Rhonda reviews "Bloody
Jack (book by Dennis Cooley)," Volume 4#4, 44. Beer,
Ann "Mentors,
Mirrors, Muses and Monsters: Reflections on the Relationship between Writers
and their Computers," Volume 10#4, 72-75. reviews "The
Marriage of Real and Surreal," (book reviews: The Happiest Man in the
World and Other Stories by David Arnason and The Missing Child by
Sandra Birdsell), Volume 9#1, 29-31. "Thinking
Too Precisely on Some Events," (book review: Places Far from Ellesmere
by Aritha van Herk), Volume 10#3, 35-36. Beer,
Ruth about "Ruth
Beer," (visual art review by Christopher Olson), Volume 23#3 (#91), 113-115. Begamudré,
Ven proverbs "How
Very Practical the Indian," Volume 14#3, 56-58. "A
Layrinth of Misnaming," Volume 10#3, 46-47. about "Subjective
Abstractionists: The Painting of Karin Davie and Louise Belcourt," (article by
Daniel Baird), Volume 24#3 (#95), 38-49. Bélisle,
Jean-Franois reviews "Whitney
Biennial 2006," (visual arts review), Volume 25#2 (#98), 107-109. Bell,
John Kim "In
the Beginning was the Bell," Jacqui Good, (review of Canadian Native Dance
Theatre production of "In the Land of the Spirits", Executive
Producer John Kim Bell), Volume 11#4, 74-75. Bell,
Mark "Flatlanders:
Collecting The Present in Toronto," (review by Xandra Eden of works by
Elizabeth McIntosh, Eric Glavin, Mark Bell, Sally Spath, and Nestor Kruger),
Volume 20#4 (#80), 34-40. Belmore,
Rebecca about "Racing
Against History: The Art of Rebecca Belmore," Robin Laurence (visual arts
review), Volume 21#3 (#83), 42-48. "Rebecca
Belmore," (visual art review by Robin Laurence), Volume 27 #4 (#108), 110-113. interview "The
Poetics of History: An Interview With Rebecca Belmore," (with Robert Enright),
Volume 24#3 (#95), 62-69. Belott,
Brian about "Brian
Belott," Sky Glabush (visual art review of "Lost and Found Slideshow"), Volume
26#4 (#104), 94-96. Benner,
Richard about "Outrageous!
and the Possibilities of Coming Out," Allison Graham, Volume 1#3&4,
131. Benner,
Ron about "All
That Has Value, Eating up the Americas," Len Findlay, (re:Ron Benner: All
That Has Value), Volume 14#3, 32-35. about "Tom
Benner," (visual art review of "Cruising the Margins" by Steven Matijcio),
Volume 24#1 (#93), 89-90. about "Martin
and Chris Bennett," (visual arts review of "I'm Smarter I'm Better Looking" by
Gregory Elgstrand), Volume 23#2 (#90), 88-90. Benoit,
Virgil reviews "Metis,
People Between Two Worlds (book by Julia D. Harrison)," Volume 4#3, 34. Bentham,
Doug about "Form
Follows Form," David Garneau, (visual art review: Studio Series: Douglas
Bentham), Volume
19#2 (#74), 70-71. "Modernist
Sculpture on the Prairies: A Critical Appraisal," Liz Wylie, Volume 3#3,
10-16. Bergen,
David about "The
Case of Lena S. by David Bergen," (book review by Wayne Tefs), Volume 21#4
(#84), 88-90. "Lesser
is Moral," Birk Sproxton (review: A Year of Lesser), Volume 15#3,
65-66. Berger,
John about "Ceremonies
of Innocence," Meeka Walsh, (review: To The Wedding), Volume 14#2,
54-56. "The
Intimate Idealogue: an interview with John Berger," Robert Enright,Volume
14#2, 28-37. fiction "To
the Wedding," Volume 14#2, 38-40. Berlin Biennial
about
"Of
Mice and Men: The Fourth Berlin Biennial for Contemporary Art," Rosemary
Heather (visual art review including artists *Cathy Wilkes, *Rachel Harrison,
Markus Schinwald, Tadeusz Kantor, Pravdoliub Ivanov, Viktor Alimpiev, Paul
McCarthy), Volume 25#2 (#98), 105-107.
Berlin Embassies
about
"Diplomacies
of the Built World: Berlin's New Embassies," (article by Sascha Hastings),
Volume 25#2 (#98), 76-82. Berlind, Robert
reviews "Henri,
We Hardly Knew You," (book review: Ruthless Hedonism: The American Reception
of Matisse by John O'Brian), Volume 18#4 (#72), 80-85. "A
Sweeper-Up After Artists: A Memoir by Irving Sandler," (book review),
Volume 23#1 (#89), 100-102. About "Robert
Berlind/Alex Katz: Recent Paintings," (visual arts review by James Trainor),
Volume 21#1 (#81), 66-67. Bernard, Cindy
about "Heaven's
Gaze: The Filmic Geographies of Cindy Bernard," Martha Langford, Volume
15#4, 50-55. Bernstein,
Leonard about "Impossible
Lenny: A Personal View of Leonard Bernstein," Bramwell Tovey, Volume 10#1,
18-19. Berrezner,
Evgeny about "Photo
Opportunities," Robert Everett-Green, (photography review: "Transition, Memory
and Loss: A Symposium on Contemporary Photography" featuring Evgeny Berrezner,
Angela Grauerholz, Thaddeus Holownia, Diana Thorneycroft, Chris Townsend),
Volume 17#2 (#66), 70-71. Berry,
Halle About "Halle
Berry, Full of Grace," (column by Robert Enright) Volume 21#1 (#81), 14-15. Berry, Michelle
Fiction "Martin,"
(image by Andrew Valko), Volume 20#2 (#78), 108-113. Bertolucci,
Bernardo About "Beauty
Marks," (review by Petra Halkes, exhibition entitled "The Beauty of Evil,"
featuring Eleanor Bond, Thomas Ruff, Anselm Kiefer, Julian Rosefeldt, Piero
Steinle, Bernardo Bertolucci, Marlene Dumas, Andres Serrano), Volume 21#1
(#81), 38-43. Besant,
Derek about "The
Geography of Memory," Patricia Robertson, (visual art review: The Sleepless
Night/ La Nuit Blanche by Derek Besant), Volume 19#1 (#73), 73-74. Besner,
Neil articles "The
Heart of Novelness," (re: Headhunter & The Stillborn Lover
by Timothy Findley), Volume 12#4, 59-62. Bessai,
Diane about "Showing
West: Three Prairie Docu-Dramas: A Review," Lee Anne Block, Volume 3#1,
45. Bethune-Leamen,
Katie review ""The
Constant Search for a Better Way"," (visual art review re: SFU Gallery
exhibtion, featuring the artwork by Evan Lee & Ian Wallace), Volume 27 #4
(#108), 119-121. Betina about "Third
World Art: A Symposium on Performance Art," (with others) Volume 6#1,
21-24. Beug,
Lorne portfolio "The
Ideal City, Architecture of the Past, Archaeology of the Future," (text
and manipulated photographs), Volume 18#1 (#69), 12-15. about "Joseph
Beuys," (visual art review by Gary Michael Dault), Volume 23#3 (#91), 119-122. Beveridge,
Karl about "Workers
in Progress: The Art of Carole Condé and Karl Beveridge," (article by Martha
Langford), Volume 25#3 (#99), 98-103. Biennale
de Montreal, La about "Crack the
SkyLa Biennale de Montreal #5," James D. Campbell, (visual art review including
images of work by Noam Gonick and Luis Jacob, Eleanor Bond, Janice Kerbel,
Chris Cran, Sarah Anne Johnson, Paulo Whitaker), Volume 26#4 (#104), 110-113. "Utopian
Dreamer," borderview by Robert Enright (re: 5th Biennale de
Montreal/Wayne Baerwaldt), Volume 26#2 (#102), 16-17. Bingham,
Russell reviews "The
Bigness of Small," (re: Alan Reynolds), Volume 13#2, 58-59. "Steel
Hide Away," (visual art review: Peter Hide in Context: A Retrospective
Exhibition), Volume 18#1 (#69), 68-70. Birdsell,
Sandra about "The
Ascent of Sandra Birdsell," Wayne Tefs, column, Volum 12#3, 8-9. "First
Person Singular: The Determined Short Fiction of Sandra Birdsell, An
Interview," (with Robert Enright) Volume 4#2, 10-13. "The
Marriage of Real and Surreal," Annie Beer, (book review: The Missing
Child by Sandra Birdsell), Volume 9#1, 29-31. "Night
Travellers: A Review," Melinda McCracken, Volume 2#3, 62. "A
Portrait of the Grandmother as a Young Girl," Robert Enright, (borderview re: The
Town that Floated Away), Volume 16#4, 5-6. The
Russlander by Sandra Birdsell, (a review by Irene D'Souza) Volume 20#4
(#80), 80-82. "Write
Speaking Mennonites: A Symposium," (with others), Volume 5#4, 21-28. fiction "Falling
in Love," Volume 2#4, 52-57. "Rooms
for Rent," Volume 14#3, 38-45. Birney,
Earle about "Canadian
Bards and Scoffing Reviewers," Patrick Lane, (review: Earle Birney: Al
Life by Elspeth Cameron), Volume 14#1, 68-69. Bisaillon,
Cindy reviews "The
Intimatorio," (re: The Diary of Frida Kahlo: An Intimate Self-Portrait),
Volume 14#4, 87-88. Bitney,
Kate poetry "Bach
Poem," Volume 6#1, 38. Black,
Anthea reviews "2007
Alberta Biennial of Contemporary Art: Living Utopia and Disaster'," (visual
art review), Volume 26#4 (#104), 99-101. "Ron
Moppett and Carol Wainio," (visual art review), Volume 27#3 (#107), 197-198. Blackwell,
Adrian about "Adrian
Blackwell," (visual art review by Gary Michael Dault), Volume 27 #4 (#108),
102-103. Blicq,
Andy about "People
of the Interlake: A Review," Meeka Walsh, Volume 5#4, 51-52. reviews "The
Best Possible Face: L.B. Foote's Winnipeg (compiled by Doug Smith and Michael
Olito)," Volume 5#1, 33-34. Block,
Lee Anne articles "As
the Fetish Turns: Winnipeg's Shared Stage," Volume 5#3, 7-9. reviews "Showing
West: Three Prairie Docu-Dramas (edited by Diane Bessai and Don Kerr) and Black
Powder: Estevan 1981 (book by Rex Deverell and Geofrrey Ursell)," Volume
3#1, 45. "Obsessionals:
Winnipeg's International Intermedia Performance Art Festival," (with Jean
Sourrisseau) Volume 6#1, 25-27. "Gas
Station Theatre Summer Season '87," Volume 6#4, 43. Blodgett,
E.D. about "Un-Writing,"
Dawne McCance, (book review: Silence, The Word And the Sacred edited by
E.D.Blodgett and Harold Coward), Volume 9#2, 23-24. Blondeau,
Lori about "Lori Blondeau
and Adrian Stimson," (visual art review of performance piece with Adrian
Stimson by Lori Weidenhammer), Volume 26#1 (#101), 91-93. Bly,
Carol "A
Wartime Traveller," fiction, Volume 9#3, 42-49. about "Backbone:
Short Stories, A Review," Meeka Walsh, Volume 4#4, 64-65. "The
Necessary Dissenter: An Interview with Carol Bly," Interview by Robert
Enright, Introduction by Meeka Walsh, Volume 9#3, 11-17. Blue
Note Café about "Blue
Notes: Variations on a Late Night Theme," James Leslie Donahue, Volume 9#2,
16-19. Boddy,
Trevor reviews "Ganging
Up on the Big Jackie Owe: or Why the Sturm-und-Dragshow on Tunnel Mountain?"
(opera review re: "Jackie O: An Opera in Two Acts" and "The Gang"), Volume
16#4, 72-76. "O
Canada at O America," (opera review: Opera America), Volume 18#3 (#71), 65-68. articles "Tombstone
Outlaw: What Ron Keenberg's Self-Published Monograph Says about Canadian
Architectural Culture," Volume 25#2 (#98), 84-89. Boesing,
Martha reviews "Walking
the Path of the Visionaries," (re: Power Pipes, Spiderwoman Theater)
Volume 11#4, 77-78. Bogusky, Alf
About "Board
Walk", Robin Laurence, Volume 20#1 (#77), 16-17. Boichuk,
Mykhailo About "The
Phenomenon of the Ukrainian Avant-Garde 1910-1935," (visual arts review by
Oliver A. I. Botar, featuring visuals from Viktor Palmov and Mykhailo Boichuk),
Volume 21#1 (#81), 74-77. Bök, Christian
Review
"Nyctalopia,"
visual art, (Night Visions by Kate Brown), Volume 20#2 (#78), 136-137. Bolao,
Robert about "2666 by Robert Bolao," (book review by
Tracy Valcourt), Volume
28#2 (#110), 100-103. Boldt,
Dale about "Fresh
Blood: A Review," Alison Gillmor, Volume 6#4, 46-47. Bond,
Eleanor about "Aerial
Apparent: The Recent Work of Eleanor Bond," Meeka Walsh, Volume 7#3,
12-18. "Architexture:
The Paintings of Eleanor Bond," visual art review: Cliff Eyland, Volume 19#4
(#76), 70-71. "Cartographers of Desire," Sky Glabush,
(visual art review: Irene Whittome and Eleanor Bond), Volume 18#2 (#70), 57-59. "Beauty
Marks," (review by Petra Halkes, exhibition entitled "The Beauty of Evil,"
featuring Eleanor Bond, Thomas Ruff, Anselm Kiefer, Julian Rosefeldt, Piero
Steinle, Bernardo Bertolucci, Marlene Dumas, Andres Serrano), Volume 21#1
(#81), 38-43. "Cold
Comfort in Hot Food," Myron Love, Volume 4#1, 54-55. "The
Comfort of Edges: Working the Calm Bewilderment," Robert Enright, Volume
15#1, 10-17. "Fragile:
Reconstruct with Care," Petra Halkes, (review: Cosmoville), Volume 15#1,
61-64. "Landscape
in Blue," Al Rushton, Volume 7#1, 48-51. interview "Canada's
Painting Bond: An Interview with Eleanor Bond," (with Robert Enright), Volume
23#3 (#91), 82-91. portfolio "The
Winnipeg AlphaBestiary: The Many and the Marvelous," (P), Volume 25#1 (#97),
52-88. about "Girl
Talk," (Article by Robin Laurence re: Julie Morstad, Tamara Bond, Temple
Bates), Volume 24#3 (#95), 80-86. Boning,
Frieso about "New
Art from Manitoba at the Winnipeg Art Gallery," Arthur Adamson, Volume
3#1, 34-36. "Tools
of Power: A Review," Alison Gillmor, Volume 5#3, 30-31. Bonnard,
Pierre about "Core
Intimacies, Eric Fischl on the Art of Pierre Bonnard," Robert Enright,
Volume 17#3 (#67), 55-61. Bonvicini, Monica
about
"Beyond
Cinema: The Art of Projection Films, Videos and Installations from 1963-2005,"
(image of piece in exhibition included in visual art review by Rosemary
Heather), Volume 26#1 (#101) 89-91. Boon, Channa
about "Seeing
Isn't Believing," Carol Podedworny (visual art review: Lightship: Channa
Boon & Petra Halkes), Volume 18#3 (#71), 53-54. Borasi,
Giovanna about "1973:
Sorry, Out of Gas," James D. Campbell, (visual art review of exhibition curated
by Mirko Zardini and Giovanna Borasi), Volume 27#2 (#106), 82-84. Borduas,
Paul-Emile about "Paul-Emile
Borduas: A Review," Joseph Christianson, Volume 7#4, 49-50. Borsa,
Joan "Subversive
Celebration: The Romaniac Brothers," Volume 7#1, 26-28. about "Another
Prairies," Terrrence Heath, (exhibition review), Volume 6#1, 28. Boss,
Michael about "Michael
Boss and Leslie Thompson," (visual arts review by Petra Halkes), Volume 21#4
(#84), 84-86. Botar,
Oliver A.I Review "Documenta
11," (visual arts review), Volume 21#3 (#83), 95-100. "The
Phenomenon of the Ukrainian Avant-Garde 1910-1935," (visual arts review,
featuring visuals from Viktor Palmov and Mykhailo Boichuk), Volume 21#1 (#81),
74-77. Bouchard,
Roland about "Provisional
Passion," Scott Ellis, (visual art review: Un Chemin de la Croix),
Volume 9#1, 32-33. Bourdeau,
Robert portfolio "The
Station Point, The photographs of Robert Bourdeau," text by Anne Michaels,
Volume 18#1 (#69), 49-55. "Egdges of
Resistence: The Language of Art in Louise Bourgeois and Nancy Spero,"
(bordernotes by Meeka Walsh), volume 28#2 (#110), 10-12. "Louise
Bourgeois," (visual art review of "Insomnia Drawings" by Terrence Heath),
Volume 23#1 (#89), 91-92. Bourke-White, Margaret
about "Frontal
Lepidoptery," Gary Genosko, (column), Volume 18#3 (#71), 14-15. Bouthillette,
Sylvain about "Punk Buddha," (Borderview by Robert
Enright), Volume 25#1 (#97), 12-13. Bowering,
George about "Creative
Reading: The Criticism of Bowering and Kroetsch," Birk Sproxton, (book
review: Imaginary Hand: Essays) Volume 8#3, 29-30. fiction "Nadab,"
Volume 11#3, 60-66. memoirs "What
I Saw and Heard in the Sixties," Volume 15#4, 44-48. borderviews "Take Me
Out to the Art Gallery," (re: Jim Dow), Volume 16#3, 6-7. Boyce,
Martin about "Body: New
Art from the UK, (image included in review of group show by Andrea Carson),
Volume 25#3 (#99), 123-124. Boyce,
Sonia "Making
the Impossible Self: A Symposium on Current Art Practice," (with others)
Volume 7#3, 33-35. Boyd,
June about "The
Limits of Enchantment," Ron Frohwerk, (visual art review: Alone in a
Secret Garden), Volume 9#4, 49-50. Boyer,
Bob about "Bob
Boyer," visual art review by David Garneau, Volume
28#1 (#109), 112-114. "Bob Boyer
and Jeff Thomas," (visual art review by David Garneau), Volume 24#2 (#94),
108-109. Boyle,
Danny about "Crash
and Sperm," Robert Enright, (re: movies, Trainspotting and Crash
by David Cronenberg), Volume 16#1, 9-10. Boyle,
Shary about "Fantasia,"
Barbara Isherwood, (review of group show: Shary Boyle, Daniel Barrow, Emily Vey
Duke and Cooper Battersby), Volume 25#3 (#99), 111-113. "Shary
Boyle," William Ganis, (visual art review re: "Aspects & Excess"), Volume
26#2 (#102), 87-88. "Uneasy
Painting: The Ambiguous Art of Shary Boyle," interview by Robert Enright, intro
by Meeka Walsh, Volume 26#3 (#103), 84-93. Brace,
DJ about "26/Two-Sicks/Too-Six...",
(article by Cliff Eyland re 26: Fred Thomas, Ian August, DJ Brace, Cyrus Smith,
Melanie Rocan, Shaun Morin, David Wityk), Volume 23#4 (#91), 16-27. Brakhage,
Stan about "Carolee
Schneemann and Stan Brakhage," Robin Laurence (review of Schneeman's DEVOUR and
Brakhage's About Time: Four Late Stan Brakhage Films), Volume 25#2
(#98), 102-105. Brandt,
Di about "Geographies
of Hurt," Birk Sproxton (book review: Agnes in the Sky) Volume
10#1, 54-55. "question
i asked my mother: A Review," Ralph Friesen, Volume 7#2, 30-31. "Write
Speaking Mennonites: A Symposium," (with others), Volume 5#4, 21-28. poetry "Angry
Poems for December Sixth," Volume 9#1, 28. "At
Basil's," Volume 8#2, 49. "Poems,"
Volume 2#4, 29. "Poems,"
Volume 5#3, 31. "3
Poems for Agnes," Volume 8#2, 49. "Wedding
Poem for Phyllis, 1989," Volume 8#2, 49. "Woman
Shelling Peas in Acrylic Green," Volume 2#4, 29. Brask,
Per about "Not
Crossing the Track," Scott Ellis, (book review: Double Danish:
Contemporary Short Stories from Denmark), Volume 10#3, 32-33. articles "What
is an Art Theatre?" Volume 3#1, 46-47. reviews "Anita
and Christina/Philippe: A Review," Patrick Friesen, Volume 5#1, 29-30. "The
Play's the Thing," Rory Runnells (re:Aboriginal Voices: Amerindian,
Inuit and Sami Theater, ed. Per Brask, William Morgan) Volume 12#3, 55-56. portfolios "Still
Stories," (with Peter Tittenberger) Volume 7#2, 18-25. essays "When
the Body Speaks: An Enocunter with Primus," Volume 11#1, 24-30. fiction "Anita,"
Volume 4#1, 56-57. poetry "Cro-Magnon
at Lascaux," Volume 6, 17. "Saskatoon
Bar Poems," Volume 9#1, 36. Braun,
Lois about "A
Stone Watermelon: A Review," Howard Curle, Volume 6#3, 21. fiction "Apples
or Blossoms," Volume 5#2, 42-47. "The
Montreal Cats," Volume 10#4, 34-38. "The
Pumpkin-Eaters," Volume 7#3, 19-24. Brayshaw, Christopher
visual
art "Blind
Time: Ken Lum's Photo Mirrors," Volume 16#4, 42-45. reviews "Border
Histories," (photography review: Geoffrey James's Running Fence), Volume
17#4 (#68), 66-68 "Douglas
Gordon," (visual arts review), Volume 21#3 (#83), 101-103. "Exponential
Future," (visual arts review), Volume 27#2 (#106), 105-107. "In
the Zone," (photography review: photos of Chernobyl evacuation zone by
David McMillan), Volume 15#4, 57-58. "Kitsch
Salon," (visual art review: "Gregory Crewdson: Disturbed Nature), Volume 19#2
(#74), 79-80. "Mourning
Becomes Eclectic," (photography review: "Roy Arden"), Volume 17#2 (#66), 72-73. "Neil
Wedman and Joanne Tod, Spitting Images," "Alain
Paiement," (visual art review), Volume 23#2 (#90), 85-87. "Photography
against itself: On Arni Haraldsson," (photography review) Volume 21#2 (#82),
60-66. "Shadow
Landscapes," (re: Fred Douglas. Menu for Sunset: An Apparent Story),
Volume 15#3, 59-61. "Techno
Hectoring," visual art, (re: David Rokeby), Volume 20#2 (#78), 135-136. "Thought
Structures," (visual art review: Shape by Daniel Congdon), Volume 19#1
(#73), 63-64. "Vacant
Terrain," (visual art review: Dick Averns's Luxury Avenue and Khai
Foo's Still), Volume 18#1 (#69), 62-63. Brener,
Roland about "Roland
Brener," (visual arts review of "Three Recent Works by Roland Brener" by
Terrence Heath), Volume 22#2 (#86), 91-93. "Victoria's Secret," article by Christian Giroux, (re: Victoria SculptorsMowry Baden, Daniel Laskarin, Robert Wise, Roland Brener, Grant Watson, Ken Lum, Wendy Welch), Volume 22#3 (#87), 60-67. Brennan,
Blair Review "Dive:
David Diviney and Craig Le Blanc," (visual art review), Volume 25#4 (#100),
95-97. Brennan,
Katie reviews "Mary
Heilmann," (visual art review), Volume 28#1 (#109),
106-107. Bringhurst,
Robert poetry "Conversations
with a Toad," Volume 6#2, 32. about "Visions:
Contemporary Art in Canada (edited by Robert Bringhurst, Geoffrey James,
Russell Keziere, Doris Shadbolt)," Peter Millard, Volume 4#1, 27. Bristol,
Joanne reviews "Housing
Around," (visual art review: "The House Project" by Michael Toppings), Volume
19#3 (#75), 85-86. "Joanne
Bristol," (visual arts review of "s.p.a.c.e.t.r.a.s.h.2.0.0.3." by Amy
Karlinsky), Volume 22#4 (#88), 115-117. about "Pathetic
Aesthetics", Robert Enright, (borderview), Volume 18#4 (#72), 7-8. Brodo,
Irwin M. About "Lichens
of North America: by Irwin M. Brodo, Sylvia Duran Sharnoff and Stephen
Sharnoff," (book review by David
Arnason), Volume 21#2 (#82), 87-88. "Particularizing
Some General Ideas," (interview with AA Bronson by Robert Enright), Volume 23#1
(#89), 28-44. "AA
Bronson: excerpts from NEST," (artist pages: Justus, 2003, Paul and Scott, 2003, Maurizio and Andrew, 2003), Volume 23#1 (#89), 63-65. Brooks,
Jill reviews "Revelations
and Process," Arthur Adamson, (review: Five), Volume 1#2, 20-21. Brooks,
Martha reviews "Sweet
Nothings from the Fifties: A Review of Paradise Cafe and Other Stories,"
Melinda McCracken, Volume 8#2, 48. Brossard, Nicole
About "Detouring:
Nicole Brossard's Installations," book review by mariianne mays, Volume
19#4 (#76), 82-83. interview "Paint
Whisperer," (interview with Robert Enright), Volume 24#1 (#93), 36-49. Brown,
David about "Third
World Art: A Symposium on Performance Art," (with others) Volume 6#1,
21-24. Brown,
Denise reviews "Les
Batteux (book by Marcien Ferland)," (with Louise Scatliff) Volume 3#1,
41-42. "Pieces
en un Acte (book by André Castelain de la Lande)," Volume 3#2, 26-27. Brown,
Ian column "The
Bomb Squad," Volume 14#3, 10-11. Brown,
Kate Review
"Nyctalopia,"
visual art, (Night Visions), by Christian Bök, Volume 20#2 (#78),
136-137. Brown,
Matthew about "Enclosed
Encounters of a Strange Kind," (Borderview by Robert Enright), Volume 24#4,
14-15. "Matthew
Brown," visual art review by Sean Alward, Volume 27#2 (#106), 109-110. Brown,
Michael Benjamin about "Crash
Coursing," (borderview by Robert Enright), Volume 28#2 (#102), 16-17. Brown,
Richard about "Catch
as Paint Can," Cliff Eyland, (review: The Manitoba Studio Series), Volume
15#1, 56-58. "Richard
Brown's Recent Drawings," Tom Lovatt, Volume 7#3, 48-49. about "Painting
Out of the Blue," Tom Lovatt, (visual art review: Tornadoes),
Volume 9#2, 40. "The
Power and the Sorry," Sigrid Dahle, Volume 12#3, 53-55. "Shirley
Brown," (visual art review by Amy Karlinsky), Volume 24#4 (#96), 100-101. Browne,
Rachel about "Dance-Maker,
The Turbulent and Moving Times of Rachel Browne," Jacqui Good, Volume 8#4,
58-63. "Telling
the Dancer from the Dance: Rachel Browne and Contemporary Dancers Canada,"
Richard Forzley, Volume 4#4, 30-33. Bruce,
Jean about "Losing
Another Eden," Abraham Arnold,(review: The Last Best West), Volume
1#2, 74. about "Robert
Bruce," (visual art review by Amy Karlinsky), Volume 23#3 (#91), 115-116. Bruce,
Todd about "Rhapsody
Indefinite," Robert Budde, (book review: Rhapsody in D), volume 17#1,
60-63. review "Feel
Bad Story," (book review: The Tracey Fragments by Maureen Medved),
Volume 17#3 (#67), 66-68 Brueckner,
Derek about "Uncertain
Bodies," Sigrid Dahle,(review: Derek Brueckner: Re/Searching the Figural)
Volume 13#1, 53-55. Brunet-Weinmann,
Monique about "Copigraphy:
Elements for a Global History By Monique Brunet-Weinmann," (new media
review by Ray Ellenwood), Volume 22#2 (#86), 94-96. Bryars,
Gavin about "Bryars
Patching, The Musical Construction of Gavin Bryars," Robert Enright,
Volume 13#2, 26-36. Bubas,
Karin about "Alfred
Hitchcock Paints a Photograph," (borderview by Robert Enright), Volume 25#3
(#99), 16-17. art
pages Volume
25#3 (#99), 105-107. Buckaway,
Catherine about "Poetry
Times Three: A Review of Blue Windows," Robert Quickenden, Volume 8#2, 20. Buckley,
Helen about "The
Same Things Indifferently," Ralph Kuropatwa, (review of From Wooden
Ploughs to Welfare), Volume 11#4, 70-71. "Rhapsody
Indefinite," (book review: Rhapsody in D by Todd Bruce), volume 17#1,
60-63. Budak,
Adam interviews "No Safe
Words," (re: Noam Gonick), Volume 27#3 (#107), 168-?. Budde,
Robert reviews "Letting
Your Fingers Do the Talking," (re: Yellow Pages: A Catalogue of
Intentions by Nicole Markotic), Volume 14#4, 74. Budney, Jen
Articles
"Eden of
Garden: Reversing the Expulsion," Volume 19#4 (#76), 57-60. Buffery,
Bill. about "Unnatural
Grace," Robert Enright (borderviews: Messing with Medea), Volume
18#3 (#71), 7-8. Buhr,
Glenn about "Unfix
Ability," Alison Gillmor, (review: Shift by Reva Stone; Tom Stroud, Glenn
Buhr; Huch Conacher, Margaret Sweatman), Volume 15#1, 65-66. Bureau,
Martin about "Martin
Bureau," (visual arts review of "(Se) faire-valoir" by Suzie Larivée), Volume
22#2 (#86), 93-94. Bureau,
Paul about "The
French Fusion Legion," (Borderview by Robert Enright), Volume 22#1 (#85),
11-12. Bures
Miller, George about "Janet
Cardiff and George Bures Miller," (Crossover by Catherine Elwes), Volume 22#4
(#88), 104-105. "Pleasure
Principals: The Art of Janet Cardiff & George Bures Miller," (introduction
by Meeka Walsh), Volume 20#2 (#78), 22-35. Burgess,
Catherine about "Modernist
Sculpture on the Prairies: A Critical Appraisal," Liz Wylie, Volume 3#3,
10-16. Burgess,
Szu about "Taking It
to the Streets," Meeka Walsh, (borderview re: diptychs), Volume 17#1, 4-5. Buri,
S.G. articles "Red
River Book Shop," Volume 1#2, 73. reviews "Aphrodite's
Cup," (re: Aphrodite's Cup by Georges Kuthan),Volume 1#1, 58. "The
Box of Daylight: Northwest Coast Indian Art (book by Bill Holm)," Volume
3#4, 34-35. "The
Diaries of Louis Riel," (ed. Thomas Flanagan), Volume 1#1, 55. "Divisions
on a Ground: Essays on Canadian Culture," Volume 2#2, 56-59. "Dorothy
Livesay (by Lee Briscoe Thompson)," Volume 7#2, 35. "To
Keep and Re-read," (re: Open Country by George Amabile), Volume
1#2, 77-78. "Waiting
for Saskatchewan (by Fred Wah)," Volume 6#1, 38-39. Burke,
Frank reviews "Fellini's
Casanova: A Mechanical Child," Volume 1#2, 47. Burkett,
Ronnie about "Civil
Disobedience: The Artful Puppetry of Ronnie Burkett," interview with
Robert Enright, Volume 13#4, 9-18. "Oldimento
for Strings," (re: play, Old Friends), Robert Enright, Volume 16#1,
5-6. Burman,
Jack about "Jack
Burman," (visual art review by Kate Regan), Volume 25#3 (#99), 129-130. Burnard,
Bonnie about "The
Old Dance: Love Stories of One Kind or Another: A Review," Mark Duncan,
Volume 6#2, 29-30. Burnett,
David about "Contemporary
Canadian Art, A Review (with Marilyn Schiff)," Peter Millard, Volume 4#1,
27. Burns,
Bill about "Animal
Rites Activist," Robert Enright, (borderview), Volume 19#1 (#73), 6-7. "Bill
Burns," (visual art review by Randall Anderson), Volume 23#3 (#91), 116-117. Burns,
Isla reviews "The
Place of Sculpture," Lelde Muehlenbachs, Volume 12#3, 64-47. Burrows,
Robert about "Toxic
Beauty," Robin Laurence, (visual art review: "Tom Burrows: From the Fourth
Decade"), Volume 19#3 (#75), 83-85. Burton,
Tim about "Tour
de Farce," Robert Enright, (review: The Nightmare Before Christmas),
Volume 14#1, 65-66. Burtynsky,
Edward about "Auradynamics:
The Task of the Spectator in the New Era of the Aura," visual art review by
Martha Langford, (re: "Confluences" at CMCP and "Manufactured Landscapes" at
the National Gallery of Canada), Volume 22#2 (#86), 56-65. "Edward
Burtynsky," (visual art review by Robin Laurence), Volume 28#2 (#110), 80-81. Bush,
Jack about "Bushed,"
Robert Enright, (visual art review re: "Jack Bush: Hymn to the Sun, Early
Work"), Volume 17#2 (#66), 56-57. Butala,
Sharon about "Queen
of the Headaches: A Review," Wayne Tefs, Volume 5#2, 31. Butler,
John reviews "The
Collected Plays of Gwen Pharis Ringwood," Volume 2#4, 34-35. "Dramatic
W.O. Mitchell: Five Plays," Volume 2#4, 35-36. "Two
Plays: Paracelsus and Prometheus Bound (book by George Ryga, with introduction
by Mavor Moore)," Volume 2#3, 63-64. Butler,
K.J. (Jack) about "Aligning
the Irresistible Patterns: An Interview with Jack Butler," Robert Enright,
Volume 3#1, 11-17. "Anirniliit:
Breathing in the Cold," (review by Amy Karlinsky), Volume 23#2 (#90), 95-97. "Body
Double," Patrick Mahon, (review: We Need a New History: Autobiography,
Autobiology by Jack and Sheila Butler), Volume 14#1, 73-74. "Image
Space/Space Image: K.J. Butler at the WAG," Terrence Heath, Volume
1#3&4, 82-84. "Mind/Body
Processes of Jack Butler," Arthur Adamson, Volume 3#1, 8-10. portfolios "Baker
Lake 1983-1984: A Photoessay," (with Bill Eakin) Volume 3#4, 20-25. "The
Embryology of a Journal," Introduction by Robert Enright, Volume 8#4,
18-24. Butler, Paul
about "Canada Darling,"
(visual art review), Volume 21#4 (#84), 74-76. "Collage
of One," (re: Paul Butler), Volume 20#2 (#78), 10-13. "The Glue
Boy: Paul Butler and the Art of Collage," Lee Henderson, Volume 27#3 (#107),
48-56. "Paul
Butler," (re: Collage Party, White Columns exhibition), James Trainor, Volume
25#4 (#100), 86-89. "Perfect
10 Series: Collage 2000-2002," art pages, Volume 21#3 (#83), 69-71. portfolio "Keyhole
Collages," (Director: Guy Maddin; Art Director: Paul Butler; Michael Dumontier,
Brad Phillips, Simon Hughes, Jeff Funnell, Alicia Smith, Caelum Vatnsdal: Art
Department), Volume 26#4 (#104), 58-67. Butler,
Sheila about "The
Alibis of Kroetsch and Butler," Terrence Heath, Volume 6#3, 31-32. "Anirniliit:
Breathing in the Cold," (review by Amy Karlinsky), Volume 23#2 (#90), 95-97. "Body
Double," Patrick Mahon, (review: We Need a New History: Autobiography,
Autobiology by Jack and Sheila Butler), Volume 14#1, 73-74. "The
Hierarchic and Animistic Vision of Sheila Butler," Arthur Adamson, Volume
1#1, 45-47. "Lullaby
and Good Fright," by Gary Michael Dault (visual art review: Sheila Butler:
Nursery Rhymes), Volume 17#4 (#68), 77-79. "Sheila
Butler: Paintings 1986: A Review," Robert Enright, Volume 6#2, 26-27. "The
Years of Figuring Dangerously: An Interview with Sheila Butler," Robert
Enright, Volume 4#2, 45-52. articles "Women's
Work: The Radical Domestications of Aganetha Dyck," Volume 4#1, 15-19. reviews "Fortunate
Heirs: A Review of Out of Tradition (By Abraham Anghik and David Ruben
Piqtoukun)," Volume 8#2, 17-18. "Images
from Povungnituk," Volume 1#1, 22-23. "The
Mysterious Rooms and Enigmatic Journeys of Diane Whitehouse," Volume 3#3,
38-39. "Stonecuts
and Lithographs from Cape Dorset, 1976-1977," Volume 1#3&4, 45-47. portfolios "The
Alibi Drawings," Volume 6#3, 33-40. Cadieux, Genevieve
About
"Dispiriting
Nature: The Work of Eldon Garnet and Genevieve Cadieux," Martha Langford,
Volume 19#4 (#76), 36-41. about "Oscar
Cahén: In Search of Lost Fame, (Article by Gary Michael Dault), Volume 23#3
(#91), 58-63. Cahill,
Jane about "Trusting
the Teller and Not the Tale," Neal Davis Anderson, (review: Her Kind:
Stories of Women from Greek Mythology), Volume 15#3, 53-56. Cahun,
Claude about "Self
Disruptions," Betsy Warland (photography review: Don't Kiss Me,
Disruptions of the Self in the Work of Claude Cahun), Volume 18#1 (#69),
63-65. Calle,
Sophie about "Sophie
Calle," (visual art review by James D. Campbell), Volume 27 #4 (#108), 99-101. Calcutt, Shannon
About
"Holding a
Mirror Up to Laughter," borderview, by Robert Enright, Volume 20#3 (#79), 15. Cameron,
Alex about "Landscape
x 4: Geoffrey James, Alex Cameron, Jennifer Stead, Kelly Richardson," visual
art review by Petra Halkes (re: "Alex Cameron: Changing Weather" at KWAG),
Volume 27#2 (#106), 98-100. Cameron,
Ann reviews "Artist's
Profile: Suzanne Gauthier," Volume 2#1, 58-59. "Beyond
Landscape: The Painting of Wanda Condon [Koop]," Volume 1#1, 15-17. "The
Three-dimensional Line: A Relief Sculpture by Dale Amundson," Volume 1#2,
14-17. Cameron,
Elspeth about "Canadian
Bards and Scoffing Reviewers," Patrick Lane, (review: Earle Birney: Al
Life), Volume 14#1, 68-69. Cameron,
James about "Star
Oars: Titanic Goes Galactic with the Truth," Robert Enright, (column re: film Titanic
directed by James Cameron), Volume 17#2 (#66), 9-10. Campbell,
James D. articles "Virtual
Angst: The Photoworks of Carlos and Jason Sanchez," (article), Volume 23#4
(#92), 28-35. "Young
Girls and Old Boys: The Art of Prudence Heward and Edwin Holgate," Volume 25#2
(#98), 68-75. reviews "1973:
Sorry, Out of Gas," (visual art review), Volume 27#2 (#106), 82-84. "Crack the SkyLa Biennale de Montreal #5," (visual art review), Volume 26#4 (#104), 110-113. "Dieter Appelt," (visual art review), Volume 24#2 (#94), 88-89. "Sophie Calle," (visual art review), Volume 27 #4 (#108), 99-101. "Gilles Clément and Philippe Rahm," (visual art review re: "Environment: Approaches for Tomorrow"), Volume 26#2 (#102), 88-91. "Kees van Dongen," visual art review, Volume 28#2 (#110), 105-106. "Karel Funk," (visual art review), Volume 27#1 (#105), 94-95. "Henrik Hkansson and Eadweard J. Muybridge," (visual art review), Volume 25#3 (#99), 119-121. "Lynne Marsh," (visual art review), Volume 28#1 (#109), 84-86. "Marisa Portolese," (visual art review), Volume 24#3 (#95), 99-101. "Neo Rauch," (visual art review: exhibition at MACM), Volume 26#1 (#101), 80-82. "Gina Rorai," (visual art review re:"The Obliterati"), Volume 26#3 (#103), 126-127. "Theresa Sapergia," visual art review, Volume 28#2 (#110), 91-92. "Mark Séguin," (visual art review), Volume 27#3 (#107), 198-200. "Andrea Szilasi," (visual art review: Andrea Szilasi: Portraits), Volume 25#1 (#97), 118-120. "Diana Thorneycroft," (visual art review: The Doll Mouth Series at Art Mur), Volume 26#1 (#101), 82-84. "Claude Tousignant," (visual art review), Volume 24#3 (#95), 113-116. "Eve K. Tremblay and Michel de Broin," (visual art review of "Honeymoons"), Volume 24#1 (#93), 86-89. "Janet
Werner," (visual art review), Volume 24#4 (#96), 90-91. "Jinny Yu," (visual arts review), Volume 27#3 (#107), 179-180. Campbell,
Maria about "Achimoona:
A Review," Megan Paul, Volume 5#4, 50. Campbell,
Michael About "Michael
Campbell," (visual arts review by Paul Robert), Volume 21#1 (#81), 78-80. "Michael
Campbell," (visual arts review by Hope Peterson), Volume 24#3 (#95) 102-103. Campeau,
Michel about "Master
Bewilder," Petra Halkes, (visual art review: Les images volubiles/Eloquent
Images), Volume 16#2, 59-60. Canada Dance Festival
About "Dance Me
Inside: Canada Dance Festival 2000," dance review by Heather Elton, Volume 19#4
(#76), 86-89. Canadian
Native Dance Theatre about "In
the Beginning was the Bell," Jacqui Good,(review of "In the Land of
the Spirits"), Volume 11 about "Liz
Canner," (visual art review by Maureen Latta), Volume 23#3 (#91), 125-126. Canning,
Gill articles "Puritanism,
Prudery and Penthouse," (with Diane McGifford) Volume 3#3, 9. Cantor,
Steven about "Print
Juleps: Steven Cantor's Blood Ties and What Remains," (column),
Volume 25#3 (#99), 20-21. Cardiff,
Janet about "Janet
Cardiff and George Bures Miller," (Crossover by Catherine Elwes), Volume 22#4
(#88), 104-105. "Pleasure
Principals: The Art of Janet Cardiff & George Bures Miller," (introduction
by Meeka Walsh), Volume 20#2 (#78), 22-35. "Touching
Us Softly," Thomas Heyd, (review: To Touch), Volume 13#2, 62. Cardinal-Schubert,
Joane about "Eyestreaming,"
David Garneau, (visual art review: Joane Cardinal-Schubert:Two Decades),
Volume 17#1, 49-50. Cardoso,
Maria Fernanda about "Making
a World from Scratch: An Interview with Maria Fernanda Cardoso," Robert
Enright (intro Meeka Walsh) Volume 14#1, 38-47. Carey, Peter
about "Insider
Outsider," (re: Peter Carey), Volume 20#2 (#78), 14. Carl,
James about "James
Carl," (visual art review of "Bottom Feeder" by Terence Dick), Volume 22#1
(#85), 84-85. "What You
See is What You Don't Get: The Art of James Carl," article by Terence Dick,
Volume 28#2 (#110), 56-64. Caron,
Caro art
pages "Christine
Redfern and Caro Caron," Volume 28#1 (#109), 77-83. Carpenter,
David about "Jewels:
A Review," Mark Duncan, Volume 5#3, 33. Carr,
Emily about "Climbing
to the Top of the Totem Pole," by Joan Richardson (visual art review:
Emily Carr, Art and Process), Volume 17#4 (#68), 61-62. "Emily
Carr," (re: Emily Carr: New Perspectives), Petra Halkes, Volume 25#4
(#100), 91-93. Carr,
James "Building
a Democracy of Minorities," Volume 5#4, 76-77. Carrabré,
Pat (T. Patrick) "Searching
for Maestro Goodbars," Volume 7#3, 6-9. "Sing
to Me Only with Thine Blood, Randolph Peters and the Paradoxes of the
Heart," (Manitoba Chamber Orchestra), Volume 13#2, 23-25. "Sounding
Language: The Music of Michael Matthews," Volume 7#2, 42-43. Carreiro,
Linda about "Big
Attack Sin," by Robert Enright, (re: Linda Carreiro), Volume 16#2, 5-6. "Linda
Carreiro," (visual arts review of "Langue" by Mariianne Mays), Volume 23#2
(#90), 98-100. Carriere,
Elizabeth poetry "The
Destiny Hotel Dining Room," Volume 1#3&4, 97. "Vampire
Dreams," Volume 2#1, 68. articles "Artangel,"
Volume 24#1 (#93), 26-33. "Inside
the Outsider's Mind: Iris Häussler's The Legacy of Joseph Wagenbach,"
Volume 26#2 (#102), 64-70. review "Body: New
Art from the UK," (visual art review), Volume 25#3 (#99), 123-124. "Iron Men:
New Painting," (visual art review), Volume 25#1 (#97), 120-121. Carther,
Warren about "Sands of
Time: The Architectural Glass of Warren Carther," Robert Enright, (borderview),
Volume 16#4, 7-8. Cassidy,
Lee about "Revelations
and Process," Arthur Adamson, (review: Five), Volume 1#2, 20-21. C.A.T.I.E
(Canadian AIDS Treatment Information Exchange) about "The Moon,
the Stars and a Scar: Body Mapping Stories of Women Living with HIV/AIDS,"
article by Carol Devine, Volume 27#1 (#105), 58-65. Caws,
Mary Ann about "Glorious
Eccentrics: Modernist Women Painting and Writing and Surprised in
Translation by Mary Ann Caws," book review by Robin Laurence, Volume 26#4
(#104), 113-115. Cawthon,
Dan reviews "The
Heart of Waiting," (re: Waiting for Godot, Manitoba Theatre Warehouse),
Volume 1#2, 36. "Jesus
of Nazareth," (re: film by Franco Zeffirelli), Volume 1#2, 9. "Knock,
Knock," Volume 1#3&4, 17-18. "Looking
for Rust in the Glitter," (re: Dames at Sea, MTC), Volume 1#2, 33. "A
Retrospective: The Manitoba Theatre Centre's 1976-77 Season," Volume
1#3&4, 6-7. "The
Warehouse in Review: Hello and Goodbye and Oh Coward!" Volume 1#3&4,
16-17. About "Tender
Touches: An Interview with Vija Celmins," with Robert Enright, introduction by
Meeka Walsh, Volume 22#3 (#87), 20-35. Cera,
Stephen reviews "New
Music from Minnesota (produced by the Minnesota Composers Forum and the
McKnight Foundation)," Volume 4#4, 63-64. Le
Cercle Moliere about "Le Cercle
Moliere: 1979-1982," Lionel Dorge, Volume 2#1, 16-19. Chafe,
Susan about "Book
Marks," Sigrid Dahle, (visual art review: to sow by Jake Moore and Name
this Bird: Winnipeg Beach by Susan Chafe and Donnely Smallwood), Volume
16#2, 54-56. "The
Demolition Show," The Demolition Crew, Volume 5#1, 41-43. "Landscape
in Blue," Al Rushton, Volume 7#1, 48-51. reviews "Sounding
Off," (sound review: send + receive'a festival of sound presented by Video
Pool reviewed by Susan Chafe and Ken Gregory), Volume 18#2 (#70), 65-66. Chafe,
Rick About
"The Woman
of Many Turns," Robert Enright, (review of The Odyssey by Shakespeare in
the ruins), Volume 19#4 (#76), 10-11. Chahda,
Samir about "Tribal
T.V.: New Video and Democracy on the Prairies after Modernism," Al
Rushton, Volume 2#3, 39-44. Chambers,
Michael About "Black
Body: Race, Resistance, Response," (visual arts review by Sarah Hollenberg of
exhibition featuring: Lucie Chan, Crystal Clements, Rebecca Fisk, Buseje
Bailey, Michael Chambers and Gomo George), Volume 20#4 (#80), 76-77. Chambers,
Ruth about "Boundary
Breaker," Sigrid Dahle, (review: Another Science Experiment: A
Site-specific Ceramic/Video Installation), Volume 15#1, 52-54. "Suspended
Memory; Suspended Breath," Sylvia Legris (visual art review: Mary
Kavanagh: Prelude and Ruth Chambers: Pneuma), Volume 18#1 (#69),
65-66. Chan,
Lucie about "Black
Body: Race, Resistance, Response," (visual arts review by Sarah Hollenberg of
exhibition featuring: Lucie Chan, Crystal Clements, Rebecca Fisk, Buseje
Bailey, Michael Chambers and Gomo George), Volume 20#4 (#80), 76-77. About "Melvin
Charney," (visual art review by JoAnne Stober), Volume 23#1 (#89), 81-83. Cheetham, Mark
Review
"Jessica
Stockholder," (visual art review), Volume 23#3 (#91), 122-125. "Andrew
Wright," (visual art review re: "Water's Edge"), Volume 26#3 (#103), 157-159. "Wyn
Geleynse and Taras Polataiko, Mirrors of the Subject," visual art review,
Volume 20#3 (#79), 65-67. Chernavitch,
Ken about "Ceramists
3," Mary Sprague, (review), Volume 1#1, 41. Cheung, Victoria
about
"What to
Do with an Asterisk?," (Borderview by Robert Enright), Volume 27#2 (#106),
23-24. Cheval, Ferdinand
"The
Connoisseur of Stones: The Facteur Cheval and the Making of the World," Rosemary
Sullivan, Volume 20#1 (#77), 56-59. Children's
Theatre about "A
Look at Winnipeg's Children's Theatre: 1982-1983 in Review," Moti
Shojania, Volume 2#4, 30-32. Chinese Art
about "The
Shanghai Shuffle," Cliff Eyland, (visual art review: Looking In/ Looking Out)
Volume 18#2 (#70), 56-57. Chislett, Anne
about "Quiet
in the Land: A Review," Patrick Friesen, Volume 4#2, 42. Christensen,
Lisa about "Portrait
of the Artist as a Mountain Climber," David Alexander, Introduction by
Robert Enright, (book review: A Hiker's Guide to Art of the Canadian Rockies),
Volume 15#4, 4-5. Christianson,
Joseph articles "Closet
Drama: The Sound and the Flurry Surrounding Winnipeg's International Festival
of Gay and Lesbian Films," Volume 6#3, 27-28. "The
Edges of Art: Notes on Personality and Creativity," (re: Ken Lulewich and
Michael Olito), Volume 4#2, 18-20. "Thoroughly
Modernist Alicia," (re: Alicia Popoff), Volume 8#3, 51-54. reviews "Earthbound
Mechanics," (borderview: Under the Wings by Stephen Scriver),
Volume 10#4, 54-55. "Going
Out the Other Side: Paul-Emile Borduas (by Francois-Marc Gagnon)," Volume
7#4, 49-50. "Lisa
(by Carol Matas)," Volume 7#2, 34. "Little
Big Film: A Review of The Outside Chance of Maximilian Glick," Volume 8#2,
19. "Not
a Bad Year (film by Jancarlo and Gabriel Markiw)," Volume 5#4, 59 "Spirit
Landing,"(re: Land and Spirit exhibition) Volume 11#4, 71. "Voices
and Visions: Interviews with Saskatchewan Writers (by Doris Hillis),"
Volume 5#2, 30. Christo about "Now
You See it, Now You Don't: The Legendary Art of Christo," Robert Enright,
Volume 11#1, 31-37. Cicansky,
Vic "Of
Clay and Craven I sing: An Interview with Vic Cicansky," (with Robert
Enright) Volume 2#3, 4-11. Cirque
du Soleil about "Circus
Conjurors," Robert McGee, (review: Cirque du Soleil, Véronique
Vial and Héléne Dufresne eds.), Volume 14#1, 74-75. Clark,
Douglas "Snapdance:
The Censored Photographs of Peter Tittenberger," commentary, Volume 4#1,
29-36. Clark,
Eliza about "Unnatural
Acts," Wayne Tefs, (review:What You Need), Volume 14#1, 69-71. Clark,
Jane about "The
Demolition Show," The Demolition Crew, Volume 5#1, 41-43. Clark,
Jim about "Marked by
Lightning, The Paintings of Jim Clark," N.E. Sjoman, (article), Volume 18#2
(#70), 44-48. Clark,
John Eliot (also Eliot, John) articles "March
is the Cruelest Month," (re: Manitoba Music Competition Festival), Volume
1#2, 64-65. reviews "A
Retrospective: Three Orchestras and Two Quartets," (re: Winnipeg Symphony
Orchestra, Orford Quartet, Purcell Quartet)Volume 1#2, 62-64. "Don
Giovanni," (Manitoba Opera Association), Volume 1#3&4, 109. "Joan
& Maureen and Cav & Pag," (re: Joan Sutherland, Maureen Forrester
& Cavalleria Rusticana, I Pagliacci/Puccini,MOA), Volume 1#1, 43. "Thunder
Stealing, A Heart of Ice and Thoroughly Dependable Turini," (re: WSO
1976), Volume 1#1, 42. "Verdi's
Witches and Kings," (re: Un Ballo in Maschera/Verdi,MOA), Volume 1#1, 44. Clark,
Kelly about "The
Art of Kelly Clark" Polarities and the Communicative Vision," Arthur
Adamson, Volume 2#4, 4-11. "Fragments
of Other Fragments: The Self-Portraits of Kelly Clark," Tom Lovatt, Volume
9#2, 52-53. "Romancing
the Edge," by Cliff Eyland (visual art review: Kelly Clark), Volume 17#4
(#68), 79-80. about "Larry Clark," (visual art review by Susan Emerling), Volume 24#2 (#94), 86-87. Clarke,
Bill reviews "Art
Metropole: The Top 100," (visual art reviewr re: exhibition curated by Kitty
Scott and Jonathan Shaughnessy, featuring artwork by Sherrie Levine, Kevin Lum,
Eleanor Antin, and Christian Marclay), Volume 28#1
(#109), 109-110. Clarke,
Margaret about "The
Cutting Season: A Review," Wayne Tefs, Volume 4#3, 31. poetry "Invention,"
Volume 7#2, 31. Clarke,
Martha about "Dark
Rainbow, A Conversation with Martha Clarke," (Intro & interview by
Robert Enright), Volume 14#1, 18-29. Clarkes,
Lincoln about "Heroines
by Lincoln Clarkes," (book review by Andrew Johnson), Volume 22#1 (#85), 78-82. Clavelle,
Karen reviews "The Read
and the Black," (book review re: The Red-Headed Woman with the Black Black
Heart by Birk Sproxton), Volume 17#2 (#66), 55-56. Clément,
Gilles about "Gilles
Clément and Philippe Rahm," James D. Campbell (visual art review re:
"Environment: Approaches for Tomorrow"), Volume 26#2 (#102), 88-91. Clements,
Crystal about "Black
Body: Race, Resistance, Response," (visual arts review by Sarah Hollenberg of
exhibition featuring: Lucie Chan, Crystal Clements, Rebecca Fisk, Buseje
Bailey, Michael Chambers and Gomo George), Volume 20#4 (#80), 76-77. Clintberg,
Mark reviews "Gregor
Schneider," (visual art review), Volume 27#3 (#107), 193-194. "Robert
Gober," (visual art review of "Robert Gober: Work 1976-2007"), Volume 26#4
(#104), 104-106. "Rodney
Graham," (visual art review of exhibition at MACM), Volume 26#1 (#101), 93-95. "Unmonumental:
The Object in the 21st Century," (visual art review of exhibition at
New Museum, NY), Volume 27#2 (#106), 96-98. Close,
Susan review "Scissors,
Paper, Stone: Expressions of Memory in Contemporary Photographic Art by
Martha Langford," (book review), Volume 27#3 (#107), 194-196. "Shari
Hatt," (visual art review of "Shari Hatt: New Work"), Volume 22#1 (#85), 75-76. about "Framing
Identity: Social Practices of Photography in Canada 1880-1920 by Susan
Close," book review by Sigrid Dahle, Volume 27#2 (#106), 103-104. about "Jean
Cocteau," (visual arts review by Mariianne Mays), Volume 23#4 (#92), 109-111. Cohen,
Leonard about "Leonard
Cohen: Interview by Robert Enright," Volume 26#4 (#104), 26-40. "Making
Stranger Music," Birk Sproxton (review: Stranger Music: Selected Poems
and Songs), Volume 13#2, 52-53. Cohen,
Lynne about "Lynne
Cohen," (visual arts review of "No man's land" by Petra Halkes),
Volume 21#3 (#83), 94-95. Coleman,
AD article
"Return of
the Suppressed: Pictorialism's Revenge," Volume 27 #4 (#108), 72-79. Collins,
Cathy (Catherine) about "Air
Winnipeg," Alison Gillmor, (review:Catherine Collins: Little Eden) Volume
15#2, 56. "The
Power and the Sorry," Sigrid Dahle, Volume 21#3 (#83), 53-55. Conacher,
Hugh about "Unfix
Ability," Alison Gillmor, (review: Shift by Reva Stone; Tom Stroud, Glenn
Buhr; Huch Conacher, Margaret Sweatman), Volume 15#1, 65-66. Condé,
Carole about "Workers
in Progress: The Art of Carole Condé and Karl Beveridge," (article by Martha
Langford), Volume 25#3 (#99), 98-103. Condello,
Guiseppe portfolios "A
Mime Portfolio: Guiseppe Condello/Ernest Mayer," Volume 2#4, 23-27. Condo,
George about "The
Undiscovered Familiar: The Art of George Condo," interview with Robert Enright,
Volume 22#2 (#86), 18-34. Condon,
Wanda (See
Koop, Wanda) Congdon,
Daniel about "Thought
Structures," Christopher Brayshaw, (visual art review: Shape by Daniel
Congdon), Volume 19#1 (#73), 63-64. Constable,
John about "John
Constable," (visual art review by Terrence Heath of "Constable: Le Choix de
Lucian Freud"), Volume 22#1 (#85), 62-64. Contemporary
Art about "1987:
Contemporary Art in Manitoba," Janis Runge, (visual art review: travelling
to various galleries throughout Canada), Volume 7#1, 29-30. "Oppressing
the Oppressors," Lisa Gabrielle Mark, (borderview: Dislocating Comfort,
a panel discussion on Contemporary Art), Volume 10#3, 39. Contemporary
Dancers about "A
Moveable Feast," Jacqui Good, (re: 30th anniversary Gala), Volume 13#1,
47-48. "Cajuns,
Angels and Crosses," Patricia Malone, Volume 1#2, 42-43. "Contemporary
Dancers: A Review," Patricia Malone, Volume 1#3&4, 22-23. "Camping
Out: A Wild Night with Liszt," Jacqui Good, Volume 6#2, 31. "Contemporary
Dancers Canada and the Building of Modern Dance: The Never Again But Hopefully
Always Again Show," review by Robert Enright, Volume 5#2, 34-35. "Ms.
Butterfly," Melinda McCracken, (dance review: Lepidoptera), Volume
8#4, 44-45. "Some
Women Who Are," Patricia Malone, Volume 1#1, 20-21. "Standard
Setter," Michael Crabb, (re: Joe/Jean-Pierre Perreault), Volume 13#3, 57. "Telling
the Dancer from the Dance: Rachel Browne and Contemporary Dancers Canada,"
Richard Forzley, Volume 4#4, 30-33. "Unfix
Ability," Alison Gillmor, (review: Shift by Reva Stone; Tom Stroud, Glenn
Buhr; Huch Conacher, Margaret Sweatman), Volume 15#1, 65-66. "What
Did Tedd Do Last?," Jacqui Good, (dance review: Tedd's Taking Dance to
the Streets #3), Volume 9#2, 39-40. "Winnipeg's
Contemporary Dancers: Powerful Rituals of Death, Grief and Rebirth," Uston
Reinart, Volume 2#3, 49-52. Conway,
John about "Saskatchewan:
Uncommon Views by John Conway," (book review by Richard Holden), Volume
25#3 (#99), 109-111. Conz,
Francesco "Fight,
Stamina and Actions: Subjects and Objects in the Bewildering World of
Performance," Robert Enright, (Interviews with Francesco Conz, Allan Kaprow,
Raphael Montaez Ortiz, Hermann Nitsch, Orlan and Shozo Shimamoto; re: MOCA
exhibition, "Out of Actions: Between Performance and the Object, 1949-1979"),
Volume 17#2 (#66), 28-47. Cook,
Méira books "Writing
Lovers: Reading Canadian Love Poetry by Women," (book review by Charlene
Diehl), Volume 24#4 (#96), 109-111. reviews "A
Complicated Kindness by Miriam Toews," (book review), Volume 23#3 (#91),
135-139. "Medusa's
Ear: University Foundings from Kant to Choral by Dawne McCance," (book
review), Volume 24#2 #94), 104-106. "Objects
of Beauty by Joy Gregory," (book review), Volume 23#2 (#90), 100-103. Poetry "Swinging
the Unhinged Day," Volume 11#2, 42-43. Cooley,
Dennis "Bearing
Witness," column, Volume 12#3, 4-5. "bp
Nichol (1944-1988)," Volume 8#3, 6-7. "Carnal
Love," column, Volume 14#1, 10-11. "Correspondences:
Two Saskatchewan Poets" column, Volume 12#1,4-5. "The
Educating Imaginer: Northrop Frye (1912-1990)," column, Volume 10#2, 7-8. "Engendered
Species," column, Volume 13#3, 6-7. "Essaying
the Tangible Medium: Notes on the Technology of Writing," Volume 10#4,
7-8. "The
Eye and Poetry," column, Volume 9#1, 37-39. "Loving
Words," column, Volume 9#4, 6-8. "Matching
the Word to the World," essay, Volume 8#4, 25-30. "The
Monied Muse," Volume 13#1, 8-9. "News
from the Heisler Oracle," (re: Robert Kroetsch), Volume 4#4, 66-67. "Outcasting:
A Conversation with Margaret Laurence about the world of Margaret
Laurence," (with David Arnason) Volume 5#4, 32-35. "People
of the Text," column, Volume 11#4, 5-6. "The
Poetry of Knowledge and Flesh: An Interview with George Amabile," (with
Robert Enright), Volume 2#3, 29-32. "Scurvied
for Want of Criticism," column, Volume 11#3, 26-27 "Talking
Turkey," Volume 10#1, 7-9. "Uncovering
our Dream World: An Interview with Robert Kroetsch," (with Robert
Enright), Volume 1#1, 32-39. "Wrestling
with the Real: The Critical Reception of Prairie Literature," Volume 9#2, 45-47. reviews "Beyond
Here (book by Jim Green) and Celestial Navigation (book by Paulette
Jiles)," Volume 3#4, 38-39. "Fire
and Ice," (re: Ice Age by Dorothy Livesay), Volume 1#2, 70-71. "The Man
Game by Lee
Henderson," (book review), Volume 28#1 (#109), 102-105.
"The
Visitants," Volume 2#2, 62-63. about "The
Kolybaba Connection/The Krafchenko Theft: Conversation (Avoided, Imagined,
Faked, Failed) with Cooley," Kathie Kolybaba, Volume 4#4, 43. "Thickening
Sounds: The Web and Weave of Bloody Jack," Rhonda Beebe, Volume 4#4, 44. "Wordbursts
in the Sun," Birk Sproxton, (book review: Sunfall: New and Selected Poems),
Volume 16#2, 66-67. poetry "at
night cooley listens," Volume 11#3, 58-59. "Boating,"
Volume 3#1, 63. "The
Crow Case," Volume 4#1, 39. "Five
Poems," Volume 6#4, 22-23. "Gulls,"
Volume 8#2, 54. "If
Only You," Volume 8#2, 54. "In
the Park," Volume 3#1, 63. "Into
the Leather Dark," Volume 8#2, 54-55. "The
Pain of Writing You," Volume 8#2, 55. "Police
Informer," Volume 4#1, 39. "Re:
Considering the Cabbage," Volume 4#1, 20. "Selections
from Irene,"
Volume 19#1 (#73), 59-61. "This
Only Home," Volume 10#4, 56-59. "To a
Friend in her Fearing," Volume 8#2, 55. "Tristan,"
Volume 8#2, 55. "Woman
in Love," Volume 8#2, 54. Coop, Elsbeth
review "Remodelling
the Gaze," (visual art review: "Body Language," Elsbeth Coop & Iris
Hauser), Volume 20#2 (#78), 126-127. Cooper,
Austin about "Obsessive
Posterings," Alison Gillmor, (review: Imponderable Joys), Volume 13#2,
50-51. Corkin,
Jane about "Children
of Light," Dawn Rae Downton, (photography review: The Hongkong Bank of
Canada Photographs of Children: 150 Years curated by Jane Corkin), Volume
9#4, 45-47. Corne,
Sharron about "Taboo
Images: An Inquiry into the Iconography of Feminist Art," Arthur Adamson,
Volume 3#2, 31-32. "The
Tough-Minded Line: The Recent Drawings of Sharron Zenith Corne," Alison
Gillmor, Volume 8#1, 24-26. Cornish
Library about "Civil
Wars," Robert Enright, (borderview: Cornish Library/Cliff Eyland), Volume
15#2, 7-8. Cornwell,
Regina articles "The
Snows of Yesteryear," Volume 13#3, 30-33. Corot,
Jean-Baptiste Camille about "The
Glory of Roam," Petra Halkes, (visual art review: Corot: 1796-1875),
Volume 15#4, 68-70. Coupland,
Douglas about "Je
me souvenir," Robert Enright, (Borderview/email interview), Volume 21#3
(#83), 11-12. "Vancouver
School," Robin Laurence, (review of group show: Douglas Coupland, Graham
Gillmore, Angela Grossmann, Attila Richard Lukacs, Derek Root), Volume 25#3
(#99), 113-114. Coward,
Harold about "Un-Writing,"
Dawne McCance, (book review: Silence, The Word And the Sacred edited by
E.D.Blodgett and Harold Coward), Volume 9#2, 23-24. Coy,
Helen about "Fitzgerald
as Print-maker: A Review," Peter Millard, Volume 2#1, 50-51. articles "The
Fitzgerald Study Centre," Volume 1#2, 29. Crabb,
Michael "The
Classical Modernist, William Whitener and the Future of the Royal Winnipeg
Ballet," Volume 13#2, 44-47. "Home
Truths: The Inestimable Character of Arnold Spohr," Volume 3#2, 38-40. "Pas
de Deux x 2," (book review: Power to Rise: The Story of the National
Ballet of Canada by James Neufeld and Miss O: My Life in Dance by
Betty Oliphant), Volume 16#1, 57-58. "Recapturing
the Dream," (dance review: The Royal Winnipeg Ballet) Volume 11#1, 54-55. "The
Royal Winnipeg Ballet," Volume 2#2, 22-25. "Standard
Setter," (re: Joe/Jean-Pierre Perreault), Volume 13#3, 57. "Veni,
Video, Vici," (re: Speaking in Tongues, Paul Taylor), Volume 12#3, 50. "A
World of Their Own: The Royal Winnipeg Ballet Fifty Years On," Volume 9#1,
24-27. reviews "Moving
for the Jugular," (dance review: Dracula by Mark Godden), Volume 18#1
(#69), 70-72. "Prime
Mover," (re: No Intermissions: The Life of Agnes de Mille by Carol
Easton), Volume 15#3, 61-63. Cragg,
Tony about "Necessary
Appetites: An Interview with Tony Cragg," Volume 11#3, 45-53. Craig,
Kate about "Skin Deep
Video," Robin Laurence, (visual art review re: "Kate Craig: Skin), Volume 17#2
(#66), 57-59. Crait,
Roger about "Art
Craiters," (borderview by Robert Enright), Volume 27#3 (#107), 26-27. Cran,
Chris about "Painting,
the Fame Game," David Garneau (visual art review: Chris Cran: Surveying
the Damage, 1977-1998), Volume 18#1 (#69), 56-58. Crandall,
Richard C. About "Inuit
Art: A History" by Richard C. Crandall, and "An Annotated Bibliography of Inuit
Art" by: Richard C. Crandall and Susan M. Crandall, (book reviews by Peter
Millard) Volume 20#4 (#80),82-83. Crandall,
Susan M. About "An
Annotated Bibliography of Inuit Art" by: Richard C. Crandall and Susan M.
Crandall, (book review by Peter Millard) Volume 20#4 (#80),82-83. Crash
Test Dummies about "Drastic
Measures: Brad Roberts of the Crash Test Dummies," Interview by Robert
Enright, Volume 10#4, 28-33. Craven, David
about "Four
Canadian Artist in New YorkThe Magic Marker: David Craven Pulls out the Colour
Stops," by Robert Enright, Volume 20#2 (#78), 73-79. Crawley,
Sarah about "Birder," (Borderview by Robert Enright), Volume 22#4 (#88), 12-13. "Snapped
to Attention," Meeka Walsh (review: inside out, William Eakin and Sarah
Crawley), Volume 14#3, 23-24. Crean,
Susan articles "Cracks
in the Mosaic," Volume 5#4, 9-11. Creed,
Carolyn Hoople articles "A
Limberlost of Distances: The Myth of Rural Artists' Isolation," Volume
5#1, 44-45. reviews "Pieces,
Of the Jigsaw, Puzzle (three volume Multicultural Anthology for Young Readers;
edited by Pat Stanton)," Volume 5#4, 53-54. Crewdson,
Gregory about "Kitsch
Salon," Christopher Brayshaw, (visual art review: "Gregory Crewdson: Disturbed
Nature), Volume 19#2 (#74), 79-80. Criticism about "A
Code of Many Callers: The Theory and Practice of Contemporary art
Writing," Stephen Phelps, Volume 7#3, 50-54. "Criticism
and Manitoba Culture," Robert Enright, Volume 2#1, 3. "Labouring
Bards and Scotched Reviewers," Doug Smith, Volume 7#1, 62. "Measuring
'Me(a)sure': ANNPAC's Conference on Art Criticism," Maurice Mierau, Volume
7#4, 42-43. Crompton,
Dennis About "Look Back
In Languor," (interview with Robert Enright re Archigram), Volume 21#2 (#82),
11-12. Cronenberg,
David about "Crash
and Sperm," Robert Enright, (re: movies, Trainspotting by Danny
Boyle and Crash), Volume 16#1, 9-10. Cronin,
Ray articles "Sculpture
and Other Provocations: The Artful Subversions of Colleen Wolstenholme," Volume
26#2 (#102), 56-62. reviews "The
Sister Grim," (re: Diane Arbus), visual art, Volume 20#2 (#78), 128-129. "Subversifying:
Garry Neill Kennedy," visual art, Volume 19#4 (#76), 80-82. "Time,
Be Not Proud," (multimedia review: "Mnemosyne," featuring Thaddeus Holownia,
Andre Alexis, Veronika Krausas and Motion), Volume 19#3 (#75), 89-91. "Whistling
in the Dark: New Work by Carl Zimmerman," visual art, Volume 20#1 (#77), 60-61. Crozier,
Lorna about "Literary
Landscaping: A Symposium on Prairie Landscape, Memory and Literary
Tradition," (with others) Volume 6#4, 32-38. essay "Almost
Human," Volume 24#1 (#93), 56-60. journal "The
Shape of Human Sorrow: A Meditation on the Art of Poetry," Volume 13#3,
34-39. poetry "Facts
About My Father," Volume 9#4, 20-21. "Five
Poems," Volume 8#4, 50-51. "The
Flowers of Georgia O'Keeffe," Volume 3#2, 52. "Geography,"
Volume 6#4, 50. "Nijinsky,"
Volume 4#4, 42. "Not
a Berryman (for J.R.), Volume 6#3, 20. "Quitting
Smoking," Volume 6#3, 59. "The
Sex Life of Vegetables," Volume 4#3, 26-28. "Three
Poems: Leaving Home, To See Clearly, Winter Day," Volume 23#1 (#89), 46-47. about "Correspondences:
Two Saskatchewan Poets," Dennis Cooley, Volume 12#1, 4-5. Crozier,
Ralph visual
art "Westward
Ho: The Internationalization of China's New Art," Volume 16#4, 52-55. Cuban
Art about "Cuba!
Art and History from 1868 to Today," Tracy Valcourt, (visual art review),
Volume 27#2 (#106), 85-87. "Romancing
the Revolution," (re: Korda and Figueroa: Cuban Photography Since 1959"),
Volume 19#3 (#75), 9-10. "Territorial
Declaratives," Robin Laurence, (visual art review: New Art from Cuba:
Utopian Territories curated by Juan Antonio Nolina, Eugenio Valdés
Figueroa, Keith Wallace and Scott Watson), Volume 16#2, 51-53. Cuesta,
Claudia about "Momentary
Madeness: The Art of Claudia Cuesta," Robin Laurence, Volume 16#4, 46-50. Cullen,
Meg about "Fresh
Blood: A Review," Alison Gillmor, Volume 6#4, 46-47. Culleton,
Beatrice about "In
Search of April Raintree: A Review," Larry Krotz, Volume 3#1, 42. Culley, Peter
articles "Out of
the Blue: Three Works on Vancouver," (re: Brian Jungen, Roy Arden, Stan
Douglas), Volume 20#2 (#78), 64-70. Cumming,
Donigan portfolio "Pretty
Ribbons: Photographs by Donigan Cumming," Introduction by Robert Enright,
Volume 10#1, 25-33. about "Auradynamics:
The Task of the Spectator in the New Era of the Aura," (re: "Confluences" at
CMCP and "Manufactured Landscapes" at the National Gallery of Canada), Volume 22#2
(#86), 56-65. "Docu-Dismantler,"
(review of The Stage), Robin Laurence, Volume 12#1, 58-59. "Lines
of Photographic History," Scott Ellis,(review: Reality and Movement in
Documentary Photography: A Photographic Installation by Donigan
Cumming)Volume 10#1, 50-52. "Photogothy,"
Petra Halkes, (photography review: Barber's Music by Donigan Cummings),
Volume 18#3 (#71), 56-57. "Still
Life and Nude," (fiction by Darlene Barry Quaife), Volume 13#2, 48-49.
(re: photographs in Volume 10#1 "There but
for the Grace of God," Edward Morose, (video review: "If only I" by Donigan
Cumming), Volume 19#3 (#75), 74-75. "The Video of Cruelty," Edward Morose,
(re: videos A Prayer for Nettie and Cut the Parrot), Volume 16#2,
28-33. interview "Endgames:
Donigan Cumming's Subverted Narratives," (interview with Robert Enright),
Volume 24#2 (#94), 20-31. Cunningham,
John reviews "The
Remnants of a Man and The Fountain (by Lubomyr Melnyk)," Volume 5#4, 57. Curle,
Howard reviews "A
Stone Watermelon (by Lois Braun)," Volume 6#3, 21. "The
Cartier Street Contract (by Wayne Tefs)," Volume 5#1, 30. "Home
Movies: Tales from the Canadian Film World (by Martin Knelman)," Volume
7#2, 33. Curnoe, Greg
about "Inadmissable
Evidents," Alison Gillmor, (visual art review: Evident Truths: Greg
Curnoe, 1936-1992), Volume 15#4, 60-61. "The
Trojan Bicycle," visual art review: Life & Stuff, by Terrence Heath,
Volume 20#2 (#78), 139-141. Curran,
Douglas about "In
Advance of the Landing: Folk Concepts of Outer Space, A Review," Peter
Tittenberger, Volume 5#3, 34-35. portfolios "The
Metis in Alberta," Volume 4#3, 37-44. Currie,
Robert about "Night
Games: A Review," Wayne Tefs, Volume 3#1, 44-45. Curry,
Gwen "Gwen
Curry," (a visual arts review by Robin Laurence, of the exhibition "Witness"),
Volume 20#4 (#80), 74-76. Curtain
Razor's Theatre Company about "Jarrymandering,"
Greg Beatty (theatre review: The Curtain Razor's Theatre Company Ubu Roi),
Volume 18#1 (#69), 72-73. Cute Art
about "Cute
Art," Gary Genosko, (column), Volume 18#4 (#72), 12-14. "Cuteographies,"
Greg Beatty, (visual art review: Fluffy curated by Anthony Kiendl),
Volume 19#1 (#73), 77-79. Cutler,
Amy Artist
Pages, (Arrangement 2002, Rations 2002, Saddlebacked
2002), Volume 21#4 (#84), 61-63. about "Skirting
Issues," (Borderview by Robert Enright), Volume 21#4 (#84), 13-14. Czernecki,
Stefan about "Claiming
the Primitive and the Spiritual," Timothy Rhodes, Volume 3#3, 41-45. D'Souza,
Irene Review The
Russlander by Sandra Birdsell, Volume 20#4 (#80), 80-82. poetry "Game
Plan," "Stockholm Syndrome," Volume 24#3 (#95), 109. Dafoe,
Christopher "Applebert
West: Half-baked or Paradise?" (re: Report of the Federal Cultural Policy
Review Committee), Volume 2#3, 12-15. "MTC's
Drama Purge: Richard Ouzounian and the Golden Rules of Regional Theatre,"
Volume 2#4, 46-48. "Private
View," Volume 3#1, 72. about "Dancing
Love Letters," Jacqui Good, (book review: Dancing Through Time: The
First 50 Years of Canada's Royal Winnipeg Ballet by Christopher Dafoe and Dance
Canada: An Illustrated History by Max Wyman), Volume 9#4, 41-42. Dahl,
Tracy about "From
the Prairies to Placido," Laurel Howard, Volume 7#2, 56-58. Dahle, Sigrid
about "Multiplicity
of Voices," Tom Lovatt, Volume 6#3, 49-50. articles "Extreme
Fascinations, Alison Norlen's work-in-progress," Volume 14#1, 54-59. "Ordinary
Life is Good Enough: Larry Glawson's Home Bodies," Volume 27#3 (#107), 154-160.
reviews "Book
Marks," (visual art review: to sow by Jake Moore and Name this Bird:
Winnipeg Beach by Susan Chafe and Donnely Smallwood), Volume 16#2, 54-56. "Boundary
Breaker," (re:Ruth Chambers, Another Science Experiment: A Site-specific
Ceramic/Video Installation), Volume 15#1, 52-54. "Framing
Identity: Social Practices of Photography in Canada 1880-1920, by Susan
Close," (book review), Volume 27#2 (#106), 103-104. "Love,
Loss and Reparation," (visual art review: footnote by Stella
Meades), Volume 16#1, 56-57. "Michael
Maranda, White Out," visual art review: "invisible hand", Volume 20#3 (#79),
82-84. "The
Power and the Sorry," (re: Shirley Brown, Cathy Collins) Volume 12#3,
53-55. "Uncertain
Bodies," (re: Derek Brueckner: Re/Searching the Figural) Volume 13#1,
53-55. ""When the
Mood Strikes Us," (visual arts review re: exhibition at Platform, curated by
JJ Kegan McFadden, featuring artwork by Abbas Akhavan & Marina Roy, Jeremy
Shaw, Colleen Wolstenholme & Paul Butler), Volume 27 #4 (#108), 121-122. Dahlstrom,
Carol about "Otherworld
Lies," Charlene Diehl-Jones, (music review: Carol Dahlstrom and James
Hickerson), Volume 10#2, 46. Daley,
Cathy about "Dress
Me Up, Dress Me Down," Robert Enright, (borderview), Volume 18#2 (#70), 4. artist's
pages "Untitled,"
pastel on vellum, Volume 22#2 (#86), 75-77. Danto,
Arthur articles "Architectural
Principles in the Art of Sean Scully," Volume 26#3 (#103), 62-67. review "The
Abuse of Beauty: Aesthetics and the Concept of Art by Arthur C. Danto," (book review
by David Rozniatowski), Volume 23#3 (#91), 133-135. Daoust,
Nathalie "Darkroomer,"
(Borderview by Robert Enright), Volume 23#2 (#90), 12-13. Dark,
Shayne about "Shayne
Dark," (re: Here and Gone), Julia Dault, Volume 25#4 (#100), 93-95. Darroch,
Murray about "The
Whirled According to Darroch," Jacqui Good, Volume 6#3, 62-64. da
Silva, Renato Rodrigues articles "Ricardo
Basbaum, the NBP object and Four Verbs," Volume 28#1 (#109), 56-63. Dault,
Gary Michael about "Gary
Michael Dault," (visual art review by John Scott), Volume 24#1 (#93), 94-96. "Gary
Michael Dault," William Gill, visual art review re: "60 Minutes of Painting,"
Volume 26#4 (#104), 87-88. articles "Antony
Gormley, One Moment after Another," Volume 19#1 (#73), 54-58. "Enter the
Sublime," (re: Christian Eckart), Volume 16#3, 44-47. "Oceana, Natalka Husar's Black Sea Blues," Volume 14#3, 60-67. "Oscar
Cahén: In Search of Lost Fame, Volume 23#3 (#91), 58-63. "Reverie
Track," (re: Murray Favro), Volume 15#3, 38-39. "Through a
Glass, Darkly: Matei Glass and the Other's Other," Volume 25#3 (#99), 88-96. essays "The
Clowns," Volume 13#4, 56-60. "The
Clowns, Part II," Volume 14#1, 50-53. "Ice
Fishing in Gimli: Bibliographic Rapture in the Cold or Twilight's Last
Gleaning," (re: Rob Kovitz's Ice Fishing in Gimli), Volume 26#2 (#102),
76-82. "Writerly
Venice: A Fantasia," Volume 14#4, 89-91 reviews "Adrian
Blackwell," (visual art review), Volume 27 #4 (#108), 102-103. "Ascending
Pleasures," (re:John Hall: Traza de Evidencia), Volume 13#3, 55-56. "Bear
Breath," (re:Barbara Hepworth: A Retrospective), Volume 14#3, 35-36. "Best
Girl," (visual art review: Joyce Wieland, A Survey1950 to Present),
Volume 15#4, 61-62. "Joseph
Beuys," (visual art review), Volume 23#3 (#91), 119-122. "Blue
Republic," (visual art review of artists, Anna Passakas & Radoslaw
Kudlinkski), Volume 27 #4 (#108), "Brooke-ing
No Compromises," (re: Reading Brooke Shields: The Garden of Failure
by Eldon Garnet), Volume 15#3, 68-70. "Christian
Eckart," (visual art review: Pornopticon), Volume 25#1 (#97), 115-116. "Clint
Griffin," (visual art review), Volume 23#4 (#92), 95-96. "Hologrammar Versus Wizardry," (re: Ringling Bros. and Barnum & Bailey Circus, The Great Moscow Circus), Volume 14#1, 76-77. "In the
Realms of the Unreal: The Mystery of Henry Darger, a film by Jessica Yu,"
(film review), Volume 24#2 (#94), 106-108. "It's Good
Enough Here," (visual art review of group show featuring images by Lisa
Klapstock, Vid Ingelevics, Michael Taglieri), Volume 27#1 (#105), 90-91. "John
Kissick," (visual art review re: "New Paintings"), Volume 26#3 (#103), 147-148. "Radoslaw
Kudlinski," (visual art review), Volume 24#4 (#96), 93-94. "Landscaping
It New," (visual art review: Gary Evans: New Paintings and Works on
Paper), Volume 18#3 (#71), 70-72. The
Loneliness of the Long Distant Photographer," (photography review: Dave
Heath, 1940s to 1960s),
Volume 19#2 (#74), 71-73. "Lullaby
and Good Fright," (visual art review: Sheila Butler: Nursery Rhymes),
Volume 17#4 (#68), 77-79. "David B.
Milne," (visual art review), Volume 25#2 (#98), 97-99. "Pattern
Theory," (visual art review of group show featuring images by Kristiina Lahde,
An Te Liu, Liss Platt, Instant Coffee), Volume 27#1 (#105), 97-99. "Picasso
and Ceramics," (visual art review), Volume 24#1 (#93), 81 82. "The
Registry of Flesh," (re: Kiki Smith, The Power Plant), Volume 14#2, 60. "Snowbound,"
(book review re: Michael Snow), Volume 13#3, 62-64. "Adrienne
Spier," (visual art review), Volume 27#2 (#106), 95-96. "Voluptuary,"
(re: William Ronald), Volume 15#2, 60-62. "The
X-Feels," (visual art review: "Stations" by Michael Amar) Volume 16#3, 79-81. Dault,
Julia review "Elizabeth
Peyton," (visual art review), Volume 28#1 (#109),
107-109. "Le Mois
de la Photo," (visual art review), Volume 24#4 (#96), 97-100. "Nancy
Spero," visual art review, Volume 28#2 (#110), 86-88. "Philip
Guston," (visual art review), Volume 27 #4 (#108), 94-95. "Shayne
Dark," (visual art review of Here and Gone), Volume 25#4 (#100), 93-95. "Will
Gorlitz," (visual art review re: Will Gorlitz New Paintings), Volume
25#1 (#97), 109-110. Dault,
Meredith reviews "Close to
You," (visual art review of group show featuring images by Allyson Mitchell,
Mark Newport, Michle Provost, Scott Kildall), Volume 27#1 (#105), 111-113. "John
Hartman," (visual art review re: "Cities"), Volume 26#3 (#103), 128-129. "Peter
Dykhuis," (visual art review re: "You Are Here"), Volume 26#2 (#102), 104-105. Davey,
Moyra about "A Certain
Kind of Distance: Picturing the Art of Moyra Davey," (article by Meeka Walsh),
Volume 27 #4 (#108), 48-56. Davidson,
K.L. poetry "Uncle
Chick," Volume 8#2, 57. Davidson,
Robert about "Robert
Davidson," (visual arts review by Robin Laurence), Volume 23#4 (#92), 88-90. Davie,
Karin about "Subjective
Abstractionists: The Painting of Karin Davie and Louise Belcourt," (article by Daniel
Baird), Volume 24#3 (#95), 38-49. Davies,
Sally about "Postcards
from the Pledge," Robert Enright, (borderview), Volume 14#1, 8-9. Davies,
Victor about "The
Mennonite Piano Concerto: A Review," Chester Duncan, Volume 4#2, 21. "Of
Notes and the Audience they Sing: A Review of Pulsations," Sid
Robinovitch, Volume 8#1, 29-30. "Victor
Davies Under the Big Top: The Musical Making of a Ballet," Laurel Howard,
Volume 5#2, 20-22. Davila,
Juan about "The
Lord of Missed Rules," Robert Enright (borderview), Volume 14#3, 4-5. Davis,
Ann reviews "Elusions
of Mysticism," Alison Gillmor (re: The Logic of Ecstasy: Canadian
Mystical Painting 1920-1940.) Volume 12#3, 58-60. "Who
are the Passionate Canadians?: The Group of Seven," (script by Nancy
Reilly), Volume 1#3&4, 130-131. Davis,
Brian Joseph review "The
Downtown Show: The New York Art Scene, 1974-84," (visual art review), Volume
25#4 (#100), 99-101. Davis,
Mini about "Comic
Desperado: The Recent Works of Mini Davis," Tom Lovatt, Volume 8#1, 56-57. "Landscape
in Blue," Al Rushton, Volume 7#1, 48-51. Davis,
Wade About "Light at
the Edge of the World: by Wade Davis," (book review by Linda Spalding), Volume
21#1 (#81), 88-90. about "Kim
Dawn," (visual arts review by Christopher Olson), Volume 23#2 (#90), 105-106. "Lisa
Klapstock," (visual art review), Volume 24#3 (#95), 95-97. "Lines
Painted In Early Spring," (visual arts review feat.: Gerald Ferguson, Ben
Reeves, Carmen Ruschiensky, Francine Savard), Volume 22#4 (#88), 94-95. Dawson,
Deco about "Art Deco:
The Films of Deco Dawson," (column by Robert Enright), Volume 27#3 (#107),
30-31. "Portrait
of the Artist as a very Young Man," Robert Enright (Borderview: re:
"The Incidental Tribulations of Wake Me and My"), Volume 18#3 (#71),
8-9. Deachman,
Cindy About "Nattering
rampage: an installation," (a visual arts review by Emily Falvey, featuring
artists Cindy Deachman and Deborah Margo), Volume 21#1 (#81), 80-81. Dean,
Max about "The
Certainty of Machines: An Interview with Max Dean," by Robert Enright, Volume
26#1 (#101), 24-37. Decter,
Ann reviews "Radiant
Invention," Ralph Kuropatwa, (re: Paper, Scissors, Rock), Volume
12#3, 48-50. Decter,
Dena articles "10
cent Art: An Idea Realized," Volume 1#1, 3-4. reviews "Images
and Identities: Inuit Art at the Winnipeg Art Gallery," Volume 1#3&4,
69-71. Decter,
Leah About
"The Tooth
of the Matter: Leah Decter's Recent Installation," visual art review: Robin
Laurence, Volume 19#4 (#76), 74-76. de
Groot, Raphalle "The
Québec Triennial," (visual arts review by Stephen Horne), Volume 27 #3 (#107),
177-179. Dekyndt,
Edith about
"Edith
Dekyndt," (visual art review by Kim Olynyk), Volume 26#1 (#101), 86-89. "The
Work is Done While You Sleep," (article) Rodney LaTourelle, Volume 19#2 (#74),
34-37. De la
Lande, André Castelain about "Pieces
en un Acte: A Review," Denise Brown, Volume 3#2, 26-27. Delvoye,
Wim about "Vim and Vigour: An Interview with Wim Delvoye," interview by Robert Enright, Volume 24#4 (#96), 20-35. Demchuk,
David about "Like
a Georgia O'Keeffe Painting," Marilyn MacKinnon, (review of If Betty
Should Rise by David Demchuk) Volume 11#2, 40. DeMent,
Iris about "Mournin'
Coming Around," by Robert Enright (borderview of CD My Life), Volume 17#4
(#68), 5-6. Demers,
Gloria about "The
Company of Strangers," K. George Godwin (film review: The Company of
Strangers written by Gloria Demers; directed by Cynthia Scott) Volume 10#2,
38-41. Dempsey,
Shawna about "Brave New
Girls: Moments of Rage and Beauty: The Art of Shawna Dempsey and Lorri Millan,"
interview by Robert Enright, Volume 17#2 (#66), 16-27. "Grocery
Store," (visual arts review by Christopher Olson of installation by The Co-Op
Collective: Jake Moore, Zab, Shawna Dempsey, Lorri Millan), Volume 21#4 (#84),
65-66. "Insider
Video," K.George Godwin, (video review: We're Talking Vulva by
Shawna Dempsey and Tracy Traeger), Volume 9#4, 44-45. "Stand-Ins,"
(visual arts review by Meg Walker, of group exhibition curated by Shawna
Dempsey including: Lynne Schulz, Tamara Rae Biebrich, Heidi Eigenkind,
Elizabeth Garlicki, Lesley McKenzie), Volume 22#2 (#86), 81-82. "Subconscious
City," Amy Karlinsky, (visual art review: exhibition at WAG curated by Shawna
Dempsey and Lori Millan), Volume 27#2 (#106), 87-88. De
Grazia, Edward symposium "Questioning
Bodies: A Symposium on Censorship and Representation," Introduction by
Robert Enright, Volume10#2, 15-26. De
Mille, Agnes about "Prime
Mover," Michael Crabb,(review: No Intermissions: The Life of Agnes de
Mille by Carol Easton), Volume 15#3, 61-63. Demme, Jonathan
About "The
Thrill of Dumbing Up," (film review: The Silence of the Lambs by Rober
Enright), Volume 19#4 (#76), 14-16. Demolition
Crew reviews "The
Demolition Show," Volume 5#1, 41-43. Dempsey,
Shawna about "The Art
of Free Ranging," Robert Enright (Borderview of Lesbian National Parks and
Services Field Guide to North America), Volume 21#4 (#84), 15-16. "Hijacking
Cabaret," Lisa Gabrielle Mark, Volume 14#1, 34-37. "Space
Invaders," Robert Enright, (borderview), Volume 14#4, 6-8. Dempster,
Barry poetry "Three
Bitter Little Love Poems," (Valentine's Day, Stormed, Imaginary
Hand), Volume 27#1 (#105), 84-85. Denton,
Tom about "Vaudeville
for the Television Generation: Stage West in Perspective," Reg Skene,
Volume 3#3, 21. Deverell,
Rex about "Black
Powder: Estevan 1981, a Review," Anne Lee Block, Volume 3#1, 45. Devine,
Bonnie "Multiples:
Tsa'de yoh do's,"
(visual art review by Sandra Vida of exhibition of First Nations artists:
Robert Houle, Bonnie Devine, Teresa Marshall), Volume 20#4 (#80), 67-69. Devine,
Carol article "The Moon,
the Stars and a Scar: Body Mapping Stories of Women Living with HIV/AIDS,"
Volume 27#1 (#105), 58-65. Dewalt,
Robert articles "Play
It Again, Sigmund: a Careful Inquiry into Guy Maddin's Tabooland," (re:
Careful by Guy Maddin), Volume 12#2, 9-11. Dhaliwal,
Sarindar about "Far
from the Midden Crowd," Lelde Muehlenbachs, (review: sarindar dhaliwal:
saffron midden to ochre flats), Volume 14#2, 65-67. "Sarindar
Dhaliwal," Barbara Isherwood, (review: Sarindar Dhaliwal: Record Keeping),
Volume 25#1 (#97), 116-117. Dick, Terence
Articles "Althea Thauberger and Fiona Smyth: Girl Trouble, Teenage Girls in Contemporary Art," Volume 23#2 (#90), 76-81. "Stan
Douglas: Cuba Photographs," Volume 25#3 (#99), 80-86. "What You
See is What You Don't Get: The Art of James Carl," Volume 28#2 (#110), 56-65. reviews "Stephen
Andrews," (visual art review: POV), Volume 25#1 (#97), 111-112. "James
Carl," (visual art review of "Bottom Feeder"), Volume 22#1 (#85), 84-85. "Controller:
Artists Crack the Game Code," (visual arts review including artists *Anita
Fontaine and Yumi-co, Tasman Richardson, The Prize Budget for Boys, Myfanwy
Ashmore, Alexander Galloway), Volume 25#2 (#98), 113-114. "Sky
Glabush," (visual art review), Volume 23#4 (#92), 108-109. "Susan
Kealey: Ordinary Marvel edited by Jennifer Rudder, Why Stoics Box: Essays on Art and
Society by Jeanne
Randolph, Crime and Ornament: The Arts and Popular Culture in the Shadow of
Adolf Loos edited
by Bernie Miller and Melony Ward," (book review), Volume 23#2 (#90), 106-108. "Marcel
van Eeden," (visual art review), Volume 24#2 (#94), 89-90. "Museopathy:
Contemporary Art in Kingston Heritage Sites," (visuals of the work of John
Dickson and Barbara Hunt), Volume 20#4 (#80), 69-70. "Projections,"
(visual art review), Volume 26#3 (#103), 154-157. "Saatchi
Gallery," (visual art review, incl.: Damien Hirst, Tracey Emin, Chris Ofili,
Ron Mueck, Richard Wilson, Daniel Doig), Volume 22#4 (#88), 118-119. "Shapeshifters,
Time Travellers and Storytellers," (visual art review of group show featuring
images by Kent Monkman, Shuvinai Ashoona, Brian Jungen, Alan Michelson), Volume
27#1 (#105), 101-103. "Sightgags
and Soundtricks," (video review: Christian Marclay), Volume 20#2 (#78), 125-126 "Simon
Starling," (visual art review), Volume 27#3 (#107), 183-184. "Source,"
(visual art review of exhibition at 2003 Toronto Images Festival), Volume 22#3
(#87), 84-86. Dickson,
John "Museopathy:
Contemporary Art in Kingston Heritage Sites," (review by Terence Dick, visuals
of the work of John Dickson and Barbara Hunt), Volume 20#4 (#80), 69-70. diCorcia,
Philip-Lorca about "Attentive
Contradictions: The Photographic World of Philip-Lorca diCorcia," (interview
with Meeka Walsh & Robert Enright), Volume 27 #4 (#108), 28-47. reviews "Carol
Shields: The Arts of a Writing Life and Dropped Threads 2: More of What
We Aren't Told," (book review), Volume 22#3 (#87), 97-99. "Country
of Cold by Kevin Patterson," (book review) Volume 22#2 (#86), 86-91. "The
Education of Mr. Whippoorwill: A Country Boyhood by David Zieroth," (book
review), Volume 22#1 (#85), 87-89. "Eli
Mandel, Life's Sentences," book review: The Other Harmony: The Collected
Poetry of Eli Mandel, Volume 20#3 (#79), 71-74. "The
Good, the Bad and the Timely," (book review: Posts: Re-Addressing the
Ethical by Dawne McCance), Volume 15#4, 58-60. "The
Hands-and-Jammer Kid," (music review: James Ehnes), Volume 10#2, 44-45. "In the
Place of Last Things by Micheal Helm," (book review), Volume 24#1 (#93),
101-102. "Mary
of Canada: The Virgin Mary in Canadian Culture, Spirituality, History and
Geography by Joan Skogan," (book review), Volume 24#2 (#94), 97-99. "Original
Fire: Selected and New Poems by Louise Erdrich," (book review), Volume 23#1
(#89), 97-98 "Otherworld
Lies," (music review: Carol Dahlstrom and James Hickerson), Volume 10#2,
46. "Rollercoaster:
a cancer journey," (book review of Wayne Tefs' book), Volume 21#3 (#83),
103-105. "Romping
with New Music," (review of du Maurier Arts Ltd. New Music Festival 1993),
Volume 12#2, 44-46. "Writing
Lovers: Reading Canadian Love Poetry by Women by Meira Cook," (book
review), Volume 24#4 (#96), 109-111. Dill,
Lesley about "The Hand-Maden
of Photography," Robin Laurence, (visual art review: Lesley Dill: Language
and Desire), Volume 17#1, 57-58. Dillon,
Norma poetry "Business
Trips," Volume 1#3&4, 21. Dine,
Jim about "Ancien
Régime," Martha Langford, (re: Jim Dine: Drawing from the Glyptothek),
Volume 13#4, 73-74. "The
Autobiography of a Project," Robert Enright, (re: Jim Dine: A
Self-Portrait on the Walls dir. by Nancy Dine), Volume 15#2,65-67. "Jim
Dine," (visual art review of "New Tool Paintings" by Robert Enright), Volume 22#1
(#85), 61-62. "The
Name Game: Jim Dine Walks Down Memory Lane," Robert Enright, (borderview),
Volume 18#2 (#70), 5-6. "Regarding
Jim Dine: an interview with Robert Enright," (introduction by Meeka
Walsh), Volume 12#4, 8-24. Dine,
Nancy about "The
Autobiography of a Project," Robert Enright, (re: Jim Dine: A
Self-Portrait on the Walls dir. by Nancy Dine), Volume 15#2,65-67. Di
Risio, Tonia about "Canada
Darling," (visual art review by James Trainor), Volume 21#4 (#84), 74-76. "Harold
Klunder," (visual art review), Volume 27#2 (#106), 111. about "Nick
Dobson," (visual art review by Mario Trono: "Losing Sight of Blindness"),
Volume 22#4 (#88), 112-113. Documenta
11 about "Documenta
11," (visual arts review by Oliver A.I. Botar), Volume 21#3 (#83), 95-100. Doig,
Peter About "The Eye
of Painting: An Interview with Peter Doig," Robert Enright, Volume 25#2 (#98),
42-55. "Peter
Doig," (visual art review by John K. Grande), Volume 21#1 (#81), 73-74. Dommasch,
Hans about "Prairie
Giants: A Review," Robert Enright, Volume 6#4, 40-41. Donahue,
A.J. about "The
Architecture of A.J. Donahue," Neil Minuk, Volume 18#1 (#69), 38-40. Donahue,
Jim "Blue
Notes: Variations on a Late Night Theme," (re: Blue Note Café), Volume
9#2, 16-19. "An
Open Letter to the Folk Community," Volume 1#1, 24-25. "Personal
Notes," (re: 16th Annual Winnipeg Folk Festival), Volume 8#4, 43-44. van
Dongen, Kees about "Kees van
Dongen," (visual art review by James D. Campbell), Volume 28#2 (#110), 105-106. Donoghue, Lynn
About "The
Vibrant Worker: Lynn Donoghue's Recent Paintings," visual art review by
Terrence Heath, Volume 19#4 (#76), 77-78. Doran,
James about "New
Art In Manitoba at the Winnipeg Art Gallery," Arthur Adamson, Volume 3#1,
34-36. Dorge,
Lionel articles "Le Cercle
Moliere: 1979-1982," Volume 2#1, 16-19. Dorion,
Pierre about visual
arts review of "I Must Have Been Blind," by Joseph R. Wolin, Volume
21#3 (#83), 81-82. interview "Simply
Deep: An Interview with Pierre Dorion," (with Robert Enright), Volume 23#3
(#91), 92-101. Dorland,
Chris about "Chris
Dorland: Surface Tensions," article by Susan Emerling, Volume 26#3 (#103),
94-100. Dorosz,
Chris about "The
Philosopher of the Bottom Kitchen Drawer," Robert Enright (borderview), Volume
19#1 (#73), 4-5. Doucette,
Valerie reviews "Oil
Spill: New Painting in Ontario," (visual art review of group show including
images of work by Kent Monkman, Kim Dorland, Jaclyn Conley), Volume 26#4
(#104), 88-90. Douglas,
Fred about "Shadow
Landscapes," Christopher Brayshaw,(review: Fred Douglas. Menu for Sunset:
An Apparent Story), Volume 15#3, 59-61. Douglas,
Stan about "Beyond
Cinema: The Art of Projection Films, Videos and Installations from 1963-2005,"
(image of piece in exhibition included in visual art review by Rosemary
Heather), Volume 26#1 (#101) 89-91. "Out of
the Blue: Three Works on Vancouver," (re: Brian Jungen, Roy Arden, Stan
Douglas), Peter Culley, Volume 20#2 (#78), 64-70. "The
Pleasure of Confoundment," Robin Laurence, (visual art review: Stan Douglas),
Volume 18#2 (#70), 53-56. "Purposeful
History," (borerview by Robert Enright), Volume 27 #4 (#108), 20-21. "Stan
Douglas: Cuba Photographs," (article by Terence Dick), Volume 25#3 (#99),
80-86. Dove,
Tony "Cybertheatre,
Forum of Resistance," (re: The City and Memory by Tony Dove and Michael
Mackenzie),Daniel Fischlin & Andrew Taylor, Volume 12#4, 49-51. Dow,
Jim about "Take Me
Out to the Art Gallery," George Bowering, Volume 16#3, 6-7. Downton,
Dawn Rae reviews "Children
of Light," (photography review: The Hongkong Bank of Canada Photographs
of Children: 150 Years curated by Jane Corkin), Volume 9#4, 45-47. Dowsett,
Gwen "Folk
Housing: The Vernacular Architecture of the Ukrainian People in Manitoba,"
Volume 5#4, 12-20. "Natural
Co-Habitations: Mennonite House-Barn Architecture in the Prairies," Volume
6#4, 24-31. about "Dean
Drever," visual art review by Lee Henderson, Volume 27#1 (#105), 106-107. "Lustre
Lust," (Borderview by Robert Enright), Volume 23#3, (#91), 16. Driscoll,
Bernadette "Tattoos,
Hairsticks and Ulus: The Graphic Art of Jessie Oonark," Volume 3#4, 12-19. about "Bi-Coastal
Eclecticism," (Borderview by Robert Enright), Volume 24#3 (#95), 16. art
pages "Going
North, Jack Tree USA, Metropolitan Cross Road," Volume 24#3
(#95), 89-91. portfolio "The
Winnipeg AlphaBestiary: The Many and the Marvelous," (N), Volume 25#1 (#97),
52-88. Dueck,
Lynnette "Necessary
Fiction," James Hutchison,(re:of sing me no more), Volume 12#2,
46-47. Duggan,
M.Bruce about "The
Dictator Next Door," Shelagh Rogers, (film review: Smoked Lizard Lips
directed and written by M.B.Duggan, produced by G.Klimkiw, T.Traeger and
M.B.Duggan) Volume 10#4, 49-51. columns "Iffy and
Stinky: Dissecting the X-Files," (re: cult TV), Volume 16#4, 10-11. reviews "Musimania:
Winnipeg's New Music Festival (Notes of a Musical Devotee)," Volume 11#2,
10-13. "The
Thinner Red Line," (re:Incident at Oglala, Seven ArtsSpanish Fork Motion
Picture Company) Volume 11#4, 80-81. "Urban
Pastoral," (re: The Urban Prairie), Volume 13#2, 66-68. vey
Duke, Emily and Cooper Battersby about "The New
Video Linguists," (Borderview by Robert Enright), Volume 24#3 (#95), 12-13. Dukes,
Caroline about "Building
Blocks of Memory," Gary Genosko (visual art review: Caroline Dukes's
Cities), Volume 18#1 (#69), 67-68. "Caroline
Dukes," (visual art review by Alison Gillmor), Volume 27 #4 (#108), 95-96. "Caroline
Dukes: Building Light," (article by Meeka Walsh), Volume 23#1 (#89), 68-74. "The
Trellis of Memory: Recent Drawings by Caroline Dukes," Tom Lovatt, Volume
10#1, 34-35. Dumas,
Marlene About "Beauty
Marks," (review by Petra Halkes, exhibition entitled "The Beauty of Evil,"
featuring Eleanor Bond, Thomas Ruff, Anselm Kiefer, Julian Rosefeldt, Piero Steinle,
Bernardo Bertolucci, Marlene Dumas, Andres Serrano), Volume 21#1 (#81), 38-43. "The
Fearless Body: An Interview with Marlene Dumas," (with Robert Enright), Volume
23#3 (#91), 22-34. Dumontier, Michael
"If Fred
Astaire Could DrawThe Elegant Artworks of Micheal Dumontier," Meeka Walsh,
Volume 27#3 (#107), 74-85. "Winnipeg
on the Hudson," by James Trainor, (re: The Royal Art LodgeMichael Dumontier,
Hollie Dzama, Marcel Dzama, Neil Farber, Drue and Myles LangloisJon Pylypchuk
and Tim Gardner in NYC), Volume 22#3 (#87), 36-47. portfolio Artists
pages, "drawings on paper, 2002-2003," Volume 22#3 (#87), 55-57. "Drue
Langlois and Michael Dumontier: Eyeball Hurt & the Medicine Present,"
Volume 19#1 (#73), 33-35. "Keyhole
Collages," (Director: Guy Maddin; Art Director: Paul Butler; Michael Dumontier,
Brad Phillips, Simon Hughes, Jeff Funnell, Alicia Smith, Caelum Vatnsdal: Art
Department), Volume 26#4 (#104), 58-67. "The
Winnipeg AlphaBestiary: The Many and the Marvelous," (J), Volume 25#1 (#97),
52-88. Duncan,
Chester "A
Musical Community," Volume 3#2, 12-13. "Notes
of a Song Composer: An Interview with Chester Duncan," (with Blakeman
Welch) Volume 5#4, 29-31. reviews "Glenn
Gould Variations (by "himself and his friends")," Volume 4#1,
25-26. "The
Mennonite Piano Concerto (by Victor Davies)," Volume 4#2, 21. "Sharp,
Flat and Natural," (re: Music by Robert Turner, Volume 15 of the
Anthology of Canadian Music), Volume 3#3, 39-40. "Variations
(music by William Pura)," Chester Duncan, Volume 4#1, 22. Duncan,
Mark "The
Hinterland Strikes Back: Localizing Critical Pride," Volume 7#3, 9-11. reviews "Feeling
the Worlds (book by Dorothy Livesay)," Volume 4#4, 46-47. "The
Fencepost Chronicles (by W.P.Kinsella)," Volume 6#3, 23-24. "Foreigners
(book by Barbara Sapergia)," Volume 4#2, 24. "Jewels
(by David Carpenter)," Volume 5#3, 33. "The
Old Dance: Love Stories of One Kind or Another (edited by Bonnie
Burnard)," Volume 6#2, 29-30. "The
Way of All Flesh," (re: Polaroid Rot by Jeannette Angel), Volume 13#4,
76-77. "When
the Stones Fly Up (by Dale Zieroth)," Volume 5#2, 32. "Song
of Himself," (book review: Buddy's
by Stan Persky) Volume 11#1, 49-50. Dunda,
Jason about "The
Formalities of Kitsch," Robert Enright (borderview), Volume 18#2 (#70), 8. Dunning, Alan
about "Brainy
Art," Gerry Kisil, (visual art review: The Furnace by Alan Dunning and
Paul Woodrow), Volume 19#1 (#73), 79-81. Dupuis, Lorenzo
about "Transcendental
Topographies,"Peter Millard, (visual art review: Lorenzo Dupuis Stillscapes),
Volume 18#4 (#72), 72-74. Durand,
Yves Sioui about "Razing
the Edifice Complex," Mark Morris, (re: The Sun Raiser by Yves Sioui
Durand), Volume 14#4, 78-79. Dutch Art
about "Going
Dutch," David Rozniatowski, (visual art review: Art in the Age of van Gogh:
Dutch Paintings from the Rijksmuseum, Amsterdam) Volume 18#3 (#71), 60-62. Duvall,
Robert about "The
Apostolic Successful: Robert Duvall Gets Preachy," Robert Enright, (borderview
re: film, The Apostle), Volume 17#2 (#66), 7-8. Dwyer,
Maggie fiction "Lot's
Wife," Volume 11#1, 57-62. reviews "Adele
Wise Woman," (book review: We Who Can Fly, Poems, Essays and Memories in
Honour of Adele Wiseman, edited by Elizabeth Greene), Volume 17#1, 59-60. Dyck,
Aganetha about "Aganetha
Dyck," (visual arts review of "New Work From the Hive" by Serena
Keshavjee), Volume 21#3 (#83), 83-84. "Aganetha
Dyck's Mad Hatting," Al Rushton, Volume 6#3, 25-26. "Bee
Work: Aganetha Dyck's Project in Progress," Meeka Walsh, Volume 10#4,
39-40. "Hives of
Productivity," borderview by Robert Enright, Volume 26#2 (#102), 15-16. "Home
is Where the Space is," Petra Halkes, (visual art review: Home is Where
the Heart is, Bill Eakin, Aganetha Dyck, Lynda Gammon and Wanda Koop),
Volume 16#1, 48-49. "Objects
of Wonder," Alison Gillmor, (review: Still Life, Aganetha Dyck and Karen
Thornton), Volume 14#3, 22-23. "Women's
Work: The Radical Domestications of Aganetha Dyck," Sheila Butler, Volume
4#1, 15-19. interview "The Incredible Lightness of Bee-ing,"
Robert Enright, intro by Meeka Walsh, Volume 19#2 (#74), 42-57. portfolio "The
Winnipeg AlphaBestiary: The Many and the Marvelous," (B), Volume 25#1 (#97),
52-88. Dyck,
E.F. about "Essays
on Saskatchewan Writing: A Review," Robert Quickenden, Volume 6#4, 49-50. Dyck,
Richard about "Richard
Dyck, Virtual Apartmentalization," Rob Sauvey, (visual art re: CD-ROM, Apartment), Volume 17#2 (#66), 48-51. Dykhuis,
Peter about "Peter
Dykhuis," Meredith Dault, (visual art review re: "You Are Here"), Volume 26#2
(#102), 104-105. articles "Boundary
Breaker: Garry Neill Kennedy's Superstar Shadow Project," Volume 28#2 (#110),
48-55. about "Winnipeg
on the Hudson," by James Trainor, (re: The Royal Art LodgeMichael Dumontier,
Hollie Dzama, Marcel Dzama, Neil Farber, Drue and Myles LangloisJon Pylypchuk
and Tim Gardner in NYC), Volume 22#3 (#87), 36-47. Dzama,
Marcel about "The Bear
Facts," (Borderview by Robert Enright), Volume 22#3 (#87), 11-12. "The
Infinitude of Cool: Marcel Dzama's Grave New World," MJ Thompson, Volume 27#3
(#107), 92-101. portfolio "Dzamatizations,
the Drawings of Marcel Dzama," drawings and text by Marcel Dzama, Volume
17#3 (#67), 36-41. "The
Winnipeg AlphaBestiary: The Many and the Marvelous," (K), Volume 25#1 (#97),
52-88. drawings "Joe
in the Afterlife," Annabel Lyon, drawings by Marcel Dzama, Volume 18#3
(#71), 42-46. Eakin,
William about "Collecting
Moments of Light: An Interview with William Eakin," (with Robert Enright)
Volume 8#2, 21-28. "Comfortable
Attractors," Ron Frohwerk, (visual arts review: William Eakin:
Photographs and Diane Whitehouse: Paintings), Volume 9#2, 21-23. "Home
is Where the Space is," Petra Halkes, (visual art review: Home is Where
the Heart is, Bill Eakin, Aganetha Dyck, Lynda Gammon and Wanda Koop),
Volume 16#1, 48-49. "Snapped
to Attention," Meeka Walsh (review: inside out, William Eakin and Sarah
Crawley), Volume 14#3, 23-24. "Trophy
Art," Donald Richie, (visual art review: Monuments), Volume 17#1, 69. "William
Eakin/Robert Epp and Rosalie Favell," (visual arts review by Cliff Eyland),
Volume 21#4 (#84), 67-68. art
pages "Have a
Nice Day," volume 19#2 (#74), 65-67. interview "The Pleasure
of Looking: The Photography of William Eakin," (interview with Robert Enright),
Volume 24#2 (#94), 58-71. portfolios "Baker
Lake 1983-1984: A Photoessay," (with Jack Butler) Volume 3#4, 20-25. "Illusion
Midway Sideshow," Volume 13#4, 19-25. "Sweet
and Sour: Chinese Restaurants in Rural Manitoba," (Introduction by Robert
Enright), Volume 5#4, 39-45. "Strange
Attractor: Photographs by William Eakin," Volume 8#2, 29-36. "William
Eakin: Photographer," Volume 2#1, 21-25. "Bridging
Sonic Cultures: Tibetan Opera in Winnipeg," by Michael Oesterle, photographs by
William Eakin, Volume 19#4 (#76), 52-54. Eason,
Bruce about "Snagging
Moonbeams with Catchers' Mitts," (book review: Black Tulips) Volume
11#1, 50-51. Easton,
Carol about "Prime
Mover," Michael Crabb,(review: No Intermissions: The Life of Agnes de
Mille), Volume 15#3, 61-63. Eckart,
Christian about "Christian
Eckart," Gary Michael Dault, (review of Pornopticon), Volume 25#1 (#97),
115-116. "Enter the
Sublime," Gary Michael Dault, Volume 16#3, 44-47. "Radical
Beauty: The Work of Christian Eckart," by Nancy Tousley, Volume 20#2 (#78),
54-62. Eckhardt,
Ferdinand "Twenty-one
years at the Winnipeg Art Gallery: A Memoir," Volume 2#3, 53-59. about "Music
from Within: A Biography of the Composer Eckhardt-Gramatté, A Review,"
Bill Pura, Volume 5#3, 32. Eckhardt-Gramatté,
S.C. about "Music
from Within: A Biography of the Composer Eckhardt-Gramatté, A Review (by
Ferdinand Eckhardt)," Bill Pura, Volume 5#3, 32. "S.C.
Eckhardt-Gramatté: An Impression," Kathleen Wall, Volume 1#3&4,
110-111. Eden, Xandra
Review "2002
Whitney Biennial," (visual arts review), Volume 21#2 (#82), 79-81. "Flatlanders:
Collecting The Present in Toronto," (reviews of works by Elizabeth McIntosh,
Eric Glavin, Mark Bell, Sally Spath, and Nestor Kruger), Volume 20#4 (#80),
34-40. "The
Systems Aesthetic of Nestor Kruger," visual art, Volume 20#1 (#77), 63-65. Edmonton
Art Gallery about "Post-Ironic
Re-Enchantments," David Garneau, (visual art review: The 1996 Alberta
Biennial of Contemporary Art), Volume 15#4, 65-68. Education
and Art (see Art and Education) Eggleton, Lara
review "Bev Pike," (visual art review), Volume 24#4 (#96), 94-96. Egoyan, Atom
about "Atom
Egoyan," (installation review by JoAnne Stober), Volume 21#4 (#84), 71-72. "Relying
on the Kindness of Monsters," Robert Enright (film column), Volume 19#1 (#73),
10-11. Egoyan,
Eve "Next
Memory City," (collage of responses from Michael Awad, Eve Egoyan and David
Rokeby re: "Next Memory City"), Volume 21#4 (#84), 36-40. Ehman,
Shayne about "Shayne
Ehman," (visual art review by Robin Laurence), Volume 25#3 (#99), 125-127. Ehnes,
James about "The
Hands-and-Jammer Kid," Charlene Diehl-Jones, (music review: James Ehnes)
Volume 10#2, 44-45. Eichhorn,
Virginia M. reviews "Vessna Perunovich," (visual art review), Volume 22#4 (#88), 113-115. "Jane Ash Poitras," (visual art review), Volume 26#1 (#101), 98-99. "Ione Thorkelsson," (visual art review), Volume 23#2 (#90), 108-109. Eksteins,
Modris "Altared
Egos, Reflections on History, Art and Self," Volume 8#4, 88-90. about "Risky
History," Mark Abley, (book review: Rites of Spring: the Great War and
the Birth of the Modern Age), Volume 8#4, 41-42. reviews "Martin
and Chris Bennett," (visual arts review of "I'm Smarter I'm Better Looking"),
Volume 23#2 (#90), 88-90. Eliot,
John (See Clark, John Eliot) Ellenwood,
Ray reviews "Copigraphy:
Elements for a Global History By Monique Brunet-Weinmann," (new media
review), Volume 22#2 (#86), 94-96. "Francoise
Sullivan," (visual art review), Volume 22#3 (#87), 92-95. Elliott,
William D. poetry "Ice
Out," Volume 4#4, 64. "This
Country," Volume 4#4, 64. Ellis,
Clay reviews "The
Place of Sculpture," Lelde Muehlenbachs, Volume 12#3, 64-47. About "Reformalism:
Clay Ellis Recent Sculpture," (article by Karen Wilkin) Volume 21#2 (#82),
46-51. Ellis,
Easton about
"A Film on the Verge of a Murderous Breakdown," Robert
Enright (column re: American Psycho), Volume 19#2 (#74), 10-11. Ellis,
Scott "Biting
the Screen That Feeds You: Winnipeg's Vidoe Art," Volume 10#4, 9-12. "Michelangelo
with a Black and Decker: Kim Ouellette Recent Paintings," Volume 9#3,
18-19. "Phantom
Indians: Some Observations on Recent Cinema," Volume 11#4, 42-45. "Storming
the Ramparts with the Student Bolsheviks," Volume 12#1, 62-63. reviews "Big
Editor is Watching," (book review: Made in Manitoba edited by Wayne
Tefs), Volume 9#4, 48-49. "Constant
Muddling," (re: Misfit Lit: Contemporary Comic Art) Volume 11#3, 42-43. "Gorilla
," (theatre review), Volume 7#4, 40-41. "The
Importance of Being Technological: A Review of Beyond Electronics," Volume
8#2, 46-47. "Lines
of Photographic History," (review: Reality and Movement in Documentary
Photography: A Photographic Installation by Donigan Cumming)Volume 10#1,
50-52. "Not
Crossing the Track," (book review: Double Danish: Contemporary Short
Stories from Denmark selected and translated by Per Brask), Volume 10#3,
32-33. "A
Quiet Smash," (art review: Cataract by Laura Vickerson), Volume
10#3, 38. "Pretend
Drive-In," (borderview: Video Drive-In; Night Bus to Fargo by Susan
Peterson and Maureen Medved; Murderer's Song by Nelson Hendricks),
Volume 10#4, 54. "Provisional
Passion," (visual art review: Un Chemin de la Croix by Roland Bouchard),
Volume 9#1, 32-33. "A
Seismographic Sketch," (re: The Thinking Heart: Best Canadian Essays,
ed. George Galt) Volume 11#2, 38-40. "Snagging
Moonbeams with Catchers' Mitts," (book review: Black Tulips by
Bruce Eason) Volume 11#1, 50-51. "The
Unbearable Lightness of Carving," (re: Nick Sikkuark) Volume 11#3. 43. "Walking
the Disconnected Tightrope," (visual art review: Doug Melnyk:
Multi-Media Works: 1980-1990), Volume 9#3, 31-32. poetry "Five
Poems," Volume 9#2, 57-58. "Two
Poems," Volume 10#3, 18. Elton,
Heather reviews "Building
on the Shipwreck of History: The Architecture of Daniel Libeskind," Volume 20#4
(#80), 42-49. "The
Absence Drinkers," (visual art review: "L'aberrations des traces"), Volume 19#2
(#74), 86-87. "Dance Me
Inside: Canada Dance Festival 2000," dance review, Volume 19#4 (#76), 86-89. "Lynx from
the Past: Chekhov Goes Native," (theatre reivew: The House of Sonya by
Floyd Favel Starr), Volume 17#1, 63-67. "Robert
Lepage, Heaven Sense," theatre review: The Far Side of the Moon, Volume
20#3 (#79), 75-78. Elwes,
Catherine about "Video
Art, A Guided Tour by Catherine Elwes," (book review by Tom Sherman), Volume
24#3 (#95), 112-113. articles "Moving
Pictures: UK/Canadian Video," (re: "UK/Canadian Video Exchange"), Volume 19#3
(#75), 52-56. reviews "Janet
Cardiff and George Bures Miller," Volume 22#4 (#88), 104-105. "Video
Acts," (re: "Video Acts: Single Channel Works from the Collections of Pamela
and Richard Kramlich and New Art Trust"), Volume 23#1 (#89), 78-80. Emma
Lake Artists "Prairie
Archdemonics: Blessed or Cursed by the Emma Lake Workshops," Terrence
Heath, (re: The Flat Side of the Landscape curated by John O'Brian),
Volume 9#1, 53-56. Emerling,
Susan article "Chris
Dorland: Surface Tensions," Volume 26#3 (#103), 94-100. review "Ecstasy: In and About Altered States," (visual art review), Volume 25#1 (#97), 123-125. "Fifth International SITE Santa Fe Biennial: Disparities & Deformations: Our Grotesque'," (visual arts review), Volume 23#4 (#92), 90-92. "Francis Alÿs," (visual art review), Volume 27#1 (#105), 86-87. "Larry Clark," (visual art review), Volume 24#2 (#94), 86-87. "Prospect. 1 New Orleans," (visual art review re: international biennial curated by Dan Cameron, featuring artwork by Adam Cvijanovic, Sanford Biggers and Bradely McCallum), Volume 28#1 (#109), 86-88. "René Magritte," (visual art review re: "Magritte and Contemporary Art: The Treachery of Images"), Volume 26#2 (#102), 96-98. "Robert Rauschenberg," (visual art review), Volume 25#4 (#100), 84-86. "Robert Smithson," (visual art review), Volume 24#1 (#93), 77-79. Emin,
Tracey about "Body: New
Art from the UK, (image included in review of group show by Andrea Carson),
Volume 25#3 (#99), 123-124. Enns,
Victor Jerrett poetry "Apocalypse
Now," Volume 4#1, 26. "When
All but One She Kisses Die," Volume 4#1, 28. reviews "Sonnet
Tearing," (book review: The Gladys Elegies by Barbara Nickel), Volume
17#2 (#66), 67-68. Enright,
Robert articles/interviews "Achievements
of Indecision: The Art of William Kentridge," Volume 21#1 (#81), 20-37. "Addictive
Beauty: An Interview with Dominique Issermann," Volume 23#2 (#90), 41. "The
Aesthetics of Wonder: An Interview with Ann Hamilton," Volume 19#2 (#74),
18-33. "The Ages
of Johnson: An Interview with Sarah Anne Johnson," Volume 27#3 (#107), 58-73. "Aligning
the Irresistible Patterns: An Interview with Jack Butler," Volume 3#1,
11-17. "All
in the Family: Modernism and Its Progeny: A Symposium on the New Music
Festival," Volume 11#2, 24-33. "A
Mazing Grace: The Writings of Robert Kroetsch," Volume 6#3, 29-30. "The
Ambiguous Witness: An Interview with Leon Golub," Volume 19#1 (#73), 18-31. "An Artist
Walks into a Bar: An Interview with Theo Sims," Volume 27#3 (#107), 121-131. "The
Art of Dismembering and Remembering: An Interview with Patrick Treacy,"
Volume 5#3, 10-17. "The Art of Downside Narrative: An Interview with Tony Scherman," Volume 26#3 (#103), 68-77. "The Artful Doubter: Evan Penny & the Making of Extraordinary Objects," Volume 25#2 (#98), 24-39. "The Articulate Body: Carolee Schneemann in Conversation," Volume 17#1, 14-27. "Attentive
Contradictions: The Photographic World of Phillip-Lorca diCorcia," (intro by
Rober Enright, interview by Robert Enright & Meeka Walsh), Volume 27 #4
(#108), 28-47. "Attic
Thoughts to Light: An Interview with Joel-Peter Witkin," Volume 9#1,
15-17. "Balancing
the Instrument of Art: An Interview with Don Reichert," Volume 2#2, 10-17. "The
Banquet Year: Feasting on Nineteen Hundred and Twelve, A conversation with
Roger Shattuck," Volume 7#1, 37-41. "Bathing
Beauties: An interview with Ruth Kaplan," Volume 23#2 (#90), 51-57. "The
Beauty of Longing: A Conversation with Wanda Koop," Volume 15#4, 12-23. "A
Bloodstream of Images, an interview with Betty Goodwin," Volume 14#4,
42-53. "Boundary
Blurrer: An Interview with Vera Frenkel," Volume 26#2 (#102), 42-55. "Brave New
Girls: Moments of Rage and Beauty: The Art of Shawna Dempsey and Lorri Millan,"
Volume 17#2 (#66), 16-27. "Bryars
Patching, The Musical Construction of Gavin Bryars," Volume 13#2, 26-36. "Canada's
Painting Bond: An Interview with Eleanor Bond," Volume 23#3 (#91), 82-91. "The
Certainty of Machines: An Interview with Max Dean," Volume 26#1 (#101), 24-37. "Chameleonesque,
The Shape-Shifting Art of William Wegman," (introduction by Meeka Walsh),
Volume 22#1 (#85), 30-47. "Civil
Disobedience: The Artful Puppetry of Ronnie Burkett," interview, Volume
13#4, 9-18. "A
Clean, Well-Lighted Grace, an interview with Robert Wilson," Volume 13#2,
14-22. "Clifford
Wiens: The Importance of Building Earnest," Volume 5#2, 13-19. "The
Coincidence Man: The Art of Marcel van Eeden," Volume 26#4 (#104), 42-57. "Collecting
Moments of Light: An Interview with William Eakin," Volume 8#2, 21-28. "The
Comfort of Edges: Working the Calm Bewilderment," (re: Eleanor Bond),
Volume 15#1, 10-17. "Complicities:
A Conversation between David Salle and John Hawkes," Volume 9#4, 28-40. "Conservatism
and Experimentation in Saskatchewan Art: An Interview with Bruce
Ferguson," Volume 2#1, 60-63. "The
Consolation of Plausibility: An Interview with Jeff Wall," Volume 19#1 (#73),
38-51. "Core
Intimacies, Eric Fischl on the Art of Pierre Bonnard," Volume 17#3 (#67),
55-61. "Crafting,
Every Witch Way: An Interview with FASTWURMS," Volume 25#1 (#97), 40-51. "Curious
Design and Unique Intention: The Recent Art of Julian Schnabel," (article),
Volume 22#4 (#88), 32-42. "Dances with Steel: The Sculpture of Robert Murray," Volume 18#2 (#70), 31-43. "Dark with
a Happy Twist: a conversation with Ellen von Unwerth," Volume 23#2 (#90),
18-27. "The Dark
Annunciator: An Interview with John Scott," Volume 18#3 (#71), 16-29. "A Dark
but Vital Light: An Interview with Sean Scully," Volume 26#3 (#103), 50-60. "Dark
Rainbow, A Conversation with Martha Clarke," Volume 14#1, 18-29. "A
Darker Shade of Romance: An Interview with Halya Kuchmij," Volume 2#4,
12-17. "Death
Defier: The Art of Dana Schutz," Volume 23#4 (#92), 44-51. "Departures
and Arrivals: Three Winnipeg Artists Come Home," Volume 4#1, 48-50. "Domesticating
the Prairie: An Interview with Jennifer Stillwell," Volume 27#3 (#107),
142-153. "Drastic
Measures: Brad Roberts of the Crash Test Dummies," Volume 10#4, 28-33. "Elusive
Clarity: An Interview with Shirley Wiitasalo," Volume 24#3 (#95), 50-61. "The
Embryology of a Journal," (re: Jack Butler), Volume 8#4, 18-24. "Endgames:
Donigan Cumming's Subverted Narratives," Volume 24#2 (#94), 20-31. "Enigmatorio:
The Art of Sarah Moon," Volume 18#4 (#72), 16-29. "The
Eroticized Landscape: A Conversation with Scott Watson about Art in Super au Natural
British Columbia," Volume 4#1, 51-53. "The
Ethics of Uncertainty: An Interview with Will Gorlitz," Volume 7#4, 12-25. "The
Everyday Sublime: An Interview With Gina Rorai," (introduction by Meeka Walsh),
Volume 22#4 (#88), 20-31. "Every
Frame A Photograph: Shirin Neshat in Conversation," Volume 28#1 (#109), 24-39. "The
Explorer of Human Emotions: An Interview with Wendy Lill," Volume 10#1,
12-17. "The
Eye in Love with Seeing: Russell Hoban in Conversation," Volume 7#2,
37-41. "The Eye
of Painting: An Interview with Peter Doig," Volume 25#2 (#98), 42-55. "Eyeing
the Landscape: The Photography of Thaddeus Holownia," Volume 21#4 (#84), 20-34. "Fabulator,
An Interview with Tony Scherman," Volume 14#3, 12-21. "Far
From the Maddin Crowd: An Interview with Guy Maddin," Volume 9#3, 33-41. "The
fashionable body, Essaying the Aesthetics of Fashion Photography," Volume
14#2, 46-49. "Father
Courage: An Interview with John Hirsch," Volume 7#4, 80-85. "The
Fearless Body: An Interview with Marlene Dumas," Volume 23#3 (#91), 22-34. "Fight,
Stamina and Actions: Subjects and Objects in the Bewildering World of
Performance," (Interviews with Francesco Conz, Allan Kaprow, Raphael Montaez
Ortiz, Hermann Nitsch, Orlan and Shozo Shimamoto; re: MOCA exhibition, "Out of
Actions: Between Performance and the Object, 1949-1979"), Volume 17#2 (#66),
28-47. "Figures
of Mettle and Feats of Clay," Interview with Joe Fafard, Volume 16#1,
20-29. "Fertile
Regions: The ever-Growing Art of Terry Winters," Volume 11#2, 14-23. "Fictional
Lives: The Photographic Portraits of Sheila Spence," Volume 6#1, 44-51. "Fierce
Vulnerabilities: The Art of Rebecca Horn," Volume 10#4, 13-24. "First
Person Singular: The Determined Short Fiction of Sandra Birdsell, An
Interview," Volume 4#2, 10-13. "Four
Canadian Artist in New York: David Craven, Medrie MacPhee, Micah Lexier &
Attila Richard Lukacs," Volume 20#2 (#78), 72-102. "Frank
Speaking: An Interview with Robert Frank," Volume 16#4, 14-33. "From
Flesh to Stone: The Photography of Ralph Gibson," Volume 21#2 (#82), 18-35. "Gardening
Utopia: An Interview with Geoffrey James," Volume 9#1, 11-14. "Green's
Party: A Conversation with Art Green," Volume 24#4 (#96), 44-54. "Guitar
Man: The Instrumental Art of Murray Favro," Volume 10#4, 25-27. "Haven
and Earth: the Circus According to John Irving," interview, (photographs
Mary Ellen Mark), Volume 13#4, 40-47. "Heartbreaker:
The Video Art of Benny Nemerofsky Ramsay," Volume 23#4 (#92), 54-64. "History
Painter," (re: Lawrence Paul Yuxweluptun), Volume 20#2 (#78), 38-43. "Homing
in Anywhere: An Interview with Harry Seidler," Volume 7#4, 26-34. "Hover
Crafting: The Art of Monica Tap," Volume 22#4 (#88), 64-71. "The
Humanizer: An Interview with Susan Rothenberg," Volume 24#3 (#95), 22-37. "Humanus
Ex Machina: The Art of Robert Saucier," Volume 10#4, 66-71. "Imaxing
Grace: An Interview with Roman Kroiter," Volume 8#2, 41-44. "The
Incidental Tourist: Travels with Donald Baechler," interview, Volume 13#4,
26-38. "The
Incomparable Rightness of In Between, A Conversation with Edward Poitras,"
Volume 14#4, 24-33. "The
Incredible Lightness of Bee-ing: An Interview with Aganetha Dyck," Volume 19#2
(#74), 42-57. "The
Incredible Lightness of Machines: An Interview with Reva Stone," Volume 26#1
(#101), 56-65. "Instructions
in the Marital Arts: A Conversation with Yoko Ono," Volume 13#1, 30-41. "The
Intimate Idealogue: an interview with John Berger," Volume 14#2, 28-37. "Inverse
Aesthetics: Curating the Impossible Show," Volume 7#3, 37-41. "An
Invitation to Memory: The Designing Art of Mary Kerr," Volume 6#1, 54-62. "Isabella
Rossellini: Close to the Maddin Crowd," Volume 22#2 (#86), 44-52. "Journey
Woman: The Interrogative Art of Diane Whitehouse," Volume 10#2, 27-33. "The
Juice and the Joy of it, The Art and Life of Larry Rivers: Interview by Robert
Enright," Volume 13#3, 44-51. "Knowing
Where to Draw the Line: Erwin Redl Tells Light Stories," Volume 24#4 (#96),
36-42. "A
Latter-Day Medievalist: A Conversation with Tom Lovatt," Volume 6#2,
38-41. "Learning
from Objects: An Interview with David Altmejd," Volume 23#4 (#92), 66-75 "Leonard
Cohen: Interview by Robert Enright," Volume 26#4 (#104), 26-40. "Letters
from the Earth: An Interview with Mike Olito," Volume 4#4, 10-17. "Light
Essentials: An Interview with Sheila Metzner," Volume 9#1, 8-10. "The
Limits of Documentary: An Interview with Mary Ellen Mark," Volume 9#1,
21-23. "Literary
Landscaping: A Symposium on Prairie Landscape, Memory and Tradition,"
Lorna Crozier, Patrick Lane, Fred Wah, David Williams, Volume 6#4, 32-38. "Look Back
In Languor," (interview with architect Dennis Crompton of Archigram), Volume
21#2 (#82), 11-12. "Looker,"
(re: Jake Kosciuk), Volume 22#1 (#85), 13-14. "The Lord
of Missed Rules: An Interview with Michael Snow," Volume 26#2 (#102), 22-40. "The
Making of a Play Legend: The Manitoba Puppet Theatre and the Legend of
Kiviuq," Volume 3#4, 41-46. "Making
the Adrenalin Run: Beauty and Terror in the Art of Steve Higgins," Volume
6#3, 65-70. "Making
a World from Scratch: An Interview with Maria Fernanda Cardoso," Volume
14#1, 38-47. "Making
the Impossible Self: A Symposium on Current Art Practice," (with others)
Volume 7#3, 33-35. "Malcolm
Morley: The Principal of Uncertainty," Volume 25#4 (#100), 22-36. "Manifold
Singularity: An Interview with Roni Horn," Volume 28#2 (#110), 22-37. "Material
Animations: The Amazing World of Ignacio Iturria," Volume 16#2, 18-27. "The
Material Boy and the Femme Fidele: Jeff Koons and Ilona Stoller," Volume
10#1, 36-47. "A
Matter of Subdued Passion: An Interview with Jack Shadbolt," Volume 4#1,
8-14. "The
Mechanics of Excellence: An Interview with Architectural Designer Ron
Keenberg," Volume 5#1, 8-17. "Memory
Feeder, Subjects and Objects in the Art of Diana Thorneycroft,"
(interview), Volume 15#3, 22-33. "The
Metaphor is the Message," (re: Il Postino by Michael Radford and Smoke by
Paul Auster) column, Volume 15#2, 9-10. "Metropolis:
The City at the End of Things: A Conversation with Michael Morris and Attila
Richard Lukacs," Volume 10#3, 6-11. "Michals
the Archangel," (Interview with photographer Duane Michals), Volume 17#4
(#68), 13-28. "The
Mies Generation," (Interviews with architects: Philip Johnson,
Chameleoning, 29-30; Harry Seidler, Painting the Practice of
Architecture,30-31; Phyllis Lambert, A Darker Shade of Mies,32-33; Ron Keenberg,
Forum Follows Friction, 33-35; Franz Schulze, Some Kind of Wonderful, 35-36)
Volume 18#1 (#69), 26-36. "The
Miraculous Questions of Looking," (interview with painter David Urban), Volume
20#4 (#80), 18-31. "Misadventures
along the Nature Trail: An Interview with Walton Ford," Volume 25#1 (#97),
22-37. "Missing
and Mastering the Erotic: The Painting of Eric Fischl," Volume 4#4, 82-83. "A
Model Artist, Observations on Art and Play from Kim Adams," Volume 18#1
(#69), 16-25. "The
Monumental Diarist: An Interview with Robert Motherwell, Volume 8#4, 7-17. "Moving
Intimacies: A Conversation with Evelyn Hart," Volume 11#1, 9-17. "Musing
and Marauding: Notes on Some Recent Drawings by Ivan Eyre," Volume 6#4,
51-60. "Mute
Ability:Janet Werner Changes the Face of Portraiture," (interview,
introduction by Meeka Walsh), Volume 21#3 (#83), 20-30. "Necessary
Appetites: An Interview with Tony Cragg," Volume 11#3, 45-53. "The
Necessary Dissenter: An Interview with Carol Bly," Introduction by Meeka
Walsh, Volume 9#3, 11-17. "Newtonian
Physiques: the Photographic World of Helmut Newton," Volume 17#4 (#68),
30-41. "A
Nickel Cigar for Everybody and a Chicken in Every Bed: An Interview with Esther
Warkov," Volume 2#1, 4-15. "No Things
but in Ideas, An interview with Allan McCollum," Volume 20#3 (#79), 24-41. "Notes
Towards Anarchy, An Interview with Louis Andriessen," Volume 15#1, 32-38. "The Now
of Painting: An Interview with Harold Klunder," Volume 23#3 (#91), 72-81. "Now
You See It, Now You Don't: The Legendary Art of Christo," Volume 11#1,
31-37. "Odd
Man Out: An Interview with John Hall," Volume 8#3, 8-19. "Of
Clay and Craven I Sing: An Interview with Vic Cicansky," Volume 2#3, 4-11. "On the
Other Side of the Mirror: A Conversation with Nancy Spero," Volume 19#4 (#76),
18-33. "Opening
the Furnace Door: An Interview with Robert Hughes," Volume 8#1, 45-51. "Overwhelmer:
The Art of David Hoffos," Volume 25#3 (#99), 22-37. "The
Overwhelmer: An Interview with Lisa Yuskavage," Volume 26#3 (#103), 36-48. "The
Painted Whirred: Ed Ruscha's Spin on Language," Volume 27#2 (#106), 30-47. "Paint
Whisperer," (interview with Cecily Brown), Volume 24#1 (#93), 36-49. "The
Painter of Things That Never Go Away," (interview: Eric Fischl on Max
Beckmann), Volume 22#3 (#87), 68-77. "Particularizing
Some General Ideas," (interview with AA Bronson), Volume 23#1 (#89), 28-44. "The
Perfect Neutralizer: Self-Revelation in the Photography of Robert
Mapplethorpe," Volume 9#1, 6-7. "Photography's
Fugitive Figure: An interview with Lori Newdick," Volume 23#2 (#90), 58-63. "Picturing
the Autobiographical War: Nancy Spero's War Series," (interview), Volume 23#1
(#89), 50-61. "Picturing
Cross-References: The Transformative Art of Wanda Koop, An Interview,"
Volume 5#4, 94-104. "Pleasure Principals: The Art of Janet Cardiff & George Bures Miller," (introduction by Meeka Walsh), Volume 20#2 (#78), 22-35. "The
Pleasure of Looking: The Photography of William Eakin," Volume 24#2 (#94),
58-71. "The
Pleasure of Their Company:Steve Martin, April Gornik and Eric Fischl in
Conversation," Volume 19#3 (#75), 26-46. "The
Poetics of History: An Interview With Rebecca Belmore," Volume 24#3 (#95),
62-69. "The
Poetry of Knowledge and Flesh: An Interview with George Amabile," (with
Dennis Cooley), Volume 2#3, 29-32. "POP
Communicant: An Interview with Tedd Robinson," Volume 3#2, 19-23. "Pop
Goes the Tradition: An Interview with Roy Lichtenstein," Volume 13#3,
19-29. "Popeye
Gonick and the Filmy Spinach of Sex," Volume 20#1 (#77), 44-54. "A
Portrait of our Time: An Interview with Yousuf Karsh," Volume 9#1, 18-20. "Portraits
of the Artist: Intimate Detachments in the Art of Tim Zuck," Volume 16#2,
40-49. "The
Practical Utopian: The Architecture of Gregory Henriquez," Volume 25#4 (#100),
54-65. "Pressing
a Weight Through Life: An Interview with John Pylypchuk," Volume 27#3 (#107),
32-46. "Pretty
Ribbons: Photographs by Donigan Cumming," Introduction, Volume 10#1,
25-33. "Preying
and Predatoring: The Recent Painting of Suzanne Gauthier," Volume 5#1,
18-20. "the Pride
of Influence: A Conversation with David Alexander," Volume 16#3, 54-65. "Questioning
Bodies: A Symposium on Censorship and Representation," Introduction to
Symposium featuring Elizabeth Hess, Sally Mann, Edward de Grazia, Allen
Ginsberg and Jock Sturges, Volume 10#2, 15-26. "The
Rational Extremist: An Interview with Peter Greenaway," Volume 9#4, 76-85. "Regarding
Jim Dine : An interview with Robert Enright," (introduction by Meeka
Walsh) Volume 12#4, 8-24. "Researching the Self: an Interview with Suzy Lake," Volume 13#1, 10-22. "Resonant Surgeries: The Collaged World of Wangechi Mutu," Volume 27#1 (#105), 28-46. "The
Revolutionary Two-Step: An interview with Barbara Astman," Volume 23#2 (#90),
44-50. "Richard
Henriquez: Architect of Radical Memory," Volume 8#4, 76-85. "Rodinesque,
Touching on the Architecture of Desire," (essay), Volume 15#2, 46-49. "A
Search for Excellence: An Interview with Colin Jackson," Volume 1#2, 5-8. "Secret
Sharer: An Interview with Raymonde April," Volume 27 #4 (#108), 58-71. "The
Seductions of Landscape: A Conversation with April Gornik," Volume 16#3, 18-29. "The
Sensuous Puritan: The Art of Brice Marden," Volume 18#2 (#70), 14-27. "Sexy Boy:
The Art of Cliff Eyland," Volume 22#4 (#88), 54-63. "The
Shameful Reformer," column, Volume 12#4, 5-6 "Simply Deep:
An Interview with Pierre Dorion," Volume 23#3 (#91), 92-101. "Souped-Up
Everything: the Art of Eliza Griffiths," Volume 22#4 (#88), 72-79. "Standing
in Between: A Conversation with Metis Writer Emma LaRoque," Volume 4#3,
45-46. "Stereoscopophilia,
Body Watching Through the Century," Volume 14#4, 64-72. "Story-Forming:
David Arnason's Addictive Fictional World, An Interview," Volume 4#2,
8-10. "Stuff and
Beauty: An Interview with Laura Letinsky," Volume 25#3 (#99), 38-53. "Style
and Radical Will: An Interview with Susan Sontag," Volume 7#2, 6-9. "Telling
the Dancer from the Dancing Building," (re: Royal Winnipeg Ballet), Volume
7#2, 50-55. "Telling
the Dancer from the Dancing Film: Set Pieces from Dracula: Pages from a
Virgin's Diary," (interview with Mark Godden and Guy Maddin), photographs by
Bruce Monk, Volume 20#4 (#80), 54-65. "Tender
Touches: An Interview with Vija Celmins," (introduction by Meeka Walsh), Volume
22#3 (#87), 20-35. "They
Don't Make Horseshoe Nails Like They Used To: An Interview with Don
Proch," Volume 9#2, 6-15. "Third
World Art: A Symposium on Performance Art," (with others) Volume 6#1,
21-24. "This
to This, This to This, the Interconnected World of June Leaf" (interview),
Volume 17#3 (#67), 12-26. "Traversing
the Unknown Territory: An Interview with Diana Michener," Volume 18#4 (#72),
40-60. "Truth
or Glare, the Formal Deceptions of Taras Polataiko," (interview), Volume
15#2, 18-27. "The
Umholtzian Landscape," Volume 6#2, 33-37. "Uncovering
our Dream World: An Interview with Robert Kroetsch," (with Dennis Cooley),
Volume 1#1, 32-39. "Uneasy
Painting: The Ambiguous Art of Shary Boyle," Volume 26#3 (#103), 84-93. "The
Undiscovered Familiar: The Art of George Condo," Volume 22#2 (#86), 18-34. "Valko:
The Summer of our Discontents," Volume 8#1, 8-15. "The Very
Rich Hours of Carol Wainio," Volume 22#1 (#85), 18-28. "View
Finder: The Photography of Geoffrey James," Volume 21#1 (#81), 44-57. "Vim and
Vigour: An Interview with Wim Delvoye," Volume 24#4 (#96), 20-35. "What's
So Big about Space?: A Conversation with Jim Green," Volume 3#4, 54-55. "Winnipeg's
Benevolent Godfather: An Interview with Tony Tascona," Volume 3#3, 24-33. "A Woman
for All Seasons: An Interview with Franoise Sullivan," Volume 27#2 (#106),
48-61. "Words and
Pictures: The Arts of Joni Mitchell," Volume 20#1 (#77), 18-31. "Working
in the Flatland: An Interview with Joe Fafard," Volume 7#1, 10-20. "Write
Speaking Mennonites: A Symposium," (with Sandra Birdsell, Di Brandt, Rudy
Wiebe and Patrick Friesen), Volume 5#2, 21-28. "The
Years of Figuring Dangerously: An Interview with Sheila Butler," Volume
4#2, 45-52. "The
Years of Figuring Restlessly: An Interview with Alex Katz," Volume 21#3
(#83), 50-67. columns "5 1/2
Minutes," (re: Guy Maddin's The Heart of the World), Volume 20#2 (#78),
16-17. "Arcs
Poetica: The Life and Death of Lightning, Act of God, directed by Jennifer Baichwal,"
Volume 28#2 (#110), 20-21. "Arkivist,"
(re: Alexander Sokurov's Russian Ark), Volume 22#1 (#85), 16-17. "Art Deco:
The Films of Deco Dawson," Volume 27#3 (#107), 30-31. "The
Atlantean Journey," (re: 1996 Atlantic Film Festival), Volume 15#4, 10-11. "Between
the Hammer and the Anvil," (re: documentary filmmaker John Paskievich), Volume
21#1 (#81), 14-16. "Black
House, Brilliant Film: Forough Farrokhzad's The House is Black," Volume 28#1 (#109), 22-23. "Bug Eyed:
Green Porno, directed by Isabella Rossellini and Jody Shapiro," Volume
27#1 (#105), 26-27. "Carrey
on Truman," (re: film The Truman Show, starring Jim Carrey), Volume
17#3 (#67), 9. "Crash
and Sperm," (re: movies, Trainspotting by Danny Boyle and Crash
by David Cronenberg), Volume 16#1, 9-10. "Daddy
Dearest: Isabella Rossellini and Guy Maddin's My Dad Is 100 Years Old,"
Volume 24#3 (#95), 18-19. "Degraded,
X-Rated," (re: The Centre of the World by Wayne Wang), Volume 20#3
(#79), 18-20. "Deus Ex
Filmica: The Films of Robert Frank," Volume 27 #4 (#108), 26-27. "Die, You
Metal Freak, Die!," (re: Andre The Mechanical Man, Dziga Vertov's Enthusiasm,
Shinya Tsukamoto's The Iron Man, Wachowski Brothers' The Matrix),
Volume 26#1 (#101), 22-23. "The
Domesticated Zombie," (re: Andrew Currie's Fido), Volume 26#2 (#102),
20-21. "Fancy
Dancer: Leon Golub 1922-2004," (column by Meeka Walsh and Robert Enright),
Volume 23#3 (#91), 20-21. "A Film on
the Verge of a Murderous Breakdown," (re: Easton Ellis, American Psycho and Mary Harron, I Shot Andy
Warhol), Volume
19#2 (#74), 10-11. "Filming
Degree Zero: Oliver Hirschbiegel's Downfall," Volume 24#2 (#94), 18-19. "Filmy
Venice," Volume 14#4, 11-12. "Fragments
of Memory," (re: Robert Frank), Volume 21#3 (#83), 18-19. "Go
Tell It on the Monster," Volume 14#3, 9. "Go
West Young Woman," Volume 14#2, 7. "Halle Berry, Full of Grace," Volume 21#1 (#81), 14-15. "The Heart
of the Matter: Michael Radford's The Merchant of Venice, Volume 24#1 (#93), 16-17. "Home
Movie: Guy Maddin's The Saddest Music in the World," Volume 23#2 (#90), 16-17. "Hope
Films Eternal," (re: Antonia's Line, Marlene Gorris), Volume 15#3. 12-13. "The
Incredible Meanness of Being," (re: Gus Van Sant's Elephant), Volume 22#4 (#88), 18-19. "Iron
Jerk," (re: David Fincher's Fight Club), Volume 18#4 (#72), 10-11. "Love
Among the Ruins: Sick and the Cinema of Transgression," (re: Sick
by Bob Flanagan), Volume 17#1, 10-11. "Lynch
Party," (re: film, "Lost Highway" by David Lynch), Volume 16#2, 11-12. "Monkey
Business: Peter Jackson's King Kong," Volume 25#1 (#97), 18-19. "Must We
Film Sade?" (re: film, "Quills" by Philip Kaufman, Volume 20#1 (#77), 14-15. "Myth-Breaker:
Nathaniel Kahn's My Architect, Volume 23#1 (#89), 18-19. "Natural Born Pulp Friction," Volume 14#1, 11-12. "Naughty
Pining: Canadian Cinema on the Edge," (re: Kissed by Lynne Stopkowich),
Volume 16#3, 10-11. "Playing
with Film: Nightwatching, directed by Peter Greenaway," Volume 27#2
(#106), 28-29. "Print
Juleps: Steven Cantor's Blood Ties and What Remains," Volume 25#3
(#99), 20-21. "Purgatory
Lost, Hell Regained," (re: Francis Ford Coppola's Apocalypse Now Redux),
Volume 20#4 (#80), 14-16. "The
Reck of History," (re: Hany Abu-Assad's Paradise Now and Steven
Spielberg's Munich), Volume 25#2 (#98), 20-22. "Relying
on the Kindness of Monsters," (re: Felicia's Journey directed by Atom
Egoyan), Volume 19#1 (#73), 10-11. "Renderings
of the Page,"(re: film A Midsummer's Night Dream directed by Michael
Hoffman, 18#3 (#71), 12-13. "A
Sense of an Ending," (re: film Last Night by Don McKellar), Volume
18#1 (#69), 11. "Serving
Private Ryan," (re: film Saving Private Ryan by Steven Spielberg),
Volume 17#4 (#68), 10. "She Shot
the Jerrett," (re: film Kid Nerd, directed by Shereen Jerrett), Volume
16#4, 12-13. "The Siege
of Dylangrad," (re: film No Direction Home, by Martin Scorsese), Volume
24#4 (#96), 18-19. "Star
Oars: Titanic Goes Galactic with the Truth," (film Titanic directed by
James Cameron), Volume 17#2 (#66), 9-10. "Stryking
While the Fire is Hot," (film Stryker by Noam Gonick), Volume 23#4
(#91), 14-15. "Tales of Two Cities," (re: film My Winnipeg by Guy Maddin), Volume 26#3 (#103), 34-35. "The Theatre of Documentary," (film Prisoner In Paradise directed by Malcolm Clarke and Stuart Sender), Volume 22#2 (#86), 8-10. "The
Thrill of Dumbing Up," (film The Silence of the Lambs directed by
Jonathan Demme), Volume 19#4 (#76), 14-16. "Truth,
The Elusive Eel," (re: documentary Capturing the Friedmans directed by Andrew
Jarecki), Volume 22#3 (#87), 18-19. "Verite,
Verite, All is Verite," (re: Peter Wintonick's film, "Cinema Verite: Defining
the Moment"), Volume 19#3 (#75), 14-15. "The
Woman and the Violin," (re: film The Red Violin directed by
Francois Girard), Volume 18#2 (#70), 10. "Words to
Pictures, Pictures to Words," (re: Persepolis directed by Marjane
Satrapi; 300 directed by Zack Snyder; 30 Days of Night directed
by David Slade), Volume 26#4 (#104), 24-25. reviews "Airy
Everything: A Review of Ivan Eyre, Personal Mythologies: Figurative Paintings,
1957-1988," Volume 8#1, 34-35. "The
Autobiography of a Project," (re: Jim Dine: A Self-Portrait on the Walls
dir. by Nancy Dine), Volume 15#2, 65-67. "Barns
of Western Canada: An Illustrated Century (by Robert Hainstock)," Volume
6#4, 40-41. "Bushed,"
(visual art review re: "Jack Bush: Hymn to the Sun, Early Work"), Volume 17#2
(#66), 56-57. "Combine
Painter," (review of "Our World in Time and Space, Kevin Mutch),
Volume 12#4, 54-56. "Contemporary
Dancers Canada and the Building of Modern Dance: The Never Again But Hopefully
Always Again Show," Volume 5#2, 34-35. "Degas'
Accustomary Art," Volume 7#4, 39-40. "Desperately
Seeking Ukrainian: The Recent Painting of Natalka Husar," Volume 5#3,
29-30. "Jim
Dine," (visual art review of "New Tool Paintings"), Volume 22#1 (#85), 61-62. "Esther
Warkov: Paintings and Drawings," Volume 2#4, 44. "Harold
of Orange (directed by Richard Weise) and It's Hard to Get It Here (directed by
Norma Bailey)," Volume 4#3, 29-30. "Interrogative
Bloodlines," (art exhibit review: True Confessions by Natalka
Husar) Volume 11#1, 47. "Lecter
Hectoring," (film review: Red Dragon), Volume 21#4 (#84), 18-19. "Leonardo,
We Hardly Knew You," (re: Inventing Leonardo by A. Richard Turner),
Volume 13#1, 48-50. "Maestro
Margaret," (re:Morning in the Burned House by Margaret Atwood),
Volume 14#2, 58-60. "Mapmaker,
Mapmaker, Rend Me a Map," (review of "Cartographies, 14 artists from
Latin American"), Volume 12#2, 42-44. "Next
Year Critical Country: A Review of Trace (edited by Birk
Sproxton)," Volume 6#1, 39-40. "Past
Tense," (re: Nether Art: A Dutch Response to the Nineties), Volume 13#1,
43-44. "Prairie
Giants (compiled by Hans Dommasch)," Volume 6#4, 40-41. "Robert
Achtemichuk: Works on Paper," Volume 2#4, 45. "Sheila
Butler: Paintings 1986," Volume 6#2, 26-27. "Tour
de Farce," (re: The Nightmare Before Christmas by Tim Burton), Volume
14#1, 65-66. "The
Unbroken Stieglitz Circle," (book reviews: Alfred Stieglitz: Photographs
& Writings; Paul
Strand: Sixty Years of Photographs by Calvin Tomkins; The Model Wife by Arthur Ollman; Male/Female:
105 Photographs),
Volume 19#2 (#74), 82-84. borderviews "Accidentor
Too," (re: Kristine Moran), Volume 23#3, (#91), 14-15. "Adventures
in Videoland," (re: The Cave by Beryl Korot, Steve Reich), Volume
14#3, 7-8. "Amazing
Space," (re: M.C.& George Escher), Volume 15#1, 6-7. "Alfred
Hitchcock Paints a Photograph," (re: Karin Bubas), Volume 25#3 (#99), 16-17. "And Now
For Something a Little Different," (re: Site Gallery, "Six Interpretations of
Clay: Handmade in Taiwan"), Volume 16#3, 7-8. "Animal
Rites Activist," (re: Bill Burns), Volume 19#1 (#73), 6-7. "Anomalous
Art," (re: Marianna Gartner), Volume 14#1, 4. "Anti-Portraiture,"
(re: Elaine Stocki), Volume 27#1 (#105), 22-23. "The
Apostolic Successful: Robert Duvall Gets Preachy," (re: film, The Apostle),
Volume 17#2 (#66), 7-8. "Art
Craiters," (re: Roger Crait), Volume 27#3 (#107), 26-27. "The
Archaeology of Wax," (short interview/Borderview re: Mark Karasick), Volume
24#1 (#93), 11-12. "The Art
of Beak and Talon," (re: Joe Rosenblatt), Volume 22#3 (#87), 14. "Art of
Entrenchment," (re: John Kissick), Volume 16#3, 4-5. "The Art
of Free Ranging," (re: Shawna Dempsey & Lori Millan's Lesbian National
Parks and Services Field Guide to North America), Volume 21#4 (#84), 15-16. "The Art
of the Impossiblist," (re: Simon Hughes), Volume 22#1 (#85), 10-11. "The
Art of Landscape," (re: The Post Colonial Landscape: A Billboard
Exhibition), Volume 17#4 (#68), 8. "Artful
Politics," (re: Robert Kell), Volume 14#1, 6-7. "Artifactor,"
(re: Adrian Williams), Volume 24#1 (#93), 14. "The
Artist Who Played in from the Cold," (re: George Swinton), Volume 16#4, 4-5. "Back to
Nature's Future," (re: Noam Gonick and Luis Jacob's Wildflowers of Manitoba),
Volume 26#2 (#102), 14-15. "The Bear
Facts," (re: Marcel Dzama), Volume 22#3 (#87), 11-12. "Beddy
Buys," (re: Mike Hansen), Volume 21#1 (#81), 12. "Bi-Coastal
Eclecticism," (re: Daniel Dueck), Volume 24#3 (#95), 16. "Big
Attack Books," (re: Bonnie Marin), Volume 19#2 (#74), 7-8. "Big
Attack Sin," (re: Linda Carreiro), Volume 16#2, 5-6. "Birder,"
(re: Sarah Crawley), Volume 22#4 (#88), 12-13. "Blanketeering,"
(re: Kim Ouellette), Volume 19#2 (#74), 4-5. "Blue
Prairie League," (re: Suzanne Gauthier), Volume 15#1, 4-5. "Bodygraphs,"
(re: Don Reichert), Volume 25#3 (#99), 18. "Book
of the Mouth Club," (re: Leon Rooke, Muffins), Volume 15#1, 5-6. "Breath
Taking," (re: Diane Landry's installation: "L'Ecole D'aviation (Flying
School)), Volume 21#1 (#81), 9-10. "Buddhas
In Plastic Places," (re: Craig Alun Smith), Volume 20#4 (#80), 9-10. "Building
the Unbuilt," (re: Galen Johnson), Volume 28#1 (#109), 18-19. "Button
Whole," (re: Michael Adamson), Volume 20#2 (#78), 10-11. "The
Chaotic Stirring of Things," (re: Inge Israel, Rifts in the Visible re:
Chaim Soutine), Volume 17#1, 6-7. "Chef
d'Excess," (re: Chris Flodberg), Volume 26#3 (#103), 30-31. "Childhood
Stories," (re: Erika MacPherson, disobedience), Volume 18#3 (#71),
6-7. "Christina
Kirouac: Art for the Feint-Hearted," Volume 17#2 (#66), 4-5. "Civil
Wars," (re: Cornish Library, Cliff Eyland), Volume 15#2,7-8. "The
Claymaster Cycle," (re: Robert Archambeau), Volume 22#2 (#86), 13-14. "Close
Encounters of a Painterly Kind," (re: Karel Funk), Volume 22#4 (#88), 11-12. "Collage
of One," (re: Paul Butler), Volume 20#2 (#78), 10-13. "The
Collectress," (re: Janet Morton), Volume 19#1 (#73), 5-6. "Colour
Feeled Painter," (re: Marie Lannoo), Volume 24#3 (#95), 14-15. "The
Combinator," (re: John Havelda), Volume 26#4 (#104), 20-21. "Counter
Propagandist," (re: Blair Marten), Volume 23#1 (#89), 12-13. "Cover
Material," (re: Ian August), Volume 28#2 (#110), 14-15. "The Craft
of Sculpturing Furniture," (re: Keith Oliver), Volume 25#2 (#98), 14-15. "Crash
Coursing," (re: Michael Benjamin Brown), Volume 28#2 (#110), 16-17. "Crimes of
Fashion," (re: Melanie Pullen), Volume 23#2 (#90), 10-11. "Cross
Border Crosser," (re: Joep van Lieshout), Volume 15#4, 5-6. "Crying
Time Again," (re: Daniel Barrow), Volume 27#2 (#106), 24-25. "Cry,
Wrack Machomer Would Like a Six-Pac," (re: show by Rick Miller), Volume
15#4, 6-7. "Cultivating
Your Own Gardner," (re: Tim Gardner), Volume 19#4 (#76), 8-9. "They
Cyborgian Comfort Zone," (re: KC Adams), Volume 27#1 (#105), 21-22. "Dance of
Many Colours," (re: Rubena Sinha), Volume 16#4, 6-7. "Darkroomer,"
(re: Nathalie Daoust), Volume 23#2 (#90), 12-13. "David
Redux," (re: Micah Lexier's "David Then & Now), Volume 24#3 (#95), 13-14. "Davids
and Goliath," (re: Painting Place: The Life and Work of David B. Milne
by David Silcox), Volume 16#1, 7-8. "Dear
Diarist," (re: Melanie Rocan), Volume 23#4 (91), 11. "Death of
Irony," (re: AA Bronson), Volume 20#1 (#77), 9-10. "Demistifier,"
(re: Ken Gregory installation), Volume 21#4 (#84), 14-15. "The
Desiring Dark," (re: Meera Singh), Volume 24#2 (#94), 12-13. "Detailesque,"
(re: Mike Bayne), Volume 28#2 (#110), 18. "The
Devil's Party," (re: Marc Seguin), Volume 23#1 (#89), 14. "Dioramically
Speaking," (re: Lisa Stinner), Volume 24#2 (#94), 13-14. "Dogopomorphism,"
(re: Jana Sterbak), Volume 22#2 (#86), 12-13. "Dress
Me Up, Dress Me Down," (re: Cathy Daley), Volume 18#2 (#70), 4. "Elegant
Stupidities," (re: Kelly Mark), Volume 27#1 (#105), 20-21. "Emotional
Gestures," (re: Karen Azoulay), Volume 23#4 (#91), 9-10. "Enclosed
Encounters of a Strange Kind," (re: Matthew Brown), Volume 24#4 (#96), 14-15. "Esther
Scissor-Hands," (re: Esther Warkov), Volume 18#1 (#69), 4-5. "Eyre
Borne," (re: Ivan Eyre), Volume 20#1 (#77), 8-9. "Faces
in Your Face," (re: Antoine Tempé), Volume 14#1, 9. "Facing
Ecstasy," (re: Helen Sadler), Volume 19#2 (#74), 6-7. "Fast
Lerner," (re: Marilyn Lerner), Volume 16#2, 6-7. "Fictive
Spaces," (re: Eliza Griffiths), Volume 17#3 (#67), 4. "A
Fistful of Angels," (re: Tony Kushner), Volume 15#2, 6-7. "Flushed
Tories," (theatre review: A Flush of Tories by Allan Stratton),
Volume 10#2, 46. "Foe
Revolutionary," (re: Michale Olito), Volume 15#3, 4-5. "For
Whom the Ballet Tolls," (re:Miroirs, Mark Godden), Volume 14#3, 5-6. "Fore
Groundings," (re: Billy McCarroll), Volume 21#3 (#83), 12-13. "The
Formalities of Kitsch," (re: Jason Dunda's Lucky Best Wash), Volume
18#2 (#70), 8. "Freedom's
Just Another Word for Everything Left to Say," (re: Richard Williams), Volume
27#2 (#106), 26. "The
French Fusion Legion," (re: Paul Bureau), Volume 22#1 (#85), 11-12. "The Full
Ronnie," (re: architect Ron Keenberg), Volume 21#2 (#82), 9-10. "The
Garden of Bardic Delights," (re: Shakespears in the Ruins, "Love's Labour
Lost"), Volume 19#3 (#75), 11-12. "Girl
Stories," (re: Katie Herzog), Volume 25#2 (#98), 16-17. "Go
Figure," (re: SITE Gallery exhibition, "Figuring the Figure"), Volume 19#3
(#75), 8-9. "The
Governor of Joy," (re: Leonard Marcoe), Volume 22#2 (#86), 14-15. "Grinning
and Baring It," (re: Zachari Logan), Volume 26#3 (#103), 29-30. "Grisly
Bare," (re: film, "The Lost Bundefjord Expedition"), Volume 19#3 (#75), 11. "Grotesqueries,"
(re: Aurel Schmidt), Volume 26#2 (#102), 18. "The
Gunfight at the Kiddie Corral," (re: René Price's Bang Bang, You're
Dead), Volume 18#1 (#69), 8. "Hines
Sight," (re: Richard Hines), Volume 25#3 (#99), 14-15. "Hives of
Productivity," (re: Aganetha Dyck), Volume 26#2 (#102), 15-16. "Holding a
Mirror Up to Laughter," (re: Shannan Calcutt), Volume 20#3 (#79), 15. "Human
Generator," (re: Kristan Horton), Volume 26#1 (#101), 17-18. "Ideas of
North," (re: Diana Thorneycroft), Volume 26#4 (#104), 19-20. "Imprint
Matter," (re: potter Alan Lacovetsky), Volume 21#2 (#82), 8. "I Paint
You Deeply, Madly, Metaphorically," (re: Bev Pike), Volume 20#2 (#78), 12-13. "The I's
of the Beholder," (re: Nicolas Baier), Volume 27 #4 (#108), 22-23. "The
Incredible Awkwardness of Being," (re: Erica Eyres), Volume 23#4 (#91), 12. "India
On His Mind," (re: Sturla Gunnarson's film Such a Long Journey) Volume 18#2 (#70), 6-7. "Infinitude,"
(re: The Eye Like a Strange Balloon Mounts Towards Infinity, Guy Maddin),
Volume 14#2, 5-6. "Insider
Outsider," (re: Peter Carey), Volume 20#2 (#78), 14. "Je
me souvenir," (re: Douglas Coupland), Volume 21#3 (#83), 11-12. "The
Language of War," (mini-interview with Wanda Koop), Volume 23#1 (#89), 11-12. "Living
Dolls," (re: Jennie O), Volume 23#2 (#90), 11-12. "Locating
the Dislocated," (re: Dislocations), Volume 14#3, 6-7. "Lock,
Stock and Peril," (re: Edouard Lock), Volume 15#2, 5-6. "The
Lord of Missed Rules," (re:Juan Davila), Volume 14#3, 4-5. "Lost and
Found," (re: Sharon Johnson and Lynn Richardson), Volume 17#3 (#67), 8. "Love
Lettrist," (re: Craig Love), Volume 24#4 (#96), 12-13. "Lustre
Lust," (re: Dean Drever), Volume 23#3, (#91), 16. "MacLord
of the Rings," (re: Rick Miller's "Into the Ring"), Volume 22#1 (#85), 12-13. "Man of
Steel," (re: Steve Gouthro), Volume 24#1 (#93), 10-11. "Many
Rooms of His Own," (re: Robert Polidori), Volume 27 #4 (#108), 23-24. "Masker
Aid," (re: Patrick Lundeen), Volume 27#2 (#106), 22-23. "The
Master of Overload," (re: Dan Kennedy), Volume 19#1 (#73), 8. "Mega
Zines," (re: Shawn Kuruneru), Volume 26#4 (#104), 22. "The
Memory of Skin," (re: Suzy Lake), Volume 18#4 (#72), 4. "Merry
Prankster," (re: Ryan Foerster), Volume 25#3 (#99), 15-16. "Mini Epics," (re: exhibition of British Columbia postcards by Peter White organized by Presentation House Gallery), Volume 17#1, 5-6. "Mirror
Imager," (Q & A w/ Shawna McLeod), Volume 23#4 (91), 9-10. "Mirror,
Mirror in the Hand, Who's Most Reflected in All the Land," (re: photographer
Dominique Rey's "Mirror Series," Volume 21#1 (#81), 8-9. "The Miss
of Sisyphus," (re:painter Will Gorlitz), Volume 21#4 (#84), 12-13. "Mission
Statement," (re: Alexis Kochan's CD, Variances), Volume 16#1, 6-7. "Mournin'
Coming Around," (re: Iris DeMent's CD My Life), Volume 17#4 (#68),
5-6. "Moveable
Feats," (re: Doug Taylor), Volume 18#3 (#71), 9-10. "The
Mulit-Layered Animal," (re: Christine Major) Volume 25#1 (#97), 13-14. "Music's
Rune," (re: Frank Kozik), Volume 15#2, 4-5. "Mutch
is More," (re: Kevin Mutch), Volume 17#4 (#68), 4-5. "The
Name Game: Jim Dine Walks Down Memory Lane," Volume 18#2 (#70), 5-6. "The New
Video Linguists," (re: Emily Vey Duke & Cooper Battersby), Volume 24#3 (#95),
12-13. "Newman on
the Block," (re: Les Newman), Volume 24#1 (#93), 12-13. "Night
Moves," (re: Mara Korkola), Volume 22#3 (#87), 12-13. "Night
of the Dancing Dead," (dance review: Giselle performed by the Royal
Winnipeg Ballet), Volume 10#2, 47. "Nouveau
Winnipeg," (re: Young Winnipeg Artists [Risa Horowitz, Simon Hughes, Jake
Kosciuk, Melanie Rocan, Shaun Morin, Veronica Preweda, Roger Crait, Lisa Wood,
Dominique Rey, Erika Lincoln] at Plug-In, curated by Cliff Eyland and Carol
Phillips), Robert Enright, Volume 22#2 (#86), 15-16. "Novel
Graphics," (re: Christine Redfern), Volume 28#1 (#109), 20. "A
Now and Zen Kind of Guy," (re: Patrick O'Connell), Volume 18#4 (#72), 6-7. "Obsessionlism,"
(re: Other Women by Evelyn Lau), Volume 14#4, 8. "Oldimento
for Strings," (re: Ronnie Burkett's play, Old Friends), Volume
16#1, 5-6. "Overriverrun,"
(re: Under the Whelming Tide: The 1997 Flood of the Red River of the North
catalogue for exhibition of flood photographs, North Dakota Museum of Art,
Museum Director, Laurel Reuter), Volume 17#1, 5-6. "Owl-Wise
and Otherwise," (re: John Henry Fine Day), Volume 25#1 (#97), 14-15. "Page
Turner," (re: Natalka Husar), Volume 20#4 (#80), 8-9. "Painting
a Language," (re: Andy Fabo), Volume 17#1, 7-8. "Panning
for Fictional Gold: Kroetsch Strikes it Rich in the Klondike," (re: The Man
from the Creeks), Volume 17#2 (#66), 8. "Paper
Wait," (re: Paul Robles), Volume 27 #3 (#107), 28. "Pathetic
Aesthetics," (re: Joanne Bristol), Volume 18#4 (#72), 7-8. "The
Philosopher of the Bottom Kitchen Drawer," (re: Chris Dorosz), Volume 19#1
(#73), 4-5. "Piece
Maker," (re: Johannes Zits), Volume 22#4 (#88), 14. "Piecing
Together the Women of Winnipeg," (re: Bonnie Marin), Volume 27#3 (#107), 24-25. "Planning
for the Unplanned," (re: Jennifer Vosacek), Volume 24#2 (#94), 14-15. "Pleasurable
Unease," (re: Melanie Rocan), Volume 26#3 (#103), 28-29. "The
Poetics of Alchemy: Sea Changes in the Art of Stefan Gec," Volume 17#2 (#66),
5-6. "Portrait
of the Artist as Her Subjects," (re: Sophie Jodoin), Volume 24#4 (#96), 13-14. "Portrait
of the Artist as a very Young Man," (re: Deco Dawson "The Incidental
Tribulations of Wake Me and My"), Volume 18#3 (#71), 8-9. "A
Portrait of the Grandmother as a Young Girl," (re: The Town that Floated
Away by Sandra Birdsell), Volume 16#4, 5-6. "Portraits
of the Artist as a Young Hero," (re: Perry Thompson), Volume 24#2 (#94), 16. "Postcards
from the Pledge," (re: Sally Davies), Volume 14#1, 8-9. "Postcards
from the Zone," (re: Jeff Nachtigall "Excerpts from conversations with
myself"), Volume 20#4 (#80), 12-13. "Prairie
Surrealism," (re: Ione Thorkelsson's The Unwilling Bestiary),
Volume 17#4 (#68), 6-7. "Pretty,
Gross Stuff," (re: Neil Farber), Volume 24#4 (#96), 16. "The
Puck Stops Here," (re: Convergence curated by Andrew Hunter),
Volume 18#1 (#69), 6. "Punk
Buddha," (re: Sylvain Bouthillette), Volume 25#1 (#97), 12-13. "Purposeful
History," (re: Stan Douglas), Volume 27 #4 (#108), 20-21. "Quivers,
Tangles and Other Enchantments," (re: Jon Rappleye), Volume 25#1 (#97), 16. "Rankin
File," (re: Matthew Rankin), Volume 28#1 (#109), 17-18. "Rental
Properties," (re: Sky Glabush), Volume 28#1 (#109), 16-17. "Riddle
Me a Director," (re: Turandot, James Robinson), Volume 15#3, 6-7. "Rituals
of Outrage," (re: Diana Thorneycroft "Monstrance"), Volume 18#4
(#72), 5-6. "The
Road to Zany-Do," (re: Al Simmons), Volume 15#1, 7-8. "Romancing
the Revolution," (re: Korda and Figueroa: Cuban Photography Since 1959"),
Volume 19#3 (#75), 9-10. "Room-mates
Occupying Aesthetic Space," (re: installation "Stone in a Glass House," by
Martha Townsend), Volume 16#2, 7-8. "Royal
Lodging," (re: the Royal Art Lodge), Volume 16#3, 5-6. "Sands of
Time: The Architectural Glass of Warren Carther," Volume 16#4, 7-8. "Seeing
the World through Robot-Coloured Glasses," (re: Jordan Van Sewell, The
Jester's Realm), Volume 19#4 (#76), 11-12. "Sensational
Instabilities," (re: Martin Golland), Volume 25#2 (#98), 15-16. "Shadow-Caster,"
(re: Richard Ford's Independence Day and A Multitude of Sins),
Volume 20#4 (#80), 11. "Shaken Up
All Over," (re: Jonathan Forrest), Volume 23#3, (#91), 13-14. "Sigismondi's
Mundi," (re: Floria Sigismondi), Volume 20#3 (#79), 12-13. "Simon's
World," (re: Simon Hughes), Volume 26#1 (#101), 20. "Site
Requiem," (re: Susanna Heller), Volume 23#1 (#89), 10-11. "Skin
Deep," (re: Birgitte Philippides), Volume 23#2 (#90), 14. "Skirting
Issues," (re: Amy Cutler), Volume 21#4 (#84), 13-14. "Sounding
the Depths of the See," (re: Mary Lucier's Floodsongs), Volume 18#1
(#69), 7. "Soundscaper,"
(re: Michael Waterman), Volume 26#1 (#101), 18-19. "Space
Invaders," (re: Shawna Dempsey, Lorri Millan), Volume 14#4, 6-8. "A Stich
in Time is Sublime," (re: Takashi Iwasaki), Volume 27#3 (#107), 25-26. "Spread in
Hoof and Claw," (re: sculptor Lynn Richardson), Volume 21#1 (#81), 11. "Stick
Figuring," (re: Lisa Kakoske), Volume 20#3 (#79), 16. "St.
Norbert Notables," (re: SNACC), Volume 15#3, 5-6. "Strange
Pervader," (re: animator Cordell Barker), Volume 21#2 (#82), 10-11. "Subversion
X2," (re: The New Icelanders, The Dragon and the Dry Goods
Princess, David Arnason), Volume 14#2, 5. "Surrealism
Degree Zero," (re: Krisjanis Kaktins-Gorsline), Volume 25#2 (#98), 18. "Taking
the Eye for a Walk," (re: Kim Moodie), Volume 21#3 (#83), 14. "Talented
Synthesizer," (re: Daniel Barrow), Volume 20#3 (#79), 14. "Tangentially
Yours," (re: Raymond Pettibon), Volume 22#3 (#87), 10-11. "Textural
Paintings," (re: Sasha Pierce), Volume 27#1 (#105), 24. "That
Awful, Beautiful Terror," (re: film The Gypsies of Svinia by John
Paskievich), Volume 18#1 (#69), 4-5. "The
Theatre of Painting," (re: Dil Hildebrand), Volume 26#3 (#103), 31-32. "Tradition
and the Individual Talent," (re: Howard Lonn), Volume 23#3, (#91), 12-13. "Turning
and Turning in the Widening Stare," (re: Ann Smith), Volume 14#1, 5. "Turning
and Turning on His Dizzying Gyres," (re: Mowry Baden), Volume 26#1 (#101),
16-17. "Uncovering
the Many Faces of Iran," (re: Sanaz Mazinani), Volume 27 #4 (#108), 21-22. "Unnatural
Grace," (re: Bill Buffery and Gill Nathanson Messing with Medea),
Volume 18#3 (#71), 7-8. "Unsettler
of the Marsh," (re: Jake Moore), Volume 19#2 (#74), 5-6. "Unstill
Life," (re: Aliana Au), Volume 14#1, 7. "Untotal
Exposure," (re: Charmaine Wheatley), Volume 20#1 (#77), 11-12. "Utopian
Dreamer," (re: Wayne Baerwaldt/5th Biennale de Montreal), Volume
26#2 (#102), 16-17. "Visual
Pleasures," (re: Leone and Macdonald), Volume 15#3, 7-8. "Walk on
the Wild Side," (re: Sheila Spence), Volume 17#3 (#67), 6-7. "Wallpaper
Weight," (re: Sadko Hadzihasanovic), Volume 22#4 (#88), 10-11. "The
Waxman Painteth," (re: Sakis), Volume 21#3 (#83), 10-11. "Wayne's
World," (re: Wayne Baerwaldt, Venice Biennale), Volume 19#4 (#76), 9-10. "Weighting
for Godot," (re: Beckettfest, Samuel Beckett), Volume 20#1 (#77), 10-11. "What to
Do with an Asterisk?," (re: Victoria Cheung), Volume 27#2 (#106), 23-24. "The Woman
of Many Turns," (re: Rick Chafe's The Odyssey), Volume 19#4 (#76) 10-11. "The World
of Comics According to Seth," (re: Seth (Gregory Seth Gallant)), Volume 26#4
(#104), 18-19. "Worker
Be," ("She Works Hard" exhibition at the WAG, curated by Mary Reid and
featuring artwork by Suzy Lake, Ken Lum and Bill Brandt among others), Volume
28#2 (#110), 15-16. Editorials "About
Journeymen and Map-Makers," Volume 1#1, 2. "All's
Quiet on the Western Canadian Front," Volume 2#4, 3. "The
Appropriateness of Appropriation," Volume 11#2, 5. "The
Art of Trivial Pursuits," Volume 2#3, 3. "Avoiding
the Snake in the Garden: The Canada/Manitoba Agreement on Communications and
Cultural Enterprises," Volume 3#3, 7. "Boys
Will be Men," Volume 11#3, 3. "The
Bureaucratic Two-Step," Volume 7#3, 5. "Criticism
and Manitoba Culture," Volume 2#1, 3. "A
Cultural Fairy Tale: 'Dr. Strangelove, or How I'm Learning to Stop Worrying and
Love the Department of Communications,'" Volume 4#1, 5. "Disturbing
the Universe," Volume 12#1, 3. "Exile
is in our Time Like Blood," Volume 7#4, 4. "Fear
and Menacing on the Theatrical Trail," Volume 11#1, 5. "Fiducious
Says He Who Tax Reading, Will Sit on Reader's Attacks," Volume 6#2, 4. "The
Fine Art of Border Crossing," Volume 4#4, 9. "The
Future of the Winnipeg Art Gallery: or 'How Not To Be Board to Death,'"
Volume 2#2, 3. "Home
is Where the Art Is," Volume 5#1, 7. :Hysterical
Free Trade: The Last Laugh," Volume 5#2, 5. "I
Struck the Board and Cried, 'Lots More, I've Willed a Way'," Volume 6#1,5. "The
Language-Makers: Aboriginal Artists in the Year of Discovery," Volume
11#3, 3. "Marsha
Whiddon: 1954-1988, All the Things that Seem Basic to Living," Volume 7#2,
5. "Matter
Becoming Spirit: Notes on Robert Shaw, Worship and the Arts," Volume 4#2,
7. "Ministering
to the Artist," Volume 5#3, 5. "Mother-May-I:
Fear and Growing on the Cultural Trail," Volume 6#3, 7-8. "Multicultural
Futures," Volume 5#4, 7. "My
Memories of Lill," Volume 8#1, 5. "Neurotics
and Erotics: Planting the Seeds of Prairie Culture," Volume 6#4, 5 &
19. "Presence
Makes the Art Grow Fonder: Winnipeg's Art Spaces," Volume 3#2, 7. "Of
Rebellions and the Mags I Sing," Volume 4#3, 7. "Ruminations
on an Archaeology of Loss," Volume 7#1, 4. "Ruminations
on Cultural Development," Volume 3#1, 5. "Satanic
Prose," Volume 8#2, 5. "Some
Observations on Regionalism," Volume 1#2, 2. "Talking
Sticks: Invitations to Speak about the North," Volume 3#4, 11. "The
Turning Point: A Crisis in the Arts?" Volume 1#3&4, 5. "Some
Like It Edgy Carmen and Outsider Love," Volume 8#3, 4-5. "Singing
the Song of Myself," Volume 8#4, 4-5. "I
Flash Therefore I Am," Volue 9#1, 5. "The
Unbearable Darkness of Being," Volume 9#2, 5. "Artrage:
The Pleasures of Censorship," Volume 9#3, 5. "In
the Heart of the Heart of Love," Volume 9#4, 5. "Dressing
Up, Dressing Down," Volume 10#1, 5. "Seers
and Seeing," Volume 10#2, 5. "The
Borders of Memory," Volume 10#3, 5. "The
Lovely Treachery of Technology," Volume 10#4, 4-5. portfolios "Camp
as Kitsch Can: Photographs by Jeff Speed," Volume 11#3, 30-32. "The
Compelling Eye: The Shanghai Photographs of Sam Tata," Volume 10#2,48-55. "Family
Album: Photographs by Larry Glawson," Volume 3#2, 41-45. "Heads:
Portraits by Debra Mosher," Volume 3#1, 18-23. "Indescribable
Lightness of Being Photographed: Ernie Kroeger's Broadview Road Project,"
Volume 7#1, 54-61. "Peace
Directives: A Portfolio of Photographs by Bruce Hanks," Volume 5#2, 23-28. "The
Promise of Empty Signs: A Photographic Portfolio by Peter Tittenberger,"
Volume 2#3, 16-23. "Sweet
and Sour: Chinese Restaurants in Rural Manitoba, a Portfolio by William
Eakin," (introduction), Volume 5#4, 39-45. "Touching
the Self: Diana Thorneycroft Pura Recent Photographs," Volume 9#4, 68-75. "Ungava:
Photographs from Arctic Quebec by Joanne Jackson Johnson*," Volume 3#4,
56-61. "War
Games: the Photographs of Bruce Barr," Volume 5#3, 37-45. Epp,
Eduard column "Chaising
the Radical Middle," (re: architecture), Volume 18#1 (#69), 10. Epp,
Edward diary "A
Canuck in the Chinese Wilderness of People," Volume 15#3, 72-77. Epp,
Robert about "William
Eakin/Robert Epp and Rosalie Favell," (visual arts review by Cliff Eyland),
Volume 21#4 (#84), 67-68. review "2008
Biennale of Sydney, "Revolutions-Forms that Turn," (visual arts review,
featuring the artwork of Janet Cardiff & George Bures Miller, Michael
Rakowitz, William Kentridge, Geoffrey Farmer & Mike Parr), Volume 27 #4
(#108), 97-99. Epperson,
Brian "World
Orchestras: A Three-Way Conversation," Volume 3#2, 33-35. Erdrich,
Lousie about "Love
Medicine: A Review," Wayne Tefs, Volume 4#4, 65. "Original
Fire: Selected and New Poems by Louise Erdrich," (book review by Charlene
Diehl-Jones), Volume 23#1 (#89), 97-98 Escher,
George about "Amazing
Space," Robert Enright, Volume 15#1, 6-7. Escher,
M.C. about "Amazing
Space," Robert Enright, Volume 15#1, 6-7. Evans,
Gary about "Landscaping
It New," Gary Michael Dault, (visual art review: Gary Evans: New
Paintings and Works on Paper), 70-72. Everett-Green,
Robert reviews "Body
Shock," (book review: Vile Bodies: Photography and the Crisis of Looking)
Volume 17#3 (#67), 73-74. "Photo
Opportunities," (photography review: "Transition, Memory and Loss: A Symposium
on Contemporary Photography" featuring Evgeny Berrezner, Angela Grauerholz,
Thaddeus Holownia, Diana Thorneycroft, Chris Townsend), Volume 17#2 (#66),
70-71. Evergon about "Auradynamics:
The Task of the Spectator in the New Era of the Aura," visual art review by
Martha Langford, (re: "Confluences" at CMCP and "Manufactured Landscapes" at
the National Gallery of Canada), Volume 22#2 (#86), 56-65. Ewing,
William A. about "Singing
the Body Eclectic," Robin Laurence, (re: The Body: Photographs of the
Human Form by William A. Ewing and The Body/Le Corps: Contemporary
Candian Art by Hans-Michael Herzog), Volume 14#2, 62-65. Exile See the
Special Issue on the Exiled Imagination, Volume 7#4. Eyland, Cliff
about "Big Apple
Bibliolatry," Robert McGee, (visual art review: File Card Works Hidden in
Books), Volume 17#1, 60. "Civil
Wars," Robert Enright, (borderview: Cornish Library), Volume 15#2, 7-8. "Gerald
Ferguson: Recent Paintings," (visual arts review), Volume 21#2 (#82), 76-77. "Nouveau
Winnipeg," (re: Young Winnipeg Artists [Risa Horowitz, Simon Hughes, Jake
Kosciuk, Melanie Rocan, Shaun Morin, Veronica Preweda, Roger Crait, Lisa Wood,
Dominique Rey, Erika Lincoln] at Plug-In, curated by Cliff Eyland and Carol
Phillips), Robert Enright, Volume 22#2 (#86), 15-16. "Untitled,"
art pages, Volume 20#1 (#77), 41-43. articles "Newing
the Old: The Art of Tim Gardner and Karel Funk," Volume 27#3 (#107), 132-141. columns "The
Unpeaceable Kingdom," (re: wildlife art), Volume 16#1, 11-12. "Sexy Boy:
The Art of Cliff Eyland," (interview with Robert Enright), Volume 22#4 (#88),
54-63. reviews "26/Two-Sicks/Too-Six...",
(article re 26: Fred Thomas, Ian August, DJ Brace, Cyrus Smith, Melanie Rocan,
Shaun Morin, David Wityk), Volume 23#4 (#91), 16-27. "KC Adams,"
(visual art review), Volume 24#2 (#94), 101-102. "Joseph
Albers," (architecture review), Volume 24#1 (#93), 92-94. "Architexture:
The Paintings of Eleanor Bond," (visual art), Volume 19#4 (#76), 70-71. "Melanie
Authier," (visual art review re: "Karma Kanyon"), Volume 26#3 (#103), 140-141. "Catch
as Paint Can," (re: Richard Brown, The Manitoba Studio Series), Volume
15#1, 56-58. "Ivan
Eyre," (visual art review), Volume 24#3 (#95), 98-99. "Face
Value," (photography review: Not What We Are: An Archive of Identities
by Susan Turner), Volume 16#3, 66-67. "Feat
of Clay," (re: Eva Stubbs, Multiples), Volume 15#1, 55-56. "Funerian
Spirit," (visual art review: "Reading Room" by Betty Spackman and Anja
Westerfrölke), Volume 16#3, 72-73. "Richard
Holden," (visual art review), Volume 23#2 (#90), 92-93. "Industrialisme,"
(visual art review: ReCurrentworks by Mary Joyce, with sound
installation by Gerhard Ginader), Volume 15#4, 64-65. "Germaine
Koh," (visual art review: "Around About"), Volume 21#1 (#81), 81-83. "Long John
Printer," (visual art review: Essential Journeys by E.J. (Ted) Howorth),
Volume 17#1, 53-54. "Natalija
Subotincic," (visual ar review), Volume 27#3 (#107),200-201. "Officialdumbing,"
(visual art review: Rielism), Volume 20#2 (#78), 122-123. "Painting
Away," (visual art review: The Painters' Newfoundland, Pouch Cove
Foundation, James Baird Gallery), Volume 17#3 (#67), 65-66 "Paradigm
Lost: Icelandic Art in Halifax," Volume 19#4 (#76), 73-74 "Prairie
Hedonism," (drawing review: "The Nude Block Party: Drawings by Richard
Williams"), Volume 19#3 (#75), 88-89. "Romancing
the Edge," (visual art review: Kelly Clark), Volume 17#4 (#68), 79-80. "Sarah
Anne Johnson and Shaan Syed," (visual art review), Volume 25#3 (#99), 117-118. "See
Change," (visual art review: Diane Whitehouse, Points of Departure),
Volume 19#1 (#73), 62-63. "The
Shanghai Shuffle," (visual art review: Looking In/ Looking Out), Volume
18#2 (#70), 56-57. "Derek
Sullivan," (visual art review), Volume 27#2 (#106), 107-109. "William
Eakin/Robert Epp and Rosalie Favell," (visual arts review), Volume 21#4 (#84),
67-68. "William
Pura," visual arts review, Volume 22#1 (#85), 74-75. portfolio "The
Winnipeg AlphaBestiary: The Many and the Marvelous," (X), Volume 25#1 (#97),
52-88. Eyre,
Ivan "Leading
the Imagination: An Interview with Ivan Eyre," (with Gary Siemens) Volume
1#3&4, 58-62. "Outside
Inside, The Self-Portrait Drawings of Ivan Eyre," introduction by Meeka
Walsh, Volume 8#4, 64-68. about "Airy
Everything: A Review of Ivan Eyre, Personal Mythologies," Robert Enright,
Volume 8#1, 34-35. "The
Empty Chair: Figure and Landscape in the Work of Ivan Eyre," Terrence
Heath, Volume 6#4, 61-66. "Eyre
Borne," borderview by Robert Enright, Volume 20#1 (#77), 8-9. "Ivan
Eyre," (visual art review by Cliff Eyland), Volume 24#3 (#95), 98-99. "Ivan
Eyre," (visual art review by Terrence Heath), Volume 22#3 (#87), 81-83. "Ivan
Eyre: A Review (book by George Woodcock)," Peter Millard, Volume 2#4,
37-38. "Ivan
Eyre: The Loneliness of a Long Distance Painter," Arthur Adamson, Volume
2#1, 26-33. "Musing
and Marauding: Notes on Some Recent Drawings by Ivan Eyre," Robert
Enright, Volume 6#4, 51-60. Eyre,
Janieta about "Auradynamics:
The Task of the Spectator in the New Era of the Aura," visual art review by
Martha Langford, (re: "Confluences" at CMCP and "Manufactured Landscapes" at
the National Gallery of Canada), Volume 22#2 (#86), 56-65. Eyre,
Yvonne "Ann
Smith, The Fantast," Volume 1#1, 12-14. Eyres,
Erica about "The
Incredible Awkwardness of Being," (Borderview by Robert Enright), Volume 23#4
(#91), 12. artist
pages 2004, Stephanie, ballpoint pen on paper, Jodie, pencil crayon on paper, Bertie, pencil crayon on paper. All 21.3
x 30cm. Volume 23#4 (#92), 77-79. portfolio "The
Winnipeg AlphaBestiary: The Many and the Marvelous," (D), Volume 25#1 (#97),
52-88. about "Painting
a Language," Robert Enright, (borderview), Volume 17#1, 7-8. Fafard,
Joe about "The
Accessible Innovator," Terrence Heath, (visual art review: Fte
Champtre: Recent Patinated Bronze Sculpture), Volume 9#3, 25-26. "Figures
of Mettle and Feats of Clay," Interview with Robert Enright, Volume 16#1,
20-29. "Horse
Against the Grain: The Fafard Field Project," (Introduction by Meeka Walsh),
Volume 16#3, 39-43. "Joe
Fafard and Friends," Mary Sprague, Volume 1#2, 26-28. "Working
in the Flatland: An Interview with Joe Fafard," Robert Enright, Volume 7#1, 10-20. Falk,
Gathie about "An Apple
a Day Keeps the Critics at Bay," James-Jason Lee, (visual art review: "Gathie
Falk"), Volume 19#3 (#75), 80-82. "Gathie
Falk," (visual art review of "Shirting" by Robin Laurence), Volume 22#2 (#86),
78-79. "The Thing
In the Head That's There: A Conversation with Gathie Falk," Volume 12#2, 12-23. Falvey,
Emily reviews "Michael Snow," (visual art review of "Corpus Callosum"), Volume 22#3 (#87), 100-101. "Nattering
rampage: an installation," (a visual arts review, featuring artists Cindy
Deachman and Deborah Margo), Volume 21#1 (#81), 80-81. Fan Di
An "Limitation
and Opportunity, Chinese Avant-Garde Practice," Volume 12#4, 25-28. Farber,
Neil about "The
Arful Lodger," Robert McGee (visual art review: Poppo Present. . .
Drawings by Neil Farber), Volume 18#1 (#69), 59-60. "Pretty,
Gross Stuff," (Borderview by Robert Enright), Volume 24#4 (#96), 16. "Winnipeg
on the Hudson," by James Trainor, (re: The Royal Art LodgeMichael Dumontier,
Hollie Dzama, Marcel Dzama, Neil Farber, Drue and Myles LangloisJon Pylypchuk
and Tim Gardner in NYC), Volume 22#3 (#87), 36-47. art
pages Volume 24#4 (#96), 75-77. portfolio "The Winnipeg AlphaBestiary: The Many and the Marvelous," (S), Volume 25#1 (#97), 52-88. Farmer,
Geoffrey about "Quasi
Models: Thising and Thating in the World of Geoffrey Farmer," article by Lee
Henderson, Volume 27#2 (#106), 62-68. Farrokhzad,
Forough about "Black
House, Brilliant Film: Forough Farrokhzad's The House is Black," (column by Robert Enright), Volume 28#1 (#109), 22-23. Fassbinder,
Reiner Werner about "Fassbinder:
Berlin Alexanderplatz," Rosemary Heather (visual art review), Volume 26#3
(#103), 137-138. FASTWURMS Interview "Crafting,
Every Witch Way," an interview with Robert Enright, Volume 25#1 (#97), 40-51. Favell,
Rosalie about "William
Eakin/Robert Epp and Rosalie Favell," (visual arts review by Cliff Eyland),
Volume 21#4 (#84), 67-68. Favro,
Murray about "Guitar
Man: The Instrumental Art of Murray Favro," Robert Enright, Volume 10#4,
25-27. "Reverie
Track," Gary Michael Dault, Volume 15#3, 38-39. Feldman,
Susan "Voyage
Through Two Worlds: The Sculpture of Bill Reid," (adaptation CBC radio
documentary) Volume 11#4, 34-39. Fellini,
Frederico about "Fellini's
Casanova: A Mechanical Child," Frank Burke, Volume 1#2, 47. Fenton,
Terry reviews "John Adams Griefen," (visual art review), Volume 23#3 (#91), 117-119. "Qu'Appelle:Tales
of Two Valleys," visual art review, Volume 21#4 (#84), 78-82. Ferguson,
Bruce "Camera
Ready, Snapshots of Eric Fischl," Volume 8#4, 70-75. "Conservatism
and Experimentation in Saskatchewan Art: An Interview with Bruce
Ferguson," (with Robert Enright) Volume 2#1, 60-63. "Making
the Impossible Self: A Symposium on Current Art Practice," (with others)
Volume 7#3, 33-35. reviews "Marshall
McLuhan: Values at the Speed of Type, The Letters of Marshall McLuhan (edited
by Matie Molinaro, Corrine McLuhan, William Toye)," Volume 7#4, 48-49. about "Thinking
about Thinking about Exhibitions," Petra Watson, (book review: Thinking
about Exhibitions edited by Reesa Greenburg, Bruce Ferguson and Sandy
Nairne), Volume 16#1, 50-52. Ferguson,
Gerald About "Gerald
Ferguson," Jeffrey Spalding (visual art review re: "Frottage Work 1994-2006,"
"Ash Can Paintings 2006," and "Door Mat Paintings"), Volume 26#3 (#103),
149-151. "Gerald
Ferguson: Recent Paintings," (visual arts review by Cliff Eyland), Volume 21#2
(#82), 76-77. "Gone
Fishing," Gil McElroy, (review: Gerald Ferguson: Compositions 1989-1994),
Volume 15#1, 64-65. Ferguson,
Gordon about "The
Alberta Biennial of Contemporary Art 2002," (visual art review by David
Garneau), Volume 21#4 (#84), 76-78. Ferland,
Marcien about "Les
Batteux: A Review," Louise Scatliff and Denise Brown, Volume 3#1, 41-42. Fernandes,
Brendan about "Brendan
Fernandes," visual art review by Portia Priegert, Volume 27#2 (#106), 100-102. Fetherling,
Douglas about "Antagonist
Rex," Myrna Kostash, (review: Travels By Night: A Memoir of the
Sixties), Volume 13#3, 67-70. "Song-lines,"
Patrick Friesen, (book review: Some Day Soon: Essays on Canadian Songwriters
by Douglas Fetherling and Alias Bob Dylan by Stephen Scobie) Volume
10#4, 44-46. Figueroa,
Eugenio Valdés about "Territorial
Declaratives," Robin Laurence, (visual art review: New Art from Cuba:
Utopian Territories curated by Juan Antonio Nolina, Eugenio Valdés
Figueroa, Keith Wallace and Scott Watson), Volume 16#2, 51-53. Figueroa,
Jose A. about "Romancing
the Revolution," Robert Enright, (borderview re: Korda and Figueroa: Cuban
Photography Since 1959"), Volume 19#3 (#75), 9-10. Film about "The
Good, the Bad and the Gory: Film-Making in Manitoba," K. George Godwin,
Volume 8#2, 7-10. "The
Invention of a Cultural Industry: ERDA and Filmmaking in Manitoba," Robert
Newman, IV, 1, 41-42. Filteau,
Louise reviews "Le
Rideau se Leve au Manitoba (book by Annette Saint-Pierre)," Volume 2#1,
49-50. Findlay,
Len reviews "All
That Has Value, Eating up the Americas," (re:Ron Benner: All That Has
Value), Volume 14#3, 32-35. "Dangerous
Elisions," (re: Currents '93: Dress Codes and The Other Side by Nan
Goldin) Volume 12#4, 52-54. "Figuring
the Bleeding Heart," (re: Bleeding Heart exhibition) Volume 11#4, 68-70. "Framing
Complications," (visual art review: Plain Truth, an Exhibition of
Prairie Photographers and Filmmakers 1858-1950), Volume 17#4 (#68), 74-77. "Rumours
of Our Breath," (re: Corpus I & II) Volume 12#3, 50-53. "Symposium:
Rethinking Exhibitions," (symposium review), Volume 23#3 (#91), 131-133. Findley,
Timothy about "The
Heart of Novelness," by Neil Besner, (re: Headhunter & The Stillborn
Lover), Volume 12#4, 59-62. Fine
Day, John Henry About "Owl-Wise
and Otherwise," (Borderview by Robert Enright), Volume 25#1 (#97), 14-15. Finn,
Chris about "Artist's
Profile: Chris Finn, The Politics of Print-making," Kenneth Hughes, Volume
2#1, 52-57. Fischer,
Jennifer about "Technologies
of Intuition, edited by Jennifer Fischer," Leah Sandals (book review),
Volume 26#2 (#102), 111-112. Fischl,
Eric interview "Core
Intimacies, Eric Fischl on the Art of Pierre Bonnard," Robert Enright,
Volume 17#3 (#67), 55-61. "Fischl
about Fischl," Eric Fischl, Volume 4#4, 84-86. "India
in My Imagination," Volume 8#4, 69. "The
Painter of Things That Never Go Away," (interview by Robert Enright: Eric
Fischl on Max Beckmann), Volume 22#3 (#87), 68-77. "The
Pleasure of Their Company: Steve Martin, April Gornik and Eric Fischl in
Conversation," Interview with Robert Enright, Volume 19#3 (#75), 26-46. about "Camera
Ready, Snapshots of Eric Fischl," Bruce Ferguson, Volume 8#4, 70-75. "Missing
and Mastering the Erotic: The Painting of Eric Fischl," Robert Enright,
Volume 4#4, 82-83. Fischlin,
Daniel articles "Eduardo
Galeano Dissonant History and the Carnival of Desire and Loss, Volume 13#4,
49-51 reviews "Cybertheatre,
Forum of Resistance," (re: The City and Memory by Tony Dove and Michael
Mackenzie) with Andrew Taylor, Volume 12#4, 49-51. "Living
Cartography," (re:South of the Border), Volume 13#3, 64-66 "Psychic
Contagion," (re: Walking Words by Eduardo Galeano), Volume 14#4,
82-84. Fisk,
Rebecca About "Black
Body: Race, Resistance, Response," (visual arts review by Sarah Hollenberg of
exhibition featuring: Lucie Chan, Crystal Clements, Rebecca Fisk, Buseje
Bailey, Michael Chambers and Gomo George), Volume 20#4 (#80), 76-77. Fitzgerald,
Lionel Lemoyne about "FitzGerald
as Print-maker: A Review," Peter Millard, Volume 2#1, 50-51. "The
Fitzgerald Study Centre," Helen Coy, Volume 1#2, 29. "Modernist
Probes: A Review of In Seclusion with Nature," Ron Frohwerk, Volume 8#1,
36-37. Fitzpatrick,
Andrea D. reviews "Bomb
After Bomb: A Violent Cartography by elin o'Hara slavick," (book review),
Volume 26#4 (#104), 107-108. articles "The
Silent Dialogue: Portraits by Suzanne Opton," Volume 25#4 (#100), 38-45. Flanagan,
Thomas about "The
Diaries of Louis Riel," S.G. Buri, (book review), Volume 1#1, 55. Flodberg,
Chris about "Chef
d'Excess," Robert Enright, (borderview), Volume 26#3 (#103), 30-31. Flood,
Alexandra about "Guiltless
Pleasures," Lianne McTavish, (visual art review: Gem Hour), Volume 19#3 (#75), 77-78. Flynn,
George "Notes
from Chicago: An Interview with New Music Composer George Flynn," (with
Bill Pura and Blakeman Welch) Volume 5#1, 36. Flynn,
Robert "Rebel
with a Number of Causes: A Monologue with Robert Flynn," Volume 5#1,
48-50. Foerster,
Ryan about "Merry
Prankster," (borderview by Robert Enright), Volume 25#3 (#99), 15-16. Folle
Avoine about "Folle
Avoine's Au Rythme du Courant: A Review," Laurel Howard, Volume 5#1, 33. Foote,
L.B. about "The
Best Possible Face: L.B. Foote's Winnipeg, A Review (compiled by Doug Smith and
Micahel Olito)," Andy Blicq, Volume 5#1, 33-34. portfolios "The
Stillness at the Eye's Centre: A Portfolio of Photographs by L.B. Foote,"
introduction by Meeka Walsh, Volume 5#1, 21-28. Foo,
Khai about "Vacant
Terrain," Christopher Brayshaw (visual art review: Dick Averns's Luxury
Avenue and Khai Foo's Still), Volume 18#1 (#69), 62-63. Ford,
Richard "Shadow-Caster,"
an interview with Robert Enright, (re: Independence Day and A
Multitude of Sins), Volume 20#4 (#80), 11. Interview "Misadventures
alon the Nature Trail," an interview with Robert Enright, Volume 25#1 (#97),
22-37. about "Shaken Up
All Over," (Borderview by Robert Enright), Volume 23#3 (#91), 13-14. Forrester,
Maureen about "Joan
& Maureen and Cav & Pag," John Eliot (Clark), Volume 1#1, 43. Forzley,
Richard "Telling
the Dancer from the Dance: Rachel Browne and Contemporary Dancers Canada,"
Volume 4#4, 30-33. Foster,
Stephen about "Stephen
Foster and James Gillespie," Portia Priegert, (visual art review re:
"Re-Mediations"), Volume 26#2 (#102), 101-102. Foulds,
Don about "Modernist
Sculpture on the Prairies: A Critical Appraisal," Liz Wylie, Volume 3#3,
10-16. Foy,
David about "Two-Brainer,"
Robert Enright (borderview: Dave & Jenn), Volume 25#4 (#100), 15-16. Frank,
Robert about "Deus Ex
Filmica: The Films of Robert Frank," Robert Enright, (column), Volume 27 #4
(#108), 26-27. "Fragments
of Memory," Robert Enright, (column), Volume 21#3 (#83), 18-19. "Frank
Speaking: An Interview with Robert Frank," Robert Enright, Volume 16#4 (#64),
14-33. "Mabou
Blues," Robert McGee, (photography review: Robert Frank: View from the Canadian
Side), Volume 18#3 (#71), 54-56. Frechette,
Heather poetry "Departure," Volume 24#3 (#95), 113. Freedman, Lori
about "Lori
Freedman, The Bass and the Restless," Randal McIlroy, Volume 18#2 (#70), 48-51. French,
Marilyn about From
Eve to Dawn, (book review by Robin Laurence), Volume 21#4 (#84), 86-88. Frenkel,
Vera about "Boundary
Blurrer: An Interview with Vera Frenkel," Robert Enright, Volume 26#2 (#102),
42-55. Friedrich,
Otto about "The
Essential Enigma of Glenn Gould," Robert Quickenden, (book review: Glenn
Gould: A Life and Variations), Volume 8#4, 47-49. Friesen,
Pat(rick) "Footing
It to the Lord, The Choreography of Margie Gillis, Karen Jamieson and Stephanie
Ballard," (text), Volume 14#2, 42-45. "Write
Speaking Mennonites: A Symposium," (with others), Volume 5#4, 21-28. reviews "Anita
and Christina/Phillipe (both written and directed by Per Brask)," Volume
5#1, 29-30. "Quiet
in the Land (play by Anne Chislett)," Volume 4#2, 42. "The
Salvation of Yasch Siemens (book by Armin Wiebe)," Volume 3#3, 17-18. "Song-lines,"
(book review: Some Day Soon: Essays on Canadian Songwriters by Douglas
Featherling and Alias Bob Dylan by Stephen Scobie) Volume 10#4, 44-46. about "Busy
Intersections," (book review: st. mary at main), by Mark Libin,
Volume 17#3 (#67), 70-71. "The
Consolation of Transcendence," Michael Springate, (re: You Don't Get to
Be a Saint), Volume 11#3, 37-39. "Flicker
and Hawk: A Review," Smaro Kamboureli, Volume 6#4, 44-45. "13
Ways of Looking at Pat Friesen," Wayne Tefs, Volume 7#2, 59-62. theatre "The
Shunning: Selections From a Play," Volume 5#1, 37-40. poetry "An
Audience with the Dalai Lama or, the Old-Fashioned Pas de Deux," Volume
5#4, 88-89. "Celebration,"
Volume 2#2, 64. "In
the Garden," Volume 2#2, 63. "Seashell,"
Volume 4#4, 34. "Something
Beloved: For Pat," Volume 16#1, 31. "The
Song Its Dazzle and Gospel: Three Poems by Patrick Friesen," Volume 13#1,
62-64. "Stepping
Out Of Old Skins," Volume 13#3, 52. "summer
going on fall," Volume 1#1, 61. "Sunday
Afternoon," Volume 4#4, 90. "wings,"
Volume 1#1, 56. Friesen,
Ralph "Still
Moving Pictures: The Art of John Paskievich and Michael Mirus," Volume
6#1, 12-14. reviews "Ikwe
(produced and directed by Norma Bailey)," Volume 6#4, 48-49. "questions
i asked my mother (by Di Brandt)," Volume 7#1, 30-31. "Savannah
Electric film produced by Perry Stratychuk)," Volume 6#3, 22-23. "Tommy
Douglas: Keeper of the Flame," Volume 6#2, 26. "Straight
Insanity," (film review: Archangel, directed by Guy Maddin) Volume
10#1, 52-54. Fritsch,
Eva about "Revelations
and Process," Arthur Adamson, (review: Five), Volume 1#2, 20-21. Frohwerk,
Ron reviews "Bev
Pike: Recent Work," Volume 7#3, 30-31. "Comfortable
Attractors," (visual arts review: William Eakin: Photographs and Diane
Whitehouse: Paintngs), Volume 9#2, 21-23. "The
Limits of Enchantment," (visual art review: Alone in a Secret Garden
by June Boyd), Volume 9#4, 49-50. "Modernist
Probes: A Review of In Seclusion with Nature, The Later Work of Lionel Lemoyne
Fitzgerald," Volume 8#1, 36-37. "Striking
out of the Closet," (film review: 1919 written and directed by Noam
Gonick), Volume 16#2, 57-58. "Town
'N Country," (gallery review: Urban/Rural Landscape at Main Access
Gallery)Volume 8#3, 26-28. Frye,
Northrop about "Divisions
on a Ground: Essays on Canadian Culture, A Review," S.G. Buri, Volume 2#2,
56-59. "The
Educating Imaginer: Northrop Frye (1912-1990)," Dennis Cooley, Volume
10#2, 7-8. Fuchs, Barbara poetry "The
Sky's Blue Burn," Volume 9#4, 67. Fullerton,
Ted about "Ted
Fullerton," (re: Pushing the Edge: Selected Works in Painting and Sculpture),
Martin Golland, Volume 25#4 (#100), 103-104. Fulton,
Keith Louise "Nellie
McClung Theatre: A Political Act," Volume 4#2, 53-54. about "Close
Encounters of a Painterly Kind," (Borderview by Robert Enright), Volume 22#4
(#88), 11-12. "Karel
Funk," visual arts review by James D. Campbell, Volume 27#1 (#105), 94-95. "Newing
the Old: The Art of Tim Gardner and Karel Funk," Cliff Eyland, Volume 27#3
(#107), 132-141. Artists
pages, (all 3 Untitled, acrylic on panel), Volume 22#4 (#88), 49-51. about "Would
the Real History Please Stand Up," Elizabeth Legge, (visual art review: The
Recovery of History with Steve Gouthro, Bev Pike), Volume 10#4, 51-53. "Tribal
T.V.: New Video and Democracy on the Prairies after Modernism," Al
Rushton, Volume 2#3, 39-44. Art pages
"Cat
Series 2000," photographs by Sheila Spence, Volume 19#4 (#76), 43-45. portfolio "Keyhole
Collages," (Director: Guy Maddin; Art Director: Paul Butler; Michael Dumontier,
Brad Phillips, Simon Hughes, Jeff Funnell, Alicia Smith, Caelum Vatnsdal: Art
Department), Volume 26#4 (#104), 58-67. Gaboury,
étienne borderviews "The
Functional Metaphysician," Introduction by Robert Enright, (re: Gaboury's
paper on art and architecture), Volume 15#4, 7-8. Gagnon,
Francois-Marc about "Going
Out the Other Side: A Review of Paul-Emile Borduas," Joseph Christianson,
Volume 7#4, 49-50. Gaitan,
Juan about "Exponential
Future," Christopher Brayshaw, (visual art review of exhibition curated by
Scott Watson and Juan Gaitan), Volume 27#2 (#106), 105-107. Galeano,
Eduardo about "Eduardo
Galeano Dissonant History and the Carnival of Desire and Loss, Daniel Fischlin,
Volume 13#4, 49-51 "Psychic
Contagion," Daniel Fischlin, (review: Walking Words), Volume 14#4,
82-84. fiction "Story
of the Mosquito Miracle," Volume 13#4, 85-86. Gallery
454 about "An
Exhibition of Self-Portraits," Meeka Walsh, (visual art review), Volume
7#1, 34-35. Gallery
on the Avenue about "A
Walk on the Art Side," Richard Noble, (gallery review: Gallery on the
Avenue by Winnipeg's Downtown BIZ), Volume 9#4, 43-44. Galt,
George about "A Seismographic
Sketch," (review of The Thinking Heart: Best Canadian Essays) Volume 11#2,
38-40. Gammon,
Lynda about "Home
is Where the Space is," Petra Halkes, (visual art review: Home is Where
the Heart is, Bill Eakin, Aganetha Dyck, Lynda Gammon and Wanda Koop),
Volume 16#1, 48-49. "Renovating
Domesticity," Alison Gillmor, (visual art review: Recently Constructed
Works), Volume 9#1, 33-34. Ganis,
William reviews "Francesco
Vezzoli," (visual art review), Volume 27#1 (#105), 90-91. "Maps in
Doubt," (visual art review re: exhibition curated by Dan Adler, featuring
artwork by Gwen MacGregor and Sandra Rechico), Volume
28#1 (#109), 94-96. "Shary
Boyle," (visual art review re: "Aspects & Excess"), Volume 26#2 (#102),
87-88. Gardner, Tim
about "Newing the
Old: The Art of Tim Gardner and Karel Funk," Cliff Eyland, Volume 27#3 (#107),
132-141. "Winnipeg
on the Hudson," by James Trainor, (re: The Royal Art LodgeMichael Dumontier,
Hollie Dzama, Marcel Dzama, Neil Farber, Drue and Myles LangloisJon Pylypchuk
and Tim Gardner in NYC), Volume 22#3 (#87), 36-47. review "Cultivating
Your Own Gardner," Robert Enright, Volume 19#4 (#76), 8-9 Garneau, David
borderviews "Indelible
Inkages," (re: "Pierced Hearts and True Love," Vancouver Art Gallery), Volume
16#2, 4-5. reviews "The
Alberta Biennial of Contemporary Art 2002," visual art, Volume 21#4 (#84),
76-78. "Beyong
the One-Liner: The Masks of Brian Jungen," visual art, Volume 19#4 (#76),
91-92. "Bob
Boyer," (visual art review), Volume 28#1 (#109),
112-114. "Bob Boyer
and Jeff Thomas," (visual art review), Volume 24#2 (#94), 108-109. "Coaxing
Nature," (re: Peter von Tiesenhausen's Lebensläufe), Volume 17#3
(#67), 74-75. "Eyestreaming,"
(visual art review: Joane Cardinal-Schubert:Two Decades), Volume 17#1,
49-50. "Form
Follows Form," (visual art review: Studio Series: Douglas Bentham), Volume 19#2 (#74), 70-71. "Graeme
Patterson," (visual art review: Woodrow), Volume 27#1 (#105), 109-111. "Greg
Payce," (visual arts review of potter Greg Payce), Volume 21#3 (#83),
85-86. "Manifest
Cartography," (re: Gregor Turk: The 49th Parallel: Barrier as Corridor),
Volume 15#3, 70-71. "Messages
Beyond the Medium," (visual art review: "Lost Homelands"), Volume 19#2 (#74),
75-77. "Naked
Before the Subject," (re: George Steeves: 1979-1993), Volume 15#2, 62-64. "Natural
Double Takes,"(visual art review: Iain Baxter: Landscape Works), 18#3
(#71), 52-5 "Painting,
the Fame Game," (visual art review: Chris Cran: Surveying the Damage,
1977-1998), Volume 18#1 (#69), 56-58. "Pandora's
Box," (visual art review, exhibition curated by Amanda Cachia, featuring
artworks by Laylah Ali, Chitra Ganesh, Leesa Streifler and Cara Walker), Volume
27#3 (#107), 190-193. "The
Paradoxes of Intolerance," (re: "Intolerance"), Volume 15#3,
63-65. "Post-Ironic
Re-Enchantments," (re: The 1996 Alberta Biennial of Contemporary Art
at the Edmonton Art Gallery), Volume 15#4, 65-68. "Remodelling
the Gaze," (visual art review: "Body Language," Elsbeth Coop & Iris
Hauser), Volume 20#2 (#78), 126-127. "Revolve:
Maxing out Minimalism," visual art review: Revolve, Volume 20#3 (#79),
78-80. "Sex
Manual," (visual art review: Exposed: Aesthetics of Aboriginal Erotic Art),
Volume 18#4 (#72), 78-80. "Sightlined
Impressions," (printmaking review: Sightlines, an international symposium
on Printmaking and Image Culture), Volume 17#1, 54-57. "Vera
Greenwood," (visual art review of "L'hotel Soficalle"), Volume 22#3 (#87),
96-97. "Vice
Viscera," (visual art review: Viscerate: New Works by Bev Pike), Volume
16#2, 60-61. "Wildlife:
A Field Guide to the Post Natural," (visual arts review of works by Lois
Andison, Nina Katchadourian, Jake Moore, Warren Quigley and Louise Weaver)
Volume 20#4 (#80), 70-72. Garnet,
Eldon about "Brooke-ing
No Compromises," Gary Michael Dault (review: Reading Brooke Shields:
The Garden of Failure), Volume 15#3, 68-70. "Dispiriting
Nature: The Work of Eldon Garnet and Genevieve Cadieux," Martha Langford,
Volume 19#4 (#76), 36-41. Garnier,
Andrea "The
Bull Plume Winter Count," (Intro.), Volume 11#4, 82-85. Gartner,
Marianna about "Anomalous
Art," Robert Enright, (borderview), Volume 14#1, 4. Gas
Station Theatre about "Gas
Station Theatre Summer Season '87," Lee Anne Block, Volume 6#4, 43. Gauthier,
Suzanne about "Artist's
Profile," Ann Cameron, Volume 2#1, 58-59. "Blue
Prairie League," Robert Enright, Volume 15#1, 4-5. "Departures
and Arrivals: Three Winnipeg Artists Come Home," Robert Enright, Volume
4#1, 48-50. "Preying
and Predatoring: The Recent Paintings of Suzanne Gauthier," Robert
Enright, Volume 5#1, 18-20. portfolios "Black
and While and Light: The Photographs of Suzanne Gauthier," introduction by
Hilary Michaels, Volume 7#4, 56-63. Gay
Issues "Pink Paws
in Berlin," N.E. Sjoman, (cultural review re: "Goodbye to Berlin: 100 Years of
Gay Liberation"), Volume 16#3, 65-66. Gayton,
Don about "Inscaping
the Landscape," Pamela Banting, (book review: Landscapes of the
Interior:Re-Explorations of Nature and the Human Spirit), Volume 16#1,
53-56. "Mechanics
of Intimacy," Meeka Walsh, (book review: The Wheatgrass Mechanism:
Science and Imagination in the Western Canadian Landscape ), Volume 10#4,
42-44. Gec,
Stefan about "The
Poetics of Alchemy: Sea Changes in the Art of Stefan Gec," (borderview by
Robert Enright), Volume 17#2 (#66), 5-6. Geddes,
Gary about "Making
News," Birk Sproxton, (poetry review: Active Trading: Selected Poems,
1970-1995), Volume 16#3, 69-70. articles "Contra-Diction:
Nicaragua and the War of Words," Volume 9#1, 58-62. essays "A
Terrible Beauty, or how you can't go back to where you've never been,"
(re: Kent State University killings, 1970), Volume 15#4, 25-28. "Making
War Making Light," (re: travels in Afghanistan), Volume 21#3 (#83), 72-78. poetry "Girl
by the Water: Ten Poems," Volume 12#4, 38-40. "Hong
Kong Sequence," Volume 5#2, 37-41. "Old
Light," Volume 7#1, 21-25. Gego
(Gertrude Goldschmidt) about "Gego,"
Megan Ratner (visual art review re: "Between Transparency and the Invisible"),
Volume 26#3 (#103), 142-143. Geleynse,
Wyn about "Film-fan
Man," Gerry Kisil, (visual art review: Wyn Geleynse: New Still and Film
Projections), Volume 16#1, 58-59. "Wyn
Geleynse," Patrick Mahon (review of exhibition A Man Trying to Explain
Pictures), Volume 25#2 (#98), 117-118. "Wyn
Geleynse and Taras Polataiko, Mirrors of the Subject," visual art review, by
Mark Cheetham, Volume 20#3 (#79), 65-67. General
Idea "Particularizing
Some General Ideas," (interview with AA Bronson by Robert Enright), Volume 23#1
(#89), 28-44. Genosko, Gary
about "A
Plague on Both Their Houses," David Arason, (book review: Contest:
Essays on Sports, Culture, and Politics), Volume 18#3 (#71), 72-74. reviews "Building
Blocks of Memory," (visual art review: Caroline Dukes's Cities), Volume
18#1 (#69), 67-68. "Refrains
of Masculine Experience," (visual art review re: "The Human Position" by Tom
Lovatt), Volume 17#2 (#66), 52-53. "Salt
on his Tail," (visual art review: Doug Lewis's Saltbath), Volume
18#1 (#69), 61-62. columns "The Art
of Surveillance," Volume 19#1 (#73), 13-14. "Cool,
Calm and Collectible," (re: collecting 8-tracks), Volume 17#3 (#67), 10 "Cute
Art," Volume 18#4 (#72), 12-14. "Family
Values," (re: visual artist Charles Ray), Volume 21#1 (#81), 17-18. "Frontal
Lepidoptery,"(re: Margaret Bourke-White), 18#3 (#71), 14-15. "Gastronomisme,"
Volume 19#3 (#75), 16-17. "Monster
Mash," Volume 20#2 (#78), 18-19. "Slaughterhouse
Fave," (re: animal slaughter and art), Volume 18#2 (#70), 11-12. "West of
the Deadline," Volume 20#3 (#79), 22-23. "The Wind
Cried Glenn," (re: Glenn Gould), Volume 19#2 (#74), 12-13. George
Franklyn about "A
Walk on the Rastafarian Side: The Art of Franklyn George," Alison Gillmor,
Volume 5#4, 36-38. George,
Gomo About "Black
Body: Race, Resistance, Response," (visual arts review by Sarah Hollenberg of exhibition
featuring: Lucie Chan, Crystal Clements, Rebecca Fisk, Buseje Bailey, Michael
Chambers and Gomo George), Volume 20#4 (#80), 76-77. Gibson,
Ralph About "From
Flesh to Stone: The Photography of Ralph Gibson," (an interview with Robert
Enright)Volume 21#2 (#82), 18-35. Giii,
Ron about "Ron
Giii," (visual art review by Deborah Margo), Volume 27 #4 (#108), 117-119. Gillespie,
James about "Stephen
Foster and James Gillespie," Portia Priegert, (visual art review re:
"Re-Mediations"), Volume 26#2 (#102), 101-102. Gillick,
Liam about visual
arts review of "Annlee You Proposes," by Rosemary Heather, Volume
21#3 (#83), 80-81. Guerrera,
Massimo about "Massimo
Guerrera, Core Generosity," visual art review: Darboral, Jenifer Papararo,
Volume 20#3 (#79), 85-86. Gibson,
Graeme about "The
Bedside Book of Birds: An Avian Miscellany by Graeme Gibson," book review
by David Arnason, Volume 25#1 (#97), 106-107. Gibson,
William "The
Nextworld According to Gibson," Wayne Tefs, Volume 10#4, 6-7. Gigliotti,
Ken about "People
of the Interlake: A Review," Meeka Walsh, Volume 5#4, 51-52. Gill,
William reviews "Gary
Michael Dault," (visual art review of "60 Minutes of Painting"), Volume 26#4
(#104), 87-88. Gillis,
Margie about "Footing
It to the Lord, The Choreography of Margie Gillis, Karen Jamieson and Stephanie
Ballard," (Robert Tinker, photgraphs, Patrick Friesen, text), Volume 14#2,
42-45. Gillmor,
Alison "Sewing
Fine Seams: The Needlecraft of Baker Lake Women," Volume 3#4, 29-32. "Strip,"
(photographs by Cheryl Albuquerque), Volume 13#4, 52-55. "The
Tough-Minded Line: The Recent Drawings of Sharron Zenith Corne," Volume
8#1, 24-26. "Uumajut:
Animal Imagery in Inuit Art," Volume 4#3, 21-23. "A
Walk on the Rastafarian Side: The Art of Franklyn George," Volume 5#4,
36-38. reviews "Air
Winnipeg," (re:Catherine Collins: Little Eden) Volume 15#2, 56. "Atavistic
Refinements," (visual art review re: Captive and absent: a video
installation by Lori Rogers), Volume 17#1, 47-48. "Bar
Everyone," (re: Morris/Trasov Archive: Colour Research), Volume 14#4, 73. "Body
Persistence," (re: The Culture of Pain by David B. Morris & The
Body Imaged: The Human Form and Visual Culture Since the Renaissance by
Kathleen Adler and Marcia Pointon eds.), Volume 12#4, 67-68. "Call
Girls Car Boys (exhibition by Wayne Baerwaldt)," Volume 5#2, 32-33. "Caroline
Dukes," (visual art review), Volume 27 #4 (#108), 95-96. "Clifford
Wiens," (visual art review re: "Telling Details: The Architecture of Clifford
Wiens"), Volume 26#2 (#102), 105-106. "Conflict
Irresolution," (re:Queer Looks: Perspectives on Lesbian and Gay Film and
Video), Volume 13#3, 58-59. "Delta
(by Marcel Gosselin)," (exhibition review), Volume 6#1, 37. "Elusions
of Mysticism," (re: The Logic of Ecstasy: Canadian Mystical
Painting 1920-1940, Ann Davis) Volume 12#3, 58-60. "Flight
Lodge (installation by Karen Hoeberg)," Volume 6#2, 28-29. "The Force
of Uncertainty," (re: "Memories of Overdevelopment: Philippine Diaspora in
Contemporary Art"), Volume 16#4, 60-61. "Fresh
Blood," (re: Main/Access Gallery exhibition), Volume 6#4, 46-47. "Heart
Attacks," (re: Patti Johnson, Studio Series), Volume 15#2, 51-52. "Home,
Home on the Wide-Ranging," (performance review: Show Girls: A Festival of Women's
Performance), Volume 17#1, 51-53. "Inadmissable
Evidents," (visual art review: Evident Truths: Greg Curnoe, 1936-1992),
Volume 15#4, 60-61. "Media
Twists," (visual art review: New Work by Myron Turner), Volume 8#3,
31. "Memory
Tracks," (re: Myron Turner: Two Women and Other Metaphors for Memory,
& Woodcut Retrospective), Volume 14#2, 53-54. "Never
Trust a Hippie (exhibition by Barb Hunt)," Volume 6#3, 24. "Objects
of Wonder," (re: Still Life, Aganetha Dyck and Karen Thornton), Volume
14#3, 22-23. "Obsessive
Posterings," (re: Imponderable Joys: The Work of Austin Cooper), Volume
13#2, 50-51. "The
Practice of Conflicting Art," Volume 11#4, 73-74. "Renovating
Domesticity," (visual art review: Recently Constructed Works by
Lynda Gammon), Volume 9#1, 33-34. "Rue
Velvet," (visual art review: "Velvet" by Laura Vickerson) Volume 16#3, 78-79. "Russian
Rusticity," (book review: Hot Ice: Shakespeare in Moscow, A Director's
Diary by Guy Sprung with Rita Much) Volume 11#1, 53. "Schouten
in the Landscape," (visual art review: "Treaty Lands: An Exhibition of
Paintings by Tim Schouten"), Volume 17#2 (#66), 60-61. "Sexy
Po-Mo," (visual art review: Ho Tam: Drawings, Paintings and a Manga in
Progress), Volume 16#2, 60. "Thrilling
Us Softly," (re: Carl Beam), Volume 12#3, 48. "Tools
of Power (drawings by Frieso Boning)," Volume 5#3, 30-31. "Unfix
Ability," (re: Shift by Reva Stone; Tom Stroud, Glenn Buhr; Huch Conacher,
Margaret Sweatman), Volume 15#1, 65-66. "Upstairs,
Downstairs: A Review of Slow Information, The Gradual Effect of Installation
art, works by Barb Hunt and John Groves," Volume 8#2, 47-48. "Vogue
Memory," (photography review: A Vogue Memory, Photographs from the
Vogue Studio, curated by Peter Tittenberger) Volume 10#1, 49-50. "When
She Dread Awakens," (re:Diana Thorneycroft: a slow remembering), Volume
14#1, 67-68. borderviews "Shoe
Business," (re: Border Crossings fundraiser), Volume 14#2, 4 Gillmore,
Graham about "Vancouver
School," Robin Laurence, (review of group show: Douglas Coupland, Graham
Gillmore, Angela Grossmann, Attila Richard Lukacs, Derek Root), Volume 25#3
(#99), 113-114. Ginader,
Gerhard about "Industrialisme,"
Cliff Eyland, (visual art review: ReCurrentworks by Mary Joyce, with
sound installation by Gerhard Ginader), Volume 15#4, 64-65. Ginsberg,
Allen symposium "Questioning
Bodies: A Symposium on Censorship and Representation," Introduction by
Robert Enright, Volume 10#2, 15-26. Girard,
Cynthia about "Cynthia
Girard," Virginia Dixon (visual art review of "The Sect of the Flying Mouse"),
Volume 26#4 (#104), 101-102. Girard,
Francois about "The
Woman and the Violin," (column by Robert Enright on The Red Violin
directed by Francois Girard), Volume 18#2 (#70), 10. Giroux,
Christian Article "Victoria's Secret," (re: Victoria SculptorsMowry Baden, Daniel Laskarin, Robert Wise, Roland Brener, Grant Watson, Ken Lum, Wendy Welch), Volume 22#3 (#87), 60-67. "Mowry
Baden, Turning and Turning in the Freckled Gyres," visual art review, Volume
20#3 (#79), 69-70. Givner,
Emily reviews
"Figuring
the Disfigured," (re:Paul Sisetski) Volume 12#3, 56-58 Glabush,
Sky About "The
Archaeology of Beauty: Recent Paintings by Sky Glabush," visual art review by
Greg Beatty, Volume 19#4 (#76), 84-86. "Rental
Properties," borderview by Robert Enright, Volume 28#1 (#109), 16-17. "Sky
Glabush," (visual art review by Terence Dick), Volume 23#4 (#92), 108-109. "Sky
Glabush," Christa O'Keefe, (review of Living Together), Volume 25#2
(#98), 99-100. reviews "Art
Forager," (visual art review: Facing the Void: Recent Work by Rodney
Konopaki), Volume 18#4 (#72), 87-88. "Brian
Belott," (visual art review of "Lost and Found Slide Show"), Volume 26#4
(#104), 94-96. "Cartographers
of Desire," (visual art review: Irene Whittome and Eleanor Bond), Volume 18#2
(#70), 57-59. "Genealogies
of Blood and Breath," (visual art review: "The Blood Records" by Lisa Steele
and Kim Tomczak), Volume 19#2 (#74), 89-91. "Jay
Isaac," (visual art review of Jay Isaac's exhibition, "The Energy of the Sun"),
Volume 28#1 (#109), 110-112. "Maxwell
Bates," (visual art review), Volume 23#3 (#91), 111-113. "Pere
Perehudoff," (visual art review: Bill Perehudoff Five Decades of Colour),Volume
18#3 (#71), 63-65. "Through
a Glass Repetively," (visual art review: Copycat: Adventures in
Intertextuality curated by Kent Archer), Volume 19#1 (#73), 81-83. "Turning
and Learning in Her Widening Gyre," (visual art review: The Source of Things
exhibition of paintings by Margaret Vanderhague and Marie Lannoo), Volume 19#1
(#73), 67-69. "Kara Uzelman,"
(visual art review of installation You look like you whereas I tend to look
like me), Volume 25#1 (#97), 126-127. "Whose
Margin is This Anyway?" (visual art review: On the Margin: Contemporary
Art from Ukraine), Volume 18#1 (#69), 60-61 Glass,
Joanna about "Canadian
Sparkle, American Dreary," David Arnason,(theatre review: Canadian
Gothic and American Modern), Volume 1#1, 18-19. "A
Long Evening's Journey into Night: A Review of The Last Chalice," Judith
Kearns, Volume 1#3&4, 9-10. Glass,
Matei about "Through a
Glass, Darkly: Matei Glass and the Other's Other," (article by Gary Michael
Dault), Volume 25#3 (#99), 88-96. Glass,
Matt portfolio "Remembering
to Forget, Romania and the Looking Glass," (Text by Owen Bennet Jones),
Volume 14#4, 54-60. Glavin,
Eric "Flatlanders:
Collecting The Present in Toronto," (review by Xandra Eden of works by
Elizabeth McIntosh, Eric Glavin, Mark Bell, Sally Spath, and Nestor Kruger),
Volume 20#4 (#80), 34-40. Glawson,
Larry about "Anirniliit:
Breathing in the Cold," (review by Amy Karlinsky), Volume 23#2 (#90), 95-97. "The
Meta-Ethics of Image-Making: Recent Photographs of Larry Glawson," Marilyn
Wolovick, Volume 8#1, 6-7. "Ordinary
Life is Good Enough: Larry Glawson's Home Bodies," Sigrid Dahle, Volume 27#3
(#107), 154-160. "Things
Being Not as They Seam, The Photographs of Larry Glawson," Lisa Gabrielle
Mark, Volume 12#4, 29-33. portfolios "Family
Album: Photographs by Larry Glawson," introduction by Robert Enright,
Volume 3#2, 41-45. Gober, Robert about "Robert
Gober," Mark Clintberg (visual art review of "Robert Gober: Work 1976-2007"),
Volume 26#4 (#104), 104-106. Godden,
Mark about "For
Whom the Ballet Tolls," Robert Enright, (re: Miroirs), Volume 14#3, 5-6. "Moving
for the Jugular," Michael Crabb (dance review: Dracula), Volume
18#1 (#69), 70-72. "Telling
the Dancer from the Dancing Film: Set Pieces from Dracula: Pages from a
Virgin's Diary," (interview with Mark Godden and Guy Maddin by Robert Enright),
photographs by Bruce Monk, Volume 20#4 (#80), 54-65. Godwin,
K. George "The
Good,the Bad and the Glory: Film-Making in Manitoba," Volume 8#2, 7-10. "Cartooning
in Clay: The Ceramic Art of Jordan Van Sewell," Volume 9#3, 6-10. reviews "Bordertown
Vogue," (film review: Bordertown Cafe produced and directed by
Norma Bailey), Volume 10#3, 36-37. "The
Company of Strangers," (film review: The Company of Strangers
written by Gloria Demers; directed by Cynthia Scott) Volume 10#2, 38-41. "Distinct
Cinematic Voices," (film review: Three Premiéres by Winnipeg Film
Group), Volume 9#2, 37-38. "Extremes
of Behaviour," (re: The Barbecue by Winston Washington Moxam, Hunters
and Gatherers by Darrell Varga/ Wpg Film Group), Volume 13#4, 63-65. "Family
Gifts," (film borderview: Taking a Walk with Dad by Shereen
Jerrett) Volume 10#3, 38-39. "Fathers
and Films," (film review: Winnipeg Film Group Premires), Volume 8#4,
46-47. "Home
Is Where the Art Is," (re: Quality Time by Darrell Varga), Volume
12#2, 51-53. "Insider
Video," (video review: We're Talking Vulva by Shawna Dempsey and
Tracy Traeger), Volume 9#4, 44-45. "Tales
from the Gimli Hospital (written and directed by Guy Maddin)," Volume 7#3,
25-26. "Tunes
Too Plenty: A Review of Tunes a Plenty (Written and directed by Greg Hanec),"
Volume 8#1, 31-32. Goetz,
Melody poetry "Two
Poems," Volume 10#3, 19. Gogarty,
Amy reviews "The
Full Rag and Bone Shop of the Art," (re:G-R: an installation by Grant
Poier) Volume 11#2, 40-41. Goldchain,
Rafael about "I Am
My Family: Photographic Memories and Fictions by Rafael Goldchain," (book review by Richard
Holden), Volume 27 #4 (#108), 107-109. Golden,
Cora About Design
in Canada :by Rachel Gotlieb and Cora Golden (book review by Neil Minuk),
Volume 20#4 (#80), 79-80. Goldie,
Terry reviews "Drawer
and Gatherer," (re: The History of the Village of Small Huts:
Parts One to Eight by Michael Hollingsworth), Volume 14#1, 64-65. Goldin,
Nan about "Dangerous
Elisions," (re: Currents '93: Dress Codes and The Other Side) by Len
Findlay, Volume 12#4, 52-54. Goldstein,
Allan A. about "Little
Big Film: A Review of The Outside Chance of Maximilian Glick," Joseph
Christianson, Volume 8#2, 19. "Sensational
Instabilities," Robert Enright (borderviews), Volume 25#2 (#98), 15-16. Review "Ted
Fullerton," (visual art review of Pushing the Edge: Selected Works in
Printmaking and Sculpture), Volume 25#4 (#100), 103-104. about "Hendrick
Goltzius," (visual art review by Petra Halkes), Volume 22#3 (#87), 80-81. Golub,
Leon about "The
Ambiguous Witness: An Interview With Leon Golub," Robert Enright, Volume 19#1
(#73), 18-31. "Fancy
Dancer: Leon Golub 1922-2004," (column by Meeka Walsh and Robert Enright),
Volume 23#3 (#91), 20-21. "The Urge Foundation," Volume 23#3 (#91), 65-69. Gongora,
Romeo "The
Québec Triennial," (visual arts review by Stephen Horne), Volume 27 #3 (#107),
177-179. Gonick,
Noam about "Back to
Nature's Future," borderview by Robert Enright (re: Wildflowers of Manitoba),
Volume 26#2 (#102), 14-15. "Popeye
Gonick and the Filmy Spinach of Sex," Robert Enright, (film: Hey, Happy!) Volume 20#1 (#77), 44-54. "Striking
out of the Closet," Ron Frohwerk, (film review: 1919), Volume 16#2,
57-58. "Stryking
While the Fire is Hot," (film column re: Stryker by Robert Enright),
Volume 23#4 (#92), 14-15. portfolio "No Safe
Words," (includes interview by Adam Budak), Volume 27#3 (#107), 168-172. review "Transition/Transaction,"
(visual art review featuring the video work of Gabriel Yahyahkeekoot and
Daybi), Volume 26#3 (#103), 145-146. Good,
Jacqui "Dance-Maker,
The Turbulent and Moving Times of Rachel Browne," Volume 8#4, 58-63. "How
I Went to the Orient with the Royal Winnipeg Ballet and Almost Lost my
Objectivity," Volume 7#3, 42-47. "The
Whirled According to Darroch," Volume 6#3, 62-64. reviews "Camping
Out: A Wild Night with Lizst (performed by Contemporary Dancers)," Volume
6#2, 31. "Concertante:
Arnold Spohr and the Royal Winnipeg Ballet," Volume 4#1, 28. "Dancing
Love Letters," (book review: Dancing Through Time: The First 50 Years
of Canada's Royal Winnipeg Ballet by Christopher Dafoe and Dance Canada:
An Illustrated History by Max Wyman), Volume 9#4, 41-42. "In
the Beginning was the Bell," Volume 11#4, 74-75. "A
Moveable Feast," (re: 30th anniversary Gala, Contemporary Dancers), Volume
13#1, 47-48. "The
Second Festival of Canadian Modern Dance," Volume 5#4, 54-55. "What
Did Tedd Do Last?," (dance review: Tedd's Taking Dance to the Streets
#3 by Contemporary Dancers), Volume 9#2, 39-40. Goodes,
Donald reviews "Paradigm
Lost: Downloading the Ethics of Technology," (re: The 6th International
Symposium on Electronic Art Montreal), Volume 15#1, 58-60. Goodwin,
Betty about "A
Bloodstream of Images, an interview with Betty Goodwin," Robert Enright,
Volume 14#4, 42-53. Gordon,
Douglas about "Douglas
Gordon," (visual arts review by Christopher Brayshaw), Volume 21#3 (#83),
100-103. Gorlitz,
Will "The
Ethics of Uncertainty: An Interview with Will Gorlitz," (with Robert
Enright) Volume 7#4, 12-25. about "The Miss
of Sisyphus," (Borderview by Robert Enright), Volume 21#4 (#84), 12-13. "Will
Gorlitz," Julia Dault, (review of Will Gorlitz New Paintings), Volume
25#1 (#97), 108-110. Gormley,
Antony about "Antony
Gormley, One Moment after Another," Gary Michael Dault, (article), Volume 19#1
(#73), 54-58. "Making
the Impossible Self: A Symposium on Current Art Practice," (with others)
Volume 7#3, 33-35. Gornik,
April interview "The
Pleasure of Their Company:Steve Martin, April Gornik and Eric Fischl in
Conversation," Interview with Robert Enright, Volume 19#3 (#75), 26-46. "The
Seductions of Landscape," Interview with Robert Enright, Volume 16#3, 18-29. Gorris,
Marleen about "Hope
Films Eternal," Robert Enright (re: Antonia's Line), Volume 15#3.
12-13. Gorsline, Ron
about "Landscape
in Blue," Al Rushton, Volume 7#1, 48-51. Gosselin,
Marcel about "Delta:
A Review," Alison Gillmor, Volume 6#1, 37. "Marcel
Gosselin: Catalyst of the Intangible," Louise Kasper, Volume 2#4, 49-51. Gotlieb,
Rachel About Design
in Canada :by Rachel Gotlieb and Cora Golden (book review by Neil Minuk),
Volume 20#4 (#80), 79-80. Gould,
Glenn about "Glenn
Gould Variations: A Review," Chester Duncan, Volume 4#1, 25-26. "The Wind
Cried Glenn," Gary Genosko, (column), Volume 19#2 (#74), 12-13. Gould,
Meggan portfolio "Verso",
(photographs & text by Meggan Gould), Volume 27 #4 (#108), 87-93. Gould, Trevor Boddy reviews "Randall
Anderson," (visual art review re: exhibition Clouds), Volume 25#2 (#98),
116-117. Gouthro,
Steve about "Man of
Steel," (Borderview by Robert Enright), Volume 24#1 (#93), 10-11. "Would
the Real History Please Stand Up," Elizabeth Legge, (visual art review: The
Recovery of History by Jeff Funnell, Steve Gouthro, Bev Pike), Volume 10#4,
51-53. Governor-General's
Award about "The
Fiction of the Governor-General's Award," Marilyn Powell, Volume 3#1,
52-55. Grace,
Gregory about "Heaven's
Door: A Review," Ian Adam, Volume 1#3&4, 123-124. poetry "Garbage,"
and "The Snowfall," Volume 1#2, 75. Grafton,
Frances about "Beautiful
Monsters," Yvonne Owens, (review: A Critical Beauty - Frances Grafton,
Lucy Hogg, Patrick Mahon, Gu Xiong), Volume 15#2, 56-59. Graham,
Allison reviews "Outrageous!
and the Possibilities of Coming Out (by Richard Benner)," Volume
1#3&4, 131. Graham,
Rodney about "Rodney
Graham," (visual art review by Mark Clintberg), Volume 26#1 (#101), 93-95. Grand
Western Canadian Screen Shop about "The
Grand Western Canadian Screen Shop: Review and Reminiscence," Arthur
Adamson, Volume 3#2, 14-18. Grande, John
Review "John
Schweitzer's Pretty Arcade," visual art, Volume 19#4 (#76), 79-80. "Peter
Doig," (visual art review), Volume 21#1 (#81), 73-74. Grauerholz,
Angela about "Photo
Opportunities," Robert Everett-Green, (photography review: "Transition, Memory
and Loss: A Symposium on Contemporary Photography" featuring Evgeny Berrezner,
Angela Grauerholz, Thaddeus Holownia, Diana Thorneycroft, Chris Townsend),
Volume 17#2 (#66), 70-71. "Strange
Attracter," John Armstrong (photography review), Volume 16#4, 77-79. Great
Moscow Circus, The about "Hologrammar
Versus Wizardry," Gary Michael Dault, (review: Ringling Bros. and Barnum
& Bailey Circus, The Great Moscow Circus), Volume 14#1, 76-77. Green,
Art about "Green's Party: A Conversation with Art Green," interview by Robert Enright, Volume 24#4 (#96), 44-54. Green,
Jim "What's
So Big about Space?: A Conversation with Jim Green," (with Robert Enright)
Volume 3#4, 54-55. about "Beyond
Here: A Review," Dennis Cooley, Volume 3#4, 38-39. Greenaway,
Peter about "The
Rational Extremist: An Interview with Peter Greenaway," Robert Enright,
Volume 9#4, 76-85. Greenburg,
Reesa about "Thinking
about Thinking about Exhibitions," Petra Watson, (book review: Thinking
about Exhibitions edited by Reesa Greenburg, Bruce Ferguson and Sandy
Nairne), Volume 16#1, 50-52. Greene,
Elizabeth about "Adele
Wise Woman," Maggie Dwyer, (book review: We Who Can Fly, Poems, Essays and
Memories in Honour of Adele Wiseman, edited by Elizabeth Greene), Volume
17#1, 59-60. Greenwood,
Vera about "Vera
Greenwood," (visual art review of "L'hotel Soficalle" by David Garneau), Volume
22#3 (#87), 96-97. Gregoroff,
March "Regarding
Landscape," (visual arts review), Volume 21#3 (#83), 91-91-93. about "Objects
of Beauty by Joy
Gregory," (book review by Méira Cook), Volume 23#2 (#90), 100-103. Gregory,
Ken about "Demistifier," (Borderview by Robert Enright of "Climate Control or How to Predict the Weather with a Pig Spleen"), Volume 21#4 (#84), 14-15. "Ken
Gregory," (visual art review by Christabel Wiebe), Volume 23#4 (#92), 96-98. "Self-Recorder,"
Randal McIlroy, Volume 15#1, 40-43. Reviews "Sounding
Off," (sound review: send + receive'a festival of sound presented by Video
Pool reviewed by Ken Gregory and Susan Chafe), Volume 18#2 (#70), 65-66. Gregory,
Sheila about "Gregoryian
Rant," Betty Ann Jordan, (visual art review: Paintings), Volume 16#2,
65. Greunding,
Dennis about "Gringo:
A Review," George Amabile, Volume 3#2, 26. about "John
Adams Griefen," (visual art review by Terry Fenton), Volume 23#3 (#91),
117-119. about "Clint
Griffin," (visual art review by Gary Michael Dault), Volume 23#4 (#92), 95-96. Griffiths,
Eliza about "Fictive
Spaces," Robert Enright, (borderview), Volume 17#3 (#67), 4. "Souped-Up
Everything: the Art of Eliza Griffiths," (interview with Robert Enright),
Volume 22#4 (#88), 72-79. Grossmann,
Angela about "Vancouver
School," Robin Laurence, (review of group show: Douglas Coupland, Graham
Gillmore, Angela Grossmann, Attila Richard Lukacs, Derek Root), Volume 25#3
(#99), 113-114. Groulx,
David poetry "four
poems," Volume 18#1 (#69), 82-83. Group
of Seven about "Portrait
of the Artist as a Mountain Climber," Introduction by Robert Enright,
David Alexander, (book review: A Hiker's Guide to Art of the Canadian
Rockies by Lisa Christensen), Volume 15#4, 4-5. "Who
are the Passionate Canadians?: A Review," (script by Nancy Reilly), Ann
Davis, Volume 1#3&4, 130-131. Groves,
John about "Fresh
Blood: A Review," Alison Gillmor, Volume 6#4, 46-47. "Upstairs,
Downstairs: A Review of Slow Information, the Gradual Effect of Installation
Art," Alison Gillmor, Volume 7#2, 47-48. Gudmundson,
Wayne portfolios "North
Dakota Landscapes," Volume 4#4, 51-61. Gunnars,
Kristjana "Elfing
and Trolling in Manitoba: The Sculpture of Anna Bara Arnadottir," Volume
5#4, 84-86. reviews "The
Land They Gave Away: New and Selected Poems and Montage for an Interstellar Cry
(books by Andrew Suknaski)," Volume 2#4, 36-37. "The
Loneliness of the Long-Distance Writer," (re: Days of Obligation:
An Argument with my Mexican Father by Richard Rodriguez), Volume 13#3, 66-67. about "Settlement
Poems I and II and Wake-Pick Poems: A Review," Kathie Kolybaba, Volume
2#1, 70-71. fiction "Tomas
Jonasson, Jazz," Volume 3#1, 65-69. poetry "Enthroned
Secrets," Volume 4#4, 42. "Greek
Observation," Volume 4#4, 49. Gunnarson,
Stula about "India
On His Mind," Robert Enright, (borderview), Volume 18#2 (#70), 6-7. Guston,
Philip about "Figuring
Out Abstraction," Petra Halkes, (visual art review: "Philip Guston
Tableaux/Paintings 1947-1979") Volume 19#3 (#75), 75-77. "Philip
Guston," (visual art review by Julia Dault), Volume 27 #4 (#108), 94-95. Gutkin,
Harry & Mildred about "When
Western Canada Was A Developing Country," Abraham Arnold, (book review: The
Worst of Times, The Best of Times: Growing up in Winnipeg's North End),
Volume 8#3, 28-29. Haas,
Maara about "On
Stage with Maara Haas: A Review," Abraham Arnold, Volume 6#1, 27. about "Wallpaper
Weight," (Borderview by Robert Enright), Volume 22#4 (#88), 10-11. Hagens,
Gunther von about "Gunther
von Hagens," (visual arts review of "Body Worlds" by Rosemary
Heather), Volume 21#3 (#83), 88-89. Haida
Art "Haida
Glee: Transitions in Northwest Coast Art," (article re: Raven Travelling:
Two Centuries of Haida Art at the Vancouver Art Gallery; Past to
Present: Important Works from the First Peoples of the Northwest Coast at
Equinox Gallery; Two Perspectives: Visions of Haida Gwaii at the Marion
Scott Gallery. Artists work featured: Robert Davidson, Sonny Assu, Hazel
Wilson, Tom Price, Jim Hart, Primrose Adams, Charles Edenshaw, Bill Reid, Art
Thompson, Edward Epp), Robin Laurence, Volume 25#4 (#100), 66-74. Hainstock,
Robert about "Barns
of Western Canada: An Illustrated Century, A Review," Robert Enright,
Volume 6#4, 40-41. Hkansson, Henrik
about
"Henrik
Hkansson and Eadweard J. Muybridge," (visual art review by James Campbell),
Volume 25#3 (#99), 119-121.
Halkes, Petra
about "Seeing
Isn't Believing," Carol Podedworny (visual art review: Lightship: Channa
Boon & Petra Halkes), Volume 18#3 (#71), 53-54. Article "Beauty
Marks," (re: exhibition entitled "The Beauty of Evil" featuring Eleanor Bond,
Thomas Ruff, Anselm Kiefer, Julian Rosefeldt, Piero Steinle, Bernardo
Bertolucci, Marlene Dumas, Andres Serrano), Volume 21#1 (#81), 38-43. "The
Diefenbunker Stops Here," Volume 20#1 (#77), 34-39. reviews "Aesthetical
Science," (photograpahy review: Photography in Science: Beauty of Another
Order), Volume 17#1, 50-51. "The Body
Transformed," (re: Nat'l Gallery exhibition at Shawinigan feat.: Ron Mueck,
Betty Goodwin, Louise Bourgeois, Kiki Smith, Germaine Richier, Genevieve
Cadieux, Janet Cardiff, Primo Levi), Volume 22#4 (#88)95-97. "Emily
Carr," (visual art review of Emily Carr: New Perspectives), Volume 25#4
(#100), 91-93. "Caught in
the Act: The Viewer as Performer," (visual art review re: exhibition at the
National Gallery of Canada, featuring artwork by Rodney LaTourelle, Mowry
Baden, Rebecca Belmore and Massimo Guerrera), Volume
28#1 (#109), 96-99. "Christopher
Pratt," (visual art review: Christopher Pratt at National Gallery),
Volume 25#1 (#97), 1113-114. "Lynne
Cohen," (visual art review of "No man's land. The Photographs of
Lynne Cohen"), Volume 21#3 (#83), 94-95. "The
Collectors," (visual art review: Of Mudlarkers and Measurers), Volume 16#3,
75-76. "Emergence
from the Shadow:
Past Tense, Present Solution," visual art, Volume 19#4 (#76), 93-95. "Figuring
Out Abstraction," (visual art review: "Philip Guston Tableaux/Paintings
1947-1979") Volume 19#3 (#75), 75-77. "Fragile:
Reconstruct with Care," (re: Cosmoville by Eleanor Bond), Volume
15#1, 61-64. "The
Glory of Roam," (visual art review: Corot: 1796-1875), Volume 15#4,
68-70. "Michael Harrington," (visual art review), Volume 24#3 (#95), 110-111. "Michael
Semak," (visual art review: Michael Semak at Cdn Museum of Contemp
Photography), Volume 25#1 (#97), 110-111. "Hendrick
Goltzius," (visual art review), Volume 22#3 (#87), 80-81. "Richard
Hines," (visual art review), Volume 25#3 (#99), 127-128. "Home
is Where the Space is," (visual art review: Home is Where the Heart is,
Bill Eakin, Aganetha Dyck, Lynda Gammon and Wanda Koop), Volume 16#1, 48-49. "Wanda
Koop," (visual art review of "Recent Paintings"), Volume 22#1 (#85), 60-61. "Landscape
x 4: Geoffrey James, Alex Cameron, Jennifer Stead, Kelly Richardson," (visual
art review), Volume 27#2 (#106), 98-100. "Master
Bewilder," (visual art review: Les images volubiles/Eloquent Images by
Michel Campeau), Volume 16#2, 59-60. "Michael
Boss and Leslie Thompson," (visual arts review), Volume 21#4 (#84), 84-86. "The
Myth Universe Pageant," (visual art review: "Kunstwelten im Dialog - von
Gauguin zur Globalen Gegenwart" - "Art Worlds in Dialogue - From Gauguin to the
Global Present"), Volume 19#2 (#74), 77-79. "Photogothy,"
(photography review: Barber's Music by Donigan Cumming), Volume 18#3
(#71), 56-57. "Reservation
X," (visual art review: Reservation X), Volume 17#3 (#67), 71-73. "Robert
Kananaj," (visual art review), Volume 22#3 (#87), 100. "Serious
Play," (visual art review: Crossings), Volume 17#4 (#68),71-74. "Spring
Hurlbut, White Exploits," visual art review: Tomb Guardian, Volume 20#3
(#79), 84-85. "Stephen
Hutchings," (visual art review), Volume 28#1
(#109), 100-102. Hall,
John about "Ascending
Pleasures," Michael Crabb, (review: John Hall: Traza de Evidencia), Volume
13#3, 55-56. "Odd
Man Out: An Interview with John Hall," Robert Enright, Volume 8#3, 8-19. Hamilton, Ann
interview "The
Aesthetics of Wonder: An Interview with Ann Hamilton," Robert Enright, Volume
19#2 (#74), 18-33. about "Getting
to the Heart of the Matterings," Bob McGee (visual art review: Ann Hamilton's
exhibitions the body and the object: 1984 to 1997 and mattering),
Volume 18#2 (#70), 68-69. Hanec, Greg
about "Tunes
Too Plenty: A Review of Tunes A Plenty," K. George Godwin, Volume 8#1,
31-32. Hanks,
Bruce portfolios "Peace
Directives: A Portfolio of Photographs by Bruce Hanks," introduction by
Robert Enright, Volume 5#2, 23-28. Hannah,
Adad "The
Québec Triennial," (visual arts review by Stephen Horne), Volume 27 #3 (#107),
177-179. Hannan,
Eleanor "A
Declaration and a Plea: The Under Thirty Show," Volume 2#3, 35-38. "Simple
Acts of Art-Making," Volume 3#2, 36-37. reviews
"Wanda
Koop: "Building in the Pool of the Black Star," Volume 2#4, 42. Hansen,
Mike About "Beddy
Buys," (visual arts review by Robert Enright), Volume 21#1 (#81), 12. Haraldsson,
Arni About "Photography
against itself: On Arni Haraldsson," (photography review by Christopher
Brayshaw) Volume 21#2 (#82), 60-66. journal "In the
Second World: A Journal," (re: Bauhaus), Volume 25#3 (#99), 54-60. Harbuz,
Ann about "Would
the Real Art Please Stand Up," Greg Beatty, (re: Ann Harbuz: Inside
Community, Outside Convention), Volume 15#2, 52-53. Haring,
Keith about "Haring
Bones: Rattling the Career of Keith Haring," Tony Luppino, Volume 17#1, 28-32. Harms,
Carla reviews "Ryoko
Suzuki," (visual arts review), Volume 27#3 (#107), 176-177. Harrington,
Michael about "Michael Harrington," (visual art review by Petra Halkes), Volume 24#3 (#95), 110-111. Harris,
Frann articles "Bustle
Hustle: The Discreet Charm of Opera Atelier," Volume 13#4, 80-82. Harris,
Lawren S. "Facing
North," visual art Lawren Stewart Harris: A Painter's Progress, James
Trainor, Volume 20#1 (#77), 61-63. Harrison,
Julia D. about "Metis,
People Between Two Worlds: A Review," Virgil Benoit, Volume 4#3, 34. Harron,
Mary about "A Film on
the Verge of a Murderous Breakdown," Robert Enright (column re: I shot Andy
Warhol), Volume
19#2 (#74), 10-11. Hart,
Evelyn about "Moving
Intimacies: A Conversation with Evelyn Hart," Robert Enright, Volume 11#1,
9-17. Hartland-Rowe,
Sara review "Around
and About Painting," (re: "Hungry Eyes" curated by Monica Tap, "Posers" curated
by Matthew Reichertz, "We Build Excitement" curated by Chris Lloyd), Volume
22#1 (#85), 65-67. Hartline,
Sandra fiction "King
of the High Cs," Volume 8#3, 34-37. Hartman,
John about "John
Hartman," Meredith Dault (visual art review re: "Cities"), Volume 26#3 (#103),
128-129. Harvey,
Kenneth J. about "Not
Very Good Bad Boy," Wayne Tefs, (re: The Hole That Must Be Filled),
Volume 13#4, 74-75. Harway,
Judith "An
Artist-in-the Schools in Rural Manitoba: First Impressions," Volume 2#4,
59-62. "A
Rebuilt House: The Winnipeg Symphony Orchestra," Volume 2#2, 18-21. poetry "Eve
Talks to Herself," Volume 2#3, 67. "Shared
Birthday," Volume 2#3, 67. Haskin,
Ben about "Vaudeville
for the Television Generation: Stage West in Perspective," Reg Skene,
Volume 3#3, 21. Hassan,
Jamelie reviews "Parallel
Energies," Fred Wah (re: Jamelie-Jamila Project: a collaborative bookwork
by j. hassan & j. ismail) Volume 12#3, 61. Hastings,
Sascha articles "Diplomacies
of the Built World: Berlin's New Embassies," Volume 25#2 (#98), 76-82. Hatt,
Gordon "Brent
Roe," (visual arts review of "Who Means What"), Volume 21#3
(#83), 86-88. Hatt,
Shari about "Hats Off
to the Dogs," Nancy Tousley, (photography review: "Dogs" by Shari Hatt), Volume
19#3 (#75), 78-79. "Shari
Hatt," (visual art review of "Shari Hatt: New Work" by Susan Close), Volume
22#1 (#85), 75-76. Hauser,
Iris review "Remodelling
the Gaze," (visual art review: "Body Language," Elsbeth Coop & Iris
Hauser), Volume 20#2 (#78), 126-127. Häussler, Iris
about
"Inside
the Outsider's Mind: Iris Häussler's The Legacy of Joseph Wagenbach,"
article by Andrea Carson, Volume 26#2 (#102), 64-70. Havana Biennial
"Close
Encounters of a Distant Kind," Ming Tiampo, Volume 20#1 (#77), 73-75. Havelda,
John about "The
Combinator," borderview by Robert Enright, Volume 26#4 (#104), 20-21. Haverluck,
Bob "Why
a Pig?" article, Volume 7#4, 64-67. "Love
Letters," Volume 9#4, 64-66. Hawkes,
John about "Complicities:
A Conversation Between David Salle
and John Hawkes," Interview by Robert Enright, Volume 9#4, 28-40. Hay,
Sherri About "SUPER
HAPPY LUCKY ITCH," (visual art review of installation piece with Camilla Singh
by Nadja Sayej), Volume 26#1 (#101), 96-98. Hayes,
Derek about "Historical
Atlas of Canada: Canada's History Illustrated with Original Maps by Derek
Hayes," (book review by David Rozniatowski), Volume 22#1 (#85), 77-78. Hayeur,
Isabelle "The
Québec Triennial," (visual arts review by Stephen Horne), Volume 27 #3 (#107),
177-179. Hayman,
Patrick about "From
History to Myth: Themes in the Work of Patrick Hayman," Peter Millard,
Volume 1#1, 26-29. about "Bruce
Head and Winston Leathers," (visual art review by Amy Karlinsky), Volume 22#3
(#87), 83-84. Heartney,
Eleanor "T.L.
Solien: The Sympathetic Wizard of Storytelling," Volume 4#4, 78-80. Heath,
Caroline about "Double
Bond: An Anthology of Prairie Women's Fiction, A Review," Diane McGifford,
Volume 4#2, 23-24. poetry "Three
Poems," Volume 7#3, 31. Heath,
Dave about The
Loneliness of the Long Distant Photographer," Gary Michael Dault, (photography
review: Dave Heath, 1940s to 1960s), Volume 19#2 (#74), 71-73. Heath, Terrence
"The
Alibis of Kroetsch and Butler," Volume 6#3, 31-32. "The
Artist's Intention," Volume 8#4, 86-87. "The
Empty Chair: Figure and Landscape in the Work of Ivan Eyre," Volume 6#4,
61-66. "June
Leaf," (visual arts review), Volume 21#2 (#82), 68-69. "Louise
Bourgeois," (re: "The Insomnia Drawings"), Volume 23#1 (#89), 91-92. "No
Place Other than Here," essay, Volume 7#4, 35-46. "Stanley
Spencer," review, Volume 20#4 (#80), 66-67. columns "The Art
of Regional Nationalism," Volume 19#1 (#73), 12-13. reviews "The
Accessible Innovator," (visual art review: Fte Champtre: Recent
Patinated Bronze Sculpture by Joe Fafard), Volume 9#3, 25-26. Volume
9#3, 25-26. "Another
Prairies," (exhibition review curated by Joan Borsa), Volume 6#1, 28. "The
Confident Eye," (photography review: Michel Lambeth: Photographer),
Volume 18#1 (#69), 75-77. "John
Constable," (visual art review of "Constable: Le Choix de Lucien Freud"),
Volume 22#1 (#85), 62-64. "Crafty
Recoiling," Volume 13#3, 70-72. "Drawing
a Line: The Art of Michael Olito," Volume 5#3, 22-23. "Dustship
Glory (by Andreas Schroeder)," Volume 5#4, 58. "Graffiti
on the Wall," (re: Wanda Koop), Volume 4#4, 28-29. "Image
Space/Space Image: K.J. Butler at the WAG," Volume 1#3&4, 82-84. "Ivan
Eyre," (visual art review), Volume 22#3 (#87), 81-83. "Magdalena
Abakanowicz," (visual arts review of "The Long Wait"), Volume 22#4 (#88),
117-118. "The
Mystic North (book by Roald Nasgaard)," Volume 3#4, 35-36. "Nobuo
Kubota, Inventing Deep Language," visual art review, Volume 20#3 (#79), 67-69. "On
Cultural Stereotypes Looking at Each Other," (re: Psychoborg by Yasumasa
Morimura), Volume 13#4, 77-78. "Parallaxe:
Celebrating the Provencher Bridge," (visual art review of: Dominique Rey,
Andree Prefontaine, Colette Jacques, Eveline Boudreau, Yvan Dutrisac, Christian
Leduc, Diane Cartier-Lafontaine, Brigitte Dion, Gaetanne Simonne Sylvester,
Gerry Collins, Jean-Denis Boudreau, Emilio Williams Portal, Francois Gaudet)
Volume 23#1 (#89), 86-89. "Portraits
of Ephemerality," (visual art review: Colette Whiten), Volume 18#2 (#70),
59-62. "Robert
Arneson," Volume 7#2, 32-33. "Roland
Brener," (visual arts review of "Three Recent Works by Roland Brener"), Volume
22#2 (#86), 91-93. "Shadows
of Former Selves: New Work by Marsha Whiddon," Volume 5#1, 46-47. "Shore/Lines,"
(review of exhibition @ MacLaren feat.: Lance Belanger, Kitty Mykka, Alfio
Bonanno, Billes Bruni, Marc Babarit, Patrick Dougherty, Derek Martin, Will Gill, Bill Vazan,
Mike MacDonald, Glenna Matoush, Jan Larson, John McEwen), Volume 22#4 (#88),
97-100. "Prairie
Archdemonics: Blessed or Cursed by the Emma Lake Workshops," (re: The
Flat Side of the Landscape curated by John O'Brian), Volume 9#1, 53-56. "The
Trojan Bicycle," visual art, (Greg Curnoe: Life & Stuff), Volume
20#2 (#78), 139-141. "The
Vibrant Worker: Lynn Donoghue's Recent Paintings," visual art, Volume 19#4
(#76), 77-78. "Walking
to Mogadishu: Reflections on the Work of Allan MacKay," Volume 13#1,
26-28. about "All's
Quiet on the Western Canadian Front," Robert Enright, Volume 2#4, 3. "A
Coupling in Stone: A Review of Journey/Journee," Patrick Lane, Volume 8#1,
28-29. "The
Last Hiding Place: A Review," Wayne Tefs, Volume 2#4, 33-34. "Uprooted:
The Life and Art of Ernest Lindner: A Review," Peter Millard, Volume 3#2,
28. poetry "East
is East," Volume 3#1, 64. "Journey/Journee:
A Poem for Two Voices," (with Anne Szumigalski) Volume 4#2, 25-37. "The
Lament of Madelaine Dumont, July, 1885," Volume 1#3&4, inside front
and back covers. Heather,
Rosemary reviews "Beyond
Cinema: The Art of Projection Films, Videos and Installations from 1963-2005,"
(visual art review), Volume 26#1 (#101), 89-91. "Fassbinder:
Berlin Alexanderplatz," (visual art review), Volume 26#3 (#103), 137-138. "Liam
Gillick," (visual arts review), Volume 21#3 (#83), 80-81. "Gunther
von Hagens," (visual arts review), Volume 21#3 (#83), 88-89. "Aernout
Mik," (visual arts review), Volume 21#1 (#81), 77-78. "Moscow-Berlin
1950-2000," (visual arts review), Volume 23#1 (#89), 95-97. "Of Mice
and Men: The Fourth Berlin Biennial for Contemporary Art," (visual arts
review), Volume 25#2 (#98), 105-107. "The
Whitney Biennial 2004," (visual arts review), Volume 23#2 (#90), 87-88. HeavyShield,
Faye about "Floating
World: The Post-Minimalist Art of Faye HeavyShield," (article by Lianne
McTavish), Volume 25#2 (#98), 62-67. "Mapping
Our Territories," (visual arts review by Sandra Vida), Volume 21#4 (#84),
64-65. Hebdige,
Dick "Legible
Notes on the Impossible Self," Volume 7#3, 36. "Making
the Impossible Self: A Symposium on Current Art Practice," (with others)
Volume 7#3, 33-35. Heger,
Swetlana about "Swetlana
Heger: Mode and Production," article by Rodney LaTourelle, Volume 27#1 (#105),
48-57. Heilmann,
Mary about "Mary
Heilmann," visual art review by Katie Brennan, Volume
28#1 (#109), 106-107. Hejduk,
John about "John
Hejduk," (visual art review by James Trainor of "Sanctuaries: The Last Works of
John Hejduk"), Volume 22#1 (#85), 69-71. "Site
Requiem," (Borderview by Robert Enright), Volume 23#1 (#89), 10-11. about "In the
Place of Last Things by Micheal Helm," (book review by Charlene Diehl),
Volume 24#1 (#93), 101-102. about "The Man
Game by Lee Henderson," book review by Dennis Cooley, Volume
28#1 (#109), 102-105. article "Dean
Drever," (visual art review re: "Dean Drever - Big Guns"), Volume 27#1 (#105),
106-107. "Eli
Langer," Volume 24#1 (#93), 62-67. "The
Empire Grows Back: The Garden Photographs of Scott McFarland," Volume 24#2
(#93), 50-56. "Etienne
Zack: Image Crusher," Volume 24#3 (#95), 72-79. "The Glue Boy: Paul Butler and the Art of Collage," Volume 27#3 (#107), 48-56. "Head Count: The Drawings of Carrie Walker," Volume 25#1 (#97), 94-102. "Jeff Ladouceur," Volume 23#4 (#92), 36-42. "Ken Roux," Volume 26#1 (#101), 46-55. "Lee's Way: The Comic Art of Tim Lee," Volume 25#3 (#99), 72-78. "Our Lady of the Zombies: The Art of Aurel Schmidt," Volume 28#2 (#110), 38-47. "Quasi Models: Thising and Thating in the World of Geoffrey Farmer," Volume 27#2 (#106), 62-68. "A Tale of Two Painters: The Art of Brad Phillips and Michael Lewis," Volume 26#3 (#103), 102-111. fiction "Beta Capa
Saturn, Devourer of Men," (for Ed Pien, illustrations by Ed Pien), Volume 23#3
(#91), 104-107. "Conjugation,"
(illustration by The Lions), Volume 24#4 (#96), 80-88. review "Jason
McLean," (visual art review), Volume 25#3 (#99), 115-117. "Kai
Althoff," visual art review, Volume 28#2 (#110), 97-99. "Bilocation,"
(visual art review, featuring images by Joseph Hart, Mark DeLong, Chad
Oakenfold and Gregory and Cyril Chapuisat), Volume 27#3 (#107), 180-182. Henricks,
Nelson about "Nelson
Henricks," Sandra Vida, (visual art review of Map of the City), Volume
26#4 (#104), 109-110. "Pretend
Drive-In," Scott Ellis, (borderview: Video Drive-In; Night Bus to Fargo
by Susan Peterson and Maureen Medved; Murderer's Song by Nelson
Henricks), Volume 10#4, 54. Henriquez,
Gregory about "The
Practical Utopian: The Architecture of Gregory Henriquez," Robert Enright
(interview), 25#4 (#100), 54-65. Henriquez,
Richard "Architect
of Radical Memory," Interview by Robert Enright, Volume 8#4 (#32), 76-85. Hendry,
Tom "Writing
Canadian: An Interview with Tom Hendry," (with Wayne Tefs and David
Arnason) Volume 1#3&4, 11-15. Henry,
Ann reviews "Ricordi:
Remembrance of Italy (book by Joyce Meyer)," Volume 3#1, 44. Hepworth,
Barbara about "Bear
Breath," Gary Michael Dault, (re:Barbara Hepworth: A Retrospective),
Volume 14#3, 35-36. Herbert,
Simon reviews "Deep
Down Surfacing," (re:Dark O'Clock), Volume 14#2, 56-58. "The
Measure from the Head and Heart," (re: Refleksija-Contemporary Art from
Estonia, Latvia and Lithuania), Volume 12#1, 54-56. Hernandez,
Gilbert about "Los
Brothers Hernandez," Donald M. Bailey, Volume 12#1, 57. Hernandez,
Jaime about "Los
Brothers Hernandez," Donald M. Bailey, Volume 12#1, 57. Herriot, Trevor
essay "Standing
Buffalo," (re: chapter from his book River in a Dry Land), 18#3 (#71),
30-32. Hershberg,
Erin reviews "Adrian
Williams," visual art review, Volume 28#2 (#110), 103-104. Herzog,
Fred about "Fred
Herzog," Robin Laurence (visual art review re: "Fred Herzog: Vancouver
Photographs"), Volume 26#2 (#102), 84-86. Herzog,
Hans-Michael about "Singing
the Body Eclectic," Robin Laurence, (re: The Body: Photographs of the
Human Form by William A. Ewing and The Body/Le Corps: Contemporary
Candian Art by Hans-Michael Herzog), Volume 14#2, 62-65. Herzog,
Katie about "Girl
Stories," Robert Enright (borderviews), Volume 25#2 (#98), 16-17. Hess,
Elizabeth symposium "Questioning
Bodies: A Symposium on Censorship and Representation," Introduction by
Robert Enright, Volume10#2, 15-26. Hesse,
Eva about "Eva
Hesse," (visual arts review by Andréa Picard), Volume 21#3 (#83), 89-91. "Eva
Hesse," (re: Eva Hesse: Sculpture), M.J. Thompson, Volume 25#4 (#100),
104-107. Hessler,
Alan "Streams
of Consciousness," Volume 4#3, 51-52. about "Allen
Hessler: Exemplars of Ordered Energy," Arthur Adamson, Volume 4#3, 48-50. "New
Art from Manitoba at the Winnipeg Art Gallery," Arthur Adamson, Volume
3#1, 34-36. "Young
Girls and Old Boys: The Art of Prudence Heward and Edwin Holgate," (article by
James Campbell), Volume 25#2 (#98), 68-75. Heyd,
Thomas reviews "Touching
Us Softly," (re: To Touch by Janet Cardiff), Volume 13#2, 62. Hickerson,
James about "Otherworld
Lies," Charlene Diehl-Jones, (music review: Carol Dahlstrom and James
Hickerson), Volume 10#2, 46. Hide,
Peter about "Steel
Hide Away," Russell Bingham (visual art review: Peter Hide in Context: A
Retrospective Exhibition), Volume 18#1 (#69), 68-70. Higgins,
Steve about "Making
the Adrenalin Run: Beauty and Terror in the Art of Steve Higgins," Robert
Enright, Volume 6#3, 65-70. Highway,
Tomson about "A
Kiss and a Wink," Birk Sproxton (book review: Kiss of the Fur Queen
by Tomson Highway), Volume 18#1 (#69), 77-78. Hilash,
Marnie about "Fresh
Blood: A Review," Alison Gillmor, Volume 6#4, 46-47. "Landscape
in Blue," Al Rushton, Volume 7#1, 48-51. Hildebrand,
Dil about "The
Theatre of Painting," Robert Enright (borderview), Volume 26#3 (#103), 31-32. art
pages Haunted
House (2006),
Heartland (2007),
Swamp (2007), Volume 26#3 (#103), 123-125. Hill,
Tom about "Norval
Morrisseau and the Emergence of the Image Makers: A Review," David
Arnason, Volume 3#4, 36-37. Hillis,
Doris about "Voices
and Visions: Interviews with Saskatchewan Writers, A Review," Joseph
Christianson, Volume 5#2, 30. Hillis,
Rick poetry "Girl
Dreaming Blue Machines," Volume 6#3, 48. Hine,
Lewis About "The
Uncanny: Experiments in Cyborg Culture," (visual arts review by Greg Beatty
including images from Lewis Hine and Tony Oursler), Volume 21#2 (#82), 81-83. review "The
Pochsy Plays by
Karen Hines and A Cannibal and Melancholy Mourning by Catherine Mavrikakis,
translated by Nathalie Stephens," (book reviews by Mariianne Mays), Volume 23#3
(#91), 126-127. Hines,
Richard about "Hines
Sight," (borderview by Robert Enright), Volume 25#3 (#99), 14-15. "Richard
Hines," (review of "Pictures From (Inside)" by Petra Halkes), Volume 25#3
(#99), 127-128. Hirsch,
Brian "The
Art of the Book: The Four Humours Press," Volume 1#2, 66-69. Hirsch,
John "Father
Courage: An Interview with John Hirsch," (with Robert Enright) Volume 7#4,
80-85. "The
Search for Action: A Symposium with John Hirsch, Adele Wiseman, and Roman
Kroiter," Volume 1#3&4, 26-33. about "A
Gift to Last," Gordon Pinsent, Volume 9#1, 43-44. Hlady,
Marla About "Sound
Offerings, The Art of Marla Hlady," (article by Josh Thorpe), Volume 26#1
(#101), 38-44. Hoban,
Russell "The
Eye in Love with Seeing: Russell Hoban in Conversation," (with Robert
Enright) Volume 7#2, 37-41. Hoch,
Hannah about "The
Edges of Construction," Petra Rigby Watson, (re: Cut With the Kitchen
Knife: The Weimar Photomontages of Hannah Hoch by Maud Lavin), Volume 13#2,
65-66. Hodgert,
John poetry "Picnic
in the Heart," Volume 8#1, 23. Hoeberg,
Karen about "Flight
Lodge: A Review," Alison Gillmor, Volume 6#2, 28-29. Höfer, Candida
"Gridluck,"
Andrea Picard, Volume 20#1 (#77), 65-66. Hoffmann,
Bettina "The
Québec Triennial," (visual arts review by Stephen Horne), Volume 27 #3 (#107),
177-179. Hoffos,
David about "David
Hoffos," (visual art review by Nancy Tousley), Volume 23#3 (#91), 110-111. "Overwhelmer:
The Art of David Hoffos," (interview with Robert Enright), Volume 25#3 (#99),
22-37. Hogg,
Lucy about "Beautiful
Monsters," Yvonne Owens, (review: A Critical Beauty - Frances Grafton,
Lucy Hogg, Patrick Mahon, Gu Xiong), Volume 15#2, 56-59. about "Richard
Holden," (visual art review by Cliff Eyland), Volume 23#2 (#90), 92-93. "Richard
Holden," Christabel Wiebe, (visual art review re: "Gardening the Planet"),
Volume 26#2 (#102), 91-93. reviews "I Am
My Family: Photographic Memories and Fictions by Rafael Goldchain," (book review), Volume 27 #4
(#108), 107-109. "Peter
MacCallum," visual art review re: "Concrete Industries," Volume 26#2 (#102),
102-104. "Saskatchewan:
Uncommon Views by John Conway." (book review), Volume 25#3 (#99), 109-111. "Lisa
Stinner," (visual art review re: "Vague Terrain"), Volume 26#3 (#103), 131-132. Holgate,
Edwin about "Young
Girls and Old Boys: The Art of Prudence Heward and Edwin Holgate," (article by
James Campbell), Volume 25#2 (#98), 68-75. Hollenberg,
Sarah "Black
Body: Race, Resistance, Response," (visual arts review of exhibition featuring:
Lucie Chan, Crystal Clements, Rebecca Fisk, Buseje Bailey, Michael Chambers and
Gomo George), Volume 20#4 (#80), 76-77. Hollingshead,
Greg about "Getting
Down and Dirty," Wayne Tefs,(re: The Roaring Girl), Volume 15#3,
11-12. Hollingsworth,
Michael about "Drawer
and Gatherer," Terry Goldie,(review: The History of the Village of
Small Huts: Parts One to Eight), Volume 14#1, 64-65. Holm,
Bill about "The
Box of Daylight: Northwest Coast Indian Art, A Review," S.G. Buri, Volume
3#4, 34-35. Holm,
Matt about "Grisly
Bare," Robert Enright, (borderview re: film, "The Lost Bundefjord Expedition"),
Volume 19#3 (#75), 11. Holownia,
Thaddeus about "The
Banquet Years," Martha Langford, (photography review re: "Extended Vision: The
Photography of Thaddeus Holownia 1975-1997"), Volume 17#2 (#66), 53-55. "Photo
Opportunities," Robert Everett-Green, (photography review: "Transition, Memory
and Loss: A Symposium on Contemporary Photography" featuring Evgeny Berrezner,
Angela Grauerholz, Thaddeus Holownia, Diana Thorneycroft, Chris Townsend),
Volume 17#2 (#66), 70-71. "Time,
Be Not Proud," Ray Cronin, (multimedia review: "Mnemosyne," featuring Thaddeus
Holownia, Andre Alexis, Veronika Krausas and Motion), Volume 19#3 (#75), 89-91. interview "Eyeing
the Landscape: The Photography of Thaddeus Holownia," (interview with Robert
Enright), Volume 21#4 (#84), 20-34. Horn,
Rebecca about "Fierce
Vulnerabilities: The Art of Rebecca Horn," Interview by Robert Enright,
Volume 10#4, 13-24. "Vanity
and Gravity," by Robert McGee (re: Rebecca Horn: The Inferno-Paradiso Switch),
Volume 12#4, 68-70. Horn,
Roni about "Manifold
Singularity: An Interview with Roni Horn," (intro and interview by Robert
Enright), Volume 28#2 (#110), 22-37. Horne,
Stephen review "Chris
Kline," visual art review, Volume 28#2 (#110), 99-100. "The
Québec Triennial," (visual arts review), Volume 27#3 (#107), 177-179. Horner,
Jan about "Recent
Mistakes: A Review," Carol Shields, Volume 7#3, 26-27. poetry "Familiar
Song," Volume 2#3, 34. "Postcard
#2 (Winnipeg: The Best Revenge)," Volume 5#3, 35. "Valentine,"
Volume 2#3, 34. reviews "Words are
the Best Revenge," (book review: Memoirs of an Almost Expedition by
Barbara Schott), Volume 19#1 (#73), 72-73. Horowitz,
Risa review "Andrew
Wright," (visual art review of "Home and Garden"), Volume 22#1 (#85), 71-74. "On
Kawara," (visual art review of exhibition at Power Plant), Volume 25#2 (#98),
100-101. about "Nouveau
Winnipeg," (re: Young Winnipeg Artists [Risa Horowitz, Simon Hughes, Jake
Kosciuk, Melanie Rocan, Shaun Morin, Veronica Preweda, Roger Crait, Lisa Wood,
Dominique Rey, Erika Lincoln] at Plug-In, curated by Cliff Eyland and Carol
Phillips), Robert Enright, Volume 22#2 (#86), 15-16. Horrigan, Bill
"Artside
Out," (re: art on the streets of Minneapolis), Volume 4#4, 97-99. Horrocks,
William reviews "Blood
Relations and Other Plays (book by Sharon Pollock)," Volume 2#1, 46-48. Horton,
Kristan about "Human
Generator," borderview by Robert Enright, Volume 26#1 (#101), 17-18. Houle,
Robert "Multiples:
Tsa'de yoh do's,"
(visual art review by Sandra Vida of exhibition of First Nations artists:
Robert Houle, Bonnie Devine, Teresa Marshall), Volume 20#4 (#80), 67-69. Howard,
Laurel "From
the Prairies to Placido," (re: Tracy Dahl), Volume 7#2, 56-58. "Victor
Davies Under the Big Top: The Musical Making of a Ballet," Volume 5#2,
20-22. "Heart
Thoughts From Abroad: Bramwell Tovey and the Future of the Winnipeg Symphony
Orchestra," Volume 9#2, 54-56. "New
Currents in Sound," (music review: Jeté by Manitoba Composer's
Association, produced by Randall Barnard), Volume 9#3, 27. reviews "Folle
Avoine's Au Rythme du Courant," Volume 5#1, 33. about "White on
White: The Décor Project," (Crossover by Christopher Olson), Volume 22#4 (#88),
106-107. Howorth,
E.J. (Ted) about "Evidence
of Memory," Amy Karlinsky, (review), Volume 25#1 (#97), 122-123. "Long John
Printer," Cliff Eyland, (visual art review: Essential Journeys), Volume
17#1, 53-54. Hsieh,
Tehching, about "The
Downtown Show," (group exhibition at the Andy Warhol Museum), Brian Joseph
Davis, Volume 25#4 (#100), 99-101. Hughes,
Kenneth J. "Artist's
Profile: Chris Finn, The Politics of Print-making," Volume 2#1, 52-57. "The
Life and Art of Jackson Beardy," Volume 1#1, 51-53. "Tony
Tascona and the Art of Technological Humanism," Volume 1#3&4, 72-78. about "Manitoba
Art Monographs: A Review," Bernard Mulaire, Volume 2#2, 59-60. Hughes,
Robert "Opening
the Furnace Door: An Interview with Robert Hughes," (with Robert Enright)
Volume 8#1, 45-51. Hughes,
Simon about "The Art
of the Impossiblist," (Borderview by Robert Enright), Volume 22#1 (#85), 10-11. "Nouveau
Winnipeg," (re: Young Winnipeg Artists [Risa Horowitz, Simon Hughes, Jake
Kosciuk, Melanie Rocan, Shaun Morin, Veronica Preweda, Roger Crait, Lisa Wood,
Dominique Rey, Erika Lincoln] at Plug-In, curated by Cliff Eyland and Carol
Phillips), Robert Enright, Volume 22#2 (#86), 15-16. "Simon's
World," (Borderview by Robert Enright), Volume 26#1(#101), 20. portfolio "Keyhole
Collages," (Director: Guy Maddin; Art Director: Paul Butler; Michael Dumontier,
Brad Phillips, Simon Hughes, Jeff Funnell, Alicia Smith, Caelum Vatnsdal: Art
Department), Volume 26#4 (#104), 58-67. "The
Winnipeg AlphaBestiary: The Many and the Marvelous," (I), Volume 25#1 (#97),
52-88. Art pages From the
series "Canada," Volume 26#1 (#101), 73-75. Hume,
Vern about "Tribal
T.V.: New Video and Democracy on the Prairies after Modernism," Al
Rushton, Volume 2#3, 39-44. Hunt, Anna
about "Anna
Hunt, Stitching in Time," visual art review, by Robin Laurence, Volume 20#3
(#79), 63-65. Hunt,
Barb about "Janice
Wright-Cheney," (a visual arts review), Volume 20#4 (#80), 72-74. "Never
Trust a Hippie: A Review," Alison Gillmor, Volume 6#3, 24. "Upstairs,
Downstairs: A Review of Slow Information, The Gradual Effect of Installation
Art," Alison Gillmor, Volume 8#2, 47-48. Hunt,
Barbara "Museopathy:
Contemporary Art in Kingston Heritage Sites," (review by Terence Dick, visuals
of the work of John Dickson and Barbara Hunt), Volume 20#4 (#80), 69-70. Hunter,
Andrew about "The
Puck Stops Here," Robert Enright (re: Convergence), Volume 18#1
(#69), 6. Hurlbut,
Spring about "Spring
Hurlbut, White Exploits," visual art review: Tomb Guardian, Petra
Halkes, Volume 20#3 (#79), 84-85. Hurley,
Chris about "The
Fat Clown at the Circus and Other Plays for Puppets: A Review," Sharon
Wieler, Volume 1#3&4, 128. Hurst,
Patrick about "The
Boundaries of Self," Tom Lovatt, (visual art review: Disclosure and
Disguise), Volume 9#3, 29-31. Husar,
Natalka about "Desperately
Seeking Ukrainian: The Recent Painting of Natalka Husar," Robert Enright,
Volume 5#3, 29-30. "Gentle
Savagery: The Felicities of Biting the Hand that Feeds You," Meeka Walsh,
Volume 8#2, 11-16. "Interrogative
Bloodlines," Robert Enright, Volume 11#1, 47. "Oceana,
Natalka Husar's Black Sea Blues," Gary Michael Dault, Volume 14#3, 60-67. "Page
Turner," Robert Enright, Volume 20#4 (#80), 8-9. Hutcheon,
Linda reviews "Pagan
Pomo: The Accountant Tallies," (re: The Pagan Wall by David
Arnason), Volume 12#1, 57-58. Hutchings,
Stephen about "Stephen
Hutchings," review by Petra Halkes, Volume 28#1
(#109), 100-102. Hutchison,
James poetry "Book
of Violets," Volume 5#3, 33. reviews "Necessary
Fiction," (re: sing me no more by Lynnette Dueck), Volume 12#2,
46-47. "Running
Out from Nowhere," (book review: Tourists: How Our Fastest Growing Industry
is Changing the World by Larry Krotz), Volume 16#2, 53-54. About "Pierre
Huyghe," (visual art review by James Trainor of "Streamside Day Follies),
Volume 23#1 (#89), 76-78. Inuit
Art about "Clouding
up Pure Vision: The Keewatin Spirit at the Mackenzie," Meeka Walsh, Volume
5#3, 24-28. "Contemporary
Inuit Art," Peter Millard, Volume 3#1, 24-31. "Images
and Identities: Inuit Art at the Winnipeg Art Gallery," Dena Dectar,
Volume 1#3&4, 69-71. "Janus
Face Off," Robin Laurence, (visual art review: Oviloo by Oviloo
Tunnillie), Volume 15#4, 70-71. "Uumajut:
Animal Imagery in Inuit Art," Alison Gillmor, Volume 4#3, 20-23. See also
the Special Northern Issue, Volume 3#4. Iron
Men about "Iron Men:
New Painting," Andrea Carson, (review), Volume 25#1 (#97), 120-121. Irving,
John about "Haven
and Earth: the Circus According to John Irving," interview with Robert
Enright, (photographs by Mary Ellen Mark), Volume 13#4, 40-47. "Skywalker,"
Constance Rooke, (review: A Son of the Circus), Volume 13#4, 65-66. Isaac,
Jay about "Jay
Isaac," visual art review by Sky Glabush, Volume
28#1 (#109), 110-112. review "Sarindar
Dhaliwal," (visual art review: Sarindar Dhaliwal: Record Keeping),
Volume 25#1 (#97), 116-117. "Fantasia,"
(visual art review), Volume 25#3 (#99), 111-113. "Kelly
Mark," (visual art review), Volume 24#3 (#95), 106-108. Ismail,
Jamila reviews "Parallel
Energies," Fred Wah (re: Jamelie-Jamila Project: a collaborative bookwork
by j. hassan & j. ismail) Volume 12#3, 61. Israel,
Inge about "The
Chaotic Stirring of Things," Robert Enright, (borderview re: Rifts in the
Visible re: Chaim Soutine), Volume 17#1, 6-7. Issermann,
Dominique about "Addictive
Beauty: An Interview with Dominique Issermann," (with Robert Enright), Volume
23#2 (#90), 41. Iturria,
Ignacio "Material
Animations: The Amazing World of Ignacio Iturria," Interview by Robert Enright,
Volume 16#2, 18-27. Iwasaki,
Takashi about "A Stich
in Time is Sublime," (borderview by Robert Enright), Volume 27#3 (#107), 25-26. Jackson,
Colin "The
Speedy Progress of Cancult to Scarecult: The Politics of Bill C24," Volume
4#1, 58-59. about "A
Search for Excellence: An Interview with Colin Jackson," Robert Enright,
Volume 1#2, 5-8. Jackson,
Steve about "The
Demolition Show," The Demolition Crew, Volume 5#1, 41-43. Jacob,
Luis about "Back to
Nature's Future," borderview by Robert Enright (re: Wildflowers of Manitoba),
Volume 26#2 (#102), 14-15. James,
Geoffrey about "Border
Histories," by Christopher Brayshaw (photography review: Running Fence),
Volume 17#4 (#68), 66-68 "Gardening
Utopia: An Interview with Geoffrey James," Robert Enright, Volume 9#1, 11-14. "Landscape
x 4: Geoffrey James, Alex Cameron, Jennifer Stead, Kelly Richardson," visual
art review by Petra Halkes (re: "Geoffrey James: Field Notes at KWAG), Volume
27#2 (#106), 98-100. "View
Finder: The Photography of Geoffrey James," (interview with Robert Enright)
Volume 21#1 (#81), 44-57. "Visions:
Contemporary Art in Canada (edited by Robert Bringhurst, Geoffrey James,
Russell Keziere, Doris Shadbolt)," Peter Millard, Volume 4#1, 27. Jamieson,
Karen about "Footing
It to the Lord, The Choreography of Margie Gillis, Karen Jamieson and Stephanie
Ballard," (Robert Tinker, photgraphs, Patrick Friesen, text), Volume 14#2,
42-45. Jefferys,
C.W. about "Western
Sunlight: C.W. Jefferys on the Canadian Prairies, A Review," Robert Lamb,
Volume 5#1, 30-31. Jenkner,
Ingrid reviews "Radical
Constructions," (re: "Suzy Lake, Authority Is an Attribute, Part
II") Volume 11#4, 79-80. Jerrett,
Shereen about "Family
Gifts," K. George Godwin, (film borderview: Taking a Walk with Dad
by Shereen Jerrett) Volume 10#3, 38-39. "She Shot
the Jerrett," Robert Enright, (re: film Kid Nerd), Volume 16#4, 12-13. Jerrett
Enns, Victor poetry "Three
Poems," Volume 17#4 (#68), 91. Jiles,
Paulette about "Celestial
Navigation: A Review," Dennis Cooley, Volume 3#4, 38-39. Jodoin,
Sophie about "Portrait
of the Artist as Her Subjects," (Borderview by Robert Enright), Volume 24#4,
13-14. Johns,
Jasper about "Jasper
Johns," visual art review by Randall Anderson, Volume 27#2 (#106), 89-90. Johnson,
Andrew reviews "Heroines
by Lincoln Clarkes," (book review), Volume 22#1 (#85), 78-82. "Media
City International Festival of Experimental Film and Video," (film review),
Volume 21#2 (#82), 85-87. Johnson,
Chris "Advocacy
Theatre: An Interview with Kim McCaw," Volume 3#1, 48-51. "The
Manitoba Theatre Centre, Prairie Theatre Exchange, 80-82," Volume 2#1,
34-41. "The
Manitoba Theatre Centre and Prairie Theatre Exchange: 1982-1983," Volume
2#4, 63-69. "The
Meaning of Life on the Fringe," (re; Winnipeg Fringe Festival), Volume 9#4,
51-55. reviews "The
Fighting Days and the Problem of Goodness," (theatre review: The Fighting
Days by Wendy Lill), Volume 3#3, 37-38. "The
History of Prairie Theatre: The Development of Theatre in Alberta, Manitoba and
Saskatchewan, 1833-1982 (book by E. Ross Stuart)," Volume 4#3, 30-31. "Last
Call: The Show, and Winnipeg's Chances for More Shows Like It," Volume
2#2, 46-49. "Street
Smarts: A Review of Refugees (A play by Harry Rintoul)," Volume 8#1,
32-33. "Turning
and Turning in the Widening Fringe: The Winnipeg Fringe Festival," Volume
7#4, 37-39. Johnson,
Galen about "Building
the Unbuilt," (borderview by Robert Enright), Volume
28#1 (#109), 18-19. Johnson,
Gillian poetry "Night
Song," Volume 6#1, 27. Johnson,
Joanne Jackson portfolios "Ungava:
Photographs from Arctic Quebec," introduction by Robert Enright, Volume
3#4, 56-61. Johnson,
Patti about "Heart
Attacks," Alison Gillmor (review: Patti Johnson, Studio Series), Volume
15#2, 51-52. Johnson,
Philip about "The
Mies Generation: Chameleoning," Robert Enright, Volume 18#1 (#69), 29-30. Johnson, Ray
about "Male
Art," Robin Laurence, (visual art review: How Sad I am TodayöThe Art of Ray
Joahnson and the New York Correspondence School), Volume 19#1 (#73), 75-77. portfolio "Breaking
A Sweat: The Photographs of Sarah Anne Johnson," Volume 23#4 (#92), 80-85. "The
Winnipeg AlphaBestiary: The Many and the Marvelous," (U), Volume 25#1 (#97),
52-88. about "The Ages
of Johnson: An Interview with Sarah Anne Johnson," interview by Robert Enright
& Meeka Walsh, with introduction by Meeka Walsh, Volume 27#3 (#107), 58-73. "Sarah
Anne Johnson and Shaan Syed," (visual art review by Cliff Eyland), Volume 25#3
(#99), 117-118. Johnston,
Wayne about "I
Dream of Joey," (book review: The Colony of Unrequited Dreams),
Volume 18#1 (#69), 74-75. Jonasson,
Louise about "The
Demolition Show," The Demolition Crew, Volume 5#1, 41-43. Jones,
Miranda "Weaving
Through Art History," Volume 8#3, 46-49. Jones,
Owen Bennet portfolio
text "Remembering
to Forget, Romania and the Looking Glass," (photographs by Matt Glass),
Volume 14#4, 54-60. Jordan
Betty Ann crossover "Gregoryian
Rant," (visual art review: Paintings by Sheila Gregory), Volume 16#2,
65. "Potter's
Potter," (ceramic review: Robert Archambeau), Volume 16#3, 73-74. Jordan,
Terry about "The
Family of Mann," by Pamela Banting (book review: Beneath That Starry
Place), Volume 17#4 (#68), 63-66. Joubert,
Ingrid "French-language
Theatre in Manitoba: A Variety of Experience," Volume 2#4, 39-41. Joyce,
Mary about "Industrialisme,"
Cliff Eyland, (visual art review: ReCurrentworks, with sound
installation by Gerhard Ginader), Volume 15#4, 64-65. Jungen, Brian
About "Beyong
the One-Liner: The Masks of Brian Jungen," visual art review by David Garneau,
Volume 19#4 (#76), 91-92. "Out of
the Blue: Three Works on Vancouver," (re: Brian Jungen, Roy Arden, Stan
Douglas), Peter Culley, Volume 20#2 (#78), 64-70. Kabakov,
Ilya about "Everyday
Every Other Day," (group exhibition at the Blackwood Gallery), Milena Tomic,
Volume 25#4 (#100), 107-108. Kahlo,
Frida about "The
Intimatorio," Cindy Bisaillon, (review: The Diary of Frida Kahlo: An
Intimate Self-Portrait), Volume 14#4, 87-88. Kakoski, Lisa
About
"Stick
Figuring," borderview, Robert Enright, Volume 20#3 (#79), 16. Kaktins-Gorsline,
Krisjanis about "Surrealism
Degree Zero," Robert Enright (borderview), Volume 25#2 (#98), 18. "Untitled,"
art pages, Volume 25#2 (#98), 91-93. Kamboureli,
Smaro reviews "Skrag
(by David Arnason) and Flicker and Hawk (by Patrick Friesen)," Volume 6#4,
44-46. about "A
Mazing Space: A Review," Dawne McCance, Volume 7#1, 33. "Lingering
Longer: The Pleasures of the Long Poem," Birk Sproxton (review of On
the Edge of Genre: The Contemporary Canadian Long Poem), Volume 11#3,
39-41. about "Robert
Kananaj," (visual art review by Petra Halkes), Volume 22#3 (#87), 100. Kaplan,
Bess about "The
Great Escape: Three Manitoba Novelists," Wayne Tefs, Volume 1#3&4,
120-121. "The
Limitations of Innocence," Wayne Tefs, (review: Corner Store),
Volume 1#1, 54. about "Bathing
Beauties: An interview with Ruth Kaplan," (Robert Enright), Volume 23#2 (#90),
51-57. Kaprow,
Allan "Fight,
Stamina and Actions: Subjects and Objects in the Bewildering World of
Performance," Robert Enright, (Interviews with Francesco Conz, Allan Kaprow,
Raphael Montaez Ortiz, Hermann Nitsch, Orlan and Shozo Shimamoto; re: MOCA
exhibition, "Out of Actions: Between Performance and the Object, 1949-1979"),
Volume 17#2 (#66), 28-47. Karasick,
Irene "Agitprop
Theatre in Winnipeg," Volume 1#3&4, 19-21. about/interview "The
Archaeology of Wax," (short interview/Borderview w/ Robert Enright), Volume
24#1 (#93), 11-12. Karlinsky,
Amy reviews "Accessible
Questions," (re: Expatria 2, a video art retrospective by Video Pool),
Volume 11#3, 36-37. "Anirniliit:
Breathing in the Cold," Volume 23#2 (#90), 95-97. "Bruce
Head and Winston Leathers," (visual art review), Volume 22#3 (#87), 83-84. "Robert
Bruce," (visual art review), Volume 23#3 (#91), 115-116. "Evidence
of Memory," (visual art review of
Ted Howorth), Volume 25#1 (#97), 122-123. "For
Sale: Mythic Ambition," (film review:Sedna: The Making of a Myth by John
Paskievich),Volume 11#2, 34-35. "The
Gothic Unconscious: Blind Spot," (visual art review), Volume 23#1 (#89), 80-81. "Irene
Avaalaaqiaq: Myth and Reality: by Judy Nasby," (book review), Volume 22#1
(#85), 67-69. "Joanne
Bristol," (visual arts review of "s.p.a.c.e.t.r.a.s.h.2.0.0.3."), Volume 22#4
(#88), 115-117. "Lisa
Wood," (visual art review of "Absorbed"), Volume 26#4 (#104), 85-87. "Lynn
Richardson," (visual arts review of "Inter-Glacial Free Trade Agency.ca"),
Volume 26#1 (#101), 79-80. "Mariianne
Mays," (visual arts review of "Rash"), Volume 22#2 (#86), 84-86. "Pegi
Nicol MacLeod," (visual art review), Volume 24#3 (#95), 93-95. "Royal Art
Lodge," (visual art review of "Where is Here?"), Volume 26#4 (#104), 84-85. "Shirley
Brown," (visual art review), Volume 24#4 (#96), 100-101. "Subconscious
City," (visual art review), Volume 27#2 (#106), 87-88. "Tony
Tascona," (visual art review), Volume 25#4 (#100), 80-82. portfolio "Land of
the Midnight Sons and Daughters: Contemporary Inuit Drawings: Shuvinai Ashoona,
Kavavaow Mannomee, Nick Sikkuark," intro by Amy Karlinsky, Volume 27#1 (#105),
66-83. Karsh,
Yousuf about "A
Portrait of our Time: An Interview with Yousuf Karsh," Robert Enright,
Volume 9#1, 18-20. Kasper,
Louise "Marcel
Gosselin: Catalyst of the Intangible," Volume 2#4, 49-51. Katchadourian,
Nina "Wildlife:
A Field Guide to the Post Natural," (visual arts review by David Garneau of
works by Lois Andison, Nina Katchadourian, Jake Moore, Warren Quigley and
Louise Weaver) Volume 20#4 (#80), 70-72. Katz,
Alex About "Alex Katz,"
(visual arts review by Irving Sandler), Volume 26#1 (#101), 76-77. "Robert
Berlind/Alex Katz: Recent Paintings," (visual arts review by James Trainor),
Volume 21#1 (#81), 66-67. "The
Years of Figuring Restlessly," (interview with Robert Enright), Volume
21#3 (#83), 50-67. Kauffman,
Alexander B. reviews "Joshua
Mosley," visual art review, Volume 28#2 (#110), 90-91 "Mark
Rothko," (visual art review), Volume 28#1 (#109),
90-91. Kavanagh,
Mary about "Mary
Kavanagh," Anne Dymond (review of Seeking Georgia), Volume 25#2 (#98),
109-110. "Suspended
Memory; Suspended Breath," Sylvia Legris (visual art review: Mary
Kavanagh: Prelude and Ruth Chambers: Pneuma), Volume 18#1 (#69),
65-66. Kawara,
On about "On
Kawara," Risa Horowitz, (review of Consciousness. Meditation. Watcher on the
Hills), Volume 25#2 (#98), 100-101. Keane,
Tina "Third
World Art: A Symposium on Performance Art," (with others) Volume 6#1,
21-24. Kearns,
Judith reviews "Confidential
Canadian: A Review of Canadian Shield," Volume 1#3&4, 8-9. "A
Long Evening's Journey into Night: A Review of The Last Chalice," Volume
1#3&4, 9-10. Keefer,
Janice Kulyk poetry "Painted
Ladies: Poems by Janice Kulyk Keefer," Volume 13#2, 69-71. essays "War
Gaze," (re: "Canvas of War" at the AGO), Volume 22#2 (#86), 66-72. Keenberg,
Ron about "The Full
Ronnie," (review by Robert Enright), Volume 21#2 (#82), 9-10. "The
Mies Generation: Forum Follows Friction," Robert Enright, Volume 18#1
(#69), 33-35. "The
Mechanics of Excellence: An Interview with Architectural Designer Ron
Keenberg," (with Robert Enright) Volume 5#1, 8-17. "Paradise
and Parking Lots," (re: Architecture), Volume 6#4, 16-19. "Tombstone
Outlaw: What Ron Keenberg's Self-Published Monograph Says about Canadian
Architectural Culture," (article by Trevor Boddy), Volume 25#2 (#98), 84-89. Kell,
Robert about "Artful
Politics," Robert Enright, (borderview), Volume 14#1, 6-7. Kelly,
Kevin about "Kevin
Kelly," (visual art review by Mary Reid), Volume 28#2 (#110), 85-86. Kelly,
Mary about "Feminism
Twice Over," Robin Laurence, (visual art review re: "Social
Process/Collaborative Action: Mary Kelly 1970-1975"), Volume 16#4, 68-72. Kennedy,
Dan about "The
Master of Overload," Robert Enright, (borderview), Volume 19#1 (#73), 8. Kennedy, Garry Neill
About
"Boundary
Breaker: Garry Neill Kennedy's Superstar Shadow Project," article by Peter
Dykhuis, Volume 28#2 (#110), 48-55. "Subversifying:
Garry Neill Kennedy," visual art review by Ray Cronin, Volume 19#4 (#76),
80-82. Kenyon,
Michael "Orvieto,"
collaboration with Al McWilliams, Volume 12#2, 36-41. Kentridge,
William About "Achievements
of Indecision: The Art of William Kentridge," (interview with Robert Enright)
Volume 21#1 (#81), 20-37. Kerensky,
Oleg reviews "Hart
Problems," (book review: Evelyn Hart: An Intimate Portrait by Max
Wyman) Volume 11#1, 48-49. Kerr,
Don about "Showing
West: Three Prairie Docu-Dramas: A Review," Lee Anne Block, Volume 3#1,
45. Kerr,
Illingworth "Paint
and Cirumstance: Excerpts from the Memoirs of Illingworth Kerr,"
(Introduction by Meeka Walsh), Volume 4#3, 13-19. Kerr,
Mary about "An
Invitation to Memory: The Designing Art of Mary Kerr," Robert Enright,
Volume 6#1, 54-62. reviews "Pat
Martin Bates," (visual art review), Volume 24#4 (#96), 102-103. Kertzer,
Jon reviews "The Asian
Nod," (book review: Anil's Ghost by Michael Ondaatje), Volume 19#3 (#75), 86-88. "Infinity
West: Leon Rooke's The Fall of Gravity," book review, Volume 19#4 (#76), 89-90. "Love's
Darkness," (book review: Skin Divers by Anne Michaels), Volume 19#2 (#74), 87-89. Keshavjee,
Serena "Aganetha
Dyck," (visual arts review of "New Work From The Hive"), Volume
21#3 (#83), 83-84. "Surrealism
and the Sacred: Power, Eros and the Occult in Modern Art by Celia
Rabinovitch," (book review), Volume 21#4 (#84), 90-92. Keziere,
Russell about "Visions:
Contemporary Art in Canada (edited by Robert Bringhurst, Geoffrey James,
Russell Keziere, Doris Shadbolt)," Peter Millard, Volume 4#1, 27. Khakar,
Bhupen about "Oriental
Pink Lime: The Art of Bhupen Khakar," N.E. Sjoman, Volume 17#1, 40-43. "Rights of
Passage," N.E. Sjoman, (book review: Bhupen Khakar by Timothy Hyman),
Volume 18#3 (#71), 68-70. Kidd,
Davida about "Davida
Kidd," (re: Core Dump), Robin Laurence, Volume 25#4 (#100), 89-91. Kiendl,
Anthony about "Small
Dichotomies," by Greg Beatty (visual art review Little Worlds),
Volume 17#4 (#68), 60-61. Kiefer,
Anselm About "Anselfm
Kiefer," Christine Redfern (review of Anselm Keifer: Heaven and Earth),
Volume 25#2 (#98), 114-115. "Beauty
Marks," (review by Petra Halkes, exhibition entitled "The Beauty of Evil,"
featuring Eleanor Bond, Thomas Ruff, Anselm Kiefer, Julian Rosefeldt, Piero
Steinle, Bernardo Bertolucci, Marlene Dumas, Andres Serrano), Volume 21#1
(#81), 38-43. King,
David about "Confidential
Canadian: A Review of Canadian Shield," Volume 1#3&4, 8-9. King,
James about "The First
Lady, Transformed," Birk Sproxton, (book review: The Life of Margaret
Laurence), Volume 17#1, 48-49. King,
Thomas about "Reaching
and Grasping," Wayne Tefs, (book review: Truth and Bright Water by
Thomas King), Volume 18#4 (#72), 85-87. fiction "Fire
and Rain," Volume 11#4, 94-97. Kinnear,
Mary reviews "Mrs.
Doctoring the Past," (re: Mrs. Doctor by Audrey Peterkin &
Margaret Shaw), Volume 1#2, 72. Kinsella,
W.P. about "The
Fencepost Chronicles: A Review," Mark Duncan, Volume 6#3, 23-24. Kirby,
William about "Sculpture
on the Prairies: A Review Article," Dan Mato, (curated by William Kirby at
the WAG), Volume 1#3&4, 48-53. Kirouac,
Christina about "Christina
Kirouac: Art for the Feint-Hearted," (borderview by Robert Enright), Volume
17#2 (#66), 4-5. Kish,
Albert about "Los
Canadienses: a review," Lionel Steiman, Volume 1#2, 48-50. Kisil,
Gerry about "Tribal
T.V.: New Video and Democracy on the Prairies after Modernism," Al
Rushton, Volume 2#3, 39-43. reviews "Brainy
Art," (visual art review: The Furnace by Alan Dunning and Paul Woodrow),
Volume 19#1 (#73), 79-81. "Consuming
Urbanization," (visual art review: David Urban: New Paintings), Volume 17#1,
46-47. "Film-fan
Man," (visual art review: Wyn Geleynse: New Still and Film Projections),
Volume 16#1, 58-59. Kissick,
John about "Art of
Entrenchment," Robert Enright, Volume 16#3, 4-5. "John
Kissick," Gary Michael Dault (visual art review re: "New Paintings"), Volume
26#3 (#103), 147-148. articles "Sympatico
for the Devil: Art and Music Do Their Thing," (re: "Sympathy for the Devil: Art
and Rock and Roll Since 1967" at MOCA Chicago), Volume 27#2 (#106), 70-77. Kiyooka,
Roy about "Roy
Kiyooka," (visual arts review by Sandra Vida), Volume 23#2 (#90), 103-105. Klaassen,
Tonja Gunvaldsen fiction "Fish
Tale," Volume 13#1, 58-60. poetry "A
Visit", "Trains", "Inoculation", Volume 18#3 (#71),
49-50. about "Lisa
Klapstock," (visual art review by Leslie Dawn), Volume 24#3 (#95), 95-97. Klaptocz,
Veronika Review "Shirin
Neshat," (visual arts review), Volume 21#1 (#81), 69-71. Klassen,
Sarah about "Poetry
Times Three: A Review of Journey to Yalta," Robert Quickenden, Volume 8#2,
20. poetry "Under
Cover," Volume 4#3, 46. Kleiman,
Carol about "Sean
O'Casey's Bridge of Vision: Four Essays on Structure and Perspective, A
Review," Daniel Lenoski, Volume 2#2, 60-61. Kleiman,
Ed about "The
Immortals: A Review," Nancy Masarsky, Volume 2#4, 34. fiction "The
Bicyclist," Volume 1#3&4, 40-44. "An
Old World Wedding," Volume 4#1, 43-47. Klimkiw,
Greg about "The
Dictator Next Door," Shelagh Rogers, (film review: Smoked Lizard Lips
directed and written by M.B.Duggan, produced by G.Klimkiw, T.Traeger and
M.B.Duggan) Volume 10#4, 49-51. Kline,
Chris about "Chris
Kline," (visual art review by Stephen Horne), Volume 28#2 (#110), 99-100. Klunder,
Harold Interview "The Now
of Painting: An Interview with Harold Klunder," (with Robert Enright), Volume
23#3 (#91), 72-81. about "Harold
Klunder," visual art review by Virginia Dixon, Volume 27#2 (#106), 111. Knelman,
Martin about "Home
Movies: Tales from the Canadian Film World, A Review," Howard Curle,
Volume 7#2, 33. Knowles,
Dorothy about "Qu'Appelle:Tales
of Two Valleys," (visual art review by Terry Fenton), Volume 21#4 (#84), 78-82. review "Kazuo
Nakamura," (visual art review), Volume 24#1 (#93), 75-77. "Send
& Receive: A Festival of Sound (version 8)," 25#1 (#97), 127-129. "Toronto
Alternative Art Fair International," (visual art review), Volume 23#4 (#92),
92-94. Kochan,
Alexis about "Mission
Statement," (re: CD, Variances), Robert Enright, Volume 16#1, 6-7. Koelsh,
Patrice "Ruminations
on Feminist Aesthetics in Minnesota," Volume 4#4, 87-89. Kogawa,
Joy about "One
Turn of the Screw Too Many," Wayne Tefs, (review:The Rain Ascends),
Volume 15#1, 50-51. Koh,
Germaine About "Germaine
Koh," (visual art review: "Around About"), Volume 21#1 (#81), 81-83. Kolybaba,
Kathie reviews "Bloody
Jack (book by Dennis Cooley)," Volume 4#4, 43. "Down
Singing Centuries: Folk Literature of the Ukraine (translated by Florence
Livesay, compiled and edited by Louisa Loeb)," Volume 2#4, 36. "50
Stories and a Piece of Advice," Volume 2#2, 57. "Figures
on a Wharf (book by Wayne Tefs)," Volume 3#2, 27. "A
Place of Language (special multicultural issue of Prairie Fire, edited by
Andris Taskans)," Volume 4#1, 40. "Settlement
Poems I and II and Wake-Pick Poems (poetry by Kristjana Gunnars)," Volume
2#1, 70-71. fiction "Portrait,"
Volume 6#2, 23-24. "Woman
Returning," Volume 12#4, 76-80. Konantz,
Gail articles "Legendary
Sculpture," (re: the Golden Boy and architect Frank Simon), Volume 1#1, 50. Kong,
Franky "Look at
his tail" (visual art studies), Volume 20#4 (#80), 51-53. Konopaki, Rodney
about "Art
Forager," Sky Glabush, (visual art review: Facing the Void: Recent Work by
Rodney Konopaki), Volume 18#4 (#72), 87-88. Koons,
Jeff about "The
Material Boy and the Femme Fidele: Jeff Koons and Ilona Stoller," Robert
Enright, Volume 10#1, 36-47. Koop,
Wanda "The
Beauty of Longing: A Conversation with Wanda Koop," Interview by Robert
Enright, Volume 15#4, 12-23. "The
Deep See Scrolls," Volume 12#4, 41-47. "Picturing
Cross-References: The Transformative Art of Wanda Koop, An Interview,"
(with Robert Enright) Volume 5#4, 94-104. about "Beyond
Landscape: The Painting of Wanda Condon [Koop]," Ann Cameron, Volume 1#1,
15-17. "Graffiti
on the Wall," Terrence Heath, Volume 4#4, 28-29. "Home
is Where the Space is," Petra Halkes, (visual art review: Home is Where
the Heart is, Bill Eakin, Aganetha Dyck, Lynda Gammon and Wanda Koop),
Volume 16#1, 48-49. "Wanda
Koop," (visual art review of "Recent Paintings" by Petra Halkes), Volume 22#1
(#85), 60-61. "Wanda
Koop: Building in the Pool of the Black Star," Eleanor Hannan, Volume 2#4,
42. "The
Language of War," (Borderview/interview with Robert Enright), Volume 23#1
(#89), 11-12. artist's
pages "Deep Ecology,
2001," Volume 20#2 (#78), 105-107. portfolio "The
Winnipeg AlphaBestiary: The Many and the Marvelous," (A), Volume 25#1 (#97),
52-88. Korczynski,
Jacob reviews "Jenny
Perlin," (visual art review re: "Transcript"), Volume 26#2 (#102), 99-101. Korda
(Alberto Diaz Gutierrez) about "Che
Guevara: Revolutionary and Icon," Randall Anderson, Volume 25#4 (#100), 97-99. "Romancing
the Revolution," Robert Enright, (borderview re: Korda and Figueroa: Cuban
Photography Since 1959"), Volume 19#3 (#75), 9-10. Korkola,
Mara about "Night
Moves," (Borderview by Robert Enright), Volume 22#3 (#87), 12-13. Korot,
Beryl about "Adventures
in Videoland," Robert, Enright (borderview: The Cave by Beryl Korot, Steve
Reich), Volume 14#3, 7-8. Kosciuk,
Jake about "Looker,"
(Borderview by Robert Enright), Volume 22#1 (#85), 13-14. "Nouveau
Winnipeg," (re: Young Winnipeg Artists [Risa Horowitz, Simon Hughes, Jake
Kosciuk, Melanie Rocan, Shaun Morin, Veronica Preweda, Roger Crait, Lisa Wood,
Dominique Rey, Erika Lincoln] at Plug-In, curated by Cliff Eyland and Carol
Phillips), Robert Enright, Volume 22#2 (#86), 15-16. Kostash,
Myrna articles "Alien
Nation," Volume 13#1, 4-5. "Domination
and Exclusion: Notes of a Resident Alien," Volume 5#4, 65-71. "Icons
to Iconoclasts: I.The Walls of Remembrance,II. Moving to the Clear, III. The
Chronology of History," Volume 1#2, 54-63. columns "All
the World's a Cabaret," Volume 13#4, 6-7. "America
Made Me Do It," Volume 15#4, 9-10. "Decline
and Fall of the American Empire," (re: Milenko Matanovic), Volume 16#1,
10-11. "The
Discontent of Strangers," (re: Quebec and the French in Canada), Volume
17#4 (#68), 11-12 "Distractions
in a Golden Eye," (re: exhibit "The Glories of Byzantium"), Volume 16#4, 11-12. "From
Adolescence to Artefact," Volume 15#2, 10-11. "The
Loneliness of the Long Distant Writer," (re: The Serbian Writers' Association),
Volume 17#1, 9-10. "Love
among the Tractors," Volume 12#2, 5-6. "Narrating
the Discontinuous Story," Volume 11#4, 7-8. "Oz
Republicanus," Volume 13#2, 5-6. "Po-Mo
in Your I/Eye," Volume 14#3, 11. "Proto-Synthesis,"
(re: First Nations People), Volume 16#2, 10-11. "Question
Markers," (re: work-in-progress The Next Canada), Voluem 17#2 (#66),
10-11. "The
Scottish Republic of Ukraine," Volume 16#3, 9-10. "The
Shock of White Cognition," Volume 13#3, 4-5. "Venice
Whiffing," Volumn 14#4, 9-10. "Who's
Afraid of Post-Canadian Culture?" Volume 15#3, 10-11. "Wrestling
on the Border: Notes on Metaphors of Place," Volume 10#3, 43-44. "A
Zone of Shared Stories," Volume 12#1, 6-7. essays "Resiliencys,
Medicine Line Crossing," Volume 15#3, 54-57. reviews "Antagonist
Rex," (re: Travels By Night: A Memoir of the Sixties by Douglas
Fetherling), Volume 13#3, 67-70. "CTRL
[SPACE]: Rhetorics of Surveillance from Bentham to Big Brother," edited by
Thomas Y. Levin, Ursula Frohne and Peter Weibel, (book review), Volume 22#3
(#87), 88-90. "Visible
Symbols: Cultural Expression among Canada's Ukrainians (edited by Manoly R.
Lupul)," Volume 4#3, 33-34. Kostelnuk,
Michael "George
Seremba: A Dramatic Prognosis," Volume 6#1, 18-20. Koster,
Andrew about "The
Shortcomings of Love," Patrick Lowe (review of A Kind of Family), Volume
11#3, 36-37. Kovitz,
Rob about "Ice
Fishing in Gimli: Bilbliographic Rapture in the Cold of Twilight's Last
Gleaning," essay by Gary Michael Dault (re: Rob Kovitz's Ice Fishing in
Gimli), Volume 26#2 (#102), 76-82. "Site
on Paradise, Rob Kovitz's Gimli House," Meeka Walsh, Volume 18#1 (#69),
42-45. Kowalsky,
Rosemary about "The
Menacing Technology of Gardening: Rosemary Kowalsky's Flowers and Tools,"
Arthur Adamson, Volume 5#2, 6-9. Kozak,
John about "Skull-Busters,"
Patrick Lowe, (review: Hell Bent, 1995), Volume 14#3, 27-28. Kozik,
Frank about "Music's
Rune," Robert Enright, (borderview), Volume 15#2, 4-5. Kozloff,
Max articles "Color is
power: Robert Walker's Times Square," by Max Kozloff, Volume 20#2 (#78),
115-121. Krausas,
Veronika about "Time,
Be Not Proud," Ray Cronin, (multimedia review: "Mnemosyne," featuring Thaddeus
Holownia, Andre Alexis, Veronika Krausas and Motion), Volume 19#3 (#75), 89-91. Krause,
Judith poetry "Gardens
of Stone: Three Poems by Judith Krause," Volume 12#2, 35. Kreiner,
Philip about "People
Like Us in a Place Like This: A Review," Wayne Tefs, Volume 3#4, 36. Kreisel,
Henry about "Another
Country: A Review," Abraham Arnold, Volume 5#4, 52-53. Kroeger,
Ernie portfolios "The
Indescribable Lightness of Being Photographed: Ernie Kroeger's Broadview Road
Project," introduction by Robert Enright, Volume 7#1, 54-61. Kroetsch,
Robert "The
Cow in the Quicksand and How I(t) Got Out," Volume 10#1, 56-62. about "Alibi:
A Review," Charles Wilkins, Volume 3#1, 43. "The
Alibis of Kroetsch and Butler," Terrence Heath, Volume 6#3, 31-32. "A
Mazing Grace: The Writings of Robert Kroetsch," Robert Enright, Volume
6#3, 29-30. "Creative
Reading: The Criticism of Bowering and Kroetsch," Birk Sproxton, (book
review: The Lovely Treachery of Words: Essays Selected and New), Volume
8#3, 29-30. "Labyrinths
of Voice: Conversations with Robert Kroetsch (book by Shirley Neuman and Robert
Wilson), A Review," David Arnason, Volume 2#3, 62-63. "News
from the Heisler Oracle," Dennis Cooley, Volume 4#4, 66-67. "Panning
for Fictional Gold: Kroetsch Strikes it Rich in the Klondike," Robert Enright,
(borderview re: The Man from the Creeks), Volume 17#2 (#66), 8. "Seed
Catalogue: A Review," Laurence Ricou, Volume 1#3&4, 114-115. "To
Play in Paradise,"(review of The Puppeteer), Birk Sproxton, Volume 12#1,
52-53. "Uncovering
our Dream World: An Interview with Robert Kroetsch," (Robert Enright &
Dennis Cooley) Volume 1#1, 32-29. reviews "The
Last Buffalo (by Joan Murray)," Volume 4#1, 38. journal
excerpts "From
the Upstate New York Journals," Volume 6#3, 41-47. poetry "Excerpts
from the Real World," Volume 4#4, 50. "The Red
Shale Hornbooks," Volume 19#2 (#74), 38-41. "Selections
from Seed Catalogue," Volume 1#1, 30-31. Kroiter,
Roman "Imaxing
Grace: An Interview with Roman Kroiter," (with Robert Enright) Volume 8#2,
41-44. "The
Search for Action: A Symposium with John Hirsch, Adele Wiseman, and Roman
Kroiter," Volume 1#3&4, 27-33. Krotz,
Larry "Beneath
History: Reflections on Aboriginal Culture," Volume 11#4, 64-66. "Eyes
of the Beholders: Refugee Women in Somalia," (text for portfolio by Cheryl
Albuquerque), Volume 14#2, 10-17. reviews "The
Canadians (book by Andrew Malcolm)," Volume 4#4, 46. "In
Search of April Raintree (book by Beatrice Culleton)," Volume 3#1, 42. "Unsettlers,"
(re: If Only I Were an Indian by John Paskievich), Volume 15#1, 60-61. about "A
Landscape of Personal Delights: A Review of Shutter Speed," Ralph
Kuropatwa, Volume 8#2, 45. "Running
Out from Nowhere," James Hutchison, (book review: Tourists: How Our Fastest
Growing Industry is Changing the World), Volume 16#2, 53-54. fiction "A
Travel Piece," Volume 2#3, 33-34. Kruger, Nestor
"The
Systems Aesthetic of Nestor Kruger," visual art review by Xandra Eden, Volume
20#1 (#77), 63-65. "Flatlanders:
Collecting The Present in Toronto," (review by Xandra Eden of works by
Elizabeth McIntosh, Eric Glavin, Mark Bell, Sally Spath, and Nestor Kruger),
Volume 20#4 (#80), 34-40. Kubota, Nobuo
about "Nobuo
Kubota, Inventing Deep Language," visual art review, by Terrence Heath, Volume
20#3 (#79), 67-69. Kuchmij,
Halya "A
Darker Shade of Romance: An Interview with Halya Kuchmij," (with Robert
Enright) Volume 2#4, 12-17. Kudlinski,
Radoslaw about "Radoslaw Kudlinski," (visual art review by Gary Michael Dault), Volume 24#4 (#96), 93-94. travel "Speaking
with Sofia," Volume 17#3 (#67), 51-54. Kurelek,
William about "Kurelek:
A Biography, A Review," David Arnason, Volume 6#4, 39. "William
Kurelek: A Vision of Canada," Abe Arnold, Volume 3#1, 32-33. Kuropatwa,
Joy reviews "Heart
of a Stranger (book by Margaret Laurence)," Volume 1#3&4, 115-116. "Laurence
of Somali," (book review: The Prophet's Camel Bell by Margaret
Laurence), Volume 1#2, 74-75. Kuropatwa,
Ralph reviews "A
Landscape of Personal Delights: A Review of Shutter Speed by Larry Krotz,"
Volume 8#2, 45. "Radiant
Inventions," (re: Paper, Scissors, Rock by Ann Decter) Volume 12#3,
48-50. "The
Same Things Indifferently," (re: From Wooden Ploughs to Welfare
by Helen Buckley) Volume 11#4, 70-71. Kuruneru,
Shawn about "Mega Zines,"
borderview by Robert Enright, Volume 26#4 (#104), 22. art
pages Shangri-la
7, Shangri-la 1, Shangri-la 4, Volume 26#4 (#104), 81-83. Kusama,
Yayoi about "Fantastic
Frameworks," (image of piece in group exhibition included in visual art review by
Wendy Welch), Volume 26#1 (#101) 95-96. Kushner,
Tony about "A
Fistful of Angels," Robert Enright,(borderview), Volume 15#2, 6-7. Kuthan,
Georges about "Aphrodite's
Cup," S.G. Buri,(review: Aphrodite's Cup),Volume 1#1, 58. Labossiere,
Robert review ""Showroom,""
(visual art review re: exhibition curated by Kristina Lee Podesva & Inge
Roecker @ Centre A, featuring the artwork of Michelle Allard), Volume 27 #4
(#108), 114-115. Lacovetsky,
Alan About "Imprint
Matter," (review by Robert Enright), Volume 21#2 (#82), 8. about "Jeff
Ladouceur," (article by Lee Henderson), Volume 23#4 (#92), 36-42. La Tourelle, Rodney
Reviews "Models of
Impurity," visual art, Volume 20#1 (#77), 75-76. Lahofer,
Alethea about "Life
In The Comix Lane," Maurice Mierau, Volume 8#4, 51-52. reviews "Mea
culpa, Mea Culpa," (visual art review: Loves You So Much It Hurts by
Sharon Alward), Volume 9#1, 31-32. Lake,
Suzy about "The
Memory of Skin," Robert Enright, (borderview), Volume 18#4 (#72), 4. "Radical
Constructions," Ingrid Jenkner, (review of "Suzy Lake, Authority Is
an Attribute, Part II") Volume 11#4, 79-80. "Researching
the Self, an Interview with Suzy Lake," by Robert Enright, Volume 13#1,
10-22. Lam,
Laurie fiction "While
You Wait," Volume 6#1, 34-36. Lamb,
Robert J. reviews "Images
of the Land: Canadian Block Prints, 1919-1945 (curated by Patricia
Ainslie)," Volume 4#2, 41-42. "Western
Sunlight: C.W. Jefferys on the Canadian Prairies," Volume 5#1, 30-31. "The
Winnipeg School of Art: The Early Years (book by Marilyn Baker)," Volume
3#3, 17. Lambeth,
Michel about "The
Confident Eye," Terrence Heath (photography review: Michel Lambeth:
Photographer), Volume 18#1 (#69), 75-77. Lambert,
Phyllis about "The
Mies Generation: A Darker Shade of Mies," Robert Enright, Volume 18#1
(#69), 32-33. Landry,
Diane About "Breath
Taking," (visual arts review by Robert Enright of the installation: "L'Ecole
D'aviation (Flying School)), Volume 21#1 (#81), 9-10. Lane,
Patrick "Literary
Landscaping: A Symposium on Prairie Landscape: Memory and Tradition,"
(with others) Volume 6#4, 32-38. reviews "Auduboning
with Nature," (visual art review: Audubon's Wilderness PaletterThe
Birds of Canada), Volume 18#1 (#69), 58-59. "Canadian
Bards and Scoffing Reviewers," (re: Earle Birney: A Life by Elspeth
Cameron), Volume 14#1, 68-69. "A
Coupling in Stone: A Review of Journey/Journee (Poems by Anne Szumigalski and
Terrence Heath)," Volume 8#1, 28-29. poetry "Bitter,"
Volume 19#4 (#76), 63. "Brothers,"
Volume 6#4, 77. "The
Cheating Heart," Volume 4#4, 47. "Crying
Time Again," Volume 19#4 (#76), 62. "Four
Poems," Volume 9#4, 21-22. "Hard Days
and Nights," Volume 19#4 (#76), 62. "Hurting
Song," Volume 19#4 (#76), 63. "North,"
Volume 3#4, 40. "North
Saskatchewan," Volume 3#4, 39. "Perhaps
There is Snow (for Robert Kroetsch)," Volume 2#1, 67. "Profane,"
Volume 19#4 (#76), 63. "Squirrel
Song," Volume 3#4, 40. "Stone,"
Volume 19#4 (#76), 62. "Winter
Poems," Volume 7#2, 46-49. "Taking
the Moon in His Mouth," Volume 9#4, 21-22. about "Eli
Langer," (article by Lee Henderson), Volume 24#1 (#93), 62-67. Langford,
Martha about "Scissors,
Paper, Stone: Expressions of Memory in Contemporary Photographic Art by Martha
Langford," (book review by Susan Close), Volume 27#3 (#107), 194-196. articles "Auradynamics:
The Task of the Spectator in the New Era of the Aura," (re: "Confluences" at
CMCP and "Manufactured Landscapes" at the National Gallery of Canada), Volume
22#2 (#86), 56-65. "The
Black Clothing of Things, Photography and Death," Volume 14#2, 22-27. "Dispiriting
Nature: The Work of Eldon Garnet and Genevieve Cadieux," Volume 19#4 (#76),
36-41. "Heaven's
Gaze: The Filmic Geographies of Cindy Bernard," Volume 15#4, 50-55. "Interlacer:
The Delicate Confrontations of Ann Mandelbaum," Volume 16#3, 30-33. "The
Inventorizing of Photography," (re: Mois de la Photo, 1995), Volume 15#1,
18-23. "Landscapes
of Imminence: The Photographs of Brenda Pelkey," Volume 17#4 (#68), 50-54. "The Power
of Reflection," Volume 20#2 (#78), 46-53. "Snow by
Degrees: Michael Snow's Photographic Work," Volume 19#3 (#75), 58-63. "Workers
in Progress: The Art of Carole Condé and Karl Beveridge," Volume 25#3 (#99),
98-103. reviews "Ancien
Régime," (re: Jim Dine: Drawing from the Glyptothek), Volume 13#4, 73-74. "The
Art of Unruly Ruling," (re: Egyptomania), Volume 13#4, 67-68. "The
Banquet Years," (photography review re: "Extended Vision: The Photography of
Thaddeus Holownia 1975-1997"), Volume 17#2 (#66), 53-55. "Composite
Deceptions," (re:Cut and Paste: Composite Photographs of William Notman),
Volume 13#3, 59-61. "George
Steeves," (visual art review), Volume 26#2 (#102), 108-111. "Guido's
Guide," (re: Guido Molinari. Une Rétrospective), Volume 14#4, 84-85. "Merz
Bow," (re:Kurt Schwitters), Volume 14#3, 30-31. "Michael
Snow," (re: "Power of Two"), Volume 23#2 (#90), 84-85. "Mutant,
Dearest," (photography review: Cindy Sherman), Volume 18#4 (#72), 66-67. "Serge
Tousingnant," (visual art review), Volume 22#3 (#87), 86-88. "Lorraine
Simms," (visual art review), Volume 23#3 (#91), 128-129. "Smokin'
Mirrors," (re: A Walk Through the Hall of Mirrors: Art and Film Since
1945), Volume 15#3, 58-59. "Style
Setter," (re:Lost Paradise: Symbolist Europe), Volume 14#4, 81-82. "Talismans
of Time," visual art: Montreal Biennale, Volume 20#1 (#77), 69-71. Langlois, Drue
about "Winnipeg
on the Hudson," by James Trainor, (re: The Royal Art LodgeMichael Dumontier,
Hollie Dzama, Marcel Dzama, Neil Farber, Drue and Myles LangloisJon Pylypchuk
and Tim Gardner in NYC), Volume 22#3 (#87), 36-47. portfolio "Drue
Langlois and Michael Dumontier: Eyeball Hurt & the Medicine Present,"
Volume 19#1 (#73), 33-35. "The
Winnipeg AlphaBestiary: The Many and the Marvelous," (M), Volume 25#1 (#97),
52-88. about "Winnipeg
on the Hudson," by James Trainor, (re: The Royal Art LodgeMichael Dumontier,
Hollie Dzama, Marcel Dzama, Neil Farber, Drue and Myles LangloisJon Pylypchuk
and Tim Gardner in NYC), Volume 22#3 (#87), 36-47. Lannoo, Marie
about "Colour Feeled Painter," (Borderview by Robert Enright), Volume 24#3 (#95), 14-15. "Turning
and Learning in Her Widening Gyre," Sky Glabush, (visual art review: The
Source of Things exhibition of paintings by Margaret Vanderhague and Marie
Lannoo), Volume 19#1 (#73), 67-69. Larivée,
Suzie review "Martin
Bureau," (visual arts review of "(Se) faire-valoir"), Volume 22#2 (#86), 93-94. LaRoque,
Emma about "Standing
in Between: A Conversation with Metis Writer Emma LaRoque," (with Robert
Enright) Volume 4#3, 45-46. poetry "My
Hometown Northern Canada South Africa," Volume 11#4, 99. Larsen,
Anna-Marie "Eric
Metcalfe," (visual arts review of "The Attic Project"), Volume 21#2 (#82),
71-72. about "Victoria's Secret," article by Christian Giroux, (re: Victoria SculptorsMowry Baden, Daniel Laskarin, Robert Wise, Roland Brener, Grant Watson, Ken Lum, Wendy Welch), Volume 22#3 (#87), 60-67. Lasker,
David "Conduct
Softly and Carry a Big Schtick: An Insider's View of a Symphony
Orchestra," Volume 2#4, 18-20. "Skidmore,
Owings and Merrill: Bigtime Architecture comes to Winnipeg," Volume 3#1,
56-61. "World
Orchestras: A Three-Way Conversation," Volume 3#2, 33-35. LaTourelle, Rodney
article "City of
Coloured Shadows, Notes on Berlin," Volume 20#3 (#79), 56-59. "Program
to Destroy," (visual art review: "Garage Video" by Royal Art Lodge), Volume
19#3 (#75), 91-94. "Swetlana
Heger: Mode and Production," Volume 27#1 (#105), 48-57. "The
Work is Done While You Sleep," (re: the Enigmatic Methods of Edith Dekyndt),
Volume 19#2 (#74), 34-37. reviews "3rd
Berlin Biennale for Contemporary Art," (visual art review), Volume 23#2 (#90),
93-95. "Der
Berg and Project for the Demonstration of Archive," (visual art
review), Volume 24#4 (#96), 103-107. Latta,
Maureen review "Liz
Canner," (visual art review), Volume 23#3 (#91), 125-126. Latta,
William reviews "Beothuck
Poems (by Sid Stephen)," Volume 1#3&4, 126-127. Lau,
Evelyn about "Obsessionalism,"
Robert Enright, (borderview: Other Women), Volume 14#4, 8. Laurence,
Margaret "Outcasting:
A Conversation with Margaret Laurence about the World of Manawaka," (with
David Arnason and Dennis Cooley) Volume 5#4, 32-35. about "Alien
Heart: The Life and Work of Margaret Laurence by Lyall Powers," (book
review by Mhari Mackintosh), Volume 23#1 (#89), 98-100. "Dear
Margaret, Dear Al," by Birk Sproxton, (re: Margaret Laurence-Al Purdy:
A Friendship in Letters. Selected Correspondence, ed. John Lennox), Volume
12#4, 70-72. "The
Divine Missed M.," Patrick Lowe (review of CBC-TV movie The Diviners),
Volume 12#2, 50-51. "The First
Lady, Transformed," Birk Sproxton, (book review: The Life of Margaret
Laurence by James King), Volume 17#1, 48-49. "Heart
of a Stranger: A Review," Joy Kuropatwa, Volume 1#3&4, 115-116. "Laurence
of Somali," Joy Kuropatwa, (review: The Prophet's Camel Bell),
Volume 1#2, 74-75. Laurence,
Robin articles "Airplanes,
Figure-Skaters, Football Players and High-Heeled Shoes: Oviloo Tunnillie and
the Tradition of the New," Volume 28#1 (#109), 64-69. "The Art
of Liz Magor," Volume 22#2 (#86), 36-41. "Board
Walk," (re: Al Bogusky), Volume 20#1 (#77), 16-17. "Dada's
Boy," (re: Jason McLean), Volume 22#3 (#87), 48-53. "Girl
Talk," (re: Julie Morstad, Tamara Bond, Temple Bates), Volume 24#3 (#95),
80-86. "Gwen
Curry," (a visual arts review of the exhibition "Witness"), Volume 20#4 (#80),
74-76. "Haida
Glee: Transitions in Nortwest Coast Art," Volume 25#4 (#100). 66-74. "Moving
Ideas: Secular Practice," (visual arts review of "Moving Ideas: A Contemporary
Cultural Dialogue with India"), Volume 21#2 (#82), 73-76. "Pentimentalist,
The Painted Underworld of Landon Mackenzie," Volume 15#3, 14-20. "The
Perils of Transformation: Psychic and Cultural Violence in the Art of Jack
Shadbolt," Volume 11#4, 61-63. "Prattfalls,
The Bride Strips Bare Her Bachelor," (re: Mary & Christopher Pratt),
Volume 15#2, 12-17. "Strange
Conjunctor, The Wild Life and Art of Al Neil," Volume 13#3, 40-43. reviews "Anna
Hunt, Stitching in Time," visual art, Volume 20#3 (#79), 63-65. "Carolee
Schneemann and Stan Brakhage," Volume 25#2 (#98), 102-105. "China's
Blood and Breath," (visual art review: The Jiangnan Project: Modern and
Contemporary Art From South of the Yangzi) Volume 17#3 (#67), 68-70. "Contemporary
Art in Asia," (visual art review: Contemporary Art in Asia:
Traditions/Tensions organized and circulated by the Asia Society), Volume
16#3, 67-68. "Davida
Kidd," Volume 25#4 (#100), 89-91. "Robert
Davidson," (visual arts review), Volume 23#4 (#92), 88-90. "Death's
Democratic Family," (re:Death and the Family), Volume 14#3, 25-27. "Docu-Dismantler,"(re:
The Stage by Donigan Cumming), Volume 12#1, 58-59. "Drawing
The World," (re: exhib. @ VAG incl.: Vija Celmins, Raymond Pettibon, William
Kentridge, Toba Khedoori, Marcel Dzama, Jason McLean, Ben Reeves and Natasha
McHardy), Volume 22#4 (#88), 100-102. "Edward
Burtynsky," visual art review, Volume 28#2 (#110), 80-81. "Eloquent
Intimacies," (re: The David Milne Retrospective), Volume 11#2, 37-38. "Elspeth
Pratt," (visual art review), Volume 27#2 (#106), 92-94. "Face
Off," (visual art review: Janet Werner Trust and Face to Face: Four
Centuries of Portraits), Volume 18#4 (#72), 67-70. "Feminism
Twice Over," (visual art review re: "Social Process/Collaborative Action: Mary
Kelly 1970-1975" and "Fred
Herzog," (visual art review re: "Fred Herzog: Vancouver Photographs"), Volume
26#2 (#102), 84-86. "Laughter
Ten Years After"), Volume 16#4, 68-72. From
Eve to Dawn by Marilyn French, (book review), Volume 21#4 (#84), 86-88. "Gathie
Falk," (visual art review of "Shirting"), Volume 22#2 (#86), 78-79. "Geometrics
of Conjecture," (visual art review: Francis Alÿs: Le temps du sommeil),
Volume 17#4 (#68), 80-82. "Glorious
Eccentrics: Modernist Women Painting and Writing and Surprised in
Translation by Mary Ann Caws," (book reviews), Volume 26#4 (#104), 113-115. "Godly
Growth and Mystery," (re:Pan paxil by Gerry Schallié), Volume 14#3, 29-30. "The
Hand-Maden of Photography," (visual art review: Lesley Dill: Language and
Desire), Volume 17#1, 57-58. "Here Now or
Nowhere," visual art review (exhibition curated by Micah Lexier, presented by
Prairie Art Gallery, featuring the artwork of Kelly Mark, Michael Dumontier and
Deb Davidovits), Volume 28#2 (#110), 93-95. "Hotdogger
and Holdouts," (re:Lawrence Paul Yuxweluptun: Born to Live and Die on Your
Colonialist Reservations, and Nations in Urban Landscapes), Volume 15#1, 44-46. "Huang
Yong Ping," (visual art review re: "House of Oracles: A Huang Yong Ping
Retrospective"), Volume 26#3 (#103), 132-136. "James
Nizam," (visual art review: "Anteroom"), Volume 27#1 (#105), 99-101. "Janus
Face Off," (visual art review: Oviloo by Oviloo Tunnillie), Volume
15#4, 70-71. "Male
Art," (visual art review: How Sad I am TodayöThe Art of Ray Joahnson and the
New York Correspondence School), Volume 19#1 (#73), 75-77. "Massive
Change," (re: Bruce Mau show @ VAG) Volume 24#1 (#93), 72-74. "Paul
Mathieu," Volume 25#4 (#100), 101-103. "Modernist
Montage," (re: Montage and Modern Life 1919-1942), Volume 12#1, 59-61. "The
Pleasure of Confoundment," (visual art review: Stan Douglas) Volume 18#2
(#70), 53-56. "Racing
Against History: The Art of Rebecca Belmore," (visual art review), Volume
21#3 (#83), 42-48. "Real
Pictures," (visual art review of VAG exhibition), Volume 24#2 (#94), 90-92. "Rebecca
Belmore," (visual art review), Volume 27 #4 (#108), 110-113. "Scitterbugged,"
design review, Volume 20#2 (#78), 129-132. "Shayne
Ehman," (visual art review), Volume 25#3 (#99), 125-127. "Singing
the Body Eclectic," (re: The Body: Photographs of the Human Form by
William A. Ewing and The Body/Le Corps: Contemporary Candian Art by
Hans-Michael Herzog), Volume 14#2, 62-65. "Skin Deep
Video," (visual art review re: "Kate Craig: Skin), Volume 17#2 (#66), 57-59. "Takao
Tanabe," (visual art review: Takao Tanabe retrospective), Volume 25#1
(#97), 104-105. "Taking
a Line for a Confrontational," (re:Jack Shadbolt Drawings, Jack
Shadbolt Drawings by Scott Watson), Volume 14#1, 71-72. "Territorial
Declaratives," (visual art review: New Art from Cuba: Utopian Territories
curated by Juan Antonio Nolina, Eugenio Valdés Figueroa, Keith Wallace and
Scott Watson), Volume 16#2, 51-53. "The Tooth
of the Matter: Leah Decter's Recent Installation," visual art review, Volume
19#4 (#76), 74-76. "Toxic Beauty," (visual art review: "Tom Burrows: From the Fourth Decade"), Volume 19#3 (#75), 83-85. "Vancouver
School," (visual art review), Volume 25#3 (#99), 113-114. "Vision
and Form: Inuit Art," (re: Norman Zepp-Judith Varga Collection of Inuit Art),
Volume 23#1 (#89), 83-85. borderviews "Tea
Off," (re: World Tea Party), Volume 14#4, 4-5. memoirs "Admission
Impossible, Nina Raginsky and the Circus Europa," Volume 14#1, 30-33. "Boxed
Sweet: Donald Judd on the Marfa Road," West Texas travel journal, Volume 25#2
(#98), 56-60. visual
art "A
Landscaper of Many Colours: Tak Tanabe in Profile," Volume 16#1, 40-45. "Momentary
Madeness: The Art of Claudia Cuesta," Volume 16#4, 46-50. Lavin,
Maud about "The
Edges of Construction," Petra Rigby Watson, (re: Cut With the Kitchen
Knife: The Weimar Photomontages of Hannah Hoch), Volume 13#2, 65-66. Lawrence,
Katherine Poetry "Let's
Start Over," "Bird Wedding," "A Gift," Volume 20#3 (#79), 61. Layman,
Lewis reviews "The
Importance of Being Honest," (visual art review: Spirit in a Dark Night
by Martha Little), Volume 8#1, 30-31. Leaf,
June about "June
Leaf," (visual arts review by Terrence Heath), Volume 21#2 (#82), 68-69. "This
to This, This to This, the Interconnected World of June Leaf," an
interview with Robert Enright, (introduction by Meeka Walsh), Volume 17#3
(#67), 12-26. about "Bruce
Head and Winston Leathers," (visual art review by Amy Karlinsky), Volume 22#3
(#87), 83-84. Le
Blanc, Craig about "Dive:
David Diviney and Craig Le Blanc," Blair Brennan, Volume 25#4 (#100), 95-97. Lebredt,
Gordon about "Gordon
Lebredt at the Arthur Street Gallery," Andrew Patton, Volume 1#3&4,
86-88. Le
Carré about "Intricate
Betrayals: The Fiction of John le Carré," Wayne Tefs, Volume 10#3, 12-13. Lee,
James-Jason review "An Apple
a Day Keeps the Critics at Bay," (visual art review: "Gathie Falk"), Volume
19#3 (#75), 80-82. "War
Zones," (visual art review: exhibition and events organized by Presentation
House), Volume 18#4 (#72), 74-78. Lee,
Tim about "Lee's
Way: The Comic Art of Tim Lee," (article by Lee Henderson), Volume 25#3 (#99),
72-78. Legris,
Sylvia poetry "Two
Poems by Sylvia Legris," Volume 15#1, 24. review "Suspended
Memory; Suspended Breath," (visual art review: Mary Kavanagh: Prelude
and Ruth Chambers: Pneuma), Volume 18#1 (#69), 65-66. Legge,
Elizabeth "Would
the Real History Please Stand Up," (visual art review: The Recovery of
History by Jeff Funnell, Steve Gouthro, Bev Pike), Volume 10#4, 51-53. Lemay,
Shawna poetry "3 Poems,"
Volume 16#4, 58-59. LeMoyne,
Roger portfolio "Black
Crows Singing," (re: Bosnia), Volume 15#3, 40-47. "Karakoram
Highway," (re: silk route highway), Volume 16#3, 12-17. "Passed
Presence," (re: Iraq) including text by Roger Lemoyne, Volume 23#1 (#89),
20-27. Lenderbeck,
Maggie about "Wolf
Hook: Maggie Lenderbeck's Drawings," Meeka Walsh, Volume 6#2, 18-22. Lenoski,
Daniel reviews "Gentle
Sinners (book by W.D. Valgardson)," Volume 2#1, 64-67. "Sean
O'Casey's Bridge of Vision: Four Essays on Structure and Perspective,"
Volume 2#2, 60-61. Lennox,
John about "Dear
Margaret, Dear Al," by Birk Sproxton, (review: Margaret Laurence-Al
Purdy: A Friendship in Letters. Selected Correspondence, ed. John Lennox),
Volume 12#4, 70-72. Leo,
Anne reviews "Levels
of Choreography," (re: Royal Winnipeg Ballet) Volume 1#2, 40-41. Leone,
Hillary about "Visual
Pleasures," Robert Enright (borderview re: Leone & Macdonald), Volume
15#3, 7-8. Lepage,
Robert about "Robert
Lepage, Heaven Sense," theatre review: The Far Side of the Moon, Heather
Elton, Volume 20#3 (#79), 75-78. Lerner,
Marilyn about "Fast
Lerner," Robert Enright, Volume 16#2, 6-7. Letters
to the Editor Volume
10#2, 65. Volume
10#3, 54. Volume
10#4, 89. Letinsky,
Laura portfolios "The
Remains of the Day," Volume 18#4 (#72), 32-39. "The
World Going on Without Us: The Photographs of Laura Letinsky,"
introduction by Meeka Walsh, Volume 8#1, 39-44. about "Stuff and
Beauty: An Interview with Laura Letinsky," Robert Enright, Volume 25#3 (#99),
38-53. "Two
Poems: Corner Store, Snowbirds Returning," Volume 22#4 (#89), 67. Levi,
Helen about "The
Great Escape: Three Manitoba Novelists," Volume 1#3&4, Wayne Tefs,
120-121. Lewis,
Doug about "Salt
on his Tail," Gary Genosko (visual art review: Doug Lewis's Saltbath),
Volume 18#1 (#69), 61-62. Lewis,
Michael about "A Tale of
Two Painters: The Art of Brad Phillips and Michael Lewis," article by Lee
Henderson, Volume 26#3 (#103), 102-111. Lewis,
Robert W. "A
Poet with Aberrations: An Interview with Tom McGrath," (with James
McKenzie), Volume 4#4, 104-108. LeWitt,
Sol about "Joyous
Inquiry: A Memoir and an Appreciation of Sol LeWitt," memoir by Randall
Anderson, Volume 26#3 (#103), 118-120. Lexier,
Micah about "David
Redux," (Borderview re: "David Then & Now" by Robert Enright), Volume 24#3
(#95), 13-14. "Four
Canadian Artist in New YorkIncrementalism: Micah Lexier and the Progress of
Time," by Robert Enright, Volume 20#2 (#78), 88-94. "Micah
Portraits," Myron Turner, (review: Micah Lexier, A Portrait of David and
Related Work), Volume 13#2, 63-65. Leyster,
Judith about "Talking
Back," Aritha Van Herk, Volume 13#2, 10-13. Libeskind,
Daniel "Building
on the Shipwreck of History: The Architecture of Daniel Libeskind," (review by
Heather Elton), Volume 20#4 (#80), 42-49. Libin,
Mark review "Busy
Intersections," (book review: st. mary at main by Patrick Friesen),
Volume 17#3 (#67), 70-71. Lichtenstein,
Roy about "Pop
Goes the Tradition: An Interview with Roy Lichtenstein," Robert Enright,
Volume 13#3, 19-29. Lilburn,
Tim reviews "Angels of
History," (re: "Trance" by Patrick Traer and Janet Werner), 16#4, 64-65. "Clear
Suspicions," (visual art review: Reflections on Language and the
Appearance of Things by Janet Werner) Volume 11#1, 55-56. Lill,
Wendy about "The
Explorer of Human Emotions: An Interview with Wendy Lill," Robert Enright,
Volume 10#1, 12-17. "The
Fighting Days and the Problem of Goodness," Chris Johnson, Volume 3#3,
37-38. "My
Memories of Lill," Robert Enright, Volume 8#1, 5. Lindner,
Ernest about "Uprooted:
The Life and Art of Ernest Lindner: A Review," Peter Millard, Volume 3#2,
28. Lista,
Michael poetry "14 Poems
from Bloom," with introduction by Meeka Walsh, Volume 26#4 (#104), 68-79. Little,
Martha about "The
Importance of Being Honest: A Review of spirit in a Dark Night," Lewis
Layman, Volume 8#1, 30-31. Littlewolfe,
Lea poetry "Need,"
and "Road Kill," Volume 16#2, 38. Livesay,
Dorothy about "Dorothy
Livesay: A Review," Steve Buri, Volume 7#2, 35. "Feeling
the Worlds: A Review," Mark Duncan, Volume 4#4, 46-47. "Fire
and Ice," Dennis Cooley, (review: Ice Age), Volume 1#2, 70-71. poetry "Three
Men Four Women (a suite)," Volume 4#4, 24. "Who
are the Exiles," Volume 1#1, 58. Livesay,
Florence Randall about "Down
Singing Centuries: Folk Literature of the Ukraine," Kathie Kolybaba,
Volume 2#4, 36. Lochead,
Richard about "Muck-Rating,"
Cecil Rosner, (review: Beyond the Printed Word: The Evolution of Canada's
Broadcast News Heritage edited by Richard Lochead), Volume 10#4, 53-54. Lock,
Edouard about "Lock,
Stock and Peril," Robert Enright,(borderview), Volume 15#2, 5-6. Loeb,
Louisa about "Down
Singing Centuries: Folk Literature of the Ukraine," Kathie Kolybaba,
Volume 2#4, 36. Loewen,
Helmut-Harry reviews "My
Harp is Turned to Mourning (by Al Reimer)," Volume 5#4, 56-57. about "Tradition
and the Individual Talent," (Borderview by Robert Enright), Volume 23#3 (#91),
12-13. Lovatt,
Tom "All
the World's a Bed: Recent Work by Bev Pike," visual arts, Volume 10#3,
40-41. "Body
& Soul: The Recent Drawings of Esther Warkov," Volume 11#2, 52-53. "Comic
Desperado: The Recent Work of Mini Davis," Volume 8#1, 56-57. "A
Latter-Day Medievalist: A Conversation with Tom Lovatt," (with Robert
Enright) Volume 6#2, 38-41. "Richard
Brown's Recent Drawings," Volume 7#3, 48-49. "Fragments
of Other Fragments: The Self-Portraits of Kelly Clark," Volume 9#2, 52-53. "The
Trellis of Memory: Recent Drawings by Caroline Dukes," Volume 10#1, 34-35. reviews "The
Boundaries of Self," (visual art review: Disclosure and Disguise by
Patrick Hurst), Volume 9#3, 29-31. "Eva
Stubbs: Memories for the Future," Volume 7#2, 29-30. "Multiplicity
of Voices (exhibition curated by Sigrid Dahle)," Volume 6#3, 49-50. "Painting
Out of the Blue," (visual art review: Tornadoes by Shirley Brown),
Volume 9#2, 40. about "New
Art from Manitoba at the Winnipeg Art Gallery," Arthur Adamson, Volume
3#1, 34-36. "Refrains
of Masculine Experience," Gary Genosko, (visual art review re: "The Human
Position"), Volume 17#2 (#66), 52-53. Love,
Craig about "Love Lettrist," (borderview by Robert Enright), Volume 24#4, 12-13 . Love,
Myron "Children
of the Stone Age," (re: Leo Mol), Volume 6#1, 41-43. "Cold
Comfort in Hot Food: The Art of Eleanor Bond," Volume 4#1, 54-55. "End
of the Line for Agassiz?" Volume 3#3, 22-23. "Mime
Thoughts from Abroad: Winnipeg's First Corporal Mime Festival," Volume
2#4, 21-22. Lowe,
Patrick reviews "The
Divine Missed M.," (re: CBC-tv movie of Margaret Laurence's The
Diviners), Volume 12#2, 50-51. "Here
We Stand," (re:Kanehsatake: 270 Years of Resistance, Alanis Obomsawin),
Volume 13#1, 44-46. "The
Shortcomings of Love," (re: A Kind of Family by Andrew Koster), Volume
11#3, 36-37. "Skull-Busters,"
(re: Hell Bent, 1995 by John Kozak), Volume 14#3, 27-28. Lucas,
Sarah about "Body: New
Art from the UK, (image included in review of group show by Andrea Carson),
Volume 25#3 (#99), 123-124. Lucier,
Mary about "Plainsong:
The Video of Mary Lucier," (article by Paula Rabinowitz), Volume 24#2 (#94),
42-48. "Sounding
the Depths of the See," Robert Enright (re: Floodsongs), Volume
18#1 (#69), 7. Lukacs,
Attila Richard about "Attila
Richard Lukacs/Polaroids/Michael Morris" "Male: Work from the Collection of
Vince Aletti," (visual art review by Christopher Olson), Volume 27 #4 (#108),
105-107. "Four
Canadian Artist in New YorkThe Phoenixian's Tale: Attila Richard Lukacs and
the Eradication of Self," by Robert Enright, Volume 20#2 (#78), 96-102. "Metropolis:
The City at the End of Things: A Conversation with Michael Morris and Attila
Richard Lukacs," Robert Enright, Volume 10#3, 6-11. "Under the
Influence," Peter Millard, (visual art review: Arbor Vitae by Atilla
Richard Lukacs), Volume 19#1 (#73), 66-67. "Vancouver
School," Robin Laurence, (review of group show: Douglas Coupland, Graham
Gillmore, Angela Grossmann, Attila Richard Lukacs, Derek Root), Volume 25#3
(#99), 113-114. Lulewich,
Ken about "The
Edges of Art: Notes on Personality and Creativity," Joseph Christianson,
Volume 4#2, 18-20. Lum,
Ken about "Blind
Time: Photo Mirrors," Christopher Brayshaw, Volume 16#4, 42-45. "Victoria's Secret," article by Christian Giroux, (re: Victoria SculptorsMowry Baden, Daniel Laskarin, Robert Wise, Roland Brener, Grant Watson, Ken Lum, Wendy Welch), Volume 22#3 (#87), 60-67. Lunde,
Emily "Amazing
Emily: The Reminiscences of Folk Painter Emily Lunde," Volume 4#4,
100-103. Lundeen,
Patrick about "Masker
Aid," (Borderview by Robert Enright), Volume 27#2 (#106), 22-23. Luppino,
Tony visual
art "Haring
Bones: Rattling the Career of Keith Haring," Volume 17#1, 28-32. "The
Portraits of Richard Avedon," Volume 22#1 (#85), 48-53. Lupul,
Manoly R. about "Visible
Symbols: Cultural Expression among Canada's Ukrainians," review by Myrna
Kostash, Volume 4#3, 33-34. Lynch,
David about "Lynch
Party," Robet Enright, (re: film, "Lost Highway"), Volume 16#2, 11-12. Lynn,
Greg about "Fantastic
Frameworks," (image of piece in group exhibition included in visual art review
by Wendy Welch), Volume 26#1 (#101) 95-96. Lyon,
Annabel fiction "Joe
in the Afterlife," (Drawings by Marcel Dzama) Volume 18#3 (#71), 42-46. MacCallum,
Peter about "Peter
MacCallum," Richard Holden (visual art review re: "Concrete Industries"),
Volume 26#2 (#102), 102-104. MacDonald, Ann
Reviews
"Defying
the Gaze: The Work of Thecla Schiphorst," visual art: Felt Histories, Volume 20#1 (#77), 72-73. MacDonald,
Jake about "Indian
River: A Review," Wayne Tefs, Volume 2#3, 64-65. "King
Jerry: A Review," David Arnason, Volume 21#1 (#81), 86-88. fiction "Norris,"
Volume 3#4, 66-70. Macdonald,
Jennifer about "Visual
Pleasures," Robert Enright (borderview re: Leone & Macdonald), Volume
15#3, 7-8. MacEachern,
Scott about "On
the Street: three Manitoba photographers," David McMillan (review: Three
Manitoban Photographers Exhibition), Volume 1#2, 44-46. Mackay,
Allan about "Memories
of War," Robert Enright (borderview re: Veterans Memorial), Volume 25#4
(#100), 16-17. "Walking
to Mogadishu: Reflections on the Work of Allan Mackay," by Terrence Heath,
Volume 13#1, 26-28. Mackenzie,
Landon about "Pentimentalist,
The Painted Underworld of Landon Mackenzie," Robin Laurence, Volume 15#3,
14-20. Mackenzie,
Michael "Cybertheatre,
Forum of Resistance," (re: The City and Memory by Tony Dove and Michael
Mackenzie),Daniel Fischlin & Andrew Taylor, Volume 12#4, 49-51. MacKinnon,
Marilyn reviews "Like
a Georgia O'Keeffe Painting," (re: If Betty Should Rise by David
Demchuk) Volume 11#2, 40. "Alien
Heart: The Life and Work of Margaret Laurence by Lyall Powers," (book
review), Volume 23#1 (#89), 98-100. Macklin,
Ken reviews "The
Place of Sculpture," Lelde Muehlensbachs, Volume 12#3, 46-47. about "Pegi
Nicol MacLeod," (visual art review by Amy Karlinsky), Volume 24#3 (#95), 93-95. MacPhee, Medrie
about "Four
Canadian Artist in New YorkUngrounding Science: Medrie MacPhee's Meditations
on Survival," by Robert Enright, Volume 20#2 (#78), 80-86. MacPherson,
Erica about "Childhood
Stories," Robert Enright, (borderview), Volume 18#3 (#71), 6-7. "Wading
in the Mucky-Muck," Lisa Gabrielle Mark, (review: tiny infirmaries by Hope
Peterson, Erica MacPherson), Volume 13#3, 54-55. Maddin,
Guy about "Daddy
Dearest: Isabella Rossellini and Guy Maddin's My Dad Is 100 Years Old,"
(film column by Robert Enright), Volume 24#3 (#95), 18-19. "Far From the Maddin Crowd: An Interview with Guy Maddin," Robert Enright, Volume 9#3, 33-41. "Home
Movie: Guy Maddin's The Saddest Music in the World," Robert Enright, Volume 23#2
(#90), 16-17. "Infinitude,"
Robert Enright, (borderview: The Eye Like a Strange Balloon Mounts Towards
Infinity), Volume 14#2, 5-6. "Play
It Again, Sigmund: A Careful Inquiry into Guy Maddin's Tabooland," Robert
Dewalt, Volume 12#2, 9-11. "Song of
Myself," Robert Enright (film review: Guy Maddin's Brand Upon the Brain!),
Volume 25#4 (#100), 20-21. "Straight
Insanity," Ralph Friesen, (film review: Archangel, directed by Guy
Maddin) Volume 10#1, 52-54. "Tales
from the Gimli Hospital: A Review," K. George Godwin, Volume 7#3, 25-26. "Tales of
Two Cities," Robert Enright (film column re: My Winnipeg), Volume 26#3
(#103), 34-35. "Telling
the Dancer from the Dancing Film: Set Pieces from Dracula: Pages from a
Virgin's Diary," (interview with Mark Godden and Guy Maddin by Robert Enright),
photographs by Bruce Monk, Volume 20#4 (#80), 54-65. "The Mad
Fear Nothing: On the Set of Guy Maddin's The Heart of the World,'" diary by
Caelum Vatnsdal, Volume 19#3 (#75), 18-24. essay "An
Autobiography of My House," (Guy Maddin's The Brand Upon the Brain),
Volume 24#4 (#96), 56-63. portfolio "Keyhole
Collages," (Director: Guy Maddin; Art Director: Paul Butler; Michael Dumontier,
Brad Phillips, Simon Hughes, Jeff Funnell, Alicia Smith, Caelum Vatnsdal: Art
Department), Volume 26#4 (#104), 58-67. "Beauty
Farm or Interlake Creamery: Tableaux And Text," Volume 23#2 (#90), 66-69. filmscript "Dikemaster's
Daughter," (with George Toles), intro by Meeka Walsh, Volume 16#4, 34-41. "My
(Other) Winnipeg: Excerpts from a Phantom Film," Volume 27#3 (#107), 104-111. review "The
Great Parade: Portrait of the Artist as Clown, edited by Jean Clair," (book review), Volume 23#3
(#91), 129-131. about "Arnaud
Maggs," (visual art review by Daniel Baird), Volume 24#4 (#96), 91-93. "Auradynamics:
The Task of the Spectator in the New Era of the Aura," visual art review by
Martha Langford, (re: "Confluences" at CMCP and "Manufactured Landscapes" at
the National Gallery of Canada), Volume 22#2 (#86), 56-65. portfolio "Contamination,"
(photographs & text by Arnaud Maggs), Volume 27 #4 (#108), 80-84. Magor,
Liz about "The Art
of Liz Magor," visual arts review by Robin Laurence, Volume 22#2 (#86), 36-41. Magritte,
René about "René
Magritte," Susan Emerling (visual art review re: "Magritte and Contemporary
Art: The Treachery of Images), Volume 26#2 (#102), 96-98. Mahon,
Patrick about "Beautiful
Monsters," Yvonne Owens, (review: A Critical Beauty - Frances Grafton,
Lucy Hogg, Patrick Mahon, Gu Xiong), Volume 15#2, 56-59.d "Patrick
Mahon," (visual art review by Barbara McGill Balfour), Volume 21#4 (#84),
72-74. reviews "Conceptions:
The Conceptual Document 1968-1972," (visual arts review), Volume 21#1 (#81),
68-69. "Body
Double," (re: We Need a New History: Autobiography, Autobiology
by Jack and Sheila Butler), Volume 14#1, 73-74. "Rae Davis,"
(visual arts review of "Unfoldings"), Volume 21#2 (#82), 69-70. "Laura
Millard," (visual arts review
of "Recent Work), Volume 21#3 (#83), 82-83. "Wyn
Geleynse," (visual arts review of A Man Trying to Explain Pictures),
Volume 25#2 (#98), 117-118. Mahovsky,
Trevor About "Rhonda
Weppler and Trevor Mahovsky," (visual art review by Milena Placentile), Volume
26#1 (#101), 99-100. Main
Access Gallery about "Town
'N Country," Ron Frohwerk, (gallery review: Urban/Rural Landscape)Volume
8#3, 26-28. Major,
Christine about "The
Multi-Layered Animal," (Borderview by Robert Enright) Volume 25#1 (#97), 13-14. Maka,
Jahan about "The
Wise and Graceful Vision of Jahan Maka," Arthur Adamson, Volume 3#4,
62-64. Malcolm,
Andrew about "The
Canadians: A Review," Larry Krotz, Volume 4#4, 46. Malone,
Patricia reviews "Cajuns,
Angels and Crosses," (re: Contemporary Dancers), Volume 1#2, 42-43. "Contemporary
Dancers: A Review," Volume 1#3&4, 22-23. "Some
Beasts and Some Bravado: The RWB," Volume 1#3&4, 24-26. "Some
Women Who Are," (re: Contemporary Dancers), Volume 1#1, 20-21. Maltman,
Kim about "Techno
Lamentations," Lisa Gabrielle Mark, (book review: Technologies/Installations
by Kim Maltman), Volume 10#4, 48-49. Mandel, Eli
about "Correspondences:
Two Saskatchewan Poets," Dennis Cooley, Volume 12#1, 4-5. "Eli
Mandel, Life's Sentences," book review: The Other Harmony: The Collected
Poetry of Eli Mandel, Charlene Diehl-Jones, Volume 20#3 (#79), 71-74. "The
Family Romance: A Review," Birk Sproxton, Volume 6#4, 42. Mandelbaum,
Ann about "Interlacer:
The Delicate Confrontations of Ann Mandelbaum," Martha Langford, Volume 16#3,
30-33. Manisphere
Jury Art Show about "The
Manisphere Jury Art Show," Timothy Ray, Volume 1#3&4, 63-68. Manitoba
Chamber Orchestra about "The
Squeaky Ensemble Gets the Grease," Linda Masurat, Volume 2#3, 24-25. "Sing
to Me Only with Thine Blood, Randolph Peters and the Paradoxes of the
Heart," T. Patrick Carrabre, (Manitoba Chamber Orchestra), Volume 13#2,
23-25. Manitoba
Composer's Association about "New
Currents in Sound," Laurel Howard, (music review: Jeté by Manitoba
Composer's Association, produced by Randall Barnard), Volume 9#3, 27. Manitoba
Folk Art about "Presents
of Absence," Marie O'Hanratty, (borderview: Manitoba Folk Art), Volume
10#4, 55. Manitoba
Music Competition Festival about "March
is the Cruelest Month," John Eliot Clark, Volume 1#2, 64-65. Manitoba
Opera Association about "Don
Giovanni," John Eliot Clark, Volume 1#3&4, 109. "Joan
& Maureen and Cav & Pag," (Cavalleria Rusticana, I Pagliacci
/Puccini, MOA), Volume 1#1, 43. "Some
Like It Edgy Carmen and Outsider Love," Robert Enright, Volume 8#3,
4-5. "Verdi's
Witches and Kings," John Eliot (Clark), (re: Un Ballo in Maschera/Verdi),
Volume 1#1, 44. Manitoba
Puppet Theatre about "The
Making of a Play Legend: The Manitoba Puppet Theatre and The Legend of
Kiviuq," Robert Enright, Volume 3#4, 41-46. Manitoba
Theatre Centre about "Admission
Impossible? Changing the Role of Regional Theatre," Rick McNair, Volume
6#1, 52-53. "Canadian
Sparkle, American Dreary," David Arnason, (theatre review: All Over
by Edward Albee & Canadian Gothic and American Modern by
Joanna Glass), Volume 1#1, 18-19. "Kinds
of Glory," David Arnason, (review: The Crucible), Volume 1#2, 34-35. "Looking
for Rust in the Glitter," Dan Cawthorn, (review: Dames at Sea),
Volume 1#2, 33. "The
Manitoba Theatre Centre and Prairie Theatre Exchange: 1982-1983," Volume
2#4, 63-69. "The
Manitoba Theatre Centre, Prairie Theatre Exchange: 80-82," Chris Johnson,
Volume 2#1, 34-41. "MTC's
Drama Purge: Richard Ouzounian and the Golden Rules of Regional Theatre,"
Christopher Dafoe, Volume 2#4, 46-48. "A
Retrospective: The Manitoba Theatre Centre's 1976-1977 Season," Dan
Cawthon, Volume 1#3&4, 6-7. Manitoba
Warehouse Theatre about "Canadian
Sparkle, American Dreary," David Arnason, (theatre review: Canadian Gothic
and American Modern by Joanna Glass), Volume 1#1, 18-19. "The
Heart of Waiting," Dan Cawthorn, (review: Waiting for Godot), Volume 1#2,
36. Mann,
Sally about "Print
Juleps: Steven Cantor's Blood Ties and What Remains," (column),
Volume 25#3 (#99), 20-21. symposium "Questioning
Bodies: A Symposium on Censorship and Representation," Introduction by
Robert Enright, Volume10#2, 15-26. Mannomee,
Kavavaow portfolio "Land of
the Midnight Sons and Daughters: Contemporary Inuit Drawings: Shuvinai Ashoona,
Kavavaow Mannomee, Nick Sikkuark," intro by Amy Karlinsky, Volume 27#1 (#105),
66-83. Mapplethorpe,
Robert about "The
Perfect Neutralizer: Self-Revelation in the Photography of Robert
Mapplethorpe," Robert Enright, Volume 9#1, 6-7. Maranda,
Michael about "Michael
Maranda, White Out," visual art review: "invisible hand", Sigrid Dahle, Volume
20#3 (#79), 82-84. Marclay,
Christian about "Sightgags
and Soundtricks," (video review: Christian Marclay), Volume 20#2 (#78), 125-126 Marcoe,
Leonard about "The
Governor of Joy," (Borderview), Robert Enright, Volume 22#2 (#86), 14-15. Marden,
Brice about "The
Sensuous Puritan: The Art of Brice Marden," Robert Enright, Volume 18#2
(#70), 14-27. Margo,
Deborah About "Nattering
rampage: an installation," (a visual arts review by Emily Falvey, featuring
artists Cindy Deachman and Deborah Margo), Volume 21#1 (#81), 80-81. review "Ron
Giii," (visual art review), Volume 27 #4 (#108), 117-119. Margoshes,
Dave poetry "Triumph
of the light" and "The photographer's eye," Volume 22#1 (#85), 55. "Two
Poems by Dave Margoshes," Volume 15#1, 67. Marin,
Bonnie about
"Big
Attack Books," Robert Enright, (borderview), Volume 19#2 (#74), 7-8. "Bonnie
Marin," Nadja Sayej, (review of The othergallery, Winnipeg, presents Bonnie
Marin, Women & Animals), Volume 25#2 (#98), 96-97. "Piecing
Together the Women of Winnipeg," Robert Enright, (borderview), Volume 27#3
(#107), 24-25. portfolio "The
Winnipeg AlphaBestiary: The Many and the Marvelous," (W), Volume 25#1 (#97),
52-88. Mark, Kelly
About "Elegant
Stupidities," (borderview by Robert Enright), Volume 27#1 (#105), 20-21. "Griddy
Realism: Kelly Mark Mixes Media," visual art review by Melanie O'Brian, Volume
19#4 (#76), 83-84. "Kelly
Mark," (visual art review by Barbara Isherwood), Volume 24#3 (#95), 106-108. Mark,
Lisa Gabrielle "Hijacking
Cabaret," (re: Shawna Dempsey, Lorri Millan), Volume 14#1, 34-37. "Things
Being Not as They Seam, the Photographs of Larry Glawson," Volume 12#4,
29-32. reviews "Oppressing
the Oppressors," (borderview: "Dislocating Comfort," a panel
discussion on Contemporary Art), Volume 10#3, 39. "The
Pressing of Flesh: Parallel Meditations on the Male Nude," Volume 11#3,
54-57. "Techno
Lamentations," (book review: Technologies/Installations by Kim
Maltman), Volume 10#4, 48-49. "Wading
in the Mucky-Muck," (re: tiny infirmaries by Hope Peterson, Erica
MacPherson), Volume 13#3, 54-55. Mark,
Mary Ellen about "The
Limits of Documentary: An Interview with Mary Ellen Mark," Robert Enright,
Volume 9#1, 21-23. "Marking
the Grace of Circus," Meeka Walsh, (review: Indian Circus), Volume 13#4,
70-72. visuals "Haven
and Earth: the Circus According to John Irving," interview with Robert
Enright, (photographs by Mary Ellen Mark), Volume 13#4, 40-47. Markiw,
Jancarlo and Gabriel about "Not
a Bad Year: A Review," Joseph Christianson, Volume 5#4, 59. Markotic,
Nicole about "Letting
Your Fingers Do the Talking," Robert Budde, (review: Yellow Pages: A
Catalogue of Intentions), Volume 14#4, 74. reviews "Locating
the Ear-Drum," (book review: So Far by Fred Wah) Volume 11#2, 36. Marlatt,
Daphne about "Here
and There: A Review," Pamela Banting, Volume 2#1, 69. Marsh,
Lynne about "Lynne
Marsh," review by James D Campbell, Volume 28#1
(#109), 84-86. Marshall,
Teresa "Multiples:
Tsa'de yoh do's,"
(visual art review by Sandra Vida of exhibition of First Nations artists:
Robert Houle, Bonnie Devine, Teresa Marshall), Volume 20#4 (#80), 67-69. Martel,
Yann about "Travels
with Self," Birk Sproxton, (book review: Self: A Novel), Volume
15#4, 62-64. fiction "Industrial
Grandeur," Volume 12#3, 40-42. "Counter
Propagandist," (Borderview by Robert Enright), Volume 23#1 (#89), 12-13. Martin,
Lee-Ann "The
Practice of Conflicting Art," Alison Gillmor, (review of Indigena:
Contemporary Native Perspectives, editor with Gerald McMaster) Volume 11#4,
73-74. Martin,
Mary Abbe "Visual
Art in the Twin Cities," Volume 4#4, 72-77. Martin,
Steve interview "The
Pleasure of Their Company:Steve Martin, April Gornik and Eric Fischl in
Conversation," Interview with Robert Enright, Volume 19#3 (#75), 26-46. Marty,
Sid about "Chinookery,"
Pamela Banting, (review: Leaning on the Wind: Under the Spell of the Great
Chinook), Volume 15#1, 46-48. Masarsky,
Nancy reviews "The
Immortals (book by Ed Kleiman)," Volume 2#4, 34. Mason,
Bill about "A
Motion and a Spirit: Bill Mason's Nature Films," Gene Walz, Volume 8#2,
37-40. Masurat,
Linda "The
Manitoba Chamber Orchestra: The Squeaky Ensemble Gets the Grease," Volume
2#3, 24-25. Matanovic,
Milenko about "Decline
and Fall of the American Empire," Myrna Kostash, Volume 16#1, 10-11. Matas,
Carol about "The
Fusion Factor and Zanu: A Review," Mavis Reimer, Volume 6#2,
25. "Lisa:
A Review," Joseph Christianson, Volume 7#2, 34. Matheson,
Sue "The
Centre at the Edge: Amateur Theatre in Morden," Volume 4#3, 53-54. "The
Osborne Village Cultural Centre: Gadfly or Albatross?" Volume 3#3, 34-35. review "Tom
Benner," (visual art review of "Cruising the Margins"), Volume 24#1 (#93),
89-90. Matisse, Henri
about "Henri,
We Hardly Knew You," Robert Berlind, (book review: Ruthless Hedonism: The
American Reception of Matisse by John O'Brian), Volume 18#4 (#72), 80-85. Mato,
Dan reviews "Sculpture
on the Prairies: A Review Article," (curated by William Kirby at the WAG),
Volume 1#3&4, 48-53. Matsubara,
Naoko about "The
Woodcuts of Munakata and Matsubara," Arthur Adamson, (re: Mokuhan: The
Woodcuts of Munakata and Matsubara), Volume 1#2, 10-13. Matta-Clark, Gordon
about
"Gordon
Matta-Clark," MJ Thompson (visual art review re: "You Are the Measure"), Volume
26#3 (#103), 151-154.
Mattes, Catherine
reviews "Trick and
Treat," (book review: The Trickster Shift: Humour and Irony in Contemporary
Art by Allan J. Ryan), Volume 18#4 (#72), 90-91. Matthews,
Michael about "Sounding
Language: The Music of Michael Matthews," Pat Carrabré, Volume 7#2, 42-43. review "The
Pochsy Plays by
Karen Hines and A Cannibal and Melancholy Mourning by Catherine Mavrikakis,
translated by Nathalie Stephens," (book reviews by Mariianne Mays), Volume 23#3
(#91), 126-127. Maydanyk,
Jacob about "A
Darker Shade of Romance: An Interview with Halya Kuchmij," (with Robert
Enright) Volume 2#4, 12-17. Mayer,
Ernest portfolios "A
Mime Portfolio: Guiseppe Condello/Ernest Mayer," Volume 2#4, 23-27. Mayes,
Hubert G. "Bison
in Bronze," Volume 7#2, 26-28. Maynard,
Fredelle Bruser about "Happy
to Harpy: A Review of The Tree of Life," Meeka Walsh, Volume 7#4, 50-51. Mays, Mariianne
about "Mariianne
Mays," (visual arts review of "Rash" by Amy Karlinsky), Volume 22#2 (#86),
84-86. reviews "Linda
Carreiro," (visual arts review of "Langue"), Volume 23#2 (#90), 98-100. "Jean
Cocteau," (visual arts review), Volume 23#4 (#92), 109-111. "Detouring:
Nicole Brossard's Installations," book review, Volume 19#4 (#76), 82-83. "lux/magnorth," book review, Volume 20#2 (#78), 141-142. "The
Pochsy Plays by
Karen Hines and A Cannibal and Melancholy Mourning by Catherine Mavrikakis,
translated by Nathalie Stephens," (book reviews), Volume 23#3 (#91), 126-127. "Tim
Schouten," (visual art review of "In the Absence of Horses"), Volume 24#1
(#93), 90-92. Mazinani,
Sanaz about "Uncovering
the Many Faces of Iran," (borderview by Robert Enright), Volume 27 #4 (#108),
21-22. McAllister,
Ian poetry "Winnipeg
Sunday (1)," Volume 6#1, 40. "Winnipeg
Sunday (2)," Volume 6#1, 40. McCabe,
Shane "No
Place Like Home," Excerpts from the play, Introduction by Robert Enright,
Volume 9#4, 23-27. McCance,
Dawne about "The
Good, the Bad and the Timely," Charlene Diehl-Jones, (book review: Posts:
Re-Addressing the Ethical), Volume 15#4, 58-60. "Medusa's
Ear: University Foundings from Kant to Choral by Dawne McCance," (book
review by Méira Cook), Volume 24#2 #94), 104-106. reviews "A
Mazing Space," (book review: A Mazing Space edited by Shirley
Neuman and Smaro Kamboureli), Volume 7#1, 33. "Un-Writing,"
(book review: Silence, The Word And the Sacred edited by E.D.Blodgett
and Harold Coward), Volume 9#2, 23-24. McCargar,
W.C. about "The
Telescoping Art of W.C. McCargar," Meeka Walsh, Volume 6#3, 9-15. McCarroll,
Billy about "Fore
Groundings," Robert Enright, Volume 21#3 (#83), 12-13. McCarthy,
Cormac about "Romancing
the Zone," Wayne Tefs, (re: All the Pretty Horses), Volume 12#2,
7-8. about "Glam
North: Doris McCarthy's Northern Landscapes," (article by John Scott), Volume
23#3 (#91), 36-40. McCaw,
Kim "Advocacy
Theatre: An Interview with Kim McCaw," (with Chris Johnson) Volume 3#1,
48-51. McCollum,
Allan about "Allan
McCollum," (visual art review by Charmaine Wheatley), Volume 28#2 (#110),
83-85. "No Things
but in Ideas, An interview with Allan McCollum," Robert Enright, Volume 20#3
(#79), 24-41. McCracken,
Melinda reviews "Ms.
Butterfly," (dance review: Lepidoptera by Contemporary Dancers),
Volume 8#4, 44-45. "Night
Travellers (book by Sandra Birdsell)," Volume 2#3, 62. "Sweet
Nothings from the Fifties: A Review of Paradise Cafe and other Stories by
Martha Brooks," Volume 8#2, 48. "The
Way to Always Dance (book by Gertrude Story)," Volume 3#1, 41. McCrum,
Phil about "Everyday
Every Other Day," (group exhibition at the Blackwood Gallery), Milena Tomic,
Volume 25#4 (#100), 107-108. McElroy,
Gil reviews "Gone
Fishing," (re:Gerald Ferguson: Compositions 1989-1994), Volume 15#1,
64-65. McFadden,
J.J. Kegan reviews "Painter
Pants," (visual art review of group show including images of work by Jason
McLean, Neil Dyck, Roger Crait), Volume 26#4 (#104), 92-94. about "The
Empire Grows Back: The Garden Photographs of Scott McFarland," (article by Lee
Henderson), Volume 24#2 (#93), 50-56. McGee,
Robert "Mesdames
Morter," Volume 13#1, 66-67 reviews "The Artful
Lodger," (re: Poppo Presents. . . Drawings by Neil Farber), Volume
18#1 (#69), 59-60. "Big Apple
Bibliolatry," (re: File Card Works Hidden in Books by Cliff Eyland),
Volume 17#1, 60. "Circus
Conjurors," (re: Cirque du Soleil, Véronique Vial, Héléne Dufresne
eds.), Volume 14#1, 74-75. "Getting
to the Heart of the Matterings," (visual art review: Ann Hamilton's exhibitions
the body and the object: 1984 to 1997 and mattering), Volume 18#2
(#70), 68-69. "Hog
Heaven," (visual art review: The Art of the Motorcycle), Volume
17#4 (#68), 70-71. "Icons
of Self," (re: Carlo: Works on Paper, 1960-1973), Volume 13#2, 51-52.
(Carlo Zinelli) "Mabou
Blues,"(photography review: Robert Frank: View from the Canadian Side),
Volume 18#3 (#71), 54-56. "Mayor,
Mayor on the Wall", (visual art review: Sensation: Young British Artists
from the Saatchi Collection), 18#4 (#72), 70-72. "The Rings
Cycle,"(visual art review: David Rabinowitch, Recent Drawings), Volume
18#2 (#70), 62-64. "St.
Piet's Progress," (re: Piet Mondrian), Volume 15#1, 54-55. "Vanity
and Gravity," (re: Rebecca Horn: The Inferno-Paradiso Switch), Volume
12#4, 68-70. "Video,
Vidi, Vici," (visual art review: "The Worlds of Nam June Paik"), Volume 19#2
(#74), 84-86. McGifford,
Diane "Puritanism,
Prudery and Penthouse," (with Gill Canning) Volume 3#3, 9. reviews "Double
Bond: An Anthology of Prairie Women's Fiction (edited by Caroline Heath),"
Volume #2, 23-24. McGrath,
Tome "A
Poet with Aberrations: An Interview with Tom McGrath," (with Robert W.
Lewis and James McKenzie), Volume 4#4, 104-108. McGreevy,
John about "Glenn
Gould Variations: A Review," Chester Duncan, Volume 4#1, 25-26. McIlroy,
Randal articles "Lori
Freedman, The Bass and the Restless," Volume 18#2 (#70), 48-51. "Self-Recorder,"
(re: Ken Gregory), Volume 15#1, 40-43. reviews "Hearing
the Working Future," (re: 1995 WSO/du Maurier Arts Ltd. New Music
Festival), Volume 14#2, 51-53. McIntosh,
Diana about "MusicAmong
a Lot of Other Things," Kathleen Wall,(review: Music Inter Alia), Volume 1#2,
55-56. McIntosh,
Elizabeth "Flatlanders:
Collecting The Present in Toronto," (review by Xandra Eden of works by
Elizabeth McIntosh, Eric Glavin, Mark Bell, Sally Spath, and Nestor Kruger),
Volume 20#4 (#80), 34-40. McKay,
Arthur about "Remembrance
of Beauty's Past," Greg Beatty, (visual art review: McKay: A Critical
Retrospective), Volume 16#2, 64-65. McKellar,
Don about "A
Sense of an Ending," Robert Enright (re: film Last Night), Volume
18#1 (#69), 11. McKenzie,
James "A
Poet with Aberrations: An Interview with Tom McGrath," (with Robert W.
Lewis), Volume 4#4, 104-108. McKinnon,
Sarah M. "Icons
to Iconoclasts: I. The Walls of Remembrance, II. Moving to the Clear, III. The
Chronology of History," Volume 11#2, 54-63. McKnight
Foundation about "New
Music from Minnesota (produced by the Minnesota Composers Forum and the
McKnight Foundation)," review by Stephen Cera, Volume 4#4, 63-64. McLean,
Dave and Grant "I
Thought I'd See Heaven: An Interview with the McLean Brothers," (with
Andrew Patton) Volume 1#3&4, 98-108. about "Dada's
Boy," (article by Robin Laurence), Volume 22#3 (#87), 48-53. "Jason
McLean," (visual art review by Lee Henderson), Volume 25#3 (#99), 115-117. about/interview "Mirror
Imager," (Q & A w/ Robert Enright), Volume 23#4 (91), 9-10. portfolio "The
Winnipeg AlphaBestiary: The Many and the Marvelous," (C) Volume 25#1 (#97),
52-88. McLuhan,
Corrine about "Marshall
McLuhan: Values at the Speed of Type, The Letters of Marshall McLuhan (edited
by Matie Molinaro, Corrine McLuhan, William Toye)," Bruce Ferguson, Volume
7#4, 48-49. McLuhan,
Elizabeth about "Norval
Morrisseau and the Emergence of the Image Makers: A Review," David
Arnason, Volume 3#4, 36-37. McLuhan,
Marshall about "Marshall
McLuhan: Values at the Speed of Type, A Review of The Letters of Marshall
McLuhan," Bruce Ferguson, Volume 7#4, 48-49. McManus,
Bruce about "Crafty
Lust: A Profile of Bruce McManus," Reg Skene, Volume 6#3, 53-57. McMaster,
Gerald about "The
Practice of Conflicting Art," Alison Gillmor, (review of Indigena:
Contemporary Native Perspectives, editor with Lee-Ann Martin) Volume 11#4,
73-74. "Stereotypes
Under De(Construction)," Charlotte Townsend-Gault, (review of "Savage
Graces: after images") Volume 11#4, 76-77. McMillan,
David about "In
the Zone," Christopher Brayshaw, (photography review: photos of Chernobyl
evacuation zone), Volume 15#4, 57-58. articles "Photography:
Coming of Age in Winnipeg," Volume 1#1, 10-11. reviews "On
the Street: Three Manitoba Photographers," (re: Three Manitoban
Photographers Exhibitionn/David Barbour, Scott MacEachern, John Paskievich),
Volume 1#2, 44-46. portfolio "Grounding
Memory: The Chernobyl Photographs of David McMillan," introduction by Meeka
Walsh, Volume 25#3 (#99), 62-71. "The
Zone," text and photographs (Chernobyl evacuation zone), Volume 17#4
(#68), 42-49. McNair,
Rick "Admission
Impossible? Changing the Role of Regional Theatre," Volume 6#1, 52-53. McSherry,
Fred review "Big
Disney is Watching You," with Cheryl Simon, (re: "The Architecture of
Reassurance: Designing the Disney Theme Parks"), Volume 16#4, 61-64. McTavish,
Lianne reviews "Guiltless
Pleasures," (visual art review: Alexandra Flood's Gem Hour), Volume 19#3 (#75), 77-78. articles "Floating
World: The Post-Minimalist Art of Faye HeavyShield," Volume 25#2 (#98), 62-67. McWilliams,
Al "Orvieto,"
collaboration with Michael Kenyon, Volume 12#2, 36-41. Meades,
Stella about "Love,
Loss and Reparation," Sigrid Dahle, (visual art review: footnote),
Volume 16#1, 56-57. Meadowcroft,
Barbara about
"Art
History Lite," David Rozniatowski, (book review: Painting Friends; The
Beaver Hall Women Painters), Volume 19#3 (#75), 82-83. Medved,
Maureen about "Feel
Bad Story," (book review: The Tracey Fragments) by Todd Bruce,
Volume 17#3 (#67), 66-68 "Pretend
Drive-In," Scott Ellis, (borderview: Video Drive-In; Night Bus to Fargo
by Susan Peterson and Maureen Medved; Murderer's Song by Nelson
Hendricks), Volume 10#4, 54. Meigs, Sandra Vida about "Sandra
Meigs," Wendy Welch (review of Mary), Volume 25#2 (#98), 110-111. Meleschuk,
Pat "Pandora
Poetry Contest: The Winning Entries," Volume 1#3&4, 34-39. Melnyk,
Doug about "Doug
Melnyk," (visual art review by Robin Metcalfe), Volume 21#4 (#84), 68-70. "Walking
the Disconnected Tightrope," Scott Ellis, (visual art review: Doug
Melnyk: Multi-Media Works: 1980-1990), Volume 9#3, 31-32. reviews "An
Installation by Susan Barton Tait," Volume 5#2, 29. poetry "We
were Crazy," Volume 4#2, 38. "What
Saved Him," Volume 4#2, 39. art
pages "34 Naked
Men, 135 Men's Heads," Volume 19#3 (#75), 49-51. portfolio "The
Winnipeg AlphaBestiary: The Many and the Marvelous," (E), Volume 25#1 (#97),
52-88. Melnyk,
George about "Tradition
and Mischief in Alberta," by Birk Sproxton (book review: The Literary
History of Alberta. Volume One: From Writing-on-Stone to World War Two),
Volume 17#4 (#68), 68-70. Melnyk,
Lubomyr "Notes
from Underground," (re: music in Manitoba), Volume 4#2, 56. about "The
Remnants of a Man and The Fountain: A Review," John Cunningham, Volume
5#4, 57. Merritt,
Glenn "Where
East Meets West: A Profile of Aliana Au," Volume 5#4, 72-75. Metcalfe,
Eric About "Eric
Metcalfe," (visual arts review of "The Attic Project" by Anna-Marie Larsen),
Volume 21#2 (#82), 71-72. "Et
Tu, Brute?," by Kevin Mutch (re: Return to Brutopia), Volume 12#4, 58-59. Metcalfe,
Robin reviews "Doug
Melnyk," (visual arts review), Volume 21#4 (#84), 68-70. "The
Halifax Clay Wars," (re: Clay, Medium-Based Practices), Volume 15#3,
66-68. The
Metis See
Special Issue on the Metis, Volume 4#3 Metzner,
Sheila about "Light
Essentials: An Interview with Sheila Metzner," Robert Enright, Volume 9#1,
8-10. Meyer,
Joyce about "Ricordi:
A Remembrance of Italy, a Review," Ann Henry, Volume 3#1, 44. Michals,
Duane about "Michals
the Archangel," an interview by Robert Enright, Volume 17#4 (#68), 13-28. Michaels,
Anne poetry "Last
Night's Moon," Volume 17#4 (#68), 88-89. portfolio "The
Station Point, The photographs of Robert Bourdeau," text, Volume 18#1
(#69), 49-55. reviews "Love's
Darkness," Jon Kertzer, (book review: Skin Divers), Volume 19#2 (#74), 87-89. "Tracking Memory," (photographic review
re: "Track Records: Trains and Contemporary Photography"), Volume 16#4, 66-67. Michaels,
Hilary "Black
and White and Light: The Photographs of Suzanne Gauthier," Volume 7#4,
56-63. Michele,
Mary di poetry "Poem
Not Written by Diane Arbus (For Lorenzo)," Volume 10#2, 22. Michener,
Diana about "Traversing
the Unknown Territory: An Interview with Diana Michener," Robert Enright, 18#4
(#72), 40-60. Mierau,
Maurice reviews "Measuring
'Me(a)sure': ANNPAC's Conference on Art Criticism," Volume 7#4, 42-43. "Life
in the Comix Lane," (performance art review: Average Life Comix by
Alethea Lahofer), Volume 8#4, 51-52. poetry "The
Difference between a Martyr and a Suicide," Volume 6#3, 20. "The
Soldiers," Volume 6#3, 20. Mik,
Aernout About "Aernout
Mik," (visual arts review by Rosemary Heather), Volume 21#1 (#81), 77-78. Miki,
Roy about "The
Beat of the Word," Fred Wah, (poetry review: Saving Face by Roy
Miki), Volume 10#3, 33-34. Millan,
Lorri about "The Art
of Free Ranging," Robert Enright (Borderview of Lesbian National Parks and
Services Field Guide to North America), Volume 21#4 (#84), 15-16. "Brave New
Girls: Moments of Rage and Beauty: The Art of Shawna Dempsey and Lorri Millan,"
interview by Robert Enright, Volume 17#2 (#66), 16-27. "Grocery
Store," (visual arts review by Christopher Olson of installation by The Co-Op
Collective: Jake Moore, Zab, Shawna Dempsey, Lorri Millan), Volume 21#4 (#84),
65-66. "Hijacking
Cabaret," Lisa Gabrielle Mark, Volume 14#1, 34-37. "Space
Invaders," Robert Enright, (borderview), Volume 14#4, 6-8. "Subconscious
City," Amy Karlinsky, (visual art review: exhibition at WAG curated by Shawna
Dempsey and Lori Millan), Volume 27#2 (#106), 87-88. articles "Double
Doubting: Carla Zaccagnini's Art of Uncanny Deception," Volume 28#1 (#109),
50-54. reviews "The Singh
Twins," (visual arts review), Volume 23#2 (#90), 97-98. Millard,
Laura about visual
arts review of "Recent Work" by Patrick Mahon, Volume 21#3 (#83),
82-83. Millard,
Peter "At
the Crossroads: Painting in Saskatoon," Volume 2#2, 26-32. "Contemporary
Inuit Art," Volume 3#1, 24-31. "A
Dream of Home: The Landscapes of Dmytro Stryjek," Volume 5#4, 91-93. "Hail
and Farewell," Volume 12#3, 43-45. reviews "Brushing
Greatness: sculpture by Karoo Ashevak," Volume 1#2, 22-25. "Enterprising
Inuit Art," (re: Inspiration: Four Decades of Sculptre by Canadian Inuit
by Norman Zepp), Volume 15#1, 51-52. "Fitzgerald
as Printmaker (book by Helen Coy)," Volume 2#1, 50-51. "Four
Score and Plenty," (re: Joseph Plaskett), Volume 17#3 (#67), 64-65. "From
History to Myth: The Work of Patrick Hayman," Volume 1#1, 26-29. "In
the Middle: The Inuit Today (book by Stephen Guion Williams)," Volume 3#4,
33-34. "Inuit
Art: A History" (book by Richard C. Crandall), and "An Annotated Bibliography
of Inuit Art" (book by: Richard C. Crandall and Susan M. Crandall), Volume 20#4
(#80),82-83. "Ivan
Eyre (book by George Woodcock)," Volume 2#4, 37-38. "Land
of Earth and Sky: Landscape Painting of Western Canada (book by Ronald
Rees)," Volume 4#3, 32-33. "Transcendental
Topographies," (visual art review: Stillscapes by Lorenzo Dupuis),
Volume 18#4 (#72), 72-74. "Under the
Influence," (visual art review: Arbor Vitae by Atilla Richard Lukacs),
Volume 19#1 (#73), 66-67. "Uprooted:
The Life and Art of Ernest Lindner (book by Terrence Heath)," Volume 3#2,
28. "Visions:
Contemporary Art in Canada (edited by Robert Bringhurst, Geoffrey James,
Russell Keziere, Doris Shadbolt), and Contemporary Canadian Art, A Review (by
David Burnett and Marilyn Schiff)," Volume 4#1, 27. about "Trying
The Cholers," George Swinton, (book review: Dmytro Stryjek: Trying the
Colours), Volume 8#3, 25-26. Miller,
Rick about "Cry,
Wrack Machomer Would Like a Six-Pac," Robert Enright, Volume 15#4, 6-7. "MacLord
of the Rings," (Borderview by Robert Enright), Volume 22#1 (#85), 12-13. Mills,
Anne Newdigate about "Weaving
Through Art History," Miranda Jones, Volume 8#3, 46-49. Milne,
David about "David B.
Milne," Gary Michael Dault, (review of David Milne Watercolours: Painting
Toward the Light), Volume 25#2 (#98), 97-99. "Davids
and Goliath," Robert Enright, (borderview of Painting Place: The Life
and Work of David B. Milne by David Silcox), Volume 16#1, 7-8. "Eloquent
Intimacies," Robin Laurence, (review of The David Milne Retrospective)
Volume 11#2, 37-38. Milne,
Marlene reviews "Bewitched
by Chance," (re: Arthur Adamson work), Volume 1#2, 18-19. "Esther
Warkov: Mixing Memory and Desire," Volume 1#3&4, 79-81. Mime about "A
Mime Portfolio: Guiseppe Condello/Ernest Mayer," Volume 2#4, 23-27. "Mime
Thoughts from Abroad: Winnipeg's First Corporal Mime Festival," Myron
Love, Volume 2#4, 21-22. Minnesota about See the
Special Canada/U.S. Issue, Volume 4#4. Minnesota
Composers Forum about "New
Music from Minnesota (produced by the Minnesota Composers Forum and the
McKnight Foundation)," review by Stephen Cera, Volume 4#4, 63-64. Minuk,
Neil article "The
Architecture of A.J. Donahue," Volume 18#1 (#69), 38-40. Book
review Design
in Canada (by Rachel Gotlieb and Cora Golden), Volume 20#4 (#80), 79-80. Mirus,
Mike about "Still
Moving Pictures: The Art of John Paskievich and Michael Mirus," Ralph
Friesen, Volume 6#1, 12-14. portfolios "The
Price of Daily Bread," (with John Paskievich) Volume 4#4, 35-41. Mitchell, Joni
"Words and
Pictures: The Arts of Joni Mitchell," Robert Enright, Volume 20#1 (#77), 18-31. Mitchell,
W.O. about "Dramatic
W.O. Mitchell: A Review," John Butler, Volume 2#4, 35-36. "Since
Daisy Creek: A Review," Wayne Tefs, Volume 4#2, 22-23. about "Ellen
Moffat," (visual art review by Jack Anderson), Volume 24#2 (#94), 96-97. Moholy-Nagy,
Lsl about "Lsl
Moholy-Nagy," (visual art review by MJ Thompson), Volume 26#1 (#101), 84-86. Moiseiwitsch,
Carel about "Speaking
with the Enemy," Kevin Mutch, (review: Trophies), Volume 13#4, 62-63. Mol,
Leo about "Children
of the Stone Age," Myron Love, Volume 6#1, 41-43. Molinari,
Guido about "Guido's
Guide," Martha Langford, (review: Guido Molinari. Une Rétrospective),
Volume 14#4, 84-85. Molinaro,
Matie about "Marshall
McLuhan: Values at the Speed of Type, The Letters of Marshall McLuhan (edited
by Matie Molinaro, Corrine McLuhan, William Toye)," Bruce Ferguson, Volume
7#4, 48-49. Molinier,
Pierre about "Ceremonies
of Self-Transformation: The Photography of Pierre Molinier," Intro by
Scott Watson, Volume 11#3, 10-13. Mois de
la Photo about "The
Inventorizing of Photography," Martha Langford, (re: 1995), Volume 15#1,
18-23. Mondrian,
Piet about "St.
Piet's Progress," Robert McGee, (re: Piet Mondrian), Volume 15#1, 54-55. Monk,
Bruce "Telling
the Dancer from the Dancing Film: Set Pieces from Dracula: Pages from a
Virgin's Diary," (interview with Mark Godden and Guy Maddin by Robert Enright),
photographs by Bruce Monk, Volume 20#4 (#80), 54-65. Montaez
Ortiz, Raphael "Fight,
Stamina and Actions: Subjects and Objects in the Bewildering World of
Performance," Robert Enright, (Interviews with Francesco Conz, Allan Kaprow,
Raphael Montaez Ortiz, Hermann Nitsch, Orlan and Shozo Shimamoto; re: MOCA
exhibition, "Out of Actions: Between Performance and the Object, 1949-1979"),
Volume 17#2 (#66), 28-47. Moodie,
Kim about "Taking
the Eye for a Walk," Robert Enright, (borderview), Volume 21#3 (#83), 14. Moon,
Sarah about "Enigmatorio:
The Art of Sarah Moon," Robert Enright, Volume 18#4 (#72), 16-29. Moore,
Jake about "Book
Marks," Sigrid Dahle, (visual art review: to sow by Jake Moore and Name
this Bird: Winnipeg Beach by Susan Chafe and Donnely Smallwood), Volume
16#2, 54-56. "Grocery
Store," (visual arts review by Christopher Olson of installation by The Co-Op
Collective: Jake Moore, Zab, Shawna Dempsey, Lorri Millan), Volume 21#4 (#84),
65-66. "Unsettler
of the Marsh," Robert Enright (borderview) Volume 19#2 (#74), 5-6. "Wildlife:
A Field Guide to the Post Natural," (visual arts review by David Garneau of
works by Lois Andison, Nina Katchadourian, Jake Moore, Warren Quigley and
Louise Weaver) Volume 20#4 (#80), 70-72. Moore,
Sandee reviews "Pretend:
Theatre & Video," (visual art review of group show including images of work
by Coco Fusco, Omer Fast, Theo Sims), Volume 26#4 (#104), 90-92. about "Exchanging
Value," Robert Enright (borderview), Volume 25#4 (#100), 18. art
pages Volume
25#4 (#100), 77-79. Moos,
Michael poetry "Last
Summer's Baseballs," Volume 4#4, 62. "Red
River Valley Farmer," Volume 4#4, 62. about "Damian
Moppett," (visual art review by Christopher Olson), Volume 24#2 (#94), 99-101. Moppett,
Ron About "Ron
Moppett," (visual art review by Nancy Tousley), Volume 21#1 (#81), 71-73. "Ron
Moppett and Carol Wainio," (visual art review by Anthea Black), Volume 27#3
(#107), 197-198. about "Accidentor
Too," (Borderview by Robert Enright), Volume 23#3, (#91), 14-15. about "Giorgio
Morandi," (visual art review by Randall Anderson), Volume 24#1 (#93), 83-84. Morelli,
Francois about "Francois
Morelli," (visual art review by Randall Anderson), Volume 26#1 (#101), 77-79. Mori,
Mariko, about "Fantastic
Frameworks," (image of piece in group exhibition included in visual art review
by Wendy Welch), Volume 26#1 (#101) 95-96. Morimura,
Yasumasa about "On
Cultural Stereotypes Looking at Each Other," Terrence Heath, (re:
Psychoborg), Volume 13#4, 77-78. about "26/Two-Sicks/Too-Six...",
(article by Cliff Eyland re 26: Fred Thomas, Ian August, DJ Brace, Cyrus Smith,
Melanie Rocan, Shaun Morin, David Wityk), Volume 23#4 (#91), 16-27. "Dualité/Duality:
Mélanie Rocan and Shaun Morin," Christabel Wiebe, Volume 25#4 (#100), 82-84. portfolio "The
Winnipeg AlphaBestiary: The Many and the Marvelous," (Z), Volume 25#1 (#97),
52-88. Morgan,
Joey about "Still-Dreaming
After All These Fears," Greg Beatty, (visual art review: Joey Morgan: The
Man Who Waits and Sleeps While I Dream), Volume 17#1, 67-69. Morgan,
William reviews "The
Play's the Thing," Rory Runnells (re:Aboriginal Voices: Amerindian,
Inuit and Sami Theater, ed. Per Brask, William Morgan) Volume 12#3, 55-56. Morley,
Malcolm about "Malcolm
Morley: The Principal of Uncertainty," Robert Enright (interview), Volume 25#4
(#100), 22-36. Morley,
Patricia about "Kurelek:
A Biography, A Review," David Arnason, Volume 6#4, 39. Morose,
Edward article "The
Same Side of the Mirror, the Photopathology of George Steeves," Volume
17#4 (#68), 55-59. crossovers "The
Mechanics of Illness," (visual art review: "Machines Machines," a video
installation by Sheila Urbanoski), Volume 16#3, 70-72. "There but
for the Grace of God," (video review: "If only I" by Donigan Cumming), Volume
19#3 (#75), 74-75. visual
art "The Video
of Cruelty," (re: videos "A Prayer for Nettie" and "Cut the Parrot' by Donigan
Cumming), Volume 16#2, 28-33. Morris,
David B. about "Body
Persistence," by Alison Gillmor (re: The Culture of Pain by David
B. Morris & The Body Imaged: The Human Form and Visual Culture Since the
Renaissance by Kathleen Adler and Marcia Pointon eds.), Volume 12#4, 67-68. Morris,
Mark reviews "Razing
the Edifice Complex," (re: The Sun Raiser by Yves Sioui Durand, Michael
Smith), Volume 14#4, 78-79. Morris,
Micheal about "Bar
Everyone," Alision Gillmor, (review: Morris/Trasov Archive: Colour
Research), Volume 14#4, 73. "Metropolis:
The City at the End of Things: A Conversation with Michael Morris and Attila Richard
Lukacs," Robert Enright, Volume 10#3, 6-11. Morrisseau,
Norval about "Norval
Morrisseau and the Emergence of the Image-Makers: A Review," David
Arnason, Volume 3#4, 36-37. Morrissette,
George fiction "Dancing
with Cuckoo-Gee," Volume 2#3, 26-28. about "Girl
Talk," (Article by Robin Laurence re: Julie Morstad, Tamara Bond, Temple
Bates), Volume 24#3 (#95), 80-86. Morter,
Mesdames about "Mesdames
Morter," by Robert McGee, Volume 13#1, 66-67. Morton,
Janet about "The Collectress,"
Robert Enright, (borderview), Volume 19#1 (#73), 5-6. Moses,
Daniel David poetry "Three
poems by Daniel David Moses" Volume 11#4, 98. Mosher,
Debra portfolios "Heads:
A Photographic Portfolio," introduction by Robert Enright, Volume 3#1, 18-23. Mosley,
Joshua about "Joshua
Mosley," (visual art review by Alexander B. Kauffman), Volume 28#2 (#110),
90-91. Moss,
John about "Gathering
Moss," Birk Sproxton, (book review: The Paradox of Meaning: Cultural Poetics
and Critical Fictions by John Moss), Volume 18#3 (#71), 62-63. Motherwell,
Renate Ponsold memoir "Inside
Photography, A Memoir in Words and Pictures," (Introduction by Meeka
Walsh), Volume 13#3, 8-17. Motherwell,
Robert "The
Monumental Diarist: An Interview with Robert Motherwell," Robert Enright,
Volume 8#4, 7-17. Motion about "Time,
Be Not Proud," Ray Cronin, (multimedia review: "Mnemosyne," featuring Thaddeus
Holownia, Andre Alexis, Veronika Krausas and Motion), Volume 19#3 (#75), 89-91. Mouré,
Erin poetry "The
Notification of Birches," Volume 12#2, 24-25. Moxam,
Winston Washington about "Extremes
of Behaviour," K. George Godwin, (review: The Barbecue), Volume 13#4,
63-65. Muehlenbachs,
Lelde reviews
by "Far
from the Midden Crowd," (re:sarindar dhaliwal: saffron midden to ochre
flats), Volume 14#2, 65-67. "The
Place of Sculpture," (re: Isla Burns, Clay Ellis, Ken Macklin), Volume
12#3, 46-47. Mulaire,
Bernard reviews "Manitoba
Art Monographs," Volume 2#2, 59-60. Mulhallen,
Karen essays "Schaferscapes,"
(re: R. Murray Schafer), Volume 15#1, 25-31. Multiculturalism about See
Special Issue on Multiculturalism, Volume 5#4. Munakata
(see Shiko, Munakata) Murray,
Joan about "The
Last Buffalo: A Review," Robert Kroetsch, Volume 4#1, 38. Murray,
Robert about "Dances
with Steel: The Sculpture of Robert Murray," Robert Enright, Volume 18#2
(#70), 31-43. Musgrave,
Susan poetry "A
Curious Centurion," Volume 1#3&4, 129. "Dice
in a Blizzard: 5 poems by Susan Musgrave" Volume 12#1,50-51. "Seven
Poems," Volume 7#4, 68-69. "Vern
and Joanne: Dead," Volume 1#3&4, 119. "The
Receiving End of Love," Volume 9#4, 62-63. Articles "Al Purdy:
A Quintessential Man," Volume 19#4 (#76), 46-51. Music about "Notes
from Underground," Lubomyr Melnyk, Volume 4#2, 56. "A
Quiet in the Land," Blakeman Welch and Bill Pura, Volume 4#2, 55-57. Mutch,
Kevin about "Combine
Painter," by Robert Enright,(review of "Our World in Time and Space,
Kevin Mutch), Volume 12#4, 54-56. "Mutch
is More," by Robert Enright, (borderview) Volume 17#4 (#68), 4-5. reviews "Et
Tu, Brute?," (re: Return to Brutopia by Eric Metcalfe), Volume
12#4, 58-59. "Hoots
and Whistles from the Bleachers," (re: Artropolis '93), Volume 13#2,
59-61. "Speaking
with the Enemy," (re: Trophies by Carel Moiseiwitsch), Volume 13#4,
62-63. "You've
Come a Long Way, Baby," (re: Displacement of the Heart), Volume 13#1,
42-43. Muttart
Gallery about "Western
Canadian Icons," Steven Smith, Volume 7#3, 28-30. Mutu,
Wangechi about "Resonant
Surgeries: The Collaged World of Wangechi Mutu," interview by Robert Enright,
Volume 27#1 (#105), 28-46. Muybridge,
Eadweard J. about "Henrik
Hkansson and Eadweard J. Muybridge," (visual art review by James Campbell),
Volume 25#3 (#99), 119-121.
Nachtigall,
Jeff "Postcards
from the Zone," by Robert Enright,(re: "Excerpts from conversations with
myself"), Volume 20#4 (#80), 12-13. Nairne,
Sandy "Making
the Impossible Self: A Symposium on Current Art Practice," (with others)
Volume 7#3, 33-35. about "Thinking
about Thinking about Exhibitions," Petra Watson, (book review: Thinking
about Exhibitions edited by Reesa Greenburg, Bruce Ferguson and Sandy
Nairne), Volume 16#1, 50-52. about "Kazuo
Nakamura," (visual art review by Phil Koch), Volume 24#1 (#93), 75-77. Nasby, Judy about "Irene
Avaalaaqiaq: Myth and Reality by Judy Nasby," (book review by Amy
Karlinsky), Volume 22#1 (#85), 67-69. Nasgard,
Roland about "The
Mystic North: A Review," Terrence Heath, Volume 3#4, 35-36. Nathanson,
Gill about "Unnatural
Grace," Robert Enright, (borderview: Messing with Medea), Volume
18#3 (#71), 7-8. National
Film Board about "Los
Canadienses: A Review," Lionel Steiman, Volume 1#2, 49-50. "Tommy
Douglas: Keeper of the Flame: A Review," Ralph Friesen, Volume 6#2, 26. Nauman,
Bruce about "Bruce
Nauman," Randall Anderson (visual art review), Volume 26#4 (#104), 102-104. Neel,
Elizabeth about "Elizabeth
Neel," review by Charmaine Wheatley, Volume 28#1
(#109), 93-94. Nepinak,
Douglas Raymond poetry "Poetry,
Douglas Nepinak," Volume 15#3, 71. "Two
Poems by Douglas Raymond Nepinak," Volume 11#4, 21. Neshat,
Shirin About "Every
Frame A Photograph: Shirin Neshat in Conversation," (interview by Robert
Enright & Meeka Walsh), Volume 28#1 (#109),
24-39. "Shirin
Neshat," (visual arts review by Veronika Klaptocz), Volume 21#1 (#81), 69-71. Neufeld,
James about "Pas
de Deux x 2," Michael Crabb, (book review: Power to Rise: The Story of
the National Ballet of Canada by James Neufeld and Miss O: My Life in
Dance by Betty Oliphant), Volume 16#1, 57-58. Neuman,
Shirley about "A
Mazing Space: A Review," Dawne McCance, Volume 7#1, 33. "Another
Country: A Reveiw," Abraham Arnold, Volume 5#4, 52-53. "Labyrinths
of Voice: Conversations with Robert Kroetsch, A Review," David Arnason, Volume
2#3, 62-63. New
Dance Horizons about "Round
Legs, Square Wholes," Greg Beatty, (dance review: "New Round and
Square Dances" performed by Horizons at Globe Theatre, 1999), Volume 18#3
(#71), 74-75. "Spektator,
Rough Harmonies," Greg Beatty, dance review: New Dance Horizons, Volume 20#3
(#79), 74-75. about "Photography's
Fugitive Figure: An interview with Lori Newdick," (Robert Enright), Volume 23#2
(#90), 58-63. Newman,
Barnett about "Who's
Afraid of Barnett Newman?" James Trainor, (article), Volume 21#3 (#83),
34-40. about "Newman on
the Block," (Borderview by Robert Enright), Volume 24#1 (#93), 12-13. Newman,
Randall about "New
Art from Manitoba at the Winnipeg Art Gallery," Arthur Adamson, Volume
3#1, 34-36. Newman,
Robert "The
Invention of a Cultural Industry: ERDA and Filmmaking in Manitoba," Volume
4#1, 41-42. reviews "A
Fairly Conventional Woman (book by Carol Shields)," Volume 2#3, 61-62. New
Music Festival (The) about "All
in the Family: Modernism and its Progeny," Symposium by Robert Enright,
Volume 11#2, 24-33. "Hearing
the Working Future," Randal McIlroy, (re: 1995 WSO/du Maurier Arts Ltd.
New Music Festival), Volume 14#2, 51-53. "Musimania:
Winnipeg's New Music Festival," M.B. Duggan, Volume 11#2, 10-13. "Romping
with New Music," Charlene Diehl-Jones, Volume 12#2, 44-46 Newton,
Elaine about "Mirror
of a People: Canadian Jewish Experience in Poetry and Prose, A Review,"
Abraham Arnold, Volume 4#4, 48. Newton,
Helmut about "Newtonian
Physiques: the Photographic World of Helmut Newton," an interview by
Robert Enright, Volume 17#4 (#68), 30-41. Nicaragua about "Contra-Diction:
Nicaragua and the War of Words," Gary Geddes, Volume 9#1, 58-62. Nichol,
bp about "bp
Nichol (1944-1988)," Dennis Cooley, Volume 8#3, 6-7. Nicholson,
Sandy about "Sandy
Nicholson," (visual arts review of "Lifts" by Andréa Picard), Volume 21#4
(#84), 70-71. Nickard,
Gary "A
Form of Spectacle: Natural Science Reconsidered," Volume 10#4, 78-84. Nickel,
Barbara about "Sonnet
Tearing," Victor Jerrett Enns, (book review: The Gladys Elegies ),
Volume 17#2 (#66), 67-68. Nitsch,
Hermann "Fight,
Stamina and Actions: Subjects and Objects in the Bewildering World of
Performance," Robert Enright, (Interviews with Francesco Conz, Allan Kaprow,
Raphael Montaez Ortiz, Hermann Nitsch, Orlan and Shozo Shimamoto; re: MOCA
exhibition, "Out of Actions: Between Performance and the Object, 1949-1979"),
Volume 17#2 (#66), 28-47. Nizam,
James about "James
Nizam," visual art review by Robin Laurence, Volume 27#1 (#105), 99-101. Noble,
Richard "Space
Intruders: The Regina Billboard Project," Volume 9#1, 47-50. "A
Walk on the Art Side," (gallery review: Gallery on the Avenue by
Winnipeg's Downtown BIZ), Volume 9#4, 43-44. articles "Art,
Morality and Mr. Gacy's Paintings," (re: The Moral Imagination
exhibition at Plug In), Volume 16#1, 14-19. Nolina,
Juan Antonio about "Territorial
Declaratives," Robin Laurence, (visual art review: New Art from Cuba:
Utopian Territories curated by Juan Antonio Nolina, Eugenio Valdés
Figueroa, Keith Wallace and Scott Watson), Volume 16#2, 51`-53. Noonan,
Gail about "New
Art from Manitoba at the Winnipeg Art Gallery," Arthur Adamson, Volume
3#1, 34-36. Norlen,
Alison about "Extreme
Fascinations, Alison Norlen's work-in-progress," Sigrid Dahle, Volume
14#1, 54-59. "Float I
and Float II, detail" (visual art fold-out) charcoal on paper, Volume 21#2
(#82), 53-57. portfolio "The
Winnipeg AlphaBestiary: The Many and the Marvelous," (V), Volume 25#1 (#97),
52-88. The
North about See the
Special Northern Issue, Volume 3#4. North
Dakota about See the
Special Canada/U.S. Issue, Volume 4#4. Norton,
Jenn about "Jenn
Norton," visual art review by Nadja Sayej, Volume 27#1 (#105), 96-97. Norvid,
Adrian about "Adrian
Norvid," (visual art review by Randall Anderson), Volume 24#2 (#94), 103-104. "The
Québec Triennial," (visual art review by Stephen Horne), Volume 27#3 (#107),
177-179. Notman,
William about "Composite
Deceptions," Martha Langford, (review: Cut and Paste: Composite
Photographs of William Notman), Volume 13#3, 59-61. Nugent,
John about "Modernist
Sculpture on the Prairies: A Critical Appraisal," Liz Wylie, Volume 3#3,
10-16. "Living
Dolls," (Borderview by Robert Enright), Volume 23#2 (#90), 11-12. Oberman,
Sheldon about "Mirror
of a People: Canadian Jewish Experience in Poetry and Prose, A Review,"
Abraham Arnold, Volume 4#4, 48. fiction "Angel
with a Full House," Volume 5#4, 61-63. "The
Sale," Volume 12#1, 20-23. Obomsawin,
Alanis about "Here
We Stand," Patrick Lowe,(review:Kanehsatake: 270 Years of Resistance),
Volume 13#1, 44-46. O'Brian, John
about "Henri,
We Hardly Knew You," Robert Berlind, (book review: Ruthless Hedonism: The
American Reception of Matisse by John O'Brian), Volume 18#4 (#72), 80-85. O'Brian, Melanie
Reviews "Griddy
Realism: Kelly Mark Mixes Media," visual art, Volume 19#4 (#76), 83-84. O'Connell,
Patrick about "A
Now and Zen Kind of Guy," Robert Enright, (borderview), Volume 18#4 (#72),
6-7. Oesterle, Michael
Articles
"Bridging
Sonic Cultures: Tibetan Opera in Winnipeg," photographs by William Eakin,
Volume 19#4 (#76), 52-54. O'Hanratty,
Jamie "Here
Comes the Prize Winner: The Paintings of Olga Stauvers," Volume 7#1, 52-53. O'Hanratty,
Marie "Presents
of Absence," (borderview: Manitoba Folk Art), Volume 10#4, 55. o'Hara
slavick, elin about "Bomb
After Bomb: A Violent Cartography by elin o'Hara slavick," book review by
Andrea D. Fitzpatrick, Volume 26#4 (#104), 107-108. O'Keefe,
Mary Christa reviews "China
Sensation: New Art from Chengdu," (visual art review), Volume 26#3 (#103),
143-145. "Sky
Glabush," (visual art review of exhibition at Douglas Udell), Volume 25#2
(#98), 99-100. Oliphant,
Betty about "Pas
de Deux x 2," Michael Crabb, (book review: Power to Rise: The Story of
the National Ballet of Canada by James Neufeld and Miss O: My Life in
Dance by Betty Oliphant), Volume 16#1, 57-58. Olito,
Michael visual
art "O.A.D.C.
Olito Aircraft Development Corporation project" Volume 12#2, 54-55. about "The
Best Possible Face: L.B. Foote's Winnipeg, A Review," Andy Blicq, Volume
5#1, 33-34. "Drawing
a Line: The Art of Michael Olito," Terrence Heath, Volume 5#3, 22-23. "The
Edges of Art: Notes on Personality and Creativity," Joseph Christianson,
Volume 4#2, 18-20. "Foe
Revolutionary," Robert Enright (borderview), Volume 15#3, 4-5. "Letters
from the Earth: An Interview with Mike Olito," (with Robert Enright)
Volume 4#4, 10-17. Oliver,
Keith about "The Craft
of Sculpturing Furniture," Robert Enright (borderview), Volume 25#2 (#98),
14-15. Olson,
Christopher A. articles
"Soundings:
Winnipeg's Send + Receive at Ten," Volume 27 #3 (#107), 162-167. review "Attila
Richard Lukacs/Polaroids/Michael Morris," & "Male: Work from the Collection
of Venice Aletti," (visual art review of two exhibitions @ Presentation House
Gallery, featuring the artwork of Attila Richard Lukacs, Wilhelm von Gloeden
& Jim Hamilton), Volume 27 #4 (#108), 105-107. "Lida
Abdul," (visual arts review), Volume 27#2 (#106), 90-92. "Roy
Arden," (visual arts review), Volume 27#1 (#105), 87-89. "Baja to
Vancouver," (visual arts review), Volume 23#4 (#92), 103-108. "Kim
Dawn," (visual arts review), Volume 23#2 (#90), 105-106. "The Décor
Project: White on White," (re: Hadley Howes and Maxwell Stephens), Volume 22#4
(#88), 106-107. "Here
is Always Somewhere Else: The Dissapearance of Bas Jan Ader," visual art review (film,
directed by Rene Daalder), Volume 28#2 (#110), 95-97. "Kota
Ezawa," (visual art review re: "The History of History"), Volume 26#3 (#103),
138-140. "KRAZY!
The Delirious World of Anime + Comic + Video + Games + Art," (visual arts
review of exhibition curated by Bruce Grenville, Tim Johnson, Kiyoshi Kusumi,
Art Spiegleman, Seth, Will Wright and Toshiya Ueno), Volume 27#3 (#107),
186-190. "Grocery
Store," (visual arts review of installation by The Co-Op Collective: Jake
Moore, Zab, Shawna Dempsey, Lorri Millan), Volume 21#4 (#84), 65-66. "Damian
Moppett," (visual art review), Volume 24#2 (#94), 99-101. "Ruth
Beer," (visual art review), Volume 23#3 (#91), 113-115. "Jeremy
Shaw," (visual art review), Volume 24#1 (#93), 96-98. "Stephen
Shore," (visual art review of The Biographical Landscape), Volume 25#1
(#97), 107-108. "Miroslav
Tichy," (visual art review), Volume 26#2 (#102), 107-108. Olynyk,
Kim reviews "Edith
Dekyndt," (visual art review of "Two White Pieces"), Volume 26#1 (#101), 86-89. Ondaatje,
Michael "Love
Clinic," Volume 9#4, 14-19. about "The Asian
Nod," Jon Kertzer, (book review: Anil's Ghost), Volume 19#3 (#75), 86-88. Ono,
Yoko about "Instructions
in the Marital Arts: A Conversation with Yoko Ono," by Robert Enright,
Volume 13#1, 30-41. Oonark,
Jessie about "Tattoos,
Hairsticks and Ulus: The Graphic Art of Jessie Oonark," Bernadette
Driscoll, Volume 3#4, 12-19. Opera "O
Canada at O America," Trevor Boddy (re: Opera America), Volume 18#3 (#71),
65-68. Opton,
Suzanne about "The
Silent Dialogue: Portraits by Suzanne Opton," article by Andrea D. Fitzpatrick,
Volume 25#4 (#100), 38-45. Ord,
Douglas articles "An
Archaeology of Desires," (re: Paul Wong), Volume 15#3, 50-53. Orford
Quartet about "A
Retrospective: Three Orchestras and Two Quartets," John Eliot Clark, Volume 1#2, 62-64. Orlan "Fight,
Stamina and Actions: Subjects and Objects in the Bewildering World of
Performance," Robert Enright, (Interviews with Francesco Conz, Allan Kaprow,
Raphael Montaez Ortiz, Hermann Nitsch, Orlan and Shozo Shimamoto; re: MOCA
exhibition, "Out of Actions: Between Performance and the Object, 1949-1979"),
Volume 17#2 (#66), 28-47. Osborne,
Lyndal about "Lyndal
Osborne," (visual arts review of "Geographies and Objects of Enticement" by
Gary Pearson), Volume 21#2 (#82), 72-73. "Rigours
of Collecting, Rigours of Seeing," Joan Richardson, Volume 16#1, 61-66. Osborne
Village Cultural Centre about "The
Osborne Village Cultural Centre: Gadfly or Albatross?" Sue Matheson,
Volume 3#3, 34-35. Ottawa
Art Gallery about "Fresh
Heirs Apparent," Stephen Pope, (re: "Pentimenti: Process in Contemporary
Architecture,"), Volume 16#2, 14-17. Ouellette,
Kim about "Beauty
Is the Beast," Myron Turner,(review:Kim Ouellette: Recent Works), Volume
14#1, 62-64. "Blanketeering,"
Robert Enright, (borderview), Volume 19#2 (#74), 4-5. "Kim
Ouellette: A Review," Arthur Adamson, Volume 5#1, 32. "Michelangelo
with a Black and Decker: Kim Ouellette Recent Paintings," Scott Ellis,
Volume 9#3, 18-19. portfolio "The
Winnipeg AlphaBestiary: The Many and the Marvelous," (F), Volume 25#1 (#97),
52-88. Oursler,
Tony About "The
Uncanny: Experiments in Cyborg Culture," (visual arts review by Greg Beatty
including images from Lewis Hine and Tony Oursler), Volume 21#2 (#82), 81-83. Ouzounian,
Richard about "MTC's
Drama Purge: Richard Ouzounian and the Golden Rules of Regional Theatre,"
Christopher Dafoe, Volume 2#4, 46-48. Owens,
Yvonne reviews "Beautiful
Monsters," (re: A Critical Beauty - Frances Grafton, Lucy Hogg, Patrick
Mahon, Gu Xiong), Volume 15#2, 56-59. P.,
Paul artist
pages Untitled,
2002, Volume 22#1 (#85), 57-59. Page,
P.K. "Cosmologies,
for Patricia Young" Volume 17#3 (#67), 62-63. "Ex
Libris," Volume 21#1 (#81), 58-64. "Green,
how much I want you green." and "Ah, by the Golden Lilies." Volume 22#2 (#86),
43. "Max
and My Mother: A Memoir," Volume 7#4, 73-76. "The
Self-Contained Castle: Maxwell Bates and P.K. Page in Conversation,"
Volume 7#4, 77-79. about "Through
the Looking Glass," Esta Spalding, (book review: The Hidden Room: Collected
Poems Volumes 1 & 2), Volume 17#1, 70. about "Alain
Paiement," (visual art review by Christopher Brayshaw), Volume 23#2 (#90),
85-87. Paik,
Nam June about "Video,
Vidi, Vici," Robert McGee, (visual art review: "The Worlds of Nam June Paik"),
Volume 19#2 (#74), 84-86. Painterly
Disorders about "Disorderly
Conduit," John Armstrong, (visual art review: Fast) Volume 16#2, 56-57. Palmov,
Viktor About "The
Phenomenon of the Ukrainian Avant-Garde 1910-1935," (visual arts review by
Oliver A. I. Botar, featuring visuals from Viktor Palmov and Mykhailo Boichuk),
Volume 21#1 (#81), 74-77. Papararo, Jenifer
Review "Massimo
Guerrera, Core Generosity," visual art review: Darboral, Volume 20#3 (#79),
85-86. Parr, John
"Manitoba
Acquires Statehood," Volume 10#3, 44-45. Parsons,
Bruce reviews "Cultural
Negotiation," (re:Framented Memory: The Chinese Avant-Garde in Exile),
Volume 13#2, 54-56. Paskievich,
John about "Between
the Hammer and the Anvil," (column by Robert Enright), Volume 21#1 (#81),
14-16. "For
Sale: Mythic Ambition," Amy Karlinsky, (review Sedna: The Making of a
Myth) Volume 2#2, 34-35. "On
the Street: three Manitoba photographers," David McMillan (review: Three
Manitoban Photographers Exhibition), Volume 1#2, 44-46. "Still
Moving Pictures: The Art of John Paskievich and Michael Mirus," Ralph
Friesen, Volume 6#1 , 12-14. "That
Awful, Beautiful Terror," Robert Enright (re: film The Gypsies of
Svinia), Volume 18#1 (#69), 4-5. "Unsettlers,"
Larry Krotz, (review: If Only I Were an Indian), Volume 15#1, 60-61. portfolios "The
Price of Daily Bread," (with Mike Mirus) Volume 4#4, 35-41. "A
Voiceless Song: Photographs of the Slavic Lands," introduction by Josef
Skvorecky, Volume 2#2, 33-41. Patterson,
Graeme about "Graeme
Patterson," visual art review by David Garneau, Volume 27#1 (#105), 109-111. Patterson,
Kevin about "Country
of Cold by Kevin Patterson," (book review by Charlene Diehl-Jones) Volume
22#2 (#86), 86-91. Patton,
Andrew "I
Thought I'd See Heaven: An Interview with the McLean Brothers," Volume
1#3&4, 98-108. about "The
indescribable Blueness of Being," Myron Turner, (review of Day After Day.
In memory of Greg Curnoe), Volume 12#2, 47-49. reviews "Gordon
Lebredt at the Arthur Street Gallery," Volume 1#3&4, 86-88. Paul,
Megan reviews "Achimoona
(introduction by Maria Campbell)," Volume 5#4, 50. Payce,
Greg about "Greg
Payce," (visual arts review by David Garneau), Volume 21#3 (#83), 85-86. Pearce,
Martin about "Martin
Pearce," Liz Wylie (review of Where There's Space), Volume 25#2 (#98),
112-113. Pearson,
Gary about "Gary
Pearson," (visual art review by Liz Wylie), Volume 27#3 (#107), 185-186. reviews "Lyndal
Osborne," (visual arts review of "Geographies and Objects of Enticement"),
Volume 21#2 (#82), 72-73. "Tony
Scherman," (visual art review), Volume 23#4 (#92), 111-112. "Ian
Wallace," (visual arts review), Volume 23#2 (#90), 90-92. "Ian
Wallace," (visual arts review), Volume 27#1 (#105), 108-109. "Alan
Wood," (visual art review), Volume 28#1 (#109),
99-100. "Andrea
Zittel," (visual arts review), Volume 25#3 (#99), 108-109. Pelkey,
Brenda about "Fantastic
Frameworks," (image of piece in group exhibition included in visual art review
by Wendy Welch), Volume 26#1 (#101) 95-96. "Landscapes
of Imminence: The Photographs of Brenda Pelkey," article by Martha
Langford, Volume 17#4 (#68), 50-54. Penny,
Evan about "A
Field of Interpretation, The Work of Evan Penny," Meeka Walsh, Volume 14#2, 18-21. "The
Artful Doubter: Evan Penny & the Making of Extraordinary Objects,"
interview with Robert Enright and Meeka Walsh, Volume 25#2 (#98), 24-39. Pepper,
Kaija review "Dancing
to the Beat of a Different Drum," (dance review: Cultures Around the Fire.
. . From the Mayan to the Inuit), Volume 17#4 (#68), 62-63. Perehudoff, William
reviews "Pere
Perehudoff,"Sky Glabush, (visual art review: Bill Perehudoff Five Decades of
Colour), Volume 18#3 (#71), 63-65. Perkins,
Duane about "Duane
Perkins Ceramics," Mary Sprague, (review), Volume 1#1, 40. Perlin,
Jenny about "Jenny
Perlin," Jacob Korczynski (visual art review re: "Transcript"), Volume 26#2
(#102), 99-101. Perreault,
Jean-Pierre about "Standard
Setter," Michael Crabb, (review: Joe), Volume 13#3, 57. Perreault,
Wilf about "Wilf
Perreault: Back Alley Realism," Meta Perry, Volume 5#3, 56-58. Perron,
Mireille reviews "Mother
Knows Best," (visual art review: "Kitchen Freedom" by Sandra Vida), Volume 19#2
(#74), 73-74. Perry,
Meta "Wilf
Perreault: Back Alley Realism," Volume 5#3, 56-58. Persky,
Stan about "Song
of Himself," Mark Duncan, (book review: Buddy's: Meditations on Desire)
Volume 11#1, 49-50 reviews "OUT/LINES Underground Gay Graphics from
before Stonewall, compiled and with an introduction by Thomas Waugh," (book
review), Volume 22#1 (#85), 82-84. reviews "Vessna Perunovich," (visual art review by Virginia M. Eichhorn), Volume 22#4 (#88), 113-115. Peterkin,
Audrey about "Mrs.
Doctoring the Past," Mary Kinnear, (review: Mrs. Doctor), Volume
1#2, 72. Peters,
Randolph about "Sing
to Me Only with Thine Blood, Randolph Peters and the Paradoxes of the
Heart," T. Patrick Carrabre, (Manitoba Chamber Orchestra), Volume 13#2,
23-25. Peterson,
Hope about "Wading
in the Mucky-Muck," Lisa Gabrielle Mark, (review: tiny infirmaries by Hope
Peterson, Erica MacPherson), Volume 13#3, 54-55. review "Michael
Campbell," (visual arts review by Hope Peterson), Volume 24#3 (#95) 102-103. Peterson,
Susan about "Pretend
Drive-In," Scott Ellis, (borderview: Video Drive-In; Night Bus to Fargo
by Susan Peterson and Maureen Medved; Murderer's Song by Nelson
Hendricks), Volume 10#4, 54. Pettibon,
Raymond about "Tangentially
Yours," (Borderview by Robert Enright), Volume 22#3 (#87), 10-11. Peyachew,
Lionel about "Mapping
Our Territories," (visual arts review by Sandra Vida), Volume 21#4 (#84),
64-65. Peyton,
Elizabeth about "Elizabeth
Peyton," visual art review by Julia Dault, Volume
28#1 (#109), 107-109. Phelps,
Stephen "Beer
and Growling on the Campaign Trail," Volume 13#1, 6-7. "Be
Still, My Teeny-Bopper Heart: Musings on the Undulating See of Music
Video," article, Volume 9#4, 59-61. "Boarding
Up the Future," Volume 8#3, 20-21. "Can
the Centre Hold: Winnipeg's Core Area and the Arts," Volume 4#1, 21-24. "A
Code of Many Callers: The Theory and Practice of Contemporary Art
Writing," article, Volume 7#3, 50-54. "Computing
the Damage: Tax Reform and the Arts," Volume 6#4, 80-83. "Cultural
Gaming: Or How the First Best Bet Wasn't Won," Volume 3#3, 50-54. "The
Culture of Personality, Unaffectionate Notes on the Glitterati, the Paparazzi
and the Ignorati," Volume 8#4, 31-35. "Decline
and Fall of the Winnipeg Arts Club," Volume 6#2, 46-53. "An
Eleventh Hour Constitutional," Volume 11#4, 28-32. "Flyspit
for Gold: A Portrait of the Artist as a Failing Alchemist," Volume 4#2,
14-17. "From
See to Tarnished Sea," Volume 11#2, 6-9. "Getting
to Know Noah," Volume 7#1, 5-9. "Growing
Pains in Winnipeg," article, Volume 6#1, 15-17. "Irregulating
Canadian Broadcasting: The Gospel According St. Bureau," Volume 6#3,
16-19. "The
Mantrafication of Culture," column, Volume 12#4, 6-7. "Multicultural
Time-Travelling," Volume 5#4, 106-110. "News
from the Cultural Front Lines," Volume 5#1, 51-54. "One
Flew into the Techno's Nest," Volume 5#3, 59-62. "Publish
and Perish: The Dark Side of the Publishing Moon," Volume 5#2, 55-62. "Smutbusters:
Manitoba and Pornography," Volume 7#2, 58-62. "Snuff
TV," column, Volume 13#4, 7-8. "Stranger
in a Strange Land: A Canadian's Tour through the Amazing World of Minneapolitan
Arts Funding," Volume 4#4, 91-95. "The
Taxman Cometh," Volume 3#2, 46-54. "Who's
Afraid of the Big Bad Arts Council?" Volume 4#3, 55-62. "To
Use or Not to Use: Computers and the Future of the Arts," Volume
9#3, 50-54. "Working
the Land of the Dead: Funereal Observations on the Passing of Canada,"
Volume 10#3, 48-54. "Strange
Evasions of a Computer Kind," Volume 10#4, 85-88. "View
from the Top," column, Volume 12#3, 5-7. "The
Years of Funding Dangerously," column, Volume 13#2, 6-8. "Skin
Deep," (Borderview by Robert Enright), Volume 23#2 (#90), 14. Philippi,
Colleen about "Doors
of Genial Deception," Anne Severson, (visual art review: Chapter Three:
Breathing in the Infinite Park), Volume 16#1, 49-50. Phillips,
Anne fiction "Grad,"
Volume 4#2, 43-44. Phillips,
Brad about "A Tale of
Two Painters: The Art of Brad Phillips and Michael Lewis," article by Lee
Henderson, Volume 26#3 (#103), 102-111. portfolio "Keyhole
Collages," (Director: Guy Maddin; Art Director: Paul Butler; Michael Dumontier,
Brad Phillips, Simon Hughes, Jeff Funnell, Alicia Smith, Caelum Vatnsdal: Art
Department), Volume 26#4 (#104), 58-67. Phillips,
Carol about "Nouveau
Winnipeg," (re: Young Winnipeg Artists [Risa Horowitz, Simon Hughes, Jake
Kosciuk, Melanie Rocan, Shaun Morin, Veronica Preweda, Roger Crait, Lisa Wood,
Dominique Rey, Erika Lincoln] at Plug-In, curated by Cliff Eyland and Carol
Phillips), Robert Enright, Volume 22#2 (#86), 15-16. Photography "1959
Press Photography: What We Looked Like, How We Saw," Peter Tittenberger,
Volume 6#2, 5-17. "Aesthetical
Science," Petra Halkes, (photograpahy review: Photography in Science: Beauty
of Another Order), Volume 17#1, 50-51. "Photography:
Coming of Age in Winnipeg," David McMillan, Volume 1#1, 10-11. "A
Sense of Place: Photography in Manitoba, a Review," Helen Wright, Volume
6#2, 30-31. "Tracking
Memory," Anne Michaels, (photographic review re: "Track Records: Trains and
Contemporary Photography"), Volume 16#4, 66-67. "Vogue
Memory," Alison Gillmor, (photography review: A Vogue Memory, Photographs
from the Vogue Studio, curated by Peter Tittenberger) Volume 10#1, 49-50. Picard, Andrea
Review "Gridluck,"
(re: Candida Hofer), Volume 20#1 (#77), 65-66. "Eva
Hesse," (visual arts review), Volume 21#3 (#83), 89-91. "Sandy
Nicholson," (visual arts review), Volume 21#4 (#84), 70-71. about "Picasso
and Ceramics," (visual art review by Gary Michael Dault), Volume 24#1 (#93), 81
82. illustrations "Beta Capa
Saturn, Devourer of Men," by Lee Henderson, (for Ed Pien, illustrations by Ed
Pien), Volume 23#3 (#91), 104-107. Pierce,
Sasha about "Textural
Piercings," (borderview by Robert Enright), Volume 27#1 (#105), 24. Pietropaolo,
Vincenzo portfolio "Al Borde:
Houses of Havana," Volume 19#3 (#75), 64-71. "Nosotras,
We, the Women: photographs and text by Vincenzo Pietropaolo," Volume 15#2,
28-35. Pike,
Bev about "All
the World's a Bed: Recent Work by Bev Pike," Tom Lovatt, Volume 10#3,
40-41. "Bev
Pike," (visual art review by Lara Eggleton), Volume 24#4 (#96), 94-96. "Bev
Pike: Recent Work, A Review," Ron Frohwerk, Volume 7#3, 30-31. "I Paint
You Deeply, Madly, Metaphorically," (re: Bev Pike), Volume 20#2 (#78), 12-13. "Vice
Viscera," David Garneau, (visual art review: Viscerate: New Works),
Volume 16#2, 60-61. "Would
the Real History Please Stand Up," Elizabeth Legge, (visual art review: The
Recovery of History by Jeff Funnell, Steve Gouthro, Bev Pike), Volume 10#4,
51-53. Pilis,
Alexander portfolio "The
legacy of the future is the burden of the present," Volume 14#1, 13-17. Ping,
Huang Yong about "Huang
Yong Ping," Robin Laurence (visual art review re: "House of Oracles: A Huang
Yong Ping Retrospective"), Volume 26#3 (#103), 132-136. Pinsent,
Gordon memoir "A
Gift to Last," Volume 9#1, 43-44. Pinter,
Harold about "Caterflies
and Old Gentlemen," Eugene Walz, (review: For Gentlemen Only by
Michael Scott), Volume 1#1, 59. Piqtoukin,
David Ruben about "Fortunate
Heirs: A Review of Out of Tradition," Sheila Butler, Volume 8#2, 17-18. Placentile,
Milena reviews "Rhonda
Weppler and Trevor Mahovsky," (visual art review), Volume 26#1 (#101), 99-100. Plaskett,
Joseph about "Four
Score and Plenty," (visual art review), by Peter Millard, Volume 17#3
(#67), 64-65. "Home
Thoughts from Abroad," Volume 7#4, 70-73. Plotek,
Leopold about "Leopold
Plotek," review by EC Woodley, Volume 28#1 (#109),
88-89. Plug-In
Gallery about "Art,
Morality and Mr. Gacy's Paintings," Richard Noble, (re: The Moral
Imagination), Volume 16#1, 14-19. Plume,
Bill about "The
Bill Plume Winter Count," (Intro by Andrea Garnier), Volume 11#4, 2-85. Pluta,
Andrzej portfolio "Balm
and Beauty and Hosanna: Photographs by Andrzej Pluta," (portfolio with
introduction by Meeka Walsh), Volume 19#2 (#74), 58-63. Poetker,
Audrey about "Tough Vulnerability," Barbara Schott, (book review:
Audrey Poetker Making Strange to Yourself), Volume 18#3 (#71), 58-60. poetry "Okay
Joe," Volume 5#3, 35. Podedworny, Carol
reviews "Seeing
Isn't Believing," (visual art review: Lightship: Channa Boon & Petra
Halkes), Volume 18#3 (#71), 53-54. Poier,
Grant about "The
Full Rag and Bone Shop of the Art,"Amy Gogarty, (a review of G-R: an
installation) Volume 11#2, 40-41. Pointon,
Marcia about "Body
Persistence," by Alison Gillmor (re: The Culture of Pain by David
B. Morris & The Body Imaged: The Human Form and Visual Culture Since the
Renaissance by Kathleen Adler and Marcia Pointon eds.), Volume 12#4, 67-68. Poitras,
Edward about "The
Incomparable Rightness of In Between, A Conversation with Edward Poitras,"
Robert Enright, Volume 14#4, 24-33. Poitras,
Jane Ash about "Jane Ash
Poitras," (visual art review by Virginia Eichhorn), Volume 26#1 (#101), 98-99. Polataiko,
Taras about "Hail
and Farewell," Peter Millard, Volume 12#3, 43-45. "Truth
or Glare, the Formal Deceptions of Taras Polataiko," Robert Enright,
(interview), Volume 15#2, 18-27. "Wyn
Geleynse and Taras Polataiko, Mirrors of the Subject," visual art review, by
Mark Cheetham, Volume 20#3 (#79), 65-67. Polidori,
Robert about "Many Rooms
of His Own," (borderview by Robert Enright), Volume 27 #4 (#108), 23-24. Politics
and Art (see Art and Political Issues) Pollock,
Sharon about "Blood
Relations and Other Plays: A Review," William Horrocks, Volume 2#1, 46-48. Pollon, Christopher
Review "Mockumentary:
Fauna Secreta," visual art, Volume 19#4 (#76), 76-77. Pope,
Stephen article "Fresh
Heirs Apparent," (re: "Pentimenti: Process in Contemporary Architecture," at
the Ottawa Art Gallery), Volume 16#2, 14-17. Popoff,
Alicia about "Thoroughly
Modernist Alicia," Joseph Christianson, Volume 8#3, 51-54. about "Marisa Portolese," (visual art review by James Campbell), Volume 24#3 (#95), 99-101. Poruchnyk,
Al about "Tribal
T.V.: New Video and Democracy on the Prairies after Modernism," Al
Rushton, Volume 2#3, 39-44. Powell,
Craig fiction "A
Sense of Space and Silence," Volume 1#1, 48-50. poetry "Canada
Geese," Volume 1#1, 57. "Rehearsal
for Dancers," Volume 1#1, 21. Powell,
Marilyn "The
Fiction of the Governor-General's Award," Volume 3#1, 52-55. reviews "The
New Oxford Book of Canadian Verse in English (edited by Margaret Atwood),"
Volume 2#3, 65. Powell,
Robert reviews "Approaching
Cacophonies," (re:Disrupted Borders: An intervention in definitions of
boundaries and Disrupted Borders: An intervention in definitions of
boundaries, Sunil Gupta ed.), Volume 14#2, 61-62. Prairie
Fire about "A
Place of Language: A Review of the Special Multicultural Issue of Prairie
Fire," Kathie Kolybaba, Volume 4#1, 40. Prairie
Theatre Exchange about "Last
Call: The Show, and Winnipeg's Chances for More Shows Like It," Chris
Johnson, Volume 2#2, 46-49. "Manitoba
Theatre Centre, Prairie Theatre Exchange: 80-82," Chris Johnson, Volume
2#1 34-41. "Manitoba
Theatre Centre and Prairie Theatre Exchange: 1982-1983," Volume 2#4,
63-69. Pratt,
Christopher about "Christopher
Pratt," Petra Halkes, (review), Volume 25#1 (#97), 113-114. "Prattfalls,
The Bride Strips Bare Her Bachelor," Robin Laurence, Volume 15#2, 12-17. Pratt,
Elspeth about "Elspeth
Pratt," visual art review by Robin Laurence, Volume 27#2 (#106), 92-94. Pratt,
Mary about "Prattfalls,
The Bride Strips Bare Her Bachelor," Robin Laurence, Volume 15#2, 12-17. Price,
René about "The
Gunfight at the Kiddie Corral," Robert Enright (re: Bang Bang, You're
Dead), Volume 18#1 (#69), 8. Priegert,
Portia reviews "Brendan
Fernandes," (visual art review), Volume 27#2 (#106), 100-102. "Stephen
Foster and James Gillespie," (visual art review re: "Re-Mediations"), Volume
26#2 (#102), 101-102. Proch,
Don about "They
Don't Make Horseshoe Nails Like They Used To: An Interview with Don
Proch," Robert Enright, Volume 9#2, 6-15. Prochounik,
Zdzislaw "World
Orchestras: A Three-Way Conversation," Volume 3#2, 33-35. "Crimes of
Fashion," (Borderview by Robert Enright), Volume 23#2 (#90), 10-11. "Boudicca and the Bridge," 2004, and "Theatre," 2004. Volume 23#2 (#90), 71-73. Pura,
Diana (see Thorneycroft, Diana) Pura,
William "Icons
and Iconoclasts: I. The Walls of History, II. Moving to the Clear,III. The
Chronology of History," Volume 11#2, 54-63. "New
Music in Manitoba," Volume 2#2, 42-45. "Notes
from Chicago: An Interview with New Music Composer George Flynn," (with
Blakeman Welch) Volume 5#1, 36. "A
Quiet in the Land," (with Blakeman Welch) Volume 4#2, 55-57. reviews "Music
from Within: A Biography of the Composer Eckhardt-Gramatté,(by Ferdinand
Eckhardt)" Volume 5#3, 32. about "Of
Notes and the Audience they Sing: A Review of Black Water/Sonata for Solo
Violin," Sid Robinovitch, Volume 8#1, 29-30. "William
Pura," visual arts review by Cliff Eyland, Volume 22#1 (#85), 74-75. "Sensuous
Meditations," Arthur Adamson, Volume 3#3, 20. "Variations:
A Review," Chester Duncan, Volume 4#1, 22. Purcell
String Quartet about "A
Retrospective: Three Orchestras and Two Quartets," John Eliot Clark, Volume 1#2, 62-64. Purdy,
Al about "Al Purdy:
The Awkward Sublime," by Margaret Atwood, "A Quintessential Man," by Susan
Musgrave, photographs by Anne Bayin, Volume 19#4 (#76), 46-51. "Dear
Margaret, Dear Al," by Birk Sproxton, (re: Margaret Laurence-Al Purdy:
A Friendship in Letters. Selected Correspondence, ed. John Lennox), Volume
12#4, 70-72. "Sundance
at Dusk: A Review," Tony Aspler, Volume 1#3&4, 118. poetry "Hail
Mary in Dawson City," Volume 1#3&4, 57. "Moths
Behind the Iron Curtain: Poems," Volume 1#3&4, 112-113. "5
Poems," Volume 9#2, 48-50. Pylypchuk,
Jon about "Pressing
a Weight Through Life: An Interview with Jon Pylypchuk," Robert Enright, Volume
27#3 (#107), 32-46. "Winnipeg
on the Hudson," by James Trainor, (re: The Royal Art LodgeMichael Dumontier,
Hollie Dzama, Marcel Dzama, Neil Farber, Drue and Myles LangloisJon Pylypchuk
and Tim Gardner in NYC), Volume 22#3 (#87), 36-47. review
"Woebegone
Daze," visual art, by James Trainor, Volume 20#2 (#78), 133-134. portfolio "The
Winnipeg AlphaBestiary: The Many and the Marvelous," (O), Volume 25#1 (#97),
52-88. Quaife,
Darlene Barry fiction "Burning
Desire," Volume 9#4, 89-90. "Still
Life and Nude," Volume 13#2, 48-49. Quarrington,
Paul about "Civilization
and Its Malcontents," Birk Sproxton,(re:Civilization and Its Part in
My Downfall), Volume 14#1, 77-79. Québec
Triennial, The "The
Québec Triennial," (visual art review by Stephen Horne), Volume 27#3 (#107),
177-?. Quickenden,
Robert reviews "The
Burning Wood (book by David Williams)," Volume 1#3&4, 124-126. "Essays
on Saskatchewan Writing (edited by E.F. Dyck)," Volume 6#4, 49-50. "The
Essential Enigma of Glenn Gould," (book review: Glenn Gould: A Life and
Variations by Otto Friedrich), Volume 8#4, 47-49. "Eye
of the Father (book by David Williams)," Volume 4#4, 49. "Poetry
Times Three," (poetry review: Ride the Blue Roan by John Weier, Blue
Windows by Catherine Buckaway and Journey to Yalta by Sarah
Klasssen), Volume 8#2, 20. Quigley,
Warren "Wildlife:
A Field Guide to the Post Natural," (visual arts review by David Garneau of
works by Lois Andison, Nina Katchadourian, Jake Moore, Warren Quigley and
Louise Weaver) Volume 20#4 (#80), 70-72. about "Raadical
Politics: Walid Raad," (article by Daniel Baird), Volume 24#2 (#94), 34-41. Rabinovitch,
Celia about "Surrealism
and the Sacred: Power, Eros and the Occult in Modern Art by Celia
Rabinovitch," (book review by Serena Keshavjee), Volume 21#4 (#84), 90-92. Rabinowitch, David
about "The Rings
Cycle," Robert McGee, (visual art review: David Rabinowitch, Recent Drawings),
Volume 18#2 (#70), 62-64. about "Plainsong:
The Video of Mary Lucier," (article), Volume 24#2 (#94), 42-48. Raginsky,
Nina about "Admission
Impossible, Nina Raginsky and the Circus Europa," Robin Laurence, Volume
14#1, 30-33. Rahm,
Philippe about "Gilles
Clément and Philippe Rahm," James D. Campbell (visual art review re:
"Environment: Approaches for Tomorrow"), Volume 26#2 (#102), 88-91. Ramirez,
Martin about "The
Architect Beyond the Labyrinth: The Art of Martin Ramirez," Meeka Walsh,
Volume 5#2, 50-54. interview "Heartbreaker:
The Video Art of Benny Nemerofsky Ramsay," (with Robert Enright), Volume 23#4
(#92), 54-64. Rankin,
Matthew about "Rankin
File," (borderview by Robert Enright), Volume 28#1
(#109), 17-18. Rappleye,
Jon About "Quivers,
Tangles and Other Enchantments," (Borderview by Robert Enright), Volume 25#1
(#97), 16. Ratner,
Megan reviews "Gego,"
(visual art review re: "Between Transparency and the Invisible"), Volume 26#3
(#103), 142-143. "Jeff
Wall," (visual art review re: retrospective exhibition at MoMA), Volume 26#2
(#102), 93-94. Rauch,
Neo about "Neo
Rauch," (visual art review by James Campbell), Volume 26#1 (#101), 80-82. Rauschenberg,
Robert about "Robert
Rauschenberg," (re: combines), Susan Emerling, Volume 25#4 (#100), 84-86. Ray,
Charles About "Family
Values," (visual arts review by Gary Genosko), Volume 21#1 (#81), 17-18. Ray,
Timothy reviews "The
Manisphere Jury Art Show," Volume 1#3&4, 63-68. "The
Importance of Being Low-Tech," (visual art review: Romancing the Ruins
by Dale Amundson) Volume 10#2, 42-44. about "Departures
and Arrivals: Three Winnipeg Artists Come Home, Robert Enright, Volume 4#1,
48-50. about "Novel
Graphics," (borderview by Robert Enright), Volume
28#1 (#109), 20. art
pages "Christine
Redfern and Caro Caron," Volume 28#1 (#109), 77-83. review "Anselm
Kiefer," (visual art review of Anselm Kiefer: Heaven and Earth), Volume
25#2 (#98), 114-115. "Nicolas
Baier," (visual art review), Volume 25#3 (#99), 121-122. "Ondulation,"
(visual art review of work by Thomas McIntosh, Mikko Hynninen & Emmanuel
Madan), Volume 24#2 (#94), 95-96. Redl,
Erwin about "Knowing Where to Draw the Line: Erwin Redl Tells Light Stories," interview by Robert Enright, Volume 24#4 (#96), 36-42. about "Red
River Book Shop," S.G. Buri, Volume 1#2, 73. Rees,
Ronald about "Land
of Earth and Sky: Landscape Painting of Western Canada, A Review," Peter
Millard, Volume 4#3, 32-33. Reeves,
Ben about "Ben
Reeves," review by Pete Smith, Volume 28#1 (#109), 91-93.
Regan,
Kate reviews "David
Altmejd," (visual art review), Volume 26#2 (#102), 94-96. "Jack
Burman," (visual art review), Volume 25#3 (#99), 129-130. Regina
Billboard Project "Space
Intruders," Richard Noble, Volume 9#1, 47-50. Regionalism "Admission
Impossible? Changing the Role of Regional Theatre," Rick McNair, Volume
6#1, 52-53. "The
Fine Art of Border Crossing," Robert Enright, Volume 4#4, 9. "The
Hinterland Strikes Back: Localizing Critical Pride," Mark Duncan, Volume
7#3, 9-11. "Home
is Where the Art Is," Robert Enright, Volume 5#1, 7. "Literary
Landscaping: A Symposium on Prairie Landscape, Memory and Tradition,"
Lorna Crozier, Robert Enright, Patrick Lane, Fred Wah, David Williams, Volume
6#4, 32-38. "Neurotics
and Erotics: Planting the Seeds of Prairie Culture," Robert Enright,
Volume 6#4, 5&19. "Some
Observations on Regionalism," Robert Enright, Volume 1#2, 2. Reich,
Steve about "Adventures
in Videoland," Robert, Enright (borderview: The Cave by Beryl Korot, Steve
Reich), Volume 14#3, 7-8. Reichert,
Don "Balancing
the Instrument of Art: An Interview with Don Reichert," (with Robert
Enright) Volume 2#2, 10-17. "Bodygraphs,"
(borderview by Robert Enright), Volume 25#3 (#99), 18. "Manigotagan
Weaving," "Atikaki Stacks," "Atikaki Breeze," (three visual images, acrylic on
paper, 2001), Volume 21#1 (#81), 39-41. about "Still
Transitional After All These Years: The Natural Art of Don Reichert,"
Meeka Walsh, Volume 6#4, 6-15. Reid,
Barton "Artspace:
Building Blocks Towards Urban Renewal?" (with Wayne Baerwaldt) Volume 4#4,
21-23. Reid,
Bill about "Voyage
Through Two Worlds: The Sculpture of Bill Reid," Susan Feldman (adaptation
CBC radio documentary) Volume 11#4, 34-39. Reid,
Mary about "Worker
Be," (borderview by Robert Enright re: exhibition "She Works Hard" at the WAG),
Volume 28#2 (#102), 15-16. reviews "Kevin
Kelly," visual art review, Volume 28#2 (#110), 85-86. Reid,
Monty "Adventures
in the Dino Trade," Volume 10#4, 60-65. Reilly,
Nancy about "Who
are the Passionate Canadians?: The Group of Seven," Ann Davis, Volume
1#3&4, 130-131. Reimer,
Al about "My
Harp is Turned to Mourning: A Review," Helmut-Harry Loewen, Volume 5#4,
56-57. Reimer, Bruce
reviews "Ovoidance,"
(visual art review: John Armstrong Sanguine), Volume 18#4 (#72), 89-90. Reimer, Mavis
reviews "The
Fusion Factor and Zanu (by Carol Matas)," Volume 6#2, 25. Reinart,
Ustun "Winnipeg's
Contemporary Dancers: Powerful Rituals of Death, Grief and Rebirth,"
Volume 2#3, 49-52. Rennie,
Michael poetry "Self
Portrait," Volume 3#3, 53. "Sovereignty,"
Volume 5#2, 36. Rey,
Dominique About "Mirror,
Mirror in the Hand, Who's Most Reflected in All the Land," (borderview by
Robert Enright re: Dominique Rey's "Mirror Series,") Volume 21#1 (#81), 8-9. "Nouveau Winnipeg,"
(re: Young Winnipeg Artists [Risa Horowitz, Simon Hughes, Jake Kosciuk, Melanie
Rocan, Shaun Morin, Veronica Preweda, Roger Crait, Lisa Wood, Dominique Rey,
Erika Lincoln] at Plug-In, curated by Cliff Eyland and Carol Phillips), Robert
Enright, Volume 22#2 (#86), 15-16. photo
diary "Selling
Venus, Vénus au miroir," Volume 24#2 (#94), 82-85. portfolio "The
Winnipeg AlphaBestiary: The Many and the Marvelous," (Q), Volume 25#1 (#97),
52-88. Reynolds,
Alan about "The
Bigness of Small," Russell Bingham, Volume 13#2, 58-59. "Modernist
Sculpture on the Prairies: A Critical Appraisal," Liz Wylie, Volume 3#3,
10-16. Rhodes,
Shane poetry "Wild
Grapes," Volume 26#1 (#101), 72. Rhodes,
Timothy "Stefan
Czernacki: Claiming the Primitive and the Spiritual," Volume 3#3, 41-45. Ricci,
Nino about "Writing
in Black and White," Wayne Tefs, (review: In a Glass House), Volume
13#1, 50-52. Richardson,
Joan review "Climbing
to the Top of the Totem Pole," (visual art review: Emily Carr, Art and
Process), Volume 17#4 (#68), 61-62. "Rigours
of Collecting, Rigours of Seeing," (visual art review re: Lyndal Osborne),
Volume 16#1, 61-66. Richardson,
Kelly about "Landscape
x 4: Geoffrey James, Alex Cameron, Jennifer Stead, Kelly Richardson," visual
art review by Petra Halkes (re: "Kelly Richardson: Forest Park" at KWAG),
Volume 27#2 (#106), 98-100. Richardson,
Lynn About "Lynn
Richardson," (visual arts review by Amy Karlinsky), Volume 26#1 (#101), 79-80. "Spread in
Hoof and Claw," (visual arts review by Robert Enright), Volume 21#1 (#81), 11. Richie,
Donald reviews "Trophy
Art," (visual art review: Monuments by William Eakin), Volume 17#1, 69. Richmond,
Cindy about "Tracing
a Ghostly Dance," Greg Beatty, (visual art review: The Trace of the
Ghost Dance curated by Cindy Richmond), Volume 10#3, 30-31. Ricou,
Laurence reviews
"Seed
Catalogue (book by Robert Kroetsch)," Volume 1#3&4, 114-115. Riel,
Louis about "The
Diaries of Louis Riel: A Review," S.G. Buri, Volume 1#1, 55. Ringling
Bros. and Barnum & Bailey Circus about "Hologrammar
Versus Wizardry," Gary Michael Dault, (review: Ringling Bros. and Barnum
& Bailey Circus, The Great Moscow Circus), Volume 14#1, 76-77. Ringwood,
Gwen Pharis about "The
Collected Plays: A Review," John Butler, Volume 2#4, 34-35. Rintoul,
Harry about "Street
Smarts: A Review of Refugees," Chris Johnson, Volume 8#1, 32-33. Rist,
Pipilotte about "Beyond
Cinema: The Art of Projection Films, Videos and Installations from 1963-2005,"
(image of piece in exhibition included in visual art review by Rosemary
Heather), Volume 26#1 (#101) 89-91. Rivard,
Ken fiction "Three
Short Fictions," Volume 8#1, 38. Rivers,
Larry about "The
Juice and the Joy of it, The Art and Life of Larry Rivers: Interview by Robert
Enright," Volume 13#3, 44-51. Robert,
Paul "Michael
Campbell," (visual arts review), Volume 21#1 (#81), 78-80. Roberts,
Brad about "Drastic
Measures: Brad Roberts of the Crash Test Dummies," Interview by Robert
Enright, Volume 10#4, 28-33. Roberts,
Helen reviews "Skeletal
Dance," (re: Royal Winnipeg Ballet), Volume 1#2, 37-39. Robertson,
Heather about "Reservations
aren't for Journalists: The Outspoken Career of Heather Robertson," Sarah
Yates, Volume 5#1, 57-60. article "Richard
Serra: Shift," (re: Richard Serra), Volume 24#1 (#93), 50-54. Robertson, Patricia
reviews "The
Geography of Memory," (visual art review: The Sleepless Night/ La Nuit
Blanche by Derek Besant), Volume 19#1 (#73), 73-74. Robinovitch,
Sid reviews "Of
Notes and the Audience they Sing," (music review: Pulsations by
Victor Davies), Volume 8#1, 29-30. Robinson,
James about "Riddle
Me a Director," Robert Enright (borderview re: Turandot), Volume 15#3, 6-7 Robinson,
Tedd "POP
Communicant: An Interview with Tedd Robinson," (with Robert Enright)
Volume 3#2, 19-23. Robles,
Paul about "Paper
Wait," (borderview by Robert Enright), Volume 27#3 (#107), 28. art
pages From Playground
Martyrs series,
Volume 27#3 (#107), 113-116. about "26/Two-Sicks/Too-Six...",
(article by Cliff Eyland re 26: Fred Thomas, Ian August, DJ Brace, Cyrus Smith,
Melanie Rocan, Shaun Morin, David Wityk), Volume 23#4 (#91), 16-27. "Dear
Diarist," (Borderview by Robert Enright), Volume 23#4 (91), 11. "Dualité/Duality:
Mélanie Rocan and Shaun Morin," Christabel Wiebe, Volume 25#4 (#100), 82-84. "Pleasurable
Unease," Robert Enright (borderview), Volume 26#3 (#103), 28-29. portfolio "The
Winnipeg AlphaBestiary: The Many and the Marvelous," (Y), Volume 25#1 (#97),
52-88. Rockman,
Alexis about "A
Frankenstein Poignancy: The Pieced and Painted World of Alexis Rockman," (essay
by Meeka Walsh), Volume 21#4 (#84), 44-59. Rodin,
August about "Rodinesque,
Touching on the Architecture of Desire," Robert Enright,(essay), Volume
15#2, 46-49. Roe,
Brent about visual
arts review of "Who Means What" by Gordon Hatt, Volume 21#3 (#83),
86-88. Rodriguez,
Richard about "The
Loneliness of the Long-Distance Writer," Kristjana Gunnars, (re: Days
of Obligation: An Argument with my Mexican Father), Volume 13#3,
66-67. Rogers,
Linda poetry "Five
Poems," Volume 9#3, 28-29. Rogers,
Lori about "Atavistic
Refinements," Alison Gillmor, (visual art review re: Captive and absent:
a video installation), Volume 17#1, 47-48. Rogers,
Otto about "Spiriting
the Seen and the Imagined," Nancy Tousley (visual art review: Otto Rogers:
Survey 1974-1993) Volume 18#2 (#70), 52-53. Rogers,
Shelagh reviews "The
Dictator Next Door," (film review: Smoked Lizard Lips directed and
written by M.B.Duggan, produced by G.Klimkiw, T.Traeger and M.B.Duggan) Volume 10#4, 49-51. Rokeby,
David Review
"Techno
Hectoring," visual art, by Christopher Brayshaw, Volume 20#2 (#78), 135-136. "Next
Memory City," (collage of responses from Michael Awad, Eve Egoyan and David
Rokeby re: "Next Memory City"), Volume 21#4 (#84), 36-40. Romaniac
Brothers about "Subversive
Celebration: The Romaniac Brothers," Joan Borsa, Volume 7#1, 26-28. Ronald,
William about "Voluptuary,"
Gary Michael Dault, Volume 15#2, 60-62. Rooke,
Constance about "Night
Light: Stories of Aging, A Review," Abraham Arnold, Volume 7#1, 35-36. fiction "Clean
Blue Sky," Volume 11#2, 64-68. reviews "Skywalker,"
(re: A Son of the Circus by John Irving), Volume 13#4, 65-66. Rooke,
Leon fiction "Admiral
of the Fleet," Volume 9#1, 51-52. "The
Fall of Gravity," Volume 17#3 (#67), 44-48. about "Book
of the Mouth Club," Robert Enright, (re: Muffins), Volume 15#1,
5-6. "Hearing
Things Slant," (review of Who Do You Love?), Wayne Tefs, Volume
12#1, 53-54. "Infinity
West: Leon Rooke's The Fall of Gravity," book review by Jon Kertzer, Volume 19#4 (#76),
89-90. about "The
Everyday Sublime: An Interview With Gina Rorai," (introduction by Meeka Walsh,
interview by Robert Enright), Volume 22#4 (#88), 20-31. "Gina
Rorai," James D. Campbell (visual art review re: "The Obliterati"), Volume 26#3
(#103), 126-127. Rosefeldt,
Julian About "Beauty
Marks," (review by Petra Halkes, exhibition entitled "The Beauty of Evil,"
featuring Eleanor Bond, Thomas Ruff, Anselm Kiefer, Julian Rosefeldt, Piero
Steinle, Bernardo Bertolucci, Marlene Dumas, Andres Serrano), Volume 21#1
(#81), 38-43. about "The Art
of Beak and Talon," (Borderview by Robert Enright), Volume 22#3 (#87), 14. Rosner,
Cecil reviews "Muck-Rating,"
(review: Beyond the Printed Word: The Evolution of Canada's Broadcast News
Heritage edited by Richard Lochead), Volume 10#4, 53-54. Ross,
Ian about "Soul
Survivors," Meeka Walsh, (review: fareWel, PTE), Volume 15#2,
64-65. Rossellini,
Isabella about "Bug Eyed:
Green Porno, directed by Isabella Rossellini and Jody Shapiro," (film
column by Robert Enright), Volume 27#1 (#105), 26-27. "Daddy
Dearest: Isabella Rossellini and Guy Maddin's My Dad Is 100 Years Old,"
(film column by Robert Enright), Volume 24#3 (#95), 18-19. interview "Isabella
Rossellini: Close to the Maddin Crowd," interview with Robert Enright, Volume
22#2 (#86), 44-52. interview "The
Humanizer: An Interview with Susan Rothenberg," (with Robert Enright), Volume
24#3 (#95), 22-37. Rothko,
Mark about "Mark
Rothko," (review by Alex Kauffman), Volume 28#1
(#109), 90-91. Roux,
Ken about "Ken
Roux," (article by Lee Henderson), Volume 26#1 (#101), 46-55. Roy,
Gabrielle fiction "The
Wheelchair (translated by Sherri Walsh)," Volume 3#4, 47-53. Roy,
Marina about "Everyday
Every Other Day," (group exhibition at the Blackwood Gallery), Milena Tomic,
Volume 25#4 (#100), 107-108. Royal
Art Lodge about "Program
to Destroy," Rodney LaTourelle, (visual art review: "Garage Video"), Volume
19#3 (#75), 91-94. "Royal
Art Lodge," Amy Karlinsky, (visual art review of "Where is Here?"), Volume 26#4
(#104), 84-85. "Royal
Lodging," Robert Enright, Volume 16#3, 5-6. "Winnipeg
on the Hudson," by James Trainor, (re: The Royal Art LodgeMichael Dumontier,
Hollie Dzama, Marcel Dzama, Neil Farber, Drue and Myles LangloisJon Pylypchuk
and Tim Gardner in NYC), Volume 22#3 (#87), 36-47. Royal
Winnipeg Ballet about "Concertante:
Arnold Spohr and the Royal Winnipeg Ballet," Jacqui Good, Volume 4#1, 28. "Dancing
Love Letters," Jacqui Good, (book review: Dancing Through Time: The
First 50 Years of Canada's Royal Winnipeg Ballet by Christopher Dafoe and Dance
Canada: An Illustrated History by Max Wyman), Volume 9#4, 41-42. "How
I Went to the Orient with the Royal Winnipeg Ballet and Almost Lost my
Objectivity," Jacqui Good, Volume 7#3, 42-47. "Levels
of Choreography," Anne Leo. Volume 1#2, 40-41. "Love
Among the Dancers," Max Wyman, Volume 9#4, 56-58. "Night
of the Dancing Dead," Robert Enright, (dance review: Giselle),
Volume 10#2, 47. "Recapturing
the Dream," Michael Crabb, Volume 11#1, 54-55. "The
Royal Winnipeg Ballet," Michael Crabb, Volume 2#2, 22-25. "Skeletal
Dance," Helen Roberts, Volume 1#2, 37-39. "Some
Beasts and Some Bravado," Patricia Malone, Volume 1#3&4, 24-26. "Telling
the Dancer from the Dancing Building," Robert Enright, Volume 7#2, 50-55. "A
World of Their Own: The Royal Winnipeg Ballet Fifty Years On," Michael
Crabb, Volume 9#1, 24-27. Rozniatowski, David
reviews "The
Abuse of Beauty: Aesthetics and the Concept of Art by Arthur C. Danto," (book
review), Volume 23#3 (#91), 133-135. "Art
History Lite," (book review: Painting Friends; The Beaver Hall Women
Painters by
Barbara Meadowcroft), Volume 19#3 (#75), 82-83. "Going
Dutch,"(visual art: Art in the Age of van Gogh: Dutch Paintings from the
Rijksmuseum, Amsterdam) Volume 18#3 (#71), 60-62. "The
Group of Seven in Western Canada," (visual art review), Volume 22#2 (#86),
82-84. "Historical
Atlas of Canada: Canada's History Illustrated with Original Maps by Derek
Hayes," (book review), Volume 22#1 (#85), 77-78. "No Means
Know," (book review: Les Femmes du Refus Global by Patricia Smart), Volume
19#1 (#73), 70-71. "Quilts
from Six Continents," (visual art review of WAG exhibit), Volume 23#4 (#92),
98-101. "Tom
Thomson," Volume 23#1 (#89), 89-91. Ruben Piqtoukun, David
about "Fortunate
Heirs: A Review of Out of Tradition," Sheila Butler, Volume 8#2,
17-18. Rubinsky,
Holley fiction "The
Assassin," Volume 17#3 (#67), 28-31 Ruff,
Thomas About "Beauty
Marks," (review by Petra Halkes, exhibition entitled "The Beauty of Evil,"
featuring Eleanor Bond, Thomas Ruff, Anselm Kiefer, Julian Rosefeldt, Piero
Steinle, Bernardo Bertolucci, Marlene Dumas, Andres Serrano), Volume 21#1
(#81), 38-43. Rule,
Jane about "Memory
Board: A Review," Abraham Arnold, Volume 7#3, 27-28. Runge,
Janis "1987:
Contemporary Art in Manitoba," (visual art review: travelling to various
galleries throughout Canada), Volume 7#1, 29-30. Runnels,
Rory "On
University Theatre in Winnipeg," Volume 3#1, 37-40. reviews "The
Play's the Thing," (re:Aboriginal Voices: Amerindian, Inuit and
Sami Theater, ed. Per Brask, William Morgan) Volume 12#3, 55-56. "A
Stroll in the Wading Pool," (re: Death and the Maiden), Volume 12#2,
49-50. "Thimblerig
(book by Alf Silver)," Volume 2#1, 48-49. Rural
Manitoba "The
Centre at the Edge: Amateur Theatre in Morden," Sue Matheson, Volume 4#3,
53-54. "A
Limberlost of Distances: The Myth of Rural Artists' Isolation," Carolyn
Hoople Creed, Volume 5#1, 44-45. Ruscha,
Ed about "The
Painted Whirred: Ed Ruscha's Spin on Language," Volume 27#2 (#106), 30-47. Rushdie,
Salman about "Caught
Between Two Worlds," Wayne Tefs (review: East, West Stories),
Volume 14#3, 24-25. "Travels
with Mrs. Torture," Wayne Tefs, Volume 8#3, 22-23. Rushton,
Al "Aganetha
Dyck's Mad Hatting," Volume 6#3, 25-26. "Landscape
in Blue," Volume 7#1, 48-51. "Tribal
T.V.: New Video and Democracy on the Prairies after Modernism," Volume
2#3, 39-44. Rutkowski,
Chris about "Imagining
Science," by T.M. Ball, (re: Unnatural History: True Manitoba Mysteries),
Volume 12#4, 62-63. Ruzesky,
Jay poetry Three
Poems, Volume 19#3 (#75), 47-48. "Blue
Himalayan Poppies: for Hana," Volume 15#4, 34. "Games
Going Badly: Three poems by Jay Ruzesky," Volume 12#3, 62-63. Ryan, Allan
J. about "Trick and
Treat," Catherine Mattes, (book review: The Trickster Shift: Humour and
Irony in Contemporary Art by Allan J. Ryan), Volume 18#4 (#72), 90-91. Ryan,
Carol-Ann reviews "Claude
Tousignant," visual art review, Volume 28#2 (#110), 88-89. Ryga,
George about "Two
Plays: Paracelsus and Prometheus Bound, a Review," John Butler, Volume
2#3, 63-64. Sadler,
Helen about
"Facing
Ecstasy," Robert Enright, (borderview), Volume 19#2 (#74), 6-7. Safarik,
Allan about "Safari(k),"
Patrick Friesen, (review of On the Way to Ethiopia), Volume 11#3, 41-42. Said,
Edward W. about "The
Energy of Migrants," David Arnason, (review: Culture and Imperialism),
Volume 13#1, 46-47. Sakis about "The
Waxman Painteth," Robert Enright, (Borderview), Volume 21#3 (#83), 10-11. St.
Norbert Arts and Cultural Centre (SNACC) about "St.
Norbert Notables," Robert Enright, (borderview), Volume 15#3, 5-6. Saint-Pierre,
Annette about "Le
Rideau se Leve au Manitoba: A Review," Louise Filteau, Volume 2#1, 49-50. Saleik,
Jennifer about "Two-Brainer,"
Robert Enright (borderview: Dave & Jenn), Volume 25#4 (#100), 15-16. Salick,
Roydon reviews "The
Horrific Supine," (film review: Carrie), Volume 1#1, 60-61. Salle,
David about "Complicities:
A Conversation Between David Salle
and John Hawkes," Interview by Robert Enright, Volume 9#4, 28-40. Sandals,
Leah reviews "Image
and Inscription: An Anthology of Contemporary Canadian Photography, edited
by Robert Bean," (book review), Volume 25#3 (#99), 130-132. "Technologies
of Intuition, edited by Jennifer Fischer," (book review), Volume 26#2
(#102), 111-112. Sanders,
Pat "Mary
Scorer: An Appreciation," Volume 7#2, 44-45. fiction "The
Crumb Cake Rag," Volume 4#3, 35-36. "A
Sweeper-Up After Artists: A Memoir by Irving Sandler," (book review by
Robert Berlind), Volume 23#1 (#89), 100-102. Review "Alex
Katz," (visual art review), Volume 26#1 (#101), 76-77. San
Salvador about "The
Dog Show That Never Happened: Photographs and Text by Larry Towell,"
Volume 9#2, 25-36. Sanchez,
Carlos & Jason about "Virtual
Angst: The Photoworks of Carlos and Jason Sanchez," (article by James D.
Campbell), Volume 23#4 (#92), 28-35. Saper,
Arnold about "Arnold
Saper, Recent Drawings," Arthur Adamson, Volume 2#3, 45-48. Sapergia,
Barbara about "Foreigners:
A Review," Mark Duncan, Volume 4#2, 24. Sapergia,
Theresa about "Theresa
Sapergia," (visual art review by James D. Campbell), Volume 28#2 (#110), 91-92. Saskatchewan about "Conservatism
and Experimentation in Saskatchewan Art: An Interview with Bruce
Ferguson," Volume 2#1, 60-63. Saucier,
Robert about "Humanus
Ex Machina: The Art of Robert Saucier," Robert Enright, Volume 10#4,
66-71. Sauvey,
Rob "Richard
Dyck, Virtual Apartmentalization," (visual art re: CD-ROM, Apartment), Volume 17#2 (#66), 48-51. Sayej,
Nadja review "Bonnie Marin," (re: exhibition at Katherine Mulherin), Volumer 25#2 (#98), 96-97. "Jenn Norton," (re: "The Instatiable Appetite of Russian Dolls"), Volume 27#1 (#105), 96-97. "The Shape of Colour: Excursions in Colour Field Art 1950-2005," (re: exhibition at AGO), Volume 24#3 (#95), 103-104. "SUPER HAPPY LUCK ITCH," (visual art review of Camilla Singh's and Sherri Hay's installation piece), Volume 26#1 (#101), 96-97. Scarth, Todd
Article "Hose is
Where the Art Is," Volume 19#4 (#76), 64-69. Scatliffe,
Louise reviews "Les
Batteux (book by Marcien Ferland)," (with Denise Brown) Volume 3#1, 41-42. Schafer,
R. Murray about "Schaferscapes,"
Karen Mulhallen, (essay), Volume 15#1, 25-31. Schallié,
Gerry about "Godly
Growth and Mystery," Robin Laurence,(review:Pan paxil), Volume 14#3,
29-30. Scherman,
Tony about "The Art
of Downside Narrative: An Interview with Tony Scherman," Robert Enright, Volume
26#3 (#103), 68-77. "Fabulator,
An Interview with Tony Scherman," Robert Enright, Volume 14#3, 12-21. "Tony
Scherman," (visual art review by Gary Pearson), Volume 23#4 (#92), 111-112. Schiff,
Marilyn about "Contemporary
Canadian Art, A Review (with David Burnett)," Peter Millard, Volume 4#1,
27. Schiphorst, Thecla
"Defying
the Gaze: The Work of Thecla Schiphorst," Ann MacDonald, visual art review: Felt
Histories, Volume
20#1 (#77), 72-73. "Our Lady
of the Zombies: The Art of Aurel Schmidt," article by Lee Henderson, Volume
28#2 (#110), 38-47. art
pages Volume
26#2 (#102), 73-75. "Curious
Design and Unique Intention: The Recent Art of Julian Schnabel," (article by
Robert Enright), Volume 22#4 (#88), 32-42. Schneemann,
Carolee "Carolee
Schneemann," (visual art review by Randall Anderson), Volume 23#1 (#89), 85-86. "Carolee
Schneemann and Stan Brakhage," Robin Laurence (review of Schneemann's DEVOUR
and Brakhage's About Time: Four Late Stan Brakhage Films), Volume 25#2
(#98), 102-105. "The
Articulate Body: Carolee Schneemann in Conversation," (interview with Robert
Enright), Volume 17#1, 14-27. "Third
World Art: A Symposium on Performance Art," (with others) Volume 6#1,
21-24. Schneider,
Gregor about "Gregor
Schneider," (visual art review by Mark Clintberg), Volume 27#3 (#107), 193-194. Schoeck,
R.J. "Crossing
Borders," essay, Volume 10#3, 14-15. Schoeck,
R.J. "Crossing
Borders," Volume 10#3, 14-15. Scholes,
Douglas about "Debraye: Voitures a controverse," (visual art review by Randall Anderson), Volume 24#4 (#96), 107-109. Schott,
Barbara about "Words are
the Best Revenge," (book review: Memoirs of an Almost Expedition by
Barbara Schott), Volume 19#1 (#73), 72-73. reviews "Tough
Vulnerability," (book review: Audrey Poetker Making Strange to Yourself),
Volume 18#3 (#71), 58-60. poetry "River
of Ink," Volume 16#1, 46-47. "The
Skeletons of Leaves," Volume 11#1, 21-23. Schouten,
Tim about "Schouten
in the Landscape," Alison Gillmor, (visual art review: "Treaty Lands: An
Exhibition of Paintings by Tim Schouten"), Volume 17#2 (#66), 60-61. "Tim
Schouten," (visual art review of "In the Absence of Horses" by Mariianne Mays),
Volume 24#1 (#93), 90-92. portfolio "The
Winnipeg AlphaBestiary: The Many and the Marvelous," (H), Volume 25#1 (#97),
52-88. Schroeder,
Andreas about "Dustship
Glory: A Review," Terrence Heath, Volume 5#4, 58. Schulze,
Franz about "The Mies
Generation: Some Kind of Wonderful," Robert Enright, Volume 18#1 (#69),
35-36. interview "Death
Defier: The Art of Dana Schutz," (interview with Robert Enright), Volume 23#4
(#92), 44-51. Schweitzer, John
About "John
Schweitzer's Pretty Arcade," visual art review by John Grande, Volume 19#4
(#76), 79-80. Schwitter,
Kurt about "Merz
Bow," Martha Langford, (re:Kurt Schwitters), Volume 14#3, 30-31. Scobie,
Stephen about "Song-lines,"
Patrick Friesen, (book review: Some Day Soon: Essays on Canadian Songwriters
by Douglas Fetherling and Alias Bob Dylan by Stephen Scobie) Volume
10#4, 44-46. Scorer,
Mary about "Mary
Scorer: An Appreciation," Pat Sanders, Volume 7#2, 44-45. Scott,
Cynthia about "The
Company of Strangers," K. George Godwin (film review: The Company of
Strangers written by Gloria Demers; directed by Cynthia Scott) Volume 10#2,
38-41. Scott, John
about "The Dark
Annuciator: An Interview with John Scott," Robert Enright, Volume 18#3 (#71),
16-29. articles "Glam North:
Doris McCarthy's Northern Landscapes," Volume 23#3 (#91), 36-40. review "Gary
Michael Dault," (visual art review), Volume 24#1 (#93), 94-96. Scott,
Michael about "Caterflies
and Old Gentlemen," Eugene Walz, (review: For Gentlemen Only directed
by Harold Pinter), Volume 1#1, 59. Scriver,
Stephen about "Earthbound
Mechanics," Joseph Christianson, (borderview: Under the Wings by
Stephen Scriver), Volume 10#4, 54-55. Scully,
Sean about "Architectural
Principles in the Art of Sean Scully," Arthur Danto (article), Volume 26#3
(#103), 62-67. "A Dark
but Vital Light: An Interview with Sean Scully," Robert Enright, Volume 26#3
(#103), 50-60. Second
Life about "Born
Again, A Prosthetic You," (article by Randall Anderson), Volume 26#1 (#101),
66-71. Séguin,
Marc "The
Devil's Party," (Borderview by Robert Enright), Volume 23#1 (#89), 14. "Marc
Séguin," (visual art review by James D. Campbell), Volume 27#3 (#107), 198-200. Seidler,
Harry about "Homing
in Anywhere: An Interview with Harry Seidler," (with Robert Enright)
Volume 7#4, 26-34. "The
Mies Generation: Painting the Practice of Architecture," Robert Enright,
Volume 18#1 (#69), 30-31. Semak,
Michael about "Michael
Semak," Petra Halkes, (review), Volume 25#1 (#97), 110-111. Send + Receive about "Soundings:
Winnipeg's Send + Receive at Ten," Christopher Olson, Volume 27#3 (#107),
162-167. Seremba,
Bwanika poetry "It's
Raining," Volume 5#4, 64. Seremba,
George about "George
Seremba: A Dramatic Prognosis," Michael Kostelnuk, Volume 6#1, 18-20. about "Richard
Serra: Shift," (article by Heather Robertson), Volume 24#1 (#93), 50-54. Serrano,
Andres About "Beauty
Marks," (review by Petra Halkes, exhibition entitled "The Beauty of Evil,"
featuring Eleanor Bond, Thomas Ruff, Anselm Kiefer, Julian Rosefeldt, Piero
Steinle, Bernardo Bertolucci, Marlene Dumas, Andres Serrano), Volume 21#1
(#81), 38-43. Seth
(Gregory Seth Gallant) about "The World
of Comics According to Seth," borderview by Robert Enright, Volume 26#4 (#104),
18-19. Seven
ArtsSpanish Fork Motion Picture Company "The
Thinner Red Line," Bruce Duggan, (review of Incident at Oglala) Volume
11#4, 80-81. Severson,
Anne "Doors
of Genial Deception," (visual art review: Chapter Three: Breathing in
the Infinite Park by Colleen Philippi), Volume 16#1, 49-50. Sexsmith,
Dennis reviews "1912:
Traditional Avant-Garde," (visual art review: Winnipeg Art Gallery),
Volume 7#1, 31-33. Shadbolt,
Doris about "Visions:
Contemporary Art in Canada (edited by Robert Bringhurst, Geoffrey James,
Russell Keziere, Doris Shadbolt)," Peter Millard, Volume 4#1, 27. Shadbolt,
Jack "A
Matter of Subdued Passion: An Interview with Jack Shadbolt," (with Robert
Enright) Volume 4#1, 8-14. about "The
Perils of Transformation: Psychic and Cultural Violence in the Art of Jack
Shadbolt," Robin Laurence, Volume 11#4, 61-63. "Taking
a Line for a Confrontational," Alison Gillmor, (review:Jack Shadbolt
Drawings, Jack Shadbolt Drawings by Scott Watson), Volume 14#1, 71-72. about "Jeremy
Shaw," (visual art review by Christopher Olson), Volume 24#1 (#93), 96-98. Shakespeare
in the Ruins about "The
Garden of Bardic Delights," Robert Enright, (borderview re: Shakespears in the
Ruins, "Love's Labour Lost"), Volume 19#3 (#75), 11-12. Shanski,
Karen about "Tablers
of Content," Robert Enright (borderview: Eduardo Aquino and Karen Shanski), Volume
25#4 (#100), 14-15. Shapiro,
Jody about "Bug Eyed:
Green Porno, directed by Isabella Rossellini and Jody Shapiro," (film
column by Robert Enright), Volume 27#1 (#105), 26-27. Shared
Stage about "As
the Fetish Turns: Winnipeg's Shared Stage," Lee Anne Block, Volume 5#3,
7-9. Sharnoff,
Stephen and Sylvia Duran About "Lichens
of North America: by Irwin M. Brodo, Sylvia Duran Sharnoff and Stephen
Sharnoff," (book review by David
Arnason), Volume 21#2 (#82), 87-88. Shattuck,
Roger "The
Banquet Year: Feasting on Nineteen Hundred and Twelve, A Conversation with
Roger Shattuck," (with Robert Enright) Volume 7#1, 37-41. Shaw,
Margaret about "Mrs.
Doctoring the Past," Mary Kinnear,(review of Mrs. Doctor),Volume
1#2, 72. Shearer, Steven
portfolio
"The
Poetics of Impoverishment," (text by Meeka Walsh), Volume 24#4 (#96), 64-73. Shearwood, Diana
portfolios "Chance
Encounters of an Abandoned Kind, (text by Diana Shearwood), 18#3 (#71), 33-40. Sheppard,
Gordon about "Eliza's
Horoscope: Still-born," Gene Walz, Volume 1#2, 51-52. Sherlock, Diana
Review
"In
Advance of the Post-Mortem," visual art, (John and Lou's 1923 Voyage),
Volume 20#2 (#78), 137-139. Sherman,
Cindy about "Mutant
Dearest," Martha Langford, (photography review: Cindy Sherman), Volume
18#4 (#72), 66-67. review "Video
Art, A Guided Tour by Catherine Elwes," (book review), Volume 24#3 (#95),
112-113. Shields,
Carol reviews "Carol
Shields: The Arts of a Writing Life and Dropped Threads 2: More of What
We Aren't Told," (book reviews by Charlene Diehl-Jones), Volume 22#3 (#87),
97-99. "Recent
Mistakes (by Jan Horner)," Volume 7#3, 26-27. about "Dressing
Up, Dressing Down," Birk Sproxton, (book review:Dressing Up for the Carnival), Volume 19#2 (#74), 81-82. "A
Fairly Conventional Woman: A Review," Robert Newman, Volume 2#3, 61-62. "Carol
Shields' A-mazing Grace," Meeka Walsh, (book review: Larry's Party),
Volume 16#3, 76-78. "Cultivation
the Middle-Class Garden," Wayne Tefs,(review of Republic of Love),
Volume 11#3, 33-34. "To
Make the Stones Stony," Birk Sproxton, (review: The Stone Diaries),
Volume 13#1, 52-53. "Various
Miracles: A Review," Charles Wilkins, Volume 4#4, 44-45. fiction "Fuel
for the fire," Volume 8#1, 58-62. "Keys,"
Volume 16#3, 34-36. "Mrs.
Turner Cutting the Grass," Volume 3#3, 46-49. Shiko,
Munakata about "The
Woodcuts of Munakata and Matsubara," Arthur Adamson, (re: Mokuhan: The
Woodcuts of Munakata and Matsubara), Volume 1#2, 10-13. Shimamoto,
Shozo "Fight,
Stamina and Actions: Subjects and Objects in the Bewildering World of
Performance," Robert Enright, (Interviews with Francesco Conz, Allan Kaprow,
Raphael Montaez Ortiz, Hermann Nitsch, Orlan and Shozo Shimamoto; re: MOCA
exhibition, "Out of Actions: Between Performance and the Object, 1949-1979"),
Volume 17#2 (#66), 28-47. Shojania,
Moti "A
Look at Winnipeg's Children's Theatre: 1982-1983 in Review," Volume 2#4,
30-32. Shore,
Stephen about "Stephen
Shore," Christopher Olson, (review of The Biographical Landscape),
Volume 25#1 (#97), 107-108. Sikkuark,
Nick about "The
Unbearable Lightness of Carving," Scott Ellis, Volume 11#3, 43. portfolio "Land of
the Midnight Sons and Daughters: Contemporary Inuit Drawings: Shuvinai Ashoona,
Kavavaow Mannomee, Nick Sikkuark," intro by Amy Karlinsky, Volume 27#1 (#105),
66-83. Siemens.
Gary "Leading
the Imagination: An Interview with Ivan Eyre," Volume 1#3&4, 58-62. Sigismondi, Floria
about "Sigismondi's
Mundi," borderview, by Robert Enright, Volume 20#2 (#78), 12-13. Silcox,
David about "Davids
and Goliath," Robert Enright, (borderview of Painting Place: The Life
and Work of David B. Milne), Volume 16#1, 7-8. Silver,
Alf about "Thimblerig:
A Review," Rory Runnells, Volume 2#1, 48-49. about "Lorraine
Simms," (visual art review by Martha Langford), Volume 23#3 (#91), 128-129. Simmons,
Al about "The
Road to Zany-Do," Robert Enright, (re:Celery Stalks at Midnight), Volume
15#1, 7-8. Simon,
Cheryl reviews "Big
Disney is Watching You," with Fred McSherry, (re: "The Architecture of
Reassurance: Designing the Disney Theme Parks"), Volume 16#4, 61-64. Sims,
Theo about "An Artist
Walks into a Bar: An Interview with Theo Sims," Robert Enright, Volume 27#3
(#107), 121-131. Singh,
Amrit KD Kaur and Rabindra KD Kaur about "The Singh
Twins," (visual arts review by Earl Miller), Volume 23#2 (#90), 97-98. Singh,
Camilla about "SUPER
HAPPY LUCKY ITCH," (visual art review of installation piece with Sherri Hay by
Nadja Sayej), Volume 26#1 (#101), 96-98. Singh,
Meera about "The
Desiring Dark," (Borderview by Robert Enright), Volume 24#2 (#94), 12-13. Sinha,
Rubena about "Dance of
Many Colours," Robert Enright, (borderview), Volume 16#4, 6-7. Sisetski,
Paul reviews "Figuring
the Disfigured," Emily Givner, (re: Island of the Damned) Volume 12#3,
56-58. Site
Gallery about "And Now
For Something a Little Different," Robert Enright, (re: "Six Interpretations of
Clay: Handmade in Taiwan"), Volume 16#3, 7-8. "Go
Figure," Robert Enright, (borderview re: SITE Gallery exhibition, "Figuring the
Figure"), Volume 19#3 (#75), 8-9. Sjoman,
N.E. articles "Marked by
Lightning, The Paintings of Jim Clark," Volume 18#2 (#70), 44-48. reviews "Pink Paws
in Berlin," (cultural review re: "Goodbye to Berlin: 100 Years of Gay
Liberation"), Volume 16#3, 65-66. "Rights of
Passage," (book review: Bhupen Khakar by Timothy Hyman), Volume 18#3
(#71), 68-70. visual art "Oriental
Pink Lime: The Art of Bhupen Khakar," Volume 17#1, 40-43. Skene,
Reg "Antagonize
Rex: A Professional Profile of Playwright Alan Williams," Volume 5#4,
46-48. "Crafty
Lust: A Profile of Bruce McManus," Volume 6#3, 53-57. "Vaudeville
for the Television Generation: Stage West in Perspective," Volume 3#3, 21. reviews "Bassi
Non Profundo," (re: The Ape Man, performed by Leo Bassi), Volume 12#4,
56-58. Skogan,
Joan about "Mary
of Canada: The Virgin Mary in Canadian Culture, Spirituality, History and
Geography by Joan Skogan," (book review by Charlene Diehl), Volume 24#2
(#94), 97-99. journals "Dreaming
and Dreaming in the Widening War," Volume 14#4, 34-38. memoirs "Moving
Water," Volume 15#4, 30-32. fiction "Spoon
Change," (accompanied by photographic illustration by Bill Eakin), Volume 17#1,
44-45. Skvorecky,
Josef "A
Voiceless Song: Photographs of the Slavic Lands by John Paskievich,"
(introduction) Volume 2#2, 33-41. Slater,
Barbara poetry "April
Fool's," Volume 7#3, 32. "Just
Sold," Volume 7#3, 32. Smallwood,
Donnely about "Book
Marks," Sigrid Dahle, (visual art review: to sow by Jake Moore and Name
this Bird: Winnipeg Beach by Susan Chafe and Donnely Smallwood), Volume
16#2, 54-56. "The
Demolition Show," The Demolition Crew, Volume 5#1, 41-43. Smart, Patricia
about "No Means
Know," David Rozniatowski, (book review: Les Femmes du Refus Global by Patricia Smart), Volume
19#1 (#73), 70-71. Smith, Alicia portfolio "Keyhole
Collages," (Director: Guy Maddin; Art Director: Paul Butler; Michael Dumontier,
Brad Phillips, Simon Hughes, Jeff Funnell, Alicia Smith, Caelum Vatnsdal: Art
Department), Volume 26#4 (#104), 58-67. Smith,
Ann about "Ann
Smith, The Fantast," Yvonne Eyre, Volume 1#1, 12-14. "Turning
and Turning in the Widening Stare," Robert Enright (borderview), Volume
14#1, 5. "Two
Fantasists: Ann Smith and Jane Zednick," Arthur Adamson, Volume 2#2,
52-53. Smith,
Craig Alun About "Buddhas
In Plastic Places," Robert Enright (borderview), Volume 20#4 (#80), 9-10. about "26/Two-Sicks/Too-Six...",
(article by Cliff Eyland re 26: Fred Thomas, Ian August, DJ Brace, Cyrus Smith,
Melanie Rocan, Shaun Morin, David Wityk), Volume 23#4 (#91), 16-27. Smith,
Doug "Labouring
Bards and Scotched Reviewers," Volume 7#1, 62. about "The
Best Possible Face: L.B. Foote's Winnipeg, a Review," Andy Blicq, Volume
5#1, 33-34. Smith,
Douglas about "Thaw:
A Review," Sid Stephen, Volume 1#3&4, 122-123. poetry "The
Passing Lane," Volume 3#2, 28. Smith,
Kiki about "The
Registry of Flesh," Gary Michael Dault, (re:The Power Plant), Volume 14#2,
60. Smith, Michael
about "The
Archaeology of Landscape," (visual art review: Michael Smith), Volume 20#2
(#78), 123-124. "Razing
the Edifice Complex," Mark Morris, (re: The Sun Raiser by Yves
Sioui Durand, music by Michael Smith), Volume 14#4, 78-79. Smith,
Paul Chaat "Every
Picture Tells a Story," Volume 11#4, 40-41. Smith,
Pete reviews "Ben
Reeves," (visual art review), Volume 28#1 (#109),
91-93. Smith,
Steven reviews "Western
Canadian Icons (Muttart Gallery)," Volume 7#3, 28-30. about "Robert Smithson," (visual art review by Susan Emerling), Volume 24#1 (#93), 77-79. about "Althea
Thauberger and Fiona Smyth: Girl Trouble, Teenage Girls in Contemporary Art,"
(article by Terence Dick), Volume 23#2 (#90), 76-81. Smyth,
Jacqui poetry "October,"
Volume 2#3, 66. Snow,
Kathleen M. about "Messages
from Max," Marilyn C. Baker, (review: Maxwell Bates: Biography of an
Artist), Volume 13#4, 78-79. Snow,
Michael about "Auradynamics:
The Task of the Spectator in the New Era of the Aura," visual art review by
Martha Langford, (re: "Confluences" at CMCP and "Manufactured Landscapes" at
the National Gallery of Canada), Volume 22#2 (#86), 56-65. "The Lord
of Missed Rules: An Interview with Michael Snow," Robert Enright, Volume 26#2
(#102), 22-40. "Michael
Snow," (review by Emily Falvey of Corpus Callosum), Volume 22#3 (#87), 100-101. "Michael
Snow," (review by Martha Langford of Power of Two), Volume 23#2 (#90), 84-85. "Snowbound,"
Gary Michael Dault, (review: The Michael Snow Project: Visual Art 1951-1993,
The Michael Snow Project: Visual Art 1948-1993, The Collected
Writings of Michael Snow Presence and Absence: The Films of Michael Snow
1956-1991), Volume 13#3, 62-64. "Snow by
Degrees: Michael Snow's Photographic Work," article by Martha Langford, Volume
19#3 (#75), 58-63. Sobol,
John articles "Sound
Trek," Volume 14#4, 39-41. Sokolowski,
Thomas commentary "The Many
Faces of Andy Warhol," Volume 26#3 (#103), 78-82. Sokurov,
Alexander about "Arkivist,"
(Column by Robert Enright re: Russian Ark), Volume 22#1 (#85), 16-17. Solien,
T.L. about "T.L.
Solien: The Sympathetic Wizard of Storytelling," Volume 4#4, 78-80. Sontag,
Susan "Style
and Radical Will: An Interview with Susan Sontag" (with Robert Enright)
Volume 7#2, 6-9. Sourrisseau,
Jean reviews "Obsessionals:
Winnipeg's International Intermedia Performance Art Festival," (with Lee
Ann Block) Volume 6#1, 25-27. Southam,
Ann about "MusicAmong
a Lot of Other Things," Kathleen Wall,(review:Music Inter Alia), Volume
1#2, 55-56. Soutine,
Chaim about "The
Chaotic Stirring of Things," Robert Enright, (borderview re: Rifts in the
Visible by Inge Israel), Volume 17#1, 6-7. Spackman,
Betty about "Funerian
Spirit," Cliff Eyland, (visual art review: "Reading Room" by Betty Spackman and
Anja Westerfrölke), Volume 16#3, 72-73. Spalding,
Esta review "Through
the Looking Glass," (book review: The Hidden Room: Collected Poems Volumes 1
& 2 by P.K. Page), Volume 17#1, 70. Spath,
Sally "Flatlanders:
Collecting The Present in Toronto," (review by Xandra Eden of works by
Elizabeth McIntosh, Eric Glavin, Mark Bell, Sally Spath, and Nestor Kruger),
Volume 20#4 (#80), 34-40. Spalding,
Jeffrey review "Gerald
Ferguson," (visual art review re: "Frottage Work 1994-2006," "Ash Can Paintings
2006," and "Door Mat Paintings"), Volume 26#3 (#103), 149-151. Spalding,
Linda Review "Light at
the Edge of the World: by Wade Davis," (book review), Volume 21#1 (#81), 88-90. Speed,
Jeff "Camp
as Kitsch Can: Photographs by Jeff Speed," Intro by Robert Enright, Volume
11#3, 30-32. Spence,
Sheila portfolios "Fictional
Lives: The Photographic Portraits of Sheila Spence," introduction by
Robert Enright, Volume 6#1, 44-51. "Dream
Stages: The Dance Photographs of Sheila Spence," introduction by Meeka
Walsh, Volume 11#1, 38-44. Spencer,
Stanley "Stanley
Spencer," review by Terrence Heath, Volume 20#4 (#80), 66-67. Spero, Nancy
About "Edges of
Resistance: The Language of Art in Louise Bourgeois and Nancy Spero,"
(bordernotes by Meeka Walsh), Volume 28#2 (#110), 10-12. "Nancy
Spero," (visual arts review of "Azur" by M.J. Thompson), Volume 21#2 (#82),
83-85. "Nancy
Spero," (visual art review by Julia Dault), Volume 28#2 (#110), 86-88. "On the
Other Side of the Mirror: A Conversation with Nancy Spero," interview by Robert
Enright, Volume 19#4 (#76), 18-33. "Picturing
the Autobiographical War: Nancy Spero's War Series," (interview with Robert
Enright), Volume 23#1 (#89), 50-61. Spiderwoman
Theatre about "Walking
the Path of the Visionaries," Marth Boesing, (review of "Power
Pipes") Volume 11#4, 78-9. Spielberg,
Steven about "Serving
Private Ryan," column by Robert Enright (re: film Saving Private Ryan),
Volume 17#4 (#68), 10. Spier,
Adrienne about "Adrienne
Spier," visual art review by Gary Michael Dault, Volume 27#2 (#106), 95-96. Spohr,
Arnold about "Concertante:
Arnold Spohr and the Royal Winnipeg Ballet," Jacqui Good, Volume 4#1, 28. "Home
Truths: The Inestimable Character of Arnold Spohr," Michael Crabb, Volume
3#2, 38-40. Sprague,
Mary about "Revelations
and Process," Arthur Adamson, (review: Five) Volume 1#2, 20-21. reviews "Ceramists
3," (re: Stan Taniwa, Ken Chernavitch, David Anderson), Volume 1#1, 41. "Duane
Perkins Ceramics," Volume 1#1, 40. "Joe
Fafard and Friends," Volume 1#2, 26-28. "Works
in Clay by Bob Williams," Volume 1#3&4, 85. Spriggs,
David about "David
Spriggs," Randall Anderson (visual art review re: "The Paradox of Power"),
Volume 26#3 (#103), 129-130. Springate,
Michael reviews "The
Consolation of Transcendence," (re: You Don't Get to Be a Saint,
Patrick Friesen), Volume 11#3, 37-39. Sproxton,
Birk reviews "Civilization
and Its Malcontents," (re:Civilization and Its Part in My
Downfall by Paul Quarrington), Volume 14#1, 77-79. "Creative
Reading: The Criticism of Bowering and Kroetsch," (book reviews: Imaginary
Hand: Essays by George Bowering and The Lovely Treachery of Words:
Essays Selected and New by Robert Kroestch), Volume 8#3, 29-30. "Dear
Margaret, Dear Al," (re: Margaret Laurence-Al Purdy: A Friendship in
Letters. Selected Correspondence, ed. John Lennox), Volume 12#4, 70-72. "Dressing
Up, Dressing Down," (book review:Dressing Up for the Carnival by Carol Shields), Volume 19#2
(#74), 81-82. "Eating
and Empire: An Anatomy," (re: A Discovery of Strangers by Rudy
Wiebe), Volume 13#4, 68-70. "The
Family Romance," Volume 6#4, 42. "The First
Lady, Transformed," (book review: The Life of Margaret Laurence by James
King), Volume 17#1, 48-49. "Gathering
Moss,"(book review: The Paradox of Meaning: Cultural Poetics and Critical
Fictions by John Moss), Volume 18#3 (#71), 62-63. "Geographies
of Hurt," (book review: Agnes in the Sky by Di Brandt) Volume 10#1,
54-55. "A
Kiss and a Wink," (book review: Kiss of the Fur Queen by Tomson
Highway), Volume 18#1 (#69), 77-78. "Lesser
is Moral," (re: A Year of Lesser by David Bergen), Volume 15#3,
65-66. "Lingering
Longer: The Pleasures of the Long Poem," (re: The New Long Poem
Anthology by Sharon These and On the Edge of Genre: The Contemporary
Long Poem by Smaro Kamboureli), Volume 11#3, 39-41. "Making
News," (poetry review: Active Trading: Selected Poems, 1970-1995 by Gary
Geddes), Volume 16#3, 69-70. "Making
Stranger Music," (re: Stranger Music: Selected Poems and Songs
by Leonard Cohen), Volume 13#2, 52-53. "Shaking
Loose on the Flatlands," (book review: Murder in Gutenthal: A Schneppa
Knjals Mystery by Armin Wiebe) Volume 11#1, 51-52. "To
Make the Stones Stony," (re: The Stone Diaries by Carol Shields),
Volume 13#1, 52-53. "To
Play in Paradise," (re: The Puppeteer by Robert Kroetsch), Volume
12#1, 52-53. "Tradition
and Mischief in Alberta," (book review: The Literary History of
Alberta. Volume One: From Writing-on-Stone to World War Two by George
Melnyk), Volume 17#4 (#68), 68-70. "Travels
with Self," (book review: Self: A Novel by Yann Martel), Volume
15#4, 62-64. "Wordbursts
in the Sun," (book review: Sunfall: New and Selected Poems by Dennis
Cooley), Volume 16#2, 66-67. "Word
Foxy," (book review: Fox by Margaret Sweatman), Volume 10#4, 46-48. "Writing
Beyond Borders," (re: Beyond Borders: An Anthology of New Writing from
Manitoba, Minnesota, Saskatchewan and the Dakotas, Mark Vinz & Dave
Williamson Eds.) Volume 11#4, 72-73. about "Next
Year Critical Country: A Review of Trace," Robert Enright, Volume
6#1, 39-40. "The Read
and the Black," Karen Clavelle, (book review re: The Red-Headed Woman with
the Black Black Heart), Volume 17#2 (#66), 55-56. fiction "A
Story Like A Shovel," Volume 6#3, 51-52. "Replay,"
Volume 9#1, 40-42. Sprung,
Guy about "Russian
Rusticity," (book review: Hot Ice: Shakespeare in Moscow, A Director's
Diary, written with Rita Much) Volume 11#1, 53. about "Laura St.
Pierre," (visual art review by Randall Anderson), Volume 23#4 (#92), 101-103. Stage
West "Vaudeville
for the Television Generation: Stage West in Perspective," Reg Skene,
Volume 3#3, 21. Stallone,
Sylvester about "Rocky's
worth," Gene Walz, Volume 1#2, 53-54. Stamp,
Arlene about "The
Alberta Biennial of Contemporary Art 2002," (visual art review by David
Garneau), Volume 21#4 (#84), 76-78. Stanton,
Pat about "Pieces,
Of the Jigsaw, Puzzle (three volume Multicultural Anthology for Young
Readers)," Carolyn Hoople Creed, Volume 5#4, 53-54. Starling,
Simon about "Simon
Starling," (visual art review by Terence Dick), Volume 27#3 (#107), 183-184. Starr,
Floyd Favel about "Lynx from
the Past: Chekhov Goes Native," Heather Elton, (theatre reivew: The House of
Sonya), Volume 17#1, 63-67. Stauvers,
Olga about "Here
Comes the Prize-Winner: The Paintings of Olga Stauvers," Jamie O'Hanratty,
Volume 7#1, 52-53. Stead,
Jennifer about "Landscape
x 4: Geoffrey James, Alex Cameron, Jennifer Stead, Kelly Richardson," visual
art review by Petra Halkes (re: "Jennifer Stead: Meander 100'" at KWAG), Volume
27#2 (#106), 98-100. Stechesen,
Les about "Telling
the Dancer from the Dancing Building," Robert Enright, Volume 7#2, 50-55. Steele,
Leighton poetry "Columbines,"
Volume 5#3, 36. Steele,
Lisa about "Genealogies
of Blood and Breath," Sky Glabush, (visual art review: "The Blood Records" by
Lisa Steele and Kim Tomczak), Volume 19#2 (#74), 89-91. Steeves,
George about "George
Steeves," Martha Langford, (visual art review), Volume 26#2 (#102), 108-111. "Naked
Before the Subject," David Garneau, (review: George Steeves: 1979-1993),
Volume 15#2, 62-64. "The
Same Side of the Mirror, the Photopathology of George Steeves," article by
Edward Morose, Volume 17#4 (#68), 55-59. Stelmackowich,
Cindy articles "Periperal
Centres," Volume 14#4, 61-62. Steiman,
Lionel reviews "Los
Canadienses: a review," (film by: Albert Kish), Volume 1#2, 48-50. Steinle,
Piero About "Beauty
Marks," (review by Petra Halkes, exhibition entitled "The Beauty of Evil,"
featuring Eleanor Bond, Thomas Ruff, Anselm Kiefer, Julian Rosefeldt, Piero
Steinle, Bernardo Bertolucci, Marlene Dumas, Andres Serrano), Volume 21#1
(#81), 38-43. reviews "Lightning
by Fred Stenson," (book review by Wayne Tefs), Volume 22#4 (#88), 107-112. Stephen,
Sid reviews
|