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CM . . .
. Volume X Number 7 . . . . November 28, 2003
excerpt:
Abandoned on the steps of a Yangzhou orphanage after the China's "baby policy" made girl babies undesirable, baby Grace was adopted by the Parkers and brought to Canada. Into the baby's blanket the birth mother had tucked a piece of paper with "some marks in faded blue ink" providing her own name, Chun mei, and her daughter's name, Dong mei. When the Parkers went to China for their new baby, the orphanage official surreptitiously slipped them the information. Grace, "don't call me anything but Grace," Dong mei Parker hates that "sacred piece of paper" and "begged, argued, and threw tantrums" to avoid language and cultural lessons about her Chinese heritage. "I don't want to be Chinese, and I don't want a Chinese name," she insists. Raised in a comfortable and loving family environment, Grace resents being forced to learn Chinese, and she hates being reminded constantly of her heritage until the day she sees the television images of the Tiananmen Square Massacre of June 4, 1989. Thereafter her negative attitude to all things Chinese gradually changes. After high school graduation, her journey to understand who she is and to find her roots begins in earnest when she travels to China and painstakingly researches her family history and locates her birth parents. Ye structures the novel in seven dated and geographically defined sections. Grace's coming of age story unfolds not only from her first person narrative, but from the viewpoints of Chun mei, her mother; of Loyal, her father; of "Old Revolutionary Chen" Da li, her grandfather; of Jane, her adoptive mother; and briefly, of Mrs. Zia, the orphanage official. Each of the perspectives reveals details of the circumstances and seeks to explore the reasons that led to Grace's abandonment and adoption. The multiple viewpoints do, at times, interfere with the flow of the story and temper the emotional impact implicit in Grace's quest; however, the technique allows Ye to present historical and political information as she reveals the motives and passions of the characters. The impact of Grace's gender on her birth family that resulted in "Old Chen's" intractable determination to get rid of the girl baby serves as the catalyst that destabilized the family. As Grace discovers why she was "unwanted by [her] so called real parents," she comes to understand and appreciate "one hero," her mother, Chen mei. Young people who travel with Grace on her journey of discovery may add to their understanding of the history and culture of China. Ye adds Throwaway Daughter to her memoir, A Leaf in the Bitter Wind, the award winning White Lily, and three picture books. Recommended. Darleen Golke is a librarian in Winnipeg, MB.
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