Bibliographies
of your Favourite Authors
WILLIAM BAUER
Papers and Addresses
"Defoe’s Review and the Reform of Manners
Movement". Paper presented to the Annual Meeting of the Association of
Canadian University Teachers of English, Calgary, Alberta, June 11, 1968.
“Burns in Our Time." Address to the Fredericton
Society of St. Andrew, Fredericton, N.B., January 1970.
(Radio review), Joe Knowles, The Thompson Report.
CBZ (Fredericton, N.B.), August, 1970.
The Meaning of Forms in the Tatler and its
Many Successors. Paper presented at a plenary session of the Fifth Annual Conference,
Atlantic Society for Eighteenth-Century Studies, St. John, N.B., April 29, 1977.
Like No Other Place: The Arts in Atlantic Canada.
Address to University of Maine at Orono, Canadian-American Studies, March
22, 1991.
Publications
Cornet Music for Plupy Shute. New Brunswick Poetry Chapbooks,
No. 4.
Fredericton, 1968, 26 pp.
A Migration now Largely Forgotten, If I Don’t Tell
You, No One Else Will, Confession, The Trail of the Lonesome Pine, (poems).
Fiddlehead,
No. 77 (Autumn, 1968), pp. 53-59.
“Pig-of-the-Wind: A Fragment
from the Archives” (story). Fiddlehead, No. 78 (January- February,
1969), pp. 32-41.
“Everett Coogler Counts and Thinks,” “Everett
Coogler--as They Speak of
Him,” “Everett Coogler Takes
His Stand,” “Everett Coogler as an
Emblem of Cosmic Brotherhood,”
“Everett Coogler Lays Plans for a
Retort.” “Everett Coogler Seems
to Have Them Abashed, or Else They
Don’t Notice,” “Everett Coogler
Rebukes his Wife,” “Modern Fame as
She is Known in Hamsterville,”
“Songs on the Hamsterville Air”
(poems). In Canada First;
A Mare usque ad Edmonton: New Canadian
Poets, ed. Peter Anson.
Toronto: House of Anansi, 1969, pp. 62-73.
(Review) Elizabeth Brewster, Passage of Summer,
Selected Poems, Ryerson Press,
Toronto, 1969. 129 pp. Fiddlehead,
No. 80 (May-July, 1969), pp. 102-104.
Ernest Hart, Jr.] (Editorial and Poems). “The Poem-Prose:
A Description,
A Defense, and Some Examples,” Fiddlehead,
No. 87 (November-December, 1970),
pp. 1-5.
Everett Coogler. New Brunswick Poetry Chapbooks, No. 15.
Fredericton, 1971, 26 pp.
2
“Out Here,” (poem). Urchin, I (Winter, 1971-72),
3-4.
“The Hounds of Barkerville” (story), Dialog
(Passover, 1972), pp. 22-23.
“Seasonal” (poem), Poet, No. 5 (May, 1972),
7-8.
Ernest Hart, Jr.] (editorial). “Several Hundred
Ways of Looking at a Seagull,”
Fiddlehead, No. 93 (Spring, 1972),
pp. 1-2.
“The Ringmaster’s Nosebleed and How the Lions,”
(poem). Sunday Clothes:
A Magazine of the Fine Arts,
2 (Summer, 1973), 33.
“The Reading of Signs” (story). Antigonish Review,
No. 12 (Winter, 1973), pp. 46-57.
“Apocalyptic Poem” (poem). Manna, No. 4 (1973),
pp. 36-38.
(Introduction and editing) Martin Bulter, “Early
Recollections, Journal of Canadian
Fiction, 2 (Summer, 1973), 180-190.
“I.O.U.,” “In the Park” (poems). Waves, 2,
No. 2 (Winter, 1974), 68-69.
“Modern Fame as She is Known in Hamsterville,” “In
Dreams Begin
Responsibilities,” “Seasonal,” “The Launching
of the Forest P.
Waterman,” “Prayer” (poems). In Ninety
Seasons: Modern Poems from
the Maritimes, eds., Robert Cockburn
and Robert Gibbs. Toronto:
McClelland and Stewart, 1974, pp. 39-46.
“Contemplative Cake” (poem). South Dakota Review,
12 (Spring, 1974), p.
79.
“Never Bet on a Dead Horse” (story). The Canadian
Fiction Magazine, No.
(Spring, 1974), pp. 28-34.
Reprinted in Magic Realism, ed. Geoff Hancock.
Toronto: Aya Press,1980. pp.59-64.
“Window Cleaner’s Music,” “The Wind Out to Our Place”
(poems), CV II, 1
(Spring, 1975), p. 7. (Review)
“John Buell’s Playground,” John Buell, Playground,
New York:
Farrar,
Straus and Giroux; Toronto: McGraw-Hill Ryerson, 1976. 247 pp.
International
Fiction Review,
6, No. 1 (January, 1977), 77-79.
Reprinted in Contemporary Literary Criticism,
ed. Dedria Bryfonski, Vol.
10 (1979). Gale Research Co.: Detroit, 1979.(Review)
Philip Marchand, Just Looking, Thank
You, Macmillan of Canada, Toronto,
1976. 208 pp. Fiddlehead, No. 113
(Spring, 1977), pp. 153-
155.
“What is Interred with Their Bones” (story). The
Fiddlehead, No. 116,
(Winter, 1978), p. 171.
“Happiest Dog” (poem). Wild Fennel 15 (September,
1978), 31.
(Review) This is My Best: Poems Selected by Ninety-One
Poets., Toronto:
Coach
House Press, 1976. The Fiddlehead, No. 116 (Winter, 1978), p.
171.
“Naming the
Names So We Know They Are” (poem). Maker, No. 3 (1978).
The Terrible
Word.
Fiddlehead Books: Fredericton, 1978. 93 pp.
A Family
Album.
Oberon Press: Ottawa, 1979. 150 pp.
“What is Interred with Their Bones,” in Fiddlehead
Greens, Roger Ploude
and Michael Taylor, eds. Oberon Press:
Ottawa, 1979, pp. 25-49.
Author Introduction, in
The Oberon Reader, ed. Michael Macklem. Toronto:
Harper Collins, 1991, 25-61.
“In the Fall of the Year” and “At the Banquet” (poems).
Amherst, XXXI
(Fall, 1978), 31-32.
“Brentford’s Regret” (poem). The Dooryard Post,
No. 1 (January, 1979),
13.
“Woeful Pageant of the Seventh Age" (story). The Fiddlehead, 123 (Fall, 1979),
47-64.
“Wobblings
and Warblings” (essay), “Ceremony,” “Conversation with a
Chevy,” “The Man Who Tried to Grow Okra,”
“Projects and
Contemplations” (poems), Reflections on
a Hill Behind A Town, ed.
Robert Gibbs, Fiddlehead, No. 125
(Spring, 1980), 163-176.(Review)
Charles Edward
Eaton, The Case of the Missing Photographs, New
York: A.S. Barnes, 1978,
pp. 239. The International Fiction Review,
8,
No. 1 (1981), pp. 66-68.
“What
I Shudda Said,” “The Terrible Word,” and “The Long Summer Afternoon.”
(poems)
In The Maple Laugh Forever, pp. 36, 42-43, 86. Edited by
D. Barbour
and S. Scobie. Edmonton: Hurtig Publishers,1981.
“How
the Hungry are Fed,” (story) Canadian Short Fiction Anthology,
Vol. II,
ed. Paul Belserene. Vancouver: Intermedia, 1981, pp. 127-134.
“Defoe’s
Review and the Reform of Manners Movement,” Neophilologus, 66
(No. 1,
Jan. 1982), 149-159.
Unsnarling
String.
Fiddlehead Poetry Books: Fredericton, 1983. 87 pp
"From
the Middle of the River,” “Roadhockey,” (poems) in Easterly, ed.
Blaine E. Hatt. Don Mills, Ontario: Academic Press,
1983. p. 7.
“The
Grouse,” “Roadhockey,” (poems) in Stubborn Strength, ed. Michael 0.
Nowlan.
Don Mills, Ontario: Academic Press, 1983. pp. 104-105.
“Four
Postcard Stories” (short stories). Prism International 23.1 (1984),
17-18.
/
“Seasonal,”
“The Launching of the Forest P. Waterman,” “The Grave Old Man
Writes a
Book for Children,” (poems) in The Atlantic Anthology,
Vol. 2,
ed. Fred Cogswell. Charlottetown, P.E.I.: Ragweed Press,
1985, pp.
82-85.
“Bolzar,”
“Marshes of Kreng,” “Ray-X,” (stories) in Open Windows:Canadian
Short Stories, Kent Thompson. Kingston, Ontario: Quarry
Press, 1988.
pp. 98-100.
“Taking
Stuff to the Cleaners,” “Love Song,” “Dialogue,” “For the Kids,”
“The Lies
of History,” “The Old Man on a White Bed,” (poems), Cormorant
(Spring,
1989), 15-22.
“Not
Understanding Spoff” (story). The Pottersfield Portfolio, Vol. 14, No.
1
(Spring/Summer,
1992), pp. 62-69.(review).
Charles
and Samuella Shain, eds. The Maine Reader, Boston: Houghton Mifflin,
1991, 552
pp. Fiddlehead No. 172 (Summer 1992),127-132.(poem)
"Dialogue,"
Cormorant (Spring, 1993), p. 79.(poem) "Window Cleaners' Music"
in Let
the Earth Take Note: the first anthology of the National Milton
Acorn Festival
from 1987 to 1991, ed.James Deahl, Charlottetown, PEI:
Milton
Acorn Festival Publishing, 1994.p.45.(review)
"A
Wild and Bumpy Ride," Carl Leggo, Growing Up Perpendicular
On the Side of a Hill (poetry),
in Cormorant, vol. XII, no. 1 (spring 1996),
96-99.(review)
John Updike, In the Beauty of the Lilies,
Knopf, 1995, 491 pp.in New Brunswick Reader,
Saint John Telegraph-Journal,
Saturday, 1996. (review)
"A Total Absorption of Self," Yann Martel,
Self, Alfed A. Knopf Canada, 1996, 331 p.
in New Brunwsick Reader, Saint
John Telegraph, June 29, 1996, p. 19(review))
"'The Same Old Al': Robert Gibbs Selects Alden
Nowlan Columns:" White Madness,
Alden Nowlan, Oberon, 1996, in Fiddlehead
No.194 (Winter 1997), 113-114.(review)
"Long Ago and Far Away": Mark Frutkin,
The Lion of Venice, Beach Holme Publishing,
1997 in Fiddlehead, No. 199 (Spring,
1999),112-114.(review)
"Fun and Heartbreak in Nova Scotia," Maureen
Hull,Righteous Living, Turnstone Press,
1999, in Fiddlehead, no. 206(Winter 2000),
109-111.(review)
"Powerfully Part of the Present," Michael
Crummey, Flesh and Blood, Porcepic, 1998,
Hard Light, Brick, 1998, in Fiddlehead, No. 201 (Autumn
1999), 104-106. (Review)
"Good Body, Good Mind," Bill Gaston, The
Good Body, Cormorant/Stoddart, 2000,
in Fiddlehead No. 208 (Summer 2001),156-158.
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